Gibson William - Pattern Recognition

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2024-12-23 0 0 940.87KB 511 页 5.9玖币
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1
PATTERN RECOGNITION
by
WILLIAM GIBSON
1. THE WEBSITE OF DREADFUL NIGHT
Five hours' New York jet lag and Cayce Pollard wakes in Camden
Town to the dire and ever-circling wolves of disrupted circadian
rhythm.
It is that flat and spectral non-hour, awash in limbic tides,
brainstem stirring fitfully, flashing inappropriate reptilian
demands for sex, food, sedation, all of the above, and none
really an option now.
2
Not even food, as Damien's new kitchen is as devoid of edible
content as its designers' display windows in Camden High
Street. Very handsome, the upper cabinets faced in canary-
yellow laminate, the lower with lacquered, unstained apple-ply.
Very clean and almost entirely empty, save for a carton
containing two dry pucks of Weetabix and some loose packets
of herbal tea. Nothing at all in the German fridge, so new that
its interior smells only of cold and long-chain monomers.
She knows, now, absolutely, hearing the white noise that is
London, that Damien's theory of jet lag is correct: that her
mortal soul is leagues behind her, being reeled in on some
ghostly umbilical down the vanished wake of the plane that
brought her here, hundreds of thousands of feet above the
Atlantic. Souls can't move that quickly, and are left behind, and
must be awaited, upon arrival, like lost luggage.
She wonders if this gets gradually worse with age: the
nameless hour deeper, more null, its affect at once stranger and
less interesting?
Numb here in the semi-dark, in Damien's bedroom, beneath a
silvery thing the color of oven mitts, probably never intended
by its makers to actually be slept under. She'd been too tired to
find a blanket. The sheets between her skin and the weight of
this industrial coverlet are silky some luxurious thread count,
and they smell faintly of, she guesses,
3
Damien. Not badly, though. Actually it's not unpleasant; any
physical linkage to a fellow mammal seems a plus at this point.
Damien is a friend.
Their boy-girl Lego doesn't click, he would say.
Damien is thirty, Cayce two years older, but there is some
carefully insulated module of immaturity in him, some shy and
stubborn thing that frightened the money people. Both have
been very good at what they've done, neither seeming to have
the least idea of why.
Google Damien and you will find a director of music videos and
commercials. Google Cayce and you will find "coolhunter," and
if you look closely you may see it suggested that she is a
"sensitive" of some kind, a dowser in the world of global
marketing.
Though the truth, Damien would say, is closer to allergy, a
morbid and sometimes violent reactivity to the semiotics of the
marketplace.
Damien's in Russia now, avoiding renovation and claiming to be
shooting a documentary. Whatever faintly lived-in feel the
place now has, Cayce knows, is the work of a production
assistant.
4
She rolls over, abandoning this pointless parody of sleep.
Gropes for her clothes. A small boy's black Fruit Of The Loom T-
shirt, thoroughly shrunken, a thin gray V-necked pullover
purchased by the half-dozen from a supplier to New England
prep schools, and a new and oversized pair of black 501's, every
trademark carefully removed. Even the buttons on these have
been ground flat, featureless, by a puzzled Korean locksmith, in
the Village, a week ago.
The switch on Damien's Italian floor lamp feels alien: a
different click, designed to hold back a different voltage, foreign
British electricity.
Standing now, stepping into her jeans, she straightens,
shivering.
Mirror-world. The plugs on appliances are huge, triple-pronged,
for a species of current that only powers electric chairs, in
America. Cars are reversed, left to right, inside; telephone
handsets have a different weight, a different balance; the covers
of paperbacks look like Australian money.
Pupils contracted painfully against sun-bright halogen, she
squints into an actual mirror, canted against a gray wall,
awaiting hanging, wherein she sees a black-legged, disjointed
puppet, sleep-hair poking up like a toilet brush. She grimaces at
it, thinking for some reason of a boyfriend who'd insisted on
comparing her to Helmut Newton's nude portrait of Jane Birkin.
5
In the kitchen she runs tap water through a German filter, into
an Italian electric kettle. Fiddles with switches, one on the
kettle, one on the plug, one on the socket. Blankly surveys the
canary expanse of laminated cabinetry while it boils. Bag of
some imported Californian tea substitute in a large white mug.
Pouring boiling water.
In the flat's main room, she finds that Damien's faithful Cube is
on, but sleeping, the night-light glow of its static switches
pulsing gently. Damien's ambivalence toward design showing
here: He won't allow decorators through the door unless they
basically agree to not do that which they do, yet he holds on to
this Mac for the way you can turn it upside down and remove
its innards with a magic little aluminum handle. Like the sex of
one of the robot girls in his video, now that she thinks of it.
She seats herself in his high-backed workstation chair and
clicks the transparent mouse. Stutter of infrared on the pale
wood of the long trestle table. The browser comes up. She types
Fetish:Footage:Forum, which Damien, determined to avoid
contamination, will never bookmark.
The front page opens, familiar as a friend's living room. A
frame-grab from #48serves as backdrop, dim and almost
monochrome, no characters in view. This is one of the
sequences that generate comparisons with Tarkovsky. She only
knows Tarkovsky from stills, really, though she did once fall
asleep during a screening of The Stalker, going under on an
endless pan, the camera aimed straight down, in close-up, at a
6
puddle on a ruined mosaic floor. But she is not one of those
