Koontz, Dean - Strange Highways

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"Strange Highways" copyright (c) 1995 by Dean R. Koontz
"The Black Pumpkin" copyright (c) 1986 by Nkui, Inc., originally appeared in
Twilight Zone Magazine, December, 1986; reprinted by permission of Nkui, Inc.
"Miss Attila the Hun" copyright (c) 1987 by Nkui, Inc., originally appeared in
Night Visions 4, published by Dark Harvest, Arlington Heights, Illinois;
reprinted by permission of Nkui, Inc.
"Down in the Darkness" copyright (c) 1986 by Nkui, Inc., originally appeared
in The Horror Show, Summer 1986, reprinted by permission of Nkui, Inc.
"Ollie's Hands" copyright (c) 1972 by Dean R. Koontz, originally appeared in
Infinity Four, edited by Robert Hoskins, published by Lancer Books; revised
version copyright (c) 1995 by Dean R. Koontz.
"Snatcher" copyright (c) 1986 by Nkui, Inc., originally appeared in Night Cry,
Fall 1986; reprinted by permission of Nkui, Inc.
"Trapped" copyright (c) 1989 by Nkui, Inc., originally appeared in Stalkers,
edited by Ed Gorman and Martin H. Greenberg , published by Dark Harvest,
Arlington, Illinois, reprinted by permission of Nkui, Inc.
"Bruno" copyright (c) 1971 by Dean R. Koontz, originally appeared in The
Magazine of Fantasy and Science Fiction, April, 1971; revised version
copyright (c) 1995 by Dean R. Koontz.
"We Three" copyright (c) 1974 by Dean R. Koontz, originally appeared in Final
Stage, edited by Edward L. Ferman and Barry N. Malzberg, published by
Charterhouse, New York, New York; revised version copyright (c) 1995 by Dean
R. Koontz.
"Hardshell" copyright (c) 1987 by Nkui, Inc., originally appeared in Night
Visions 4, published by Dark Harvest, Arlington Heights, Illinois; reprinted
by permission of Nkui, Inc.
"Kittens" copyright (c) 1966 by Dean R. Koontz, originally appeared in The
Reflector, Shippensburg University, Shippensburg, Pennsylvania; revised
version copyright (c) 1995 by Dean R. Koontz.
"The Night of the Storm" copyright (c) 1974 by Dean R. Koontz, originally
appeared in Continuum 1, edited by Roger Elwood, published by G. P. Putnam's
Sons, New York, New York; revised version copyright (c) 1995 by Dean R.
Koontz.
"Twilight of the Dawn" copyright (c) 1987 by Nkui, Inc., originally appeared
in Night Visions 4, published by Dark Harvest, Arlington Heights, Illinois;
reprinted by permission of Nkui, Inc.
"Chase" copyright (c) 1972 by K. R. Dwyer (a pseudonym for Dean R. Koontz),
published by Random House, New York, New York; revised version copyright (c)
1995 by Dean R. Koontz.
Copyright (c) 1995 by Dean Koontz
All rights reserved.
Warner Books, Inc., 1271 Avenue of the Americas, New York, NY 10020
A Time Warner Company
Printed in the United States of America
First Printing: May 1995
10 9 8 7 6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Koontz, Dean R. (Dean Ray), 1945-
Strange highways / Dean Koontz.
p. cm.
"A Brandon Tartikoff book."
ISBN 0-446-51974-X
1. Horror tales, American. I. Title.
PS35G1.O55S69 1995 94-49024
813'.54-dc20 CIP
Book design by Giorgetta Bell McRee
This book is dedicated
with much affection to
Jerry and Mary Ann Crowe.
After all these years
of being your friends,
Gerda and I have learned
that we have infinite patience.
Thanks for the friendship,
for all the laughs
you've given us
(some of them intentional),
for buying the house
built over the gate to Hell,
and for pointing out to me
every error I make.
Every tiny error.
Every teeny-tiny error.
Every minute error that
no one else, not even God,
would notice.
Thank you. Thank you.
Thank you.
CONTENTS
STRANGE HIGHWAYS
1
THE BLACK PUMPKIN
155
MISS ATTILA THE HUN
174
DOWN IN THE DARKNESS
201
OLLIE'S HANDS
226
SNATCHER
243
TRAPPED
259
BRUNO
309
WE THREE
336
HARDSHELL
344
KITTENS
371
THE NIGHT OF THE STORM
377
TWILIGHT OF THE DAWN
400
CHASE
430
NOTES TO THE READER
552
STRANGE HIGHWAYS
1
ON THAT AUTUMN AFTERNOON, WHEN HE DROVE THE RENTAL CAR INTO Asherville, Joey
Shannon broke out in an icy sweat. A sudden and intense hopelessness overcame
him.
