
no more than once every moon and never stayed longer than half a day. He
even trusted her now to experiment with new preparations, something that
made her so proud she practically glowed every time she thought about it!
That was why Shandi wanted her to come along on this hunt for the elusive
true red dye. Her knowledge of herbs and other plants extended into dyes,
and she had a knack for telling which ones would fade, which would need too
much mordant to be practical, and which would turn some other, less
desirable color with age. Some dyes could even be used as medicine, so
Keisha never lost a chance to explore their possibilities. In a village where
every person had some specialty, however small, Shandi was the one who
supplied everyone else with common embroidery thread the equal of anything
a trader could bring in. Her threads, whether spun from wool, linen, or raime,
were strong, hair-fine, and even; her colors were true and fast. So even as the
villagers gladly paid Keisha for tending their ills (knowing that she had to pay
for the medicines and supplies she couldn’t make, grow, or find for herself),
they even more gladly told over their copper coins for a hank of Shandi’s
thread.
The village square was the site of the weekly market, with the square
closed to all but foot traffic, and stalls set up along all four sides. Besides the
usual things found in a village market - produce and foodstuffs - Errold’s
Grove had specialties of its own to boast of. Along with the dye-hunters had
come dye-traders and dye-buyers, who purchased bundles of plants and
fungus and things that defied description, then leeched or cooked out the
pigments and pressed them into little cakes for sale. The buyers seldom left
Errold’s Grove, preferring to act as middlemen and sell their dye-cakes to
traders, but they were by no means reluctant to sell a cake or two to their
neighbors. The tanner also put some of his unusual furs on offer at this
weekly market, giving villagers first choice of what the hunters brought him.
In addition, now Errold’s Grove had its own potter, who was an artist in his
own right, using some of the new and strange pigments and foreign earths
from the Change-Circles and a variety of modeling and carving techniques to
make ordinary clay pots into things almost too beautiful for use. There was,
alas, no glass blower as yet, though there were rumors that one might be
coming soon; most glass came from the Hawkbrothers or from traders.
The miller’s son had begun experimenting with paper making a year ago,
and now his efforts were on sale roughly every other market day, alongside
inks Keisha had taught him to make from oak galls and soot, small brushes he
made from badger hair, and pens he cut himself from goose quills. So now it
was possible for lovers to exchange silent vows, for thrifty wives to keep
account books, for those with artistic pretensions to inflict their work on their
relatives, and for everyone to write to relatives far and near. That last item
alone, that tiny token of civilization, made Errold’s Grove seem less like the
end of the universe and more like a part of Valdemar. When it was possible to
communicate, however infrequently, with those outside the confines of Lord
Breon’s holdings, people didn’t feel forgotten anymore.
Then there was the Fellowship.
Keisha nodded a friendly greeting toward the Fellowship booth, and the
soberly clad woman tending it smiled and nodded back, her smile widening as
Shandi’s footsteps suddenly (and predictably) lagged and her eyes went to
the delicate wisps of fabric draped temptingly over a line at the back of the
booth. The Fellowship, a loose amalgamation of a dozen families related only
in their religious beliefs and a firm commitment to peace and a life with no