light back at him.
Each governor decorated the office in his own way. Only a few things were immutable: the preposterous
fresco on the ceiling, the massive doors with brass lions' heads mounted in their centers. His predecessor had
gone in for a spare, classical nineteenth-century look, filling the place up with antiques that had belonged
to Lincoln and Douglas. This impressed visitors and looked nice for the tour groups who came by every
hour to launch flashcube barrages over the velvet rope. Cozzano had banned the tour groups, slamming
the doors in their faces so that all they could see was the brass lions, and turned the office into a cluttered
Cozzano family museum.
It had started on the day of his first inauguration, with a small photo of his late wife, Christina, placed on
the corner of his historically inaccurate desk. Naturally, photos of his children, Mary Catherine and James,
came next. But there was no point in stopping with the immediate family, and so Cozzano had brought in
several boxes containing pictures of patriarchs and matriarchs going back several generations. He wanted
pictures of his friends, too, and of their families, and he also needed various pieces of memorabilia, some of
which were chosen for sentimental reasons, some for purely political ones. By the time Cozzano was
finished decorating his office, it was almost filled with clutter, smelling salts had to be brought in for the
Historical Society, and, as he sat down for the first time in his big leather chair, he could trace the entire
genealogy and economic development of the Cozzano clan, and of twentieth-century Illinois, which
amounted to the same thing.
There was an old aerial photograph of Tuscola as seen from its own water tower in the 1930s. It was a
town of a few thousand people, about half an hour south of the academic metropolis of Champaign-Urbana
and a couple of hours south of Chicago. Even in this photo it was possible to see gaudy vaults in the town
cemetery, and Duesenbergs cruising the streets. Tuscola was, for a farm town, bizarrely prosperous.
In an oval frame of black walnut was a hand-tinted photograph of his great-grandfather and namesake
Guillermo Cozzano who had come to Illinois from Genoa in 1897. In typically contrary Cozzano fashion he
had bypassed the large Italian communities on the East Coast and found work in a coal mine about thirty
miles southwest of Tuscola, where soil and coal were the same color. He and his son Guiseppe had gone into
the farming business, snapping up one of the last available parcels of high-quality land. In 1912, Guiseppe
and his wife had their first child, Giovanni (John) Cozzano, followed three and five years later by Thomas
and Peter. All of these events were recorded in photographs, which Cozzano would be more than happy to
explain to visitors if they made the mistake of expressing curiosity, even allowing their eyes to stray in that
direction. Most of the photos featured buildings, babies, or weddings.
John Cozzano (photo) lost his mother to influenza at the age of six and, from that point onward, lived his
life as if he had been shot from a cannon. During his high-school years in the vigorous 1920s he held down a
part-time job at the local grain elevator (photo). By the time economic disaster struck in the 1930s he had
worked his way up into the management of that business. With one foot in his father's farm and the other in
the grain elevator, John was able to get the family through the Depression in one piece.
In 1933, John fell in love with Francesca Domenici, a young Chicago woman. As evidence of his fitness
to be a husband, he decided to buy an enormous stucco Craftsman house on a tree-lined brick street on the
edge of Tuscola (photo). Even by the standards of Tuscola, which had an inordinate number of large and
magnificent houses, it was a beaut: three stories, six bedrooms, with a full basement and a garage the size of a
barn. All of the woodwork was black walnut, thick as railroad ties. He was going to buy the place for five
hundred dollars from a railway company man who had gone bankrupt. At this time, John had only three
hundred dollars in the bank, and so he was forced to borrow the remaining two hundred.
This quest eventually led him to Chicago, and to the doorstep of Sam Meyer (photo), formerly Shmuel
Meierowitz. Sam Meyer operated a number of coexisting businesses out of a single storefront on Maxwell
Street, on Chicago's near west side (photo). One thing he did was lend money. Sam's son was named David;
he was a lawyer.
Every Italian person John Cozzano had ever spoken to for more than about ten minutes had
spontaneously warned him of the danger of borrowing money from Jews. He had accepted these warnings
at face value until he overheard Anglo-Saxons in Tuscola warning each other, in exactly the same terms, of