emotion or a thought in their expressions or postures. On some robots, on the
very rare ones that mimicked human appearance perfectly, that was at least
possible. But there were precious few of those on Inferno, and with any other
robot type the effort was pointless.
Even so, the habit gave him a moment of time to consider the indirect
meaning of the robot’s words. No “satisfactory interpretation of the
evidence.” What the hell did that mean? Donald was trying to tell him
something, something the robot did not choose to say directly, for fear of
presuming too far. But Donald was never cryptic without a purpose. When Donald
got that way, it was for a reason. Alvar Kresh was tempted to order Donald to
explain precisely what he was suggesting, but he restrained his impatience.
It might be better to see if he could spot the point that was bothering
Donald himself, evaluate it independently without prejudgment. There was, of
course, precious little a robot would miss that a human could notice. Much of
what Donald had said was so much deferential nonsense, salve for the ego. But
the words Donald had used were interesting: “The crime scene does not tell us
much that we can use.” As if there were something there, but something
distracting, meaningless, deceptive. So much for avoiding prejudgment, Alvar
thought sardonically. That was the trouble with robot assistants as good as
Donald--you tended to lean on them to much, let them influence your thinking,
trust them to do too much of the background work. Hell, Donald could probably
do this job better than me, Alvar thought.
He shook his head angrily. No. Robots are the servants of humans,
incapable of independent action. Alvar stepped through the doorway, fully into
the room, and began to look around.
Alvar Kresh felt a strange and familiar tingle course through him as he
set to work. There was always something oddly thrilling about this moment,
where the case was opened and the chase was on. A strange chase it was, one
that started with Alvar not so much as knowing who it was that he pursued.
And there was something stranger still, always, about standing in the
middle of someone’ s very private space with that person absent. He had stood
in the bedrooms and salons and spacecraft of the dead and the missing, read
their diaries, traced their financial dealings, stumbled across the evidence
of their secret vices and private pleasures, their grand crimes and tiny,
pathetic secrets. He had come to know their lives and deaths from the clues
they left behind, been made privy by the power of his office to the most
intimate parts of their lives. Here and now, that began as well.
Some work places were sterile, revealing nothing about their
inhabitants. But this was not such a place. This room was a portrait of the
person who worked here, if only Alvar could learn to read it.
He began his examination of the laboratory. Superficially, at least, it
was a standard enough setup. A room maybe twenty meters by ten. Inferno was
not a crowded world by any means. People tended to spread out. By Inferno
standards it was an average-sized space for one person.
There were four doors in all, in the corners of the room, set into the
long sides of the room: two on the exterior wall, leading directly to the
outside, and two on the opposite, interior wall, leading into the building’ s
hallway. Alvar noted that the room was windowless, and the doors were heavy;
they appeared to be light-tight. Close them, cut the overhead lights, and the
room would be pitch-black. Presumably they did some work with light-sensitive
materials in here. Or perhaps they tested robot eyes. Would the reason for, or
the fact of, a light-tight room be important or meaningless? No way to know.
Alvar and Donald stood by one of the interior doors, toward what Alvar
found himself thinking of as the rear of the room. But why is this end the
rear? he wondered. No one specific thing, he decided. It was just that this
end of the room seemed more disused. Everything was boxed up, in storage. The
other end clearly was put to more active use.