
The thing is, I could be wrong. I try not to think about that, though. Someone once said that success is
ninety-eight percent attitude, and I’m definitely staying optimistic. (And never mind that the someone who
said that was me. It’s perfectly sound wisdom and, frankly, I trust myself more than I trust anyone else.)
All of which is little more than a backdrop to the reason why I ended up singing Gloria Gaynor’s “I Will
Survive” despite the fact that I am not a gay male and hadn’t even rehearsed the thing.
It was all Brian’s fault.
He’s a self-proclaimed screaming tenor, has slept with more producers than I’ve auditioned for, and is
one of my absolute best friends. We worked together at Ellen’s Stardust Diner for almost two years, until
last week when he was hired to replace an actor who’d tripped down the subway stairs and busted his
femur all to hell. No kidding. It was like something out ofAll About Eve, except that Brian hadn’t even
been an understudy. Apparently he’d auditioned for the show early on, did reasonably well, and the
producer remembered him. The other actor’s broken leg was, literally, Brian’s big break. And he landed
himself a minor, but important, role, the bastard. Not that I’m bitter or anything, but talk about luck.
At any rate, the show is calledPuck’s Dream, it’s a new musical loosely based onA Midsummer Night’s
Dream. Lots of production numbers, lots of effects. Brian’s even featured in two scenes, and in one he
actually gets to fly across the stage. From what he tells me, it’s pretty cool, and I’m trying very hard,
albeit somewhat unsuccessfully, not to be jealous.
The production was scheduled to premiere at the Belasco Theater in about a week, and Brian’s cousin
Felix—aka Fifi for reasons I’m not even going to bother going into—had come in from Los Angeles to
help Bri celebrate. Naturally, Brian brought Fifi to the diner. And, just as naturally, he was giving me a
hard time. (Brian, that is. Not his cousin.)
“Sweetie,” Brian said, squeezing in beside the condiments, “you’re positively maudlin. You need some
serious cheer. After work. Drinks. And I won’t take no for an answer.”
“Are you concerned about me? Or are you just trying to make sure you’re not alone with Fifi?”
“Well, he is a little high maintenance, but you know I love him. And don’t change the subject, anyway.”
I made a face. “You’re not even supposed to be back here anymore.”
“I go where I’m needed,” he said. “And I’m definitely needed here. Look at you! You’re going to bring
down the crowd if you go out there like that. What are you planning on singing, anyway? ‘Memory’?”
I scowled because he’d totally pegged me. “Maybe,” I said. I couldn’t help it. Iwas morose. I’d
auditioned that morning for an off-Broadway revival ofCarousel, a show I know inside and out, and
absolutely love, but I swear I might as well have stood on that stage and farted for all the good my
rehearsing did me. I couldn’t even see the producer or the director past the stage lights. All I heard was a
cough and then a curt, “Thank you. We’ll be in touch.” And then the stage manager was ushering me off
the stage.
Granted, that’s often par for the course in the world of open call auditions, but I’d really expected the
director to leap to his feet, race to the stage, and sign me on the spot. Or, if not that, then I’d at least
expected a good vibe. As it was, I got zilch. No vibe, no job, no nothing.
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