On other levels, it had different effects. There were many levels of nothing-ness. The old
man could not possibly appreciate that knowledge at this stage of his personal evolution.
The young man bowed and produced a small bundle wrapped in brocade. Holding it
reverently with both hands, he laid it down on the mat between them.
The old man sat, transfixed. He did not dare doubt. He had seen the beta test himself. An
entire rock, weighing four tons, from the Zen garden of the Ryoanji had been digitized from
a distance of 400 kilometers using a Kobayashi K700 downsizer. He had the image stored in
a file that he kept in an amulet around his neck.
When he first obtained this evidence, he studied it with a feel-ing of almost religious
conversion. For him the image had the full weight, the look and feel of the huge boulder
once buried in that famous Zen garden. If there was an illusion, it was that it once was a
solid rock. Yet it was still a rock. It had rock essence.
The old man held his breath as the master unfolded the bun-dle. He removed the ceremonial
glove and slipped it onto his right hand, almost casually. The understatement was powerful,
refined. Then, with another curt bow, the young man began the virtual reality ceremony:
Vacharu-no-yu. The new way of serving—and savoring—reality.
For tea traditionalists, this was an aberration, of course. They were hopelessly behind the
times. For them, nothing could replace the original Cha-no-yu tea ceremony as it had been
refined by the tea-master Sen Rikyu in the 16th century.
The fools! No wonder New Nippon was beset with strife and with intrigues just as it had
been during the civil wars in the feu-dal times. As for Rikyu, these new traditionalists even
refused to confront the master in his current holocarnation.
Why, the old man had been served by Rikyu himself in this very tearoom, courtesy of a
Kobayashi Chajin projector. Imbe-ciles! What would it take to convince them that the times
had indeed changed!? Did they want The Great Generalissimo Nobunaga himself to appear
and demand their heads?
The old man grinned several layers beneath his expression-less mask. He could arrange it
for them. In fact, he already had. A number of cowardly keiretsu lords could attest to this fact
—if only they were able to speak, that is. He had amassed quite a col-lection of their
extracted consciousnesses, utilizing the compres-sion technique that the young master had
so expertly developed for him.
Neuro-netsukes, that’s what the old man jokingly called them. Brain bonsai! He had a dozen
figurines on display inside a glass cabinet. Let’s see, there was the traitor Ono, who had
secretly conspired against him with the Fuji clan of Osaka. Then there were his other prize
pieces—Shigehara, Tamba, and Ikeda. Had they not declared themselves against the House
of Kobayashi? Now they all were part of his priceless netsuke collection. Who else in the
world could boast of playing host to such handcrafted houseguests!
Each of his former enemies had been transformed into a sin-gularly unique work of art.
Miniatures, befitting their new status, the old man chuckled silently at the thought. Tamba
was a wild boar; Ono, for his insolence, a rat; and that slippery Ikeda, a fish writhing in a