He almost hung a hard U-turn in the middle of the street. He resisted the
urge to jam the accelerator to the floorboards, speed away, and never look
back.
The town was as bleak as any in Pennsylvania coal country, where the mines
had shut down and most good jobs had been lost decades ago. Nevertheless, it
wasn't such a desperate place that the very sight of it should chill his heart
and bring him instantly to the edge of despair. He was puzzled by his peculiar
reaction to this long-delayed homecoming.
Sustained by fewer than a thousand local residents and perhaps two thousand
more in several smaller outlying towns, the commercial district was just two
blocks long. The two- and three-story stone buildings - erected in the 1850s
and darkened by a century and a half of grime -were pretty much as he
remembered them from his youth.
Evidently the merchants' association or the town council was engaged in a
beautification project. All the doors, the window frames, the shutters, and
the eaves appeared to have been freshly painted. Within the past few years,
circular holes had been cut out of the sidewalks to allow the planting of
young maple trees, which were now eight feet tall and still lashed to support
poles.
The red and amber autumn foliage should have enlivened the town, but
Asherville was grim, huddled, and forbidding on the brink of twilight.
Balanced on the highest ridges of the western mountains, the sun seemed
strangely shrunken, shedding light that didn't fully illuminate anything it
touched. In the sour-yellow glow, the rapidly lengthening shadows of the new
trees reached like grasping hands onto the cracked blacktop.
Joey adjusted the car heater. The greater rush of hot air did not
immediately warm him.
Above the spire of Our Lady of Sorrows, as the retiring sun began to cast
off purple cloaks of twilight, an enormous black bird wheeled in circles
through the sky. The winged creature might have been a dark angel seeking
shelter in a sacred bower.
A few people were on the streets, others in cars, but he didn't recognize
any of them. He'd been gone a long time. Over the years, of course, people
changed, moved away. Died.
When he turned onto the gravel driveway at the old house on the east edge
of town, his fear deepened. The clapboard siding needed fresh paint, and the
asphalt-shingle roof could have used repair, but the place wasn't ominous by
any measure, not even as vaguely Gothic as the buildings in the heart of town.
Modest. Dreary. Shabby. Nothing worse. He'd had a happy childhood here in
spite of deprivation. As a kid, he hadn't even realized that his family was
poor; that truth hadn't occurred to him until he went away to college and was
able to look back on their life in Asherville from a distance. Yet for a few
minutes, he waited in the driveway, overcome by inexplicable dread, unwilling
to get out of the car and go inside.
He switched off the engine and the headlights. Although the heater hadn't
relieved his chill, he immediately grew even colder without the hot air from
the vents.
The house waited.
Maybe he was afraid of facing up to his guilt and coming to terms with his
grief. He hadn't been a good son. And now he would never have another
opportunity to atone for all the pain that he had caused. Maybe he was
frightened by the realization that he would have to live the rest of his life
with the burden of what he'd done, with his remorse unexpressed and
forgiveness forever beyond reach.
No. That was a fearful weight, but it wasn't what scared him. Neither guilt
nor grief made his mouth go dry and his heart pound as he stared at the old
homestead. Something else.
In its wake, the recessional twilight drew in a breeze from the northeast.
A row of twenty-foot pines stood along the driveway, and their boughs began to
stir with the onset of night.
At first Joey's mood seemed extraordinary: a portentous sense that he was
on the brink of a supernatural encounter. It was akin to what he had sometimes
felt as an altar boy a long time ago, when he'd stood at the priest's side and
tried to sense the instant at which the ordinary wine in the chalice became
the sacred blood of Christ.
After a while, however, he decided that he was being foolish. His anxiety
was as irrational as any child's apprehension over an imaginary troll lurking
in the darkness under his bed.
He got out of the car and went around to the back to retrieve his suitcase.
As he unlocked the trunk, he suddenly had the crazy notion that something
monstrous was waiting in there for him, and as the lid rose, his heart knocked
explosively against his ribs. He actually stepped back in alarm.
The trunk contained only his scuffed and scarred suitcase, of course. After
taking a deep breath to steady his nerves, he withdrew the single piece of
luggage and slammed the trunk lid.
