Tamora Pierce - The Circle Opens Quartet Vol. 2 - Street Magic
store of powerful medicines and herbal ingredients that would hold them for a year, two if they
were careful. After weeks of intense magical labor, Briar decided he owed himself a treat.
He approached the giant, enclosed arcades that held the souks, or markets, of Golden House and
the Grand Bazaar with his hands in his pockets, whistling. He looked like many local males in his
linen shirt, baggy trousers made from lightweight wool, and boots. His golden brown skin was
vivid against the cream-colored linen. He wore no turban or hat as the Chammuri men and boys
did, but left his black, coarse-cut hair uncovered. His thin-bladed nose might have come from any
family native to the area. Even his gray-green eyes could have come of a match between a local
and a passing merchant: races mingled here every bit as freely as they did in Briar's former homes
of Hajra and Summersea.
His destination was Golden House. He'd been in and out of the Grand Bazaar for weeks, buying
oils, dried imported herbs, cloth for bags and jars, all for his work at the Water temple. Shopping
there had given him the chance to look over the big and lesser specialty markets of the Bazaar. It
wasn't until he'd tried to arrange for a day and a booth from which to sell his miniature trees that
he learned of Golden House. That was the place for him, the men who sold booth spaces had
explained. In Golden House buyers found mages and magical supplies, precious metals, rare
woods like ebony and sandalwood, jewelry, and precious and semiprecious stones. Briar's
miniature trees, which were not only works of art but were also shaped to draw particular magical
influences to a home, belonged in Golden House.
By the time Briar had made arrangements for a stall there, he'd had to rush to be home for supper.
Today he wanted a good look at Chammur's wealthiest marketplace.
As he approached the two muscular guards at the door, he smiled impishly at them. They stirred,
wary. He knew he looked like a student, perhaps, or even a merchant's son, in clothes that were
very well made by his friends in Summersea. He was even wearing boots. The guards had no real
reason to bar him from entering, no matter how loudly their instincts might shout that he had the
air of a thief.
"Hands," one of them said when Briar would have strolled by.
He held them out, palm-down, and sighed. The guard who had spoken looked for jailhouse
tattoos, and saw a riot of leafy vines that went from under Briar's nails up to his wrists. The guard
blinked, looked into Briar's eyes, looked at his hands again, and nudged his partner. The other
man looked at Briar's hands, blinked, met the boy's eyes, then stared at those vines again.
Briar was used to it. At one time he had indeed had prison tattoos, a black ink X etched into the
web of skin between the thumb and forefinger of each hand. In most countries, they marked two
arrests and convictions for theft. When Briar turned thirteen, he'd gotten tired of being turned
away from places or followed in them. Without consulting Rosethorn, he'd brewed some
vegetable dyes and borrowed his friend Sandry's best needles. His plan had been to create a
flowering vine tattoo to blot out the telltale Xs. He had not realized that vegetable dyes, exposed
to his green magic, might not stay under his control. The final, colorful result blotted out the
jailhouse tattoos as surely as if those crude black Xs had never existed. The new designs also
made Briar's hands into miniature, often-changing gardens that were far more conspicuous than
his old tattoos.
"Hey, they moved—and they're moving under the fingernails," one guard exclaimed, pointing. He
looked at Briar. "Don't that hurt?"
"No," Briar said patiently, used to the reaction and the comment. "But my arms do when I have to
keep holding them out like this."
Both guards scowled and waved him into the souk. Briar tucked his gaudy hands in his pockets
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