Charles Stross - Concrete

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Copyright © 2004 by Charles Stross.
Reprinted with permission from The Atrocity Archives
Golden Gryphon Press, 2004, ISBN 1-930846-25-8
This work is licensed under a Creative Commons License.
The Concrete Jungle
by Charles Stross
http://www.antipope.org/charlie/
The death rattle of a mortally wounded telephone is a horrible thing to
hear at four o'clock on a Tuesday morning. It's even worse when you're
sleeping the sleep that follows a pitcher of iced margueritas in the
basement of the Dog's Bollocks, with a chaser of nachos and a tequila
slammer or three for dessert. I come to, sitting upright, bare-ass naked in
the middle of the wooden floor, clutching the receiver with one hand and
my head with the other — purely to prevent it from exploding, you
understand — and moaning quietly. Who is it? I croak into the
microphone.
Bob, get your ass down to the office right away. This line isn't secure. I
recognize that voice: I have nightmares about it. That's because I work
for its owner.
Whoa, I was asleep, boss. Can't it — I gulp and look at the alarm clock
— wait until morning?
No. I'm calling a code blue.
Jesus. The band of demons stomping around my skull strike up an encore
with drums. Okay, boss. Ready to leave in ten minutes. Can I bill a taxi
fare?
No, it can't wait. I'll have a car pick you up. He cuts the call, and that is
when I start to get frightened because even Angleton, who occupies a lair
deep in the bowels of the Laundry's Arcana Analysis Section — but does
something far scarier than that anodyne title might suggest — is liable to
think twice before authorising a car to pull in an employee at zero-dark
o'clock.
I manage to pull on a sweater and jeans, tie my shoelaces, and get my ass
downstairs just before the blue and red strobes light up the window
above the front door. On the way out I grab my emergency bag — an
overnighter full of stuff that Andy suggested I should keep ready, just in
case — and slam and lock the door and turn around in time to find the
cop waiting for me. Are you Bob Howard?
Yeah, that's me. I show him my card.
If you'll come with me, sir.
Lucky me: I get to wake up on my way in to work four hours early, in
the front passenger seat of a police car with strobes flashing and the
driver doing his best to scare me into catatonia. Lucky London: the
streets are nearly empty at this time of night, so we zip around the feral
taxis and somnolent cleaning trucks without pause. A journey that would
normally take an hour and a half takes fifteen minutes. (Of course, it
comes at a price: Accounting exists in a state of perpetual warfare with
the rest of the civil service over internal billing, and the Metropolitan
Police charge for their services as a taxi firm at a level that would make
you think they provided limousines with wet bars. But Angleton has
declared a code blue, so . . .)
The dingy-looking warehouse in a side street, adjoining a closed former
primary school, doesn't look too promising — but the door opens before
I can raise a hand to knock on it. The grinning sallow face of Fred from
Accounting looms out of the darkness in front of me and I recoil before I
realise that it's all right — Fred's been dead for more than a year, which
is why he's on the night shift. This isn't going to degenerate into plaintive
requests for me to fix his spreadsheet. Fred, I'm here to see Angleton, I
say very clearly, then I whisper a special password to stop him from
eating me. Fred retreats back to his security cubbyhole or coffin or
whatever it is you call it, and I cross the threshold of the Laundry. It's
dark — to save light bulbs, and damn the health and safety regs — but
some kind soul has left a mouldering cardboard box of hand torches on
the front desk. I pull the door shut behind me, pick up a torch, and head
for Angleton's office.
As I get to the top of the stairs I see that the lights are on in the corridor
we call Mahogany Row. If the boss is running a crisis team then that's
where I'll find him. So I divert into executive territory until I see a door
with a red light glowing above it. There's a note taped to the door handle:
BOB HOWARD ACCESS PERMITTED. So I access permitted and walk
right in.
As soon as the door opens Angleton looks up from the map spread across
the boardroom table. The room smells of stale coffee, cheap cigarettes,
and fear. You're late, he says sharply.
Late, I echo, dumping my emergency bag under the fire extinguisher and
leaning on the door. 'Lo, Andy, Boris. Boss, I don't think the cop was
taking his time. Any faster and he'd be billing you for brown stain
removal from the upholstery. I yawn. What's the picture?
