
his left so he could keep the muzzle toward the open doorway connecting the bedroom to
the sitting room just beyond.
In two strides he was to the chair, his right fist closing over the butt of the second
Detonics, his thumb drawing the hammer to full stand as he brought the muzzle up. He
glanced at Sarah on the bed. If he awakened her, she might be in greater danger. And if his
ears were playing tricks on his survival instincts, all the better reason not to arouse her
—yet.
He moved toward the door, naked still, no time to skin into his pants.
Logic in such a situation as this dictated letting the intruder come to you. But if there
were indeed an intruder or intruders, he could not let them come so close that Sarah and the
baby in her womb would be in jeopardy.
John Rourke stood at the doorway. He held his breath. He listened.
He heard nothing. But he felt something without physically feeling it, the sixth sense
so often spoken of almost fearfully, as if it were a touch of the unknown.
He backed toward the bed in long, quick strides, realizing he must make logic fit the
situation. Cocked and locked, he set the Detonics from his right fist beside his right knee as
he slipped onto the bed, his right hand closing over Sarah's mouth, her eyes opening
instantly as she inhaled. He touched the trigger finger of his left hand to his lips and she
blinked her eyes wide to indicate that she understood. Slowly, he moved his hand away
from her mouth. She started to sit up, looking at him quizzically in the semi-darkness. He
nodded and leaned back, both pistols in his fists again as Sarah rose slowly
and eased out from beneath the sheet. She moved normally, not yet restricted by the
baby. Her right hand moved to the bedside table and he could make out the Detonics-like
shape of her Trapper Scorpion .45.
Rourke eyed the doorway, then gestured toward the bathroom. His wife shook her
head vigorously. He gestured toward the bathroom again and after an instant's hesitation,
she nodded and, barefoot, her ankle-length nightgown gathered up in her left hand, her
pistol in her right, started for the bathroom.
John Rourke moved across the bedroom toward the chest of drawers. It was made of a
type of metal that seemed reasonably heavy and cosmetically resembled wood. He
crouched behind it, waiting. Before The Night of The War, when he had traveled
considerably teaching survivalism and weapons training, he had spent many nights in hotel
rooms across the world and continued the practice he had begun when he had gone on his
first overseas assignment as what was euphemistically called a "case officer" for the
United States Central Intelligence Agency. Immediately upon entering a room, if for some
reason he was forced to travel unarmed, find suitable objects within the room that could be
utilized as impromptu weapons —a lamp cord gar-rote, a complimentary magazine or
newspaper that could be rolled tightly and used as a thrusting implement, an easily
removed flush tank lid that could be. used as an effective bludgeon, however unwieldy. It
would only need to be used once. But when he was armed, which had been most of the time,
the first order of business, after the usual thing of checking locks, fire and emergency
escape routes and the like, was to select the best defensive position the room afforded. And
it would usually devolve to a dresser or chest of drawers. Hotel dressers were most often
long and low, giving considerable material through which an enemy bullet would have
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to travel before reaching him, slowing it down or deflecting it or, in the older hotels