civilization-a loose confederation of races that's been in existence for millennia. Maybe we were
lucky. It could easily have taken a couple more centuries. Maybe not, though. My feelings were,
and still are, mixed. How can you go a little bit higher after something that anticlimactic?
They've given us the technical know-how to build pumpkin-proof ships of our own. They've also
warned us off a lot of celestial real estate. They've granted us a place in their exchange
program, where we're bound to make a poor showing. Changes will be coming faster and faster in the
years ahead. The world may even begin to change at a noticeable rate. What then? Once that petty-
pace quality is lost, everyone may wind up as bewildered as a drunken old nightclimber on a
cathedral who has been vouchsafed a glimpse of the clicking gear teeth between himself here and
the towers of Cambridge there, wherever. What then? See the mainspring and turn to pumpkins?
Retire? Alkaid, Mizar, Alioth, Megrez, Phecda, Merak and Dubhe . . . They have been there. They
know them. Perhaps, deep down inside, I wanted us to be alone in the cosmos-to claim all of that
for ourselves. Or any aliens encountered, a little behind us in everything. Greedy, proud, selfish
. . . True. Now, though, we're the provincials, God help us! Enough left to drink to our health.
Good! Here's to it! I spit into the face of Time that has transfigured me!"
Offhand, I could think of nothing to say, so I said nothing. Part of me wanted to agree with
him, but only part. For that matter, part of me sort of wished he had not finished off the brandy.
After a time he said, "I don't think I'll be doing any more climbing tonight," and I reckoned
that a good idea. I had decided against further altitude myself, and, wheeling, we narrowed our
gyre, down and around and down, and I saw the good man home.
Bits and pieces. Pieces-
I caught the tag end of the late late news before turning in. A fog-dispelling item involved a
Paul Byler, Professor of Geology, set upon by vandals in Central Park earlier that evening, who,
in addition to whatever money he was carrying, had been deprived by the rascals of heart, liver,
kidneys and lungs.
Some upwelling in the dark fishbowl atop the spine later splashed dreams, patterns memory-
resistant as a swirl of noctilucae, across consciousness' thin, transparent rim, save for the
kinesthetic/synesthetic DO YOU FEEL ME LED? which must have lasted a timeless time longer than the
rest, for later, much later, morning's third coffee touched it to a penny's worth of spin, of
color.
Doorways in the Sand
Chapter 3
Sunflash, some splash. Darkle. Stardance.
Phaeton's solid gold Cadillac crashed where there was no ear to hear, lay burning, flickered,
went out. Like me.
At least, when I woke again it was night and I was a wreck.
Lying there, bound with rawhide straps, spread-eagle, sand and gravel for pillow as well as
mattress, dust in my mouth, nose, ears and eyes, dined upon by vermin, thirsty, bruised, hungry
and shaking, I reflected on the words of my onetime adviser, Doctor Merimee: "You are a living
example of the absurdity of things."
Needless to say, his specialty was the novel, French, mid-twentieth century. Yet, yet do those
lens-distorted eyes touch like spikes the extremities of my condition. Despite his departure from
the university long ago under the cloud of a scandal involving a girl, a dwarf and a donkey-or
perhaps because of this-Merimee has, over the years, come to occupy something of an oracular
position in my private cosmos, and his words often return to me in contexts other than that of the
preregistration interview. The hot sands had shouted them through me all afternoon, then night's
frigid breezes had whispered the motto at the overdone lamb chop, my ear: "You are a living
example of the absurdity of things."
Open to a variety of interpretations when you stop to think about it, and I had plenty of time
to, just then. On the one hand, it could put me on the side of the things. On the other, the
living. Or, perhaps, on the other, the absurdity.
Oh yes. Hands . . .
I tried flexing my fingers, wasn't sure they obeyed. Could be they weren't really there and I
was feeling a faint phantom limb effect. Just in case they still were, I thought about gangrene
for a while.
Damn. And again. Frustrating, this.
The semester had opened and I had departed. After making arrangements to mail my advanced
baskets to my audible partner Ralph at the crafts shop, I had headed west, tarrying equally in San
Francisco, Honolulu, Tokyo. A pair of peaceful weeks had passed. Then a brief stay in Sydney. Just
long enough to get into trouble climbing around that fish-swallowing-fish-swallowing-fish opera
house they have out on Bennelong Point overlooking the harbor. I left town with a limp and a
reprimand. Flew to Alice Springs. Picked up the air scooter I had ordered. Took off in the early
morning before the full heat of day and light of reason made their respective ways into the world.
The countryside struck me as a good place to send trainee saints to get what was coming to them.
It took several hours to locate the site and a few more to dig in and set things up. I did not
anticipate a long stay.
There are carvings on the cliff walls, quite old, covering around 1,600 square feet. The
aborigines in the area disclaim any knowledge of their origin or purpose. I had seen photographs,
but I had wanted to view the real thing, try some shots of my own, take rubbings and do a little
digging around.
I got into the shade of my shelter, sipped sodas and tried to think cool thoughts as I
regarded the work on the rock. While I seldom indulge in graffiti, verbal or pre-, I have always
felt something of empathy for those who scale walls and make their marks on them. The farther back
you go, the more interesting the act becomes. Now it may be true, as some have claimed, that the
impulse was first felt in the troglodytic equivalent of the john and that cave drawings got
started this way, as a kind of pictorial sublimation of an even more primitive evolutionary means
of marking one's territory. Nevertheless, when somebody started climbing around on walls and
mountainsides to do it, it seems pretty obvious that it had grown from a pastime into an art form.
I have often thought of that first guy with a mastodon in his head, staring at a cliff face or
cave wall, and I have wondered what it was that set him suddenly to climbing and scraping away-
what it felt like. Also, what the public's reaction was. Perhaps they made sufficient holes in him
to insure the egress of the spirits behind it all. Or perhaps the bold initiative involved was
present in greater abundance then, awaiting only the proper stimulus, and a bizarre response was
considered as common as the wriggling of one's ears. Impossible to say. Difficult not to care.
Whatever, I took photographs that afternoon, dug holes that evening and the following morning.
Spent most of the second day taking rubbings and more photos. Continued my base trench at daysend,
coming across what seemed the pieces of a blunted stone chisel. Nothing quite that interesting
turned up the next morning, though I kept at the digging long past the hour I had marked for
quitting.
I retired to the shade then to nurse blisters and restore my balance of liquids while I wrote
up the day's doings to that point along with some fresh thoughts that had occurred to me
concerning the entire enterprise. I broke for lunch around one o'clock and doodled in my notebook
again for a time afterward.
It was a little after three when a skycar passed overhead, then turned back, descending. This
troubled me a bit, as I had absolutely no official authorization for what I was doing. On some
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