Milton Keynes, says Andy.
Are sending you there to investigate, explains Boris.
With extreme prejudice, Angleton one-ups them.
Milton Keynes?
It must be something in my expression; Andy turns away hastily and
pours me a cup of Laundry coffee while Boris pretends it's none of his
business. Angleton just looks as if he's bitten something unpleasant,
which is par for the course.
We have a problem, Angleton explains, gesturing at the map. There are
too many concrete cows.
Concrete cows. I pull out a chair and flop down into it heavily, then rub
my eyes. This isn't a dream is it, by any chance? No? Shit.
Boris glowers at me: Not a joke. He rolls his eyes toward Angleton.
Boss?
It's no joke, Bob, says Angleton. His normally skeletal features are even
more drawn than usual, and there are dark hollows under his eyes. He
looks as if he's been up all night. Angleton glances at Andy: Has he been
keeping his weapons certification up-to-date?
I practice three times a week, I butt in, before Andy can get started on the
intimate details of my personal file. Why?
Go down to the armoury right now, with Andy. Andy, self-defense kit
for one, sign it out for him. Bob, don't shoot unless it's you or them.
Angleton shoves a stack of papers and a pen across the table at me. Sign
the top and pass it back — you now have GAME ANDES REDSHIFT
clearance. The files below are part of GAR — you're to keep them on
your person at all times until you get back here, then check them in via
Morag's office; you'll answer to the auditors if they go missing or get
copied.
Huh?
I obviously still look confused because Angleton cracks an expression so
frightening that it must be a smile and adds, Shut your mouth, you're
drooling on your collar. Now, go with Andy, check out your hot kit, let
Andy set you up with a chopper, and read those papers. When you get to
Milton Keynes, do what comes naturally. If you don't find anything,
come back and tell me and we'll take things from there.
But what am I looking for? I gulp down half my coffee in one go; it
tastes of ashes, stale cigarette ends, and tinned instant left over from the
Retreat from Moscow. Dammit, what do you expect me to find?
I don't expect anything, says Angleton. Just go.
Come on, says Andy, opening the door, you can leave the papers here for
now.
I follow him into the corridor, along to the darkened stairwell at the end,
and down four flights of stairs into the basement. Just what the fuck is
this? I demand, as Andy produces a key and unlocks the steel-barred gate
in front of the security tunnel.
It's GAME ANDES REDSHIFT, kid, he says over his shoulder. I follow
him into the security zone and the gate clanks shut behind me. Another
key, another steel door — this time the outer vestibule of the armoury.
Listen, don't go too hard on Angleton, he knows what he's doing. If you
go in with preconceptions about what you'll find and it turns out to be
GAME ANDES REDSHIFT, you'll probably get yourself killed. But I
reckon there's only about a 10 percent chance it's the real thing — more
likely it's a drunken student prank.
He uses another key, and a secret word that my ears refuse to hear, to
open the inner armoury door. I follow Andy inside. One wall is racked
with guns, another is walled with ammunition lockers, and the opposite
wall is racked with more esoteric items. It's this that he turns to.
A prank, I echo, and yawn, against my better judgement. Jesus, it's half
past four in the morning and you got me out of bed because of a student
prank?
Listen. Andy stops and glares at me, irritated. Remember how you came
aboard? That was me getting out of bed at four in the morning because of
a student prank.
Oh, is all I can say to him. Sorry springs to mind, but is probably
inadequate; as they later pointed out to me, applied computational
demonology and built-up areas don't mix very well. I thought I was just
generating weird new fractals; they knew I was dangerously close to
landscaping Wolverhampton with alien nightmares. What kind of
students? I ask.
Architecture or alchemy. Nuclear physics for an outside straight. Another
word of command and Andy opens the sliding glass case in front of some
gruesome relics that positively throb with power. Come on. Which of
these would you like?
I think I'll take this one, thanks. I reach in and carefully pick up a silver
locket on a chain; there's a yellow-and-black thaumaturgy hazard trefoil
on a label dangling from it, and NO PULL ribbons attached to the clasp.