He needed a drink to settle his nerves. He always needed a drink. Whiskey
was the only solution that he cared to apply to most problems. Sometimes, it
even worked.
The front steps were swaybacked. The floorboards on the porch hadn't been
painted in years, and they creaked and popped noisily under his feet. He
wouldn't have been surprised if he had crashed through the rotting wood.
The house had deteriorated in the two decades since he had last seen it,
which surprised him. For the past twelve years, on the first of each month,
his brother had sent a generous check to their father, enough to allow the old
man either to afford a better house or to renovate this place. What had Dad
been doing with the money?
The key was under the rubber-backed hemp mat, where he'd been told that he
would find it. Though Asherville might give him the heebie-jeebies, it was a
town where a spare key could be kept in an obvious place or a house could even
be left unlocked with virtually no risk of burglary.
The door opened directly into the living room. He put his bag at the foot
of the stairs to the second floor.
He switched on the lights.
The sofa and the armchair recliner were not the same as those that had been
there twenty years ago, but they were so similar as to be indistinguishable
from the previous furniture. Nothing else appeared to have been changed at all
- except the television, which was big enough to belong to God.
The rest of the first floor was occupied by the combined kitchen and dining
area. The green Formica table with its wide chrome edge band was the one at
which they had eaten meals throughout his childhood. The chairs were the same
too, although the tie-on cushions had been changed.
He had the curious feeling that the house had been untenanted for an age,
sealed tomb-tight, and that he was the first in centuries to invade its silent
spaces. His mother had been dead sixteen years, his dad for only a day and a
half, but both seemed to have been gone since time immemorial.
In one corner of the kitchen was the cellar door, on which hung a gift
calendar from the First National Bank. The picture for October showed a pile
of orange pumpkins in a drift of leaves. One had been carved into a jack-o'-
lantern.
Joey went to the door but didn't open it right away.
He clearly remembered the cellar. It was divided into two rooms, each with
its own outside entrance. One contained the furnace and the hot-water heater.
The other had been his brother's room.
For a while he stood with his hand on the old cast-iron knob. It was icy
under his palm, and his body heat didn't warm it.
The knob creaked softly when he finally turned it.
Two dim, dust-covered, bare bulbs came on when he flicked the switch: one
halfway down the cellar stairs, the second in the furnace room below. But
neither chased off all the darkness.
He didn't have to go into the cellar first thing, at night. The morning
would be soon enough. In fact, he could think of no reason why he had to go
down there at all.
The illuminated square of concrete floor at the foot of the steps was
veined with cracks, just as he remembered it, and the surrounding shadows
seemed to seep from those narrow fissures and rise along the walls.
"Hello?" he called.
He was surprised to hear himself speak, because he knew that he was alone
in the house.
Nevertheless, he waited for a response. None came.
"Is someone there?" he asked.
Nothing.
At last he shut off the cellar lights and closed the door.
He carried his suitcase to the second floor. A short, narrow hallway with
badly worn gray-and-yellow-flecked linoleum led from the head of the stairs to
the bathroom at the back.
Beyond the single door on the right was his parents' room. Actually, for
sixteen years, since his mother's death, his dad had slept there alone. And
now it was nobody's room.
The single door on the left side of the hall led to his old bedroom, into
which he had not set foot in twenty years.
The flesh prickled on the nape of his neck, and he turned to look down the
stairs into the living room, half expecting to discover that someone was
ascending after him. But who might have been there? Everyone was gone. Dead
and gone. The stairs were deserted.
The house was so humble, small, narrow, plain - yet at the moment it felt
vast, a place of unexpected dimensions and hidden rooms where unknown lives
were lived, where secret dramas unfolded. The silence was not an ordinary
quiet, and it cut through him as a woman's scream might have done.
He opened the door and went into his bedroom.
Home again.
He was scared. And he didn't know why. Or if he knew, the knowledge existed
somewhere between instinct and recollection.
2
THAT NIGHT, AN AUTUMN STORM MOVED IN FROM THE NORTHwest, and all hope of stars
was lost. Darkness congealed into clouds that pressed against the mountains
and settled between the high slopes, until the heavens were devoid of light
and as oppressive as a low vault of cold stone.