who think that much will be gained by analysis of the maker's
imagined influences. The cult of the footage is rife with
subcults, claiming every possible influence. Truffaut,
Peckinpah… The Peckinpah people, among the least likely, are
still waiting for the guns to be drawn.
She enters the forum itself now, automatically scanning titles of
the posts and names of posters in the newer threads, looking
for friends, enemies, news. One thing is clear, though; no new
footage has surfaced. Nothing since that beach pan, and she
does not subscribe to the theory that it is Cannes in winter.
French footageheads have been unable to match it, in spite of
countless hours recording pans across approximately similar
scenery.
She also sees that her friend Parkaboy is back in Chicago, home
from an Amtrak vacation, California, but when she opens his
post she sees that he's only saying hello, literally.
She clicks Respond, declares herself CayceP.
Hi Parkaboy. nt
When she returns to the forum page, her post is there.
It is a way now, approximately, of being at home. The forum has
become one of the most consistent places in her life, like a
familiar cafe that exists somehow outside of geography and
beyond time zones.
7
There are perhaps twenty regular posters on F:F:F, and some
much larger and uncounted number of lurkers. And right now
there are three people in Chat, but there's no way of knowing
exactly who until you are in there, and the chat room she finds
not so comforting. It's strange even with friends, like sitting in a
pitch-dark cellar conversing with people at adistance of about
fifteen feet. The hectic speed, and the brevity of the lines in the
thread, plus the feeling that everyone is talking at once, at
counter-purposes, deter her.
The Cube sighs softly and makes subliminal sounds with its
drive, like a vintage sports car downshifting on a distant
freeway. She tries a sip of tea substitute, but it's still too hot. A
gray and indeterminate light is starting to suffuse the room in
which she sits, revealing such Damieni-ana as has survived the
recent remake.
Partially disassembled robots are propped against one wall, two
of them, torsos and heads, like elfin, decidedly female crash-
test dummies. These are effects units from one of Damien's
videos, and she wonders, given her mood, why she finds them
so comforting. Probably because they are genuinely beautiful,
she decides. Optimistic expressions of the feminine. No sci-fi
kitsch for Damien. Dreamlike things in the dawn half-light,
their small breasts gleaming, white plastic shining faint as old
marble. Personally fetishistic, though; she knows he'd had them
molded from a body cast of his last girlfriend, minus two.
8
Hotmail downloads four messages, none of which she feels like
opening. Her mother, three spam. The penis enlarger is still
after her, twice, and Increase Your Breast Size Dramatically.
Deletes spam. Sips the tea substitute. Watches the gray light
becoming more like day.
Eventually she goes into Damien's newly renovated bathroom.
Feels she could shower down in it prior to visiting a sterile
NASA probe, or step out of some Chernobyl scenario to have her
lead suit removed by rubber-gowned Soviet technicians, who'd
then scrub her with long-handled brushes. The fixtures in the
shower can be adjusted with elbows, preserving the sterility of
scrubbed hands.
She pulls off her sweater and T-shirt and, using hands, not
elbows, starts the shower and adjusts the temperature.
FOUR hours later she's on a reformer in a Pilates studio in an
upscale al-ley called Neal's Yard, the car and driver from Blue
Ant waiting out on whatever street it is. The reformer is a very
long, very low, vaguely ominous and Weimar-looking piece of
spring-loaded furniture. On which she now reclines, doing v-
position against the foot rail at the end. The padded platform
she rests on wheels back and forth along tracks of angle-iron
within the frame, springs twanging softly. Ten of these, ten toes,
ten from the heels… In New York she does this at a fitness
center frequented by dance professionals, but here in Neal's
Yard, this morning, she seems to be the sole client. The place is
9
only recently opened, apparently, and perhaps this sort of thing
is not yet so popular here. There is that mirror-world ingestion
of archaic substances, she thinks: People smoke, and drink as
though it were good for you, and seem to still be in some sort of
honeymoon phase with cocaine. Heroin, she's read, is cheaper
here than it's ever been, the market still glutted by the initial
dumping of Afghani opium supplies.
Done with her toes, she changes to heels, craning her neck to be
certain her feet are correctly aligned. She likes Pilates because it
isn't, in the way she thinks of yoga, meditative. You have to
keep your eyes open, here, and pay attention.
That concentration counters the anxiety she feels now, the pre-
job jitters she hasn't experienced in a while.
She's here on Blue Ant's ticket. Relatively tiny in terms of
permanent staff, globally distributed, more post-geographic
than multinational, the agency has from the beginning billed
itself as a high-speed, low-drag life-form in an advertising
ecology of lumbering herbivores. Or perhaps as some non-
carbon-based life-form, entirely sprung from the smooth and
ironic brow of its founder, Hubertus Bigend, a nominal Belgian
who looks like Tom Cruise on a diet of virgins' blood and
truffled chocolates.
The only thing Cayce enjoys about Bigend is that he seems to
have no sense at all that his name might seem ridiculous to
摘要:

1PATTERNRECOGNITIONbyWILLIAMGIBSON1.THEWEBSITEOFDREADFULNIGHTFivehours'NewYorkjetlagandCaycePollardwakesinCamdenTowntothedireandever-circlingwolvesofdisruptedcircadianrhythm.Itisthatflatandspectralnon-hour,awashinlimbictides,brainstemstirringfitfully,flashinginappropriatereptiliandemandsforsex,food,...

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