Good choice. Andy watches me in silence as I add a Hand of Glory to
my collection, and then a second, protective amulet. That all? he asks.
That's all, I say, and he nods and shuts the cupboard, then renews the seal
on it.
Sure? he asks.
I look at him. Andy is a slightly built, forty-something guy; thin, wispy
hair, tweed sports jacket with leather patches at the elbows, and a
perpetually worried expression. Looking at him you'd think he was an
Open University lecturer, not a managerial-level spook from the
Laundry's active service division. But that goes for all of them, doesn't
it? Angleton looks more like a Texan oil-company executive with
tuberculosis than the legendary and terrifying head of the Counter-
Possession Unit. And me, I look like a refugee from CodeCon or a dot-
com startup's engineering department. Which just goes to show that
appearances and a euro will get you a cup of coffee. What does this code
blue look like to you? I ask.
He sighs tiredly, then yawns. Damn, it's infectious, he mutters. Listen, if
I tell you what it looks like to me, Angleton will have my head for a
doorknob. Let's just say, read those files on the way over, okay? Keep
your eyes open, count the concrete cows, then come back safe.
Count the cows. Come back safe. Check. I sign the clipboard, pick up my
arsenal, and he opens the armoury door. How am I getting there?
Andy cracks a lopsided grin. By police helicopter. This is a code blue,
remember?
I go up to the committee room, collect the papers, and then it's down to
the front door, where the same police patrol car is waiting for me. More
brown-pants motoring — this time the traffic is a little thicker, dawn is
only an hour and a half away — and we end up in the northeast suburbs,
following the roads to Lippitts Hill where the Police ASU keep their
choppers. There's no messing around with check in and departure
lounges; we drive round to a gate at one side of the complex, show our
warrant cards, and my chauffeur takes me right out onto the heliport and
parks next to the ready room, then hands me over to the flight crew
before I realise what's happening.
You're Bob Howard? asks the copilot. Up here, hop in. He helps me into
the back seat of the Twin Squirrel, sorts me out with the seat belt, then
hands me a bulky headset and plugs it in. We'll be there in half an hour,
he says. You just relax, try to get some sleep. He grins sardonically then
shuts the door on me and climbs in up front.
Funny. I've never been in a helicopter before. It's not quite as loud as I'd
expected, especially with the headset on, but as I've been led to expect
something like being rolled down a hill in an oil drum while maniacs
whack on the sides with baseball bats, that isn't saying much. Get some
sleep indeed; instead I bury my nose in the so-secret reports on GAME
ANDES REDSHIFT and try not to upchuck as the predawn London
landscape corkscrews around outside the huge glass windscreen and then
starts to unroll beneath us.
REPORT 1: Sunday September 4th, 1892
CLASSIFIED MOST SECRET, Imperial War
Ministry, September 11th, 1914
RECLASSIFIED TOP SECRET GAME ANDES,
Ministry of War, July 2nd, 1940
RECLASSIFIED TOP SECRET REDSHIFT,
Ministry of Defense, August 13th, 1988
My dearest Nellie,
In the week since I last wrote to you, I have to confess
that I have become a different man. Experiences such as
the ordeal I have just undergone must surely come but
once in a lifetime; for if more often, how might man
survive them? I have gazed upon the gorgon and lived to
tell the tale, for which I am profoundly grateful (and I
hasten to explain myself before you worry for my safety),
although only the guiding hand of some angel of grace
can account for my being in a position to put ink to paper
with these words.
I was at dinner alone with the Mehtar last Tuesday
evening — Mr Robertson being laid up, and Lieutenant
Bruce off to Gilgut to procure supplies for his secret
expedition to Lhasa — when we were interrupted most
rudely at our repast. Holiness! The runner, quite
breathless with fear, threw himself upon his knees in front
of us. Your brother . . . ! Please hasten, I implore you!
His excellency Nizam ul-Mulk looked at me with that
wicked expression of his: he bears little affection for his
brutish hulk of a brother, and with good reason. Where
the Mehtar is a man of refined, albeit questionable
sensibilities, his brother is an uneducated coarse hill-man,
one step removed from banditry. Chittral can very well do
without his kind. What has happened to my beloved
brother? asked ul-Mulk.