When he was a teenager, Joey Shannon had sometimes sat by the single window
of his second-floor bedroom, gazing at the wedge of sky that the surrounding
mountains permitted him. The stars and the brief transit of the moon across
the gap between the ridges were a much needed reminder that beyond Asherville,
Pennsylvania, other worlds existed where possibilities were infinite and where
even a boy from a poor coal-country family might change his luck and become
anything that he wished to be, especially if he were a boy with big dreams and
the passion to pursue them.
This night, at the age of forty, Joey sat at the same window, with the
lights off, but the sight of stars was denied him. Instead, he had a bottle of
Jack Daniel's.
Twenty years ago, in another October when the world had been a far better
place, he'd come home for one of his quick, infrequent visits from
Shippensburg State College, where with the help of a partial scholarship, he
had been paying his way by working evenings and weekends as a supermarket
stock clerk. His mom had cooked his favorite dinner - meatloaf with tomato
gravy, mashed potatoes, baked corn - and he had played some two-hand pinochle
with his dad.
His older brother, P.J. (for Paul John), also had been home that weekend,
so there had been a lot of laughter, affection, a comforting sense of family.
Any time spent with P.J. was always memorable. He was successful at everything
that he tried - the valedictorian of his high-school and college graduating
classes, a football hero, a shrewd poker player who seldom lost, a guy at whom
all the prettiest girls looked with doe-eyed interest - but the best thing
about him was his singular way with people and the upbeat atmosphere that he
created wherever he went. P.J. had a natural gift for friendship, a sincere
liking for most people, and an uncanny empathy that made it possible for him
to understand what made a person tick virtually upon first meeting. Routinely
and without apparent effort, P.J. became the center of every social circle
that he entered. Highly intelligent yet self-effacing, handsome yet free of
vanity, acerbically witty but never mean, P.J. had been a terrific big brother
when they had been growing up. More than that, he'd been - and after all these
years, still was - the standard by which Joey Shannon measured himself, the
one person into whom he would have remade himself if that had been possible.
In the decades since, he had fallen far short of that standard. Although
P.J. moved from success to success, Joey had an unerring knack for failure.
Now he took a few ice cubes from the bowl on the floor beside his straight-
backed chair and dropped them into his glass. He added two inches of Jack
Daniel's.
One thing that Joey hadn't failed at was drinking. Although his bank
account had seldom been above two thousand dollars in his entire adult life,
he always managed to afford the best blended whiskey. No one could say that
Joey Shannon was a cheap drunk.
On the most recent night that he'd spent at home - Saturday, October
twenty-fifth, 1975 - he had sat at this window with a bottle of RC Cola in his
hand. He hadn't been a boozer back then. Diamond-bright stars had adorned the
sky, and there had seemed to be an infinite number of possible lives waiting
for him beyond the mountains.
Now he had the whiskey. He was grateful for it.
It was October twenty-first, 1995 - another Saturday. Saturday was always
the worst night of the week for him, although he didn't know why. Maybe he
disliked Saturday because most people dressed up to go out to dinner or
dancing or to a show to celebrate the passage of another workweek - while Joey
found nothing to celebrate about having endured another seven days in the
prison that was his life.
Shortly before eleven o'clock the storm broke. Brilliant chains of molten-
silver lightning flashed and rattled across the wedge of sky, providing him
with flickering, unwanted reflections of himself in the window. Rolling
thunder shook the first fat raindrops from the clouds; they snapped and
spattered against the glass, and the ghostly image of Joey's face dissolved
before him.
At half past midnight he rose from the chair and went to the bed. The room
was as black as a coal mine, but even after twenty years he could find his way
around without light. In his mind's eye, he held a detailed image of the worn
and cracked linoleum floor, the oval rag rug that his mother had made, the
narrow bed with simple painted-iron headboard, the single nightstand with
warped drawers. In one corner was the heavily scarred desk at which he had
done his homework through twelve years of school and, when he was eight or
nine, had written his first stories about magical kingdoms and monsters and
trips to the moon.
As a boy, he had loved books and had wanted to grow up to be a writer. That
was one of the few things at which he hadn't failed in the past twenty years -
though only because he had never tried. After that October weekend in 1975,
he'd broken his long habit of writing stories and abandoned his dream.
The bed was no longer covered by a chenille spread, as it had been in those
days, and in fact it wasn't even fitted with sheets. Joey was too tired and
fuzzy-headed to bother searching for linens.
He stretched out on his back on the bare mattress, still wearing his shirt
and jeans, not bothering to kick off his shoes. The soft twang of the weak
springs was a familiar sound in the darkness.
