Fred Saberhagen - Pawn to Infinity

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PAWN TO INFINITY
Edited by
Fred & Joan Saberhagen
CONTENTS
INTRODUCTION, Fred Saberhagen
THE MARVELOUS BRASS CHESSPLAYING AUTOMATON,
Gene Wolfe
UNICORN VARIATION, Roger Zelazny
THE IMMORTAL GAME, Poul Anderson
MIDNIGHT BY THE MORPHY WATCH, Fritz Leiber
UNSOUND VARIATIONS, George R.R. Martin
A GAME OF VLET, Joanna Russ
WITHOUT A THOUGHT, Fred Saberhagen
A BOARD IN THE OTHER DIRECTION, Ruth Berman
VON GOOM'S GAMBIT, Victor Contoski
KOKOMU, Daniel Gilbert
MOXON'S MASTER, Ambrose Bierce
RENDEZVOUS 2062, Robert Frazier
REFLECTIONS ON THE LOOKING-GLASS, AN ESSAY, Alfred
Stewart
"Chess and fantastic fiction began an enthusiastic encounter with
each other at least as far back as Lewis Carroll, and the mating is still
in progress. Both contain strong elements of conflict and both are set in
worlds where time and space are subject to transformation; the
ordinary rules of human existence do not apply. Therefore both tend to
appeal to the same kind of mind; an interest in the fantastic is very
often a sign of interest in chess, and vice versa…"
Fred & Joan Saberhagen
Science Fiction and the "Game of Kings":
PAWN
TO INFINITY
Other science fiction and fantasy titles
by Fred Saberhagen available from Ace…
BERSERKER
• BERSERKER MAN
• BERSERKER'S PLANET
• BROTHER ASSASSIN
• THE DRACULA TAPE
• EMPIRE OF THE EAST
• THE HOLMES DRACULA FILE
• LOVE CONQUERS ALL
• AN OLD FRIEND OF THE FAMILY
• SPECIMENS
• THORN
• THE ULTIMATE ENEMY
• THE VEILS OF AZLAROC
• A SPADEFUL OF SPACETIME (Edited by Fred Saberhagen)
• THE MAGIC MAY RETURN (Fred Saberhagen with Foul
Anderson & Mildred Downy Broxon, Dean Ing, Steven Barnes, and
Larry Niven. Edited by Larry Niven.)
PAWN
TO INFINITY
EDITED BY
FRED SABERHAGEN
WITH
JOAN SABERHAGEN
SF
ace books
A Division of Charter Communications Inc.
A GROSSET & DUNLAP COMPANY
51 Madison Avenue
New York, New York 10010
PAWN TO INFINITY
Copyright © 1982 by Fred and Joan Saberhagen
All characters in this book are fictitious. Any resemblance to actual
persons, living or dead, is purely coincidental.
An ACE Book
First Ace printing: June 1982
Published Simultaneously in Canada
Manufactured in the United States of America
ACKNOWLEDGEMENTS
"Introduction" © 1982 Fred Saberhagen.
"The Marvelous Brass Chessplaying Automaton" by Gene Wolfe. ©
1977 Terry Carr; reprinted by permission of the author and his agent,
Virginia Kidd; first published in Universe 7, edited by Terry Carr.
"Unicorn Variation" by Roger Zelazny. © 1982 The Amber
Corporation, first published in Isaac Asimov's Science Fiction
Magazine; March 13, 1982.
"The Immortal Game" by Poul Anderson. © 1954 Mercury Press,
Inc., first published in The Magazine of Fantasy and Science Fiction,
Feb. 1954.
"Midnight by the Morphy Watch" by Fritz Leiber. © 1974 UPD
Publishing Company for Worlds of If Science Fiction; first published
in If, July-August 1974.
"Unsound Variations" by George R.R. Martin. © 1982 Ultimate
Publishing Company, Inc., first published in Amazing/Fantastic, Jan.
1982.
"A Game of Vlet" by Joanna Russ. © 1974 Joanna Russ; first
published in The Magazine of Fantasy and Science Fiction, Feb. 1974.
"Without A Thought" by Fred Saberhagen. © 1962 Digest
Productions Corp.; first published in If, vol. 12 no. 6 Jan. 1963.
"A Board in the Other Direction" by Ruth Berman. © 1972 Mercury
Press; first published in The Magazine of Fantasy and Science Fiction.
"Von Goom's Gambit" by Victor Contoski; © 1966 Victor Contoski;
first published in Chess Review, April 1966.
"Kokomu" by Daniel Gilbert. © 1982 Daniel Gilbert; first published
in Pawn to Infinity, edited by Fred & Joan Saberhagen.
"Moxon's Master" by Ambrose Bierce. In the Public Domain.
"Rendezvous 2062" by Robert Frazier, first published in Fantasy
Book. © 1982 by Robert Frazier; published by arrangement with the
author.
"Reflections on the Looking-Glass, An Essay" by Alfred Stewart. ©