At this point the runner lapsed into a gabble that I
could barely understand. With patience the Mehtar drew
him out — then frowned. Turning to me, he said, We
have a — I know not the word for it in English, excuse
please. It is a monster of the caves and passes who preys
upon my people. My brother has gone to hunt it, but it
appears to have got the better of him.
A mountain lion? I said, misunderstanding.
No. He looked at me oddly. May I enquire of you,
Captain, whether Her Majesty's government tolerates
monsters within her empire?
Of course not!
Then you will not object to joining me in the hunt?
I could feel a trap closing on me, but could not for the
life of me see what it might be. Certainly, I said. By Jove,
old chap, we'll have this monster's head mounted on your
trophy room wall before the week is out!
I think not, Nizam said coolly. We burn such things
here, to drive out the evil spirit that gave rise to them.
Bring you your mirror, tomorrow?
My — Then I realised what he was talking about, and
what deadly jeopardy I had placed my life in, for the
honour of Her Majesty's government in Chittral: he was
talking about a Medusa. And although it quite unmans me
to confess it, I was afraid.
The next day, in my cramped, windowless hut, I rose with
the dawn and dressed for the hunt. I armed myself, then
told Sergeant Singh to ready a squad of troopers for the
hunt.
What is the quarry, sahib? he asked.
The beast that no man sees, I said, and the normally
imperturbable trooper flinched.
The men won't like that, sir, he said.
They'll like it even less if I hear any words from them,
I said. You have to be firm with colonial troops: they have
only as much backbone as their commanding officer.
I'll tell them that, sahib, he said and, saluting, went to
ready our forces.
The Mehtar's men gathered outside; an unruly bunch of
hill-men, armed as one might expect with a mix of
flintlocks and bows. They were spirited, like children,
excitable and bickering; hardly a match for the order of
my troopers and I. We showed them how it was done!
Together with the Mehtar at our head, kestrel on his wrist,
we rode out into the cold bright dawn and the steep-sided
mountain valley.
We rode for the entire morning and most of the
afternoon, climbing up the sides of a steep pass and then
between two towering peaks clad in gleaming white snow.
The mood of the party was uncommonly quiet, a sense of
apprehensive fortitude settling over the normally ebullient
Chittrali warriors. We came at last to a mean-spirited
hamlet of tumbledown shacks, where a handful of
scrawny goats grazed the scrubby bushes; the hetman of
the village came to meet us, and with quavering voice
directed us to our destination.
It lies thuswise, remarked my translator, adding: The
old fool, he say it is a ghost-bedevilled valley, by God! He
say his son go in there two, three days ago, not come out.
Then the Mehtar — blessed be he — his brother follow
with his soldiers. And that two days ago.
Hah. Well, I said, tell him the great white empress sent
me here with these fine troops he sees, and the Mehtar
himself and his nobles, and we aren't feeding any
monster!
The translator jabbered at the hetman for a while, and
he looked stricken. Then Nizam beckoned me over. Easy,
old fellow, he said.
As you say, your excellency.
He rode forward, beckoning me alongside. I felt the
need to explain myself further: I do not believe one
gorgon will do for us. In fact, I do believe we will do for
it!
It is not that which concerns me, said the ruler of the
small mountain kingdom. But go easy on the hetman. The
monster was his wife.
We rode the rest of the way in reflective silence, to the
valley where the monster had built her retreat, the only
noises the sighing of wind, the thudding of hooves, and
the jingling of our kits. There is a cave halfway up the
wall of the valley, here, said the messenger who had
summoned us. She lives there, coming out at times to
drink and forage for food. The villagers left her meals at
first, but in her madness she slew one of them, and then
they stopped.
Such tragic neglect is unknown in England, where the
poor victims of this most hideous ailment are confined in
mazed bedlams upon their diagnosis, blindfolded lest they
kill those who nurse them. But what more can one expect
of the half-civilized children of the valley kingdoms, here
on the top of the world?
