
The Silver Key
Once in a while, though, he could not help seeing how shallow, fickle, and meaningless
all human aspirations are, and how emptily our real impulses contrast with those
pompous ideals we profess to hold. Then he would have recourse to the polite laughter
they had taught him to use against the extravagance and artificiality of dreams; for he saw
that the daily life of our world is every inch as extravagant and artificial, and far less
worthy of respect because of its poverty in beauty and its silly reluctance to admit its own
lack of reason and purpose. In this way he became a kind of humorist, for he did not see
that even humour is empty in a mindless universe devoid of any true standard of
consistency or inconsistency.
In the first days of his bondage he had turned to the gentle churchly faith endeared to him
by the naive trust of his fathers, for thence stretched mystic avenues which seemed to
promise escape from life. Only on closer view did he mark the starved fancy and beauty,
the stale and prosy triteness, and the owlish gravity and grotesque claims of solid truth
which reigned boresomely and overwhelmingly among most of its professors; or feel to
the full the awkwardness with which it sought to keep alive as literal fact the outgrown
fears and guesses of a primal race confronting the unknown. It wearied Carter to see how
solemnly people tried to make earthly reality out of old myths which every step of their
boasted science confuted, and this misplaced seriousness killed the attachment he might
have kept for the ancient creeds had they been content to offer the sonorous rites and
emotional outlets in their true guise of ethereal fantasy.
But when he came to study those who had thrown off the old myths, he found them even
more ugly than those who had not. They did not know that beauty lies in harmony, and
that loveliness of life has no standard amidst an aimless cosmos save only its harmony
with the dreams and the feelings which have gone before and blindly moulded our little
spheres out of the rest of chaos. They did not see that good and evil and beauty and
ugliness are only ornamental fruits of perspective, whose sole value lies in their linkage
to what chance made our fathers think and feel, and whose finer details are different for
every race and culture. Instead, they either denied these things altogether or transferred
them to the crude, vague instincts which they shared with the beasts and peasants; so that
their lives were dragged malodorously out in pain, ugliness, and disproportion, yet filled
with a ludicrous pride at having escaped from something no more unsound than that
which still held them. They had traded the false gods of fear and blind piety for those of
license and anarchy.
Carter did not taste deeply of these modern freedoms; for their cheapness and squalor
sickened a spirit loving beauty alone while his reason rebelled at the flimsy logic with
which their champions tried to gild brute impulse with a sacredness stripped from the
idols they had discarded. He saw that most of them, in common with their cast-off
priestcraft, could not escape from the delusion that life has a meaning apart from that
which men dream into it; and could not lay aside the crude notion of ethics and
obligations beyond those of beauty, even when all Nature shrieked of its unconsciousness
and impersonal unmorality in the light of their scientific discoveries. Warped and bigoted
with preconceived illusions of justice, freedom, and consistency, they cast off the old lore
and the old way with the old beliefs; nor ever stopped to think that that lore and those