In spite of his weariness, Joey didn't want to sleep. Half a bottle of Jack
Daniel's had failed to quiet his nerves or to diminish his apprehension. He
felt vulnerable. Asleep, he'd be defenseless.
Nevertheless, he had to try to get some rest. In little more than twelve
hours, he would bury his dad, and he needed to build up strength for the
funeral, which wasn't going to be easy on him.
He carried the straight-backed chair to the hall door, tilted and wedged it
under the knob: a simple but effective barricade.
His room was on the second floor. No intruder could easily reach the window
from outside. Besides, it was locked.
Now, even if he was sound asleep, no one could get into the room without
making enough noise to alert him. No one. Nothing.
In bed again, he listened for a while to the relentless roar of the rain on
the roof. If someone was prowling the house at that very moment, Joey couldn't
have heard him, for the gray noise of the storm provided perfect cover.
"Shannon," he mumbled, "you're getting weird in middle age."
Like the solemn drums of a funeral cortege, the rain marked Joey's
procession into deeper darkness.
In his dream, he shared his bed with a dead woman who wore a strange
transparent garment smeared with blood. Though lifeless, she suddenly became
animated by demonic energy, and she pressed one pale hand to his face. Do you
want to make love to me? she asked. No one will ever know. Even I couldn't be
a witness against you. I'm not just dead but blind. Then she turned her face
toward him, and he saw that her eyes were gone. In her empty sockets was the
deepest darkness he had ever known. I'm yours, Joey. I'm all yours.
He woke not with a scream but with a cry of sheer misery. He sat on the
edge of the bed, his face in his hands, sobbing softly.
Even dizzy and half nauseated from too much booze, he knew that his
reaction to the nightmare was peculiar. Although his heart raced with fear,
his grief was greater than his terror. Yet the dead woman was no one he had
ever known, merely a hobgoblin born of too little sleep and too much Jack
Daniel's. The previous night, still shaken by the news of his dad's death and
dreading the trip to Asherville, he had dozed only fitfully. Now, because of
weariness and whiskey, his dreams were bound to be populated with monsters.
She was nothing more than the grotesque denizen of a nightmare. Nevertheless,
the memory of that eyeless woman left him half crushed by an inexplicable
sense of loss as heavy as the world itself.
According to the radiant dial of his watch, it was three-thirty in the
morning. He had been asleep less than three hours.
Darkness still pressed against the window, and endless skeins of rain
unraveled through the night.
He got up from the bed and went to the corner desk where he had left the
half-finished bottle of Jack Daniel's. One more nip wouldn't hurt. He needed
something to make it through to the dawn.
As Joey uncapped the whiskey, he was gripped by a peculiar urge to go to
the window. He felt drawn as if by a magnetic force, but he resisted. Crazily,
he was afraid that he might see the dead woman on the far side of the rain-
washed glass, levitating one story above the ground: blond hair tangled and
wet, empty eye sockets darker than the night, in a transparent gown, arms
extended, wordlessly imploring him to fling up the window and plunge into the
storm with her.
He became convinced that she was floating out there like a ghost. He dared
not even glance toward the window or risk catching sight of it from the corner
of his eye. If he saw her peripherally, even that minimal eye contact would be
an invitation for her to come into his room. Like a vampire, she could tap at
the window and plead to be let in, but she could not cross his threshold
unless invited.
Edging back to the bed with the bottle in his hand, he kept his face
averted from that framed rectangle of night.
He wondered if he was just unusually drunk or if he might be losing his
mind.
To his surprise, he screwed the cap back on the bottle without taking a
drink.
3
IN THE MORNING, THE RAIN STOPPED FALLING, BUT THE SKY REMAINED low and
threatening.
Joey didn't have a hangover. He knew how to pace his drinking to minimize
the painful results. And every day he took a megadose of vitamin-B complex to
replace what had been destroyed by alcohol; extreme vitamin-B deficiency was
the primary cause of hangovers. He knew all the tricks. His drinking was
methodical and well organized; he approached it as though it were his
profession.
He found the makings of breakfast in the kitchen: a piece of stale coffee
cake, half a glass of orange juice.
After showering, he put on his only suit, a white shirt, and a dark red
tie. He hadn't worn the suit in five years, and it hung loosely on him. The
collar of the shirt was a size too large. He looked like a fifteen-year-old
boy dressed in his father's clothes.