The execution — for want of a better word —
proceeded about as well as such an event can, which is to
say that it was harrowing and not by any means enjoyable
in the way that hunting game can be. At the entrance to
the small canyon where the woman had made her lair, we
paused. I detailed Sergeant Singh to ready a squad of
rifles; their guns loaded, they took up positions in the
rocks, ready to beat back the monster should she try to
rush us.
Having thus prepared our position, I dismounted and,
joining the Mehtar, steeled myself to enter the valley of
death.
I am sure you have read lurid tales of the appalling
scenes in which gorgons are found; charnel houses strewn
with calcined bodies, bones protruding in attitudes of
agony from the walls as the madmen and madwomen who
slew them gibber and howl among their victims. These
tales are, I am thankful to say, constructed out of whole
cloth by the fevered imaginations of the degenerate
scribblers who write for the penny dreadfuls. What we
found was both less — and much worse — than that.
We found a rubble-strewn valley; in one side of it a
cave, barely more than a cleft in the rock face, with a
tumbledown awning stretched across its entrance. An old
woman sat under the awning, eyes closed, humming to
herself in an odd singsong. The remains of a fire lay in
front of her, logs burned down to white-caked ashes; she
seemed to be crying, tears trickling down her sunken,
wrinkled cheeks.
The Mehtar gestured me to silence, then, in what I only
later recognized as a supremely brave gesture, strode up
to the fire. Good evening to you, my aunt, and it would
please me that you keep your eyes closed, lest my guards
be forced to slay you of an instant, he said.
The woman kept up her low, keening croon — like a
wail of grief from one who has cried until her throat is
raw and will make no more noise. But her eyes remained
obediently shut. The Mehtar crouched down in front of
her.
Do you know who I am? he asked gently.
The crooning stopped. You are the royal one, she said,
her voice a cracked whisper. They told me you would
come.
Indeed I have, he said, a compassionate tone in his
voice. With one hand he waved me closer. It is very sad,
what you have become.
It hurts. She wailed quietly, startling the soldiers so
that one of them half-rose to his feet. I signalled him back
down urgently as I approached behind her. I wanted to see
my son one more time . . .
It is all right, aunt, he said quietly. You'll see him soon
enough. He held out a hand to me; I held out the leather
bag and he removed the mirror. Be at peace, aunt. An end
to pain is in sight. He held the mirror at arms length in
front of his face, above the fire before her: Open your
eyes when you are ready for it.
She sobbed once, then opened her eyes.
I didn't know what to expect, dear Nellie, but it was
not this: somebody's aged mother, crawling away from
her home to die with a stabbing pain in her head,
surrounded by misery and loneliness. As it is, her
monarch spared her the final pain, for as soon as she
looked into the mirror she changed. The story that the
gorgon kills those who see her by virtue of her ugliness is
untrue; she was merely an old woman — the evil was
something in her gaze, something to do with the act of
perception.
As soon as her eyes opened — they were bright blue,
for a moment — she changed. Her skin puffed up and her
hair went to dust, as if in a terrible heat. My skin prickled;
it was as if I had placed my face in the open door of a
furnace. Can you imagine what it would be like if a body
were to be heated in an instant to the temperature of a
blast furnace? For that is what it was like. I will not
describe this horror in any detail, for it is not fit material
for discussion. When the wave of heat cleared, her body
toppled forward atop the fire — and rolled apart, yet more
calcined logs amidst the embers.
The Mehtar stood, and mopped his brow. Summon
your men, Francis, he said, they must build a cairn here.
A cairn? I echoed blankly.
For my brother. He gestured impatiently at the fire into
which the unfortunate woman had tumbled. Who else do
you think this could have been?
A cairn was built, and we camped overnight in the
village. I must confess that both the Mehtar and I have
been awfully sick since then, with an abnormal rapidity
that came on since the confrontation. Our men carried us
back home, and that is where you find me now, lying abed
摘要:

Copyright©2004byCharlesStross.ReprintedwithpermissionfromTheAtrocityArchivesGoldenGryphonPress,2004,ISBN1-930846-25-8ThisworkislicensedunderaCreativeCommonsLicense.TheConcreteJunglebyCharlesStrosshttp://www.antipope.org/charlie/Thedeathrattleofamortallywoundedtelephoneisahorriblethingtohearatfouro'c...

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