open. The lovely stolid pregnant chiquita doesn’t smile at me as she exits.
To the subway now, hippity-hop, one long block away. This far uptown the tracks are still
elevated. I sprint up the cracking, peeling staircase and arrive at the station level hardly winded at
all. The results of clean living, I guess. Simple diet, no smoking, not much drinking, no acid or
mesc, no speed. The station, at this hour, is practically deserted. But in a moment I hear the
wailing of onrushing wheels, metal on metal, and simultaneously I pick up the blasting impact of
a sudden phalanx of minds all rushing toward me at once out of the north, packed aboard the five
or six cars of the oncoming train. The compressed souls of those passengers form a single
inchoate mass, pressing insistently against me. They quiver like trembling jellylike bites of
plankton squeezed brutally together in some oceanographer’s net, creating one complex organism
in which the separate identities of all are lost. As the train glides into the station I am able to pick
up isolated blurts and squeaks of discrete selfhood: a fierce jab of desire, a squawk of hatred, a
pang of regret, a sudden purposeful inner mumbling, rising from the confusing totality the way
odd little scraps and stabs of melody rise from the murky orchestral smear of a Mahler
symphony. The power is deceptively strong in me today. I’m picking up plenty. This is the
strongest it’s been in weeks. Surely the low humidity is a factor. But I’m not deceived into
thinking that the decline in my ability has been checked. When I first began to lose my hair, there
was a happy period when the process of erosion seemed to halt and reverse itself, when new
patches of fine dark floss began to sprout on my denuded forehead. But after an initial freshet of
hope I took a more realistic view: this was no miraculous reforestation but only a twitch of the
hormones, a temporary cessation of decay, not to be relied upon. And in time my hairline
resumed its retreat. So too in this instance. When one knows that something is dying inside one,
one learns not to put much trust in the random vitalities of the fleeting moment. Today the power
is strong yet tomorrow I may hear nothing but distant tantalizing murmurs.
I find a seat in the corner of the second car, open my book, and wait out the ride
downtown. I am reading Beckett again, Malone Dies; it plays nicely to my prevailing mood,
which as you have noticed is one of self-pity. My time is limited. It is thence that one fine day,
when all nature smiles and shines, the rack lets loose its black unforgettable cohorts and sweeps
away the blue for ever. My situation is truly delicate. What fine things, what momentous things, I
am going to miss through fear, fear of falling back into the old error, fear of not finishing in time,
fear of revelling, for the last time, in a last outpouring of misery, impotence and hate. The forms
are many in which the unchanging seeks relief from its formlessness. Ah yes, the good Samuel,
always ready with a word or two of bleak comfort.
Somewhere about 180th Street I look up and see a girl sitting diagonally opposite me and
apparently studying me. She is in her very early twenties, attractive in a sallow way, with long
legs, decent breasts, a bush of auburn hair. She has a book too—the paperback of Ulysses, I
recognize the cover—but it lies neglected on her lap. Is she interested in me? I am not reading her
mind; when I entered the train I automatically stopped my inputs down to the minimum, a trick I
learned when I was a child. If I don’t insulate myself against scatter-shot crowd-noises on trains
or in other enclosed public places I can’t concentrate at all. Without attempting to detect her
signals, I speculate on what she’s thinking about me, playing a game I often play. How intelligent
he looks. . . . He must have suffered a good deal, his face is so much older than his body . . .
tenderness in his eyes . . . so sad they look . . . a poet, a scholar. . . . I bet he’s very passionate . . .
pouring all his pent-up love into the physical act, into screwing. . . . What’s he reading? Beckett?
Yes, a poet, a novelist, he must be . . . maybe somebody famous. . . . I mustn’t be too aggressive,
though. He’ll be turned off by pushiness. A shy smile, that’ll catch him. . . . One thing leads to
another. . . . I’ll invite him up for lunch. . . . Then, to check on the accuracy of my intuitive