
The man was tall and thin and looked as if he'd been through a pretty rough life; baggy trousers and
well-worn shoes, a tattered vest over a thin, hairy bare chest; a long, almost triangular face that hadn't
been shaved in a week. His thick, black hair was wrapped in a crude bandana of some sort, almost
turban-like.
A true Gypsy, Har Bateen noted with surprise. It was there in the preliminary scouting reports that such
a group existed, but just about no one had ever seen one. Not even any of those people gathering around
him, Bateen felt sure.
As Bateen wandered closer, curiosity and boredom drawing him to the show just as it had drawn the
human beings waiting for the freighters, the Gypsy took an odd sort of reed flute from his pocket and
began to play an odd, almost hypnotic tune that caused the other with him to begin a dance.
His companion was strange indeed—about half the man's height, no more than a meter high,
surely—with shimmering blue-green scales along a reptilian body. Two thick legs ending in long, nasty
claws sup-ported the torso. He stood upright, although leaning slightly forward, and had two long,
spindly arms that ended in tiny, clawed hands. The face was also lizard-like, although it held none of the
rigidity of a reptilian head; it was as if a giant lizard had the muscular facial mobility of a human.
Perhaps most incongruously it was clothed in the same sort of baggy garments as the Gypsy, though
shoeless, of course—no shoe made could fit those odd, oversized feet. It was as agile as a monkey, and
it danced wildly to the haunting melody of the flute, faster, ever faster as the tempo picked up, its long tail
acting almost as a third leg in a multi-limbed dance.
But this was only the beginning; it was moving so fast that the sunlight reflected from tens of thousands of
scales giving it the appearance of sparkling with as many rhinestones; the effect was brilliant and added to
the hypnotic power of the alien music. And now the crowd stood back, awed in spite of itself,
appre-ciating the strange scene.
The lizard now formed an oval with his mouth, an incredible sight on such a serpentine face, and there
was the sound of a great amount of air rumbling about somewhere inside. Now it came out in a steady
whoosh, and the watchers gasped. Fire! He was ex-haling fire and forming patterns with it! Circles,
whirls, shapes odd and familiar appeared and vanished in split seconds while the lizard yet danced, a
sparkling blur.
The Gypsy continued to play, but as he did his steel-gray eyes rested not on his lizard companion but on
the crowd, looking at them one by one. Studying them, analyzing them.
Even the Dreel who were camouflaged inside the body and mind of Har Bateen were captivated. This
was beyond their experience and they shared its alien grace and beauty with the others.
And now it was over suddenly, without fanfare, the last note and the last blazing sparkles faded into the
hot, dry air so that only memory remained of the haunting, strange performance.
The crowd stood there, transfixed, still stunned by this performance, not saying a word, or acting in any
way until, suddenly, one, then more snapped out of his trance and applauded. The applause quickly rose
to a crescendo of cheers and whistles as well as clapping.
The Gypsy bowed slightly, acknowledging the trib-ute, and even the lizard-creature seemed to nod
toward each one in the audience in turn. The strange man put his flute away and waited for the