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childhood in their company
Sovaz: Mistress of Madness
27
(Sivesh, the lover of Azhrarn, for example; Simmu, who once mastered Death) were heard after to
refer to Eshva voices. . . . But it was a figure of speech, it seems. For the daughter of Azhrarn,
she too had known Eshva. They had attended her birth. They had given her demon blood to drink, and
steeped her in an enchanted smoke. Brought here to the island and the hollow cliff, a band of
Eshva had come with her, to serve and tend her. But these Eshva pined. Far from Azhrarn, whom they
loved beyond all things, far from the burning dream of the world that was their dancing floor,
they moved like shadows, and their tears fell. Their tears which said: / despair. They entered a
sort of living death, these immortal beings. The singing cliff seemed full of sad songs.
Sometimes the girl looked at them as if she pitied them. She did not want slaves by her, yet they
might not leave. But who would guess if she pitied them? And she would not say.
She entered Underearth as a tiny child, though seeming already older and more formed than a human
infant. Exposed to the aura of Azhrarn's kingdom, she fell for a while into a kind of daze, and
then years came upon her like whirlwinds, twisting and pulling at her, speeding her growth so
rapidly that sometimes her skin itself was torn by her bones, and her dark blood—demon's blood—ran
and gushed on the ground. When it happened, she cried out, she screamed, for she had a voice to
use for this. In the length of seventeen mortal days—hours, moments, in the Underearth—she grew to
be some seventeen years.
At this time, the Eshva had attempted to console her. They had soothed her, caressed her, brushing
her with their hair, drugging her with their perfumed sighs. When the terrible process stopped,
accomplished, and did not resume, still for a while they seemed to wish to divert her. But she
became an icon then, awake yet sleeping. A closed door. And gradually the Eshva dropped away from
her like moths with broken wings.
They wandered the island, her servitors, her fellow prisoners and exiles. Their noiseless ennui
and wretchedness soon embued every valley and height of it. She was, after all, Vazdru, a
princess. The leaden nothingness she had
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DELIRIUM'S MISTRESS
succumbed to bruised and damaged them. They paled, they faded.
She, too, sometimes traversed the island. But even as she walked, she slept. Somnambulist, she
would hesitate on the brink of some precipice, from which, being what she was, no doubt in any
case she could not fall. Or, hearing the music of her cliff in the distance, she might turn her
head. But when the mist about the island thinned a little, and the Eshva would creep gracefully
down to the shore and stand there, gazing to the sea beyond, she did not stir.
No doubt, too, she had learned many things without any tutor, had been born, even, with knowledge
denied to humankind. No doubt too and too, she did not know what knowledge was, or its value. Nor
what she herself was or might be. That she remembered her beginning, the mother who had told
stories to her while she was yet in the womb, the awful death of that mother, her own first
abandonment to men, her second to the island, so much is unarguable. Yet even these memories did
not seem to move her to any expression. Even if she was aware of it, she did not know what she
was. How then could she express anything?
She lay on her royal bed in the Underearth, three days away, or three thousand years away, from
Druhim Vanashta. Perhaps she even felt, like the dim echo of some gigantic exploding star, the
resonance of Azhrarn's mourning. But if she did, it gave her nothing, it asked nothing, it turned
its face from her.
And so she was—or so she was not.
"HE IS NOT a bad son," said the widow. She wrung her hands and paced up and down. "Those that
speak of him, speak well. But then they were afraid of the master he serves. They will not speak
ill of my son for fear it should seem they speak ill of Prince Lak. But they look askance. Do you
hear much from your Oloru, they say, and their eyes say, He is a cheat and a deceiver, a buffoon
of the court who practices all its vices." She sat down in a chair. Her elder daughter, who had
heard her mother pacing and come in to comfort her, now took the widow's hand. "But I say this,"
said the widow, "it is a weakness in him. Only a weakness. Do we blame a man who is born without
sight, or a man whose leg is broken and who walks crookedly thereafter? Why then blame a boy whose
spirit is unable to see and whose nature has been warped? Can he help it any more than the poor
blind man or the unlucky cripple?"
"There, there, Mother," said the daughter, who was young and fair and golden, somewhat like Oloru
himself.
"You are a good girl," said the mother. "Both good girls. But oh, my son."
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