1982 Alfred Stewart: first published in Pawn to Infinity, edited by Fred
& Joan Saberhagen
INTRODUCTION
Chess and fantastic fiction (I use the term here to include science
fiction) began an enthusiastic encounter with each other at least as far
back as Lewis Carroll, and the mating is still in progress. Both contain
strong elements of conflict—Emanuel Lasker, one of the great players
of all time, defined chess as a struggle—and both are set in worlds
where time and space are subject to transformation, the ordinary rules
of human existence do not apply. Therefore both tend to appeal to the
same kind of mind; an interest in the fantastic is very often a sign of
interest in chess, and vice versa.
The games in the stories in this book are not always chess, if we
define chess by a certain precise set of rules, and configurations of
pieces which are to be moved on a flat board eight squares by eight.
But by Lasker's definition the fit is good, because each story in this
book recounts a struggle. The opponents are not always the humanity
we know, any more than the games are always literally the chess we
know, but a board game plays some essential part in each story, and in
each some conflict beyond gaming is to be resolved.
Getting this book done has been something of a struggle, too, at
times, though mostly it has been a lot of fun. We would like to thank
all those who have cooperated and offered suggestions, in particular
George R.R. Martin, and Ruth Berman and her friends Dennis Lein
and Joyce Muskat.
Start your clocks!
—Fred and Joan Saberhagen
THE MARVELOUS BRASS
CHESSPLAYING AUTOMATON
Gene Wolfe
Each day Lame Hans sits with his knees against the bars, playing
chess with the machine. Though I have seen the game often I have
never learned to play, but I watch them as I sweep. It is a beautiful
game, and Lame Hans has told me of its beginnings in the great ages
now past; for that reason I always feel a sympathy toward the little
pawns with their pencils and wrenches and plain clothing, each figure
representing many generations of those whose labor built the great
bishops that split the skys in the days of the old wars.
I feel pity for Lame Hans also. He talks to me when I bring his food,
and sometimes when I am cleaning the jail. Let me tell you his story,
as I have learned it in the many days since the police drew poor
Gretchen out and laid her in the dust of the street. Lame Hans would
never tell you himself—for all that big, bulging head his tongue is slow
and halting when he speaks of his own affairs.
It was last summer during the truce that the showman's cart was
driven into our village. For a month not a drop of rain had fallen; each
day at noon Father Karl rang the churchbells, and women went in to
pray for rain for their husbands' crops. After dark many of these same
women met to form lines and circles on the slopes of the Schlossberg,
the mountain that was once a great building. The lines and circles are
supposed to influence the Weatherwatchers, whose winking lights pass
so swiftly through the starry sky. For myself, I do not believe it. What
men ever made a machine that could see a few old women on the
mountainside at night?
So it was when the cart of Herr Heitzmann the mountebank came.
The sun was down, but the street still so hot that the dogs would not
bark for fear of fainting, and the dust rolled away from the wheels in
waves, like grain when foxes run through the fields.
This cart was shorter than a farm wagon, but very high, with such a
roof as a house has. The sides had been painted, and even I, who do
摘要:

PAWNTOINFINITYEditedbyFred&JoanSaberhagenCONTENTSINTRODUCTION,FredSaberhagenTHEMARVELOUSBRASSCHESSPLAYINGAUTOMATON,GeneWolfeUNICORNVARIATION,RogerZelaznyTHEIMMORTALGAME,PoulAndersonMIDNIGHTBYTHEMORPHYWATCH,FritzLeiberUNSOUNDVARIATIONS,GeorgeR.R.MartinAGAMEOFVLET,JoannaRussWITHOUTATHOUGHT,FredSaberha...

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