Perhaps because the endless intake of booze accelerated his metabolism,
Joey burned off all that he ate and drank, and invariably he closed each
December a pound lighter than he'd begun the previous January. In another
hundred and sixty years, he would finally waste away into thin air.
At ten o'clock he went to the Devokowski Funeral Home on Main Street. It
was closed, but he was admitted by Mr. Devokowski because he was expected.
Louis Devokowski had been Asherville's mortician for thirty-five years. He
was not sallow and thin and stoop shouldered, as comic books and movies
portrayed men of his trade, but stocky and ruddy faced, with dark hair
untouched by gray - as though working with the dead was a prescription for
long life and vitality.
"Joey."
"Mr. Devokowski."
"I'm so sorry."
"Me too."
"Half the town came to the viewing last night."
Joey said nothing.
"Everyone loved your father."
Joey didn't trust himself to speak.
Devokowski said, "I'll take you to him."
The front viewing room was a hushed space with burgundy carpet, burgundy
drapes, beige walls, and subdued lighting. Arrangements of roses loomed in the
shadows, and the air was sweet with their scent.
The casket was a handsome bronze model with polished-copper trim and
handles. By phone, Joey had instructed Mr. Devokowski to provide the best.
That was how P.J. would want it - and it would be his money paying for it.
Joey approached the bier with the hesitancy of a man in a dream who expects
to peer into the coffin and see himself.
But it was Dan Shannon who rested in peace, in a dark-blue suit on a bed of
cream-colored satin. The past twenty years had not been kind to him. He looked
beaten by time, shrunken by care, and glad to be gone.
Mr. Devokowski had retreated from the room, leaving Joey alone with his
dad.
"I'm sorry," he whispered to his father. "Sorry I never came back, never
saw you or Mom again."
Hesitantly, he touched the old man's pale cheek. It was cold and dry.
He withdrew his hand, and now his whisper was shaky. "I just took the wrong
road. A strange highway ... and somehow ... there was never any coming back. I
can't say why, Dad. I don't understand it myself."
For a while he couldn't speak.
The scent of roses seemed to grow heavier.
Dan Shannon could have passed for a miner, though he had never worked the
coal fields even as a boy. Broad, heavy features. Big shoulders. Strong,
blunt-fingered hands cross-hatched with scars. He had been a car mechanic, a
good one - although in a time and place that had never offered quite enough
work.
"You deserved a loving son," Joey said at last. "Good thing you had two,
huh?" He closed his eyes. "I'm sorry. Jesus, I'm so sorry."
His heart ached with remorse, as heavy as an iron anvil in his chest, but
conversations with the dead couldn't provide absolution. Not even God could
give him that now.
When Joey left the viewing room, Mr. Devokowski met him in the front hall
of the mortuary. "Does P.J. know yet?"
Joey shook his head. "I haven't been able to track him down."
"How can you not be able to track him down? He's your brother," Devokowski
said. For an instant before he regained the compassionate expression of a
funeral director, his contempt was naked.
"He travels all over, Mr. Devokowski. You know about that. He's always
traveling, on the move, researching. It's not my fault ... being out of touch
with him."
Reluctantly, Devokowski nodded. "I saw the piece about him in People a few
months ago."
P.J. Shannon was the quintessential writer of life on the road, the most
famous literary Gypsy since Jack Kerouac.
"He should come home for a while," Devokowski said, "maybe write another
book about Asherville. I still think that was his best. When he hears about
your dad, poor P.J., he's going to be broken up real bad. P.J. really loved
your dad."
So did I, Joey thought, but he didn't say it. Given his actions over the
past twenty years, he wouldn't be believed. But he had loved Dan Shannon. God,
yes. And he'd loved his mother, Kathleen - whose funeral he had avoided and to
whose deathbed he had never gone.
"P.J. visited just in August. Stayed about a week. Your dad took him all
over, showing him off. He was so proud, your dad."
Devokowski's assistant, an intense young man in a dark suit, entered the
far end of the hallway. He spoke in a practiced hush: "Sir, it's time to
摘要:

"StrangeHighways"copyright(c)1995byDeanR.Koontz"TheBlackPumpkin"copyright(c)1986byNkui,Inc.,originallyappearedinTwilightZoneMagazine,December,1986;reprintedbypermissionofNkui,Inc."MissAttilatheHun"copyright(c)1987byNkui,Inc.,originallyappearedinNightVisions4,publishedbyDarkHarvest,ArlingtonHeights,I...

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