The Works of Edgar Allan Poe
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remember not the slightest difference in the appearance of any
portion of it; and, indeed, the very suggestion of such a possibility
is considered an insult. The site of the village is in a perfectly
circular valley, about a quarter of a mile in circumference, and
entirely surrounded by gentle hills, over whose summit the people
have never yet ventured to pass. For this they assign the very good
reason that they do not believe there is anything at all on the other
side.
Round the skirts of the valley (which is quite level, and paved
throughout with flat tiles), extends a continuous row of sixty little
houses. These, having their backs on the hills, must look, of course,
to the centre of the plain, which is just sixty yards from the front
door of each dwelling. Every house has a small garden before it, with
a circular path, a sun-dial, and twenty-four cabbages. The buildings
themselves are so precisely alike, that one can in no manner be
distinguished from the other. Owing to the vast antiquity, the style
of architecture is somewhat odd, but it is not for that reason the
less strikingly picturesque. They are fashioned of hard-burned little
bricks, red, with black ends, so that the walls look like a
chess-board upon a great scale. The gables are turned to the front,
and there are cornices, as big as all the rest of the house, over the
eaves and over the main doors. The windows are narrow and deep, with
very tiny panes and a great deal of sash. On the roof is a vast
quantity of tiles with long curly ears. The woodwork, throughout, is
of a dark hue and there is much carving about it, with but a trifling
variety of pattern for, time out of mind, the carvers of
Vondervotteimittiss have never been able to carve more than two
objects -- a time-piece and a cabbage. But these they do exceedingly
well, and intersperse them, with singular ingenuity, wherever they
find room for the chisel.
The dwellings are as much alike inside as out, and the furniture is
all upon one plan. The floors are of square tiles, the chairs and
tables of black-looking wood with thin crooked legs and puppy feet.
The mantelpieces are wide and high, and have not only time-pieces and
cabbages sculptured over the front, but a real time-piece, which
makes a prodigious ticking, on the top in the middle, with a
flower-pot containing a cabbage standing on each extremity by way of
outrider. Between each cabbage and the time-piece, again, is a little
China man having a large stomach with a great round hole in it,
through which is seen the dial-plate of a watch.
The fireplaces are large and deep, with fierce crooked-looking
fire-dogs. There is constantly a rousing fire, and a huge pot over
it, full of sauer-kraut and pork, to which the good woman of the
house is always busy in attending. She is a little fat old lady, with
blue eyes and a red face, and wears a huge cap like a sugar-loaf,
ornamented with purple and yellow ribbons. Her dress is of
orange-colored linsey-woolsey, made very full behind and very short
in the waist -- and indeed very short in other respects, not reaching
below the middle of her leg. This is somewhat thick, and so are her
ankles, but she has a fine pair of green stockings to cover them. Her