mid-gallop-black stallions, white mares, pintos, palominos,
mustangs-charging forward without proceeding, as if the river of time
had parted around them. Like a thin spray of metallic paint, traces of
moonlight adhered to the brass poles that transfixed the horses, but in
that eerie radiance the brass was silver and cold.
I had jumped the high fence that ringed the county fairgrounds, for the
gates had been closed when I arrived. Now I felt vaguely guilty, a
thief in search of booty, which was odd, for I was no thief and
harbored no criminal intentions toward anyone in the carnival.
I was a murderer, wanted by the police in Oregon, but I felt no guilt
about the blood I had spilled out there at the other end of the
continent. I killed my Uncle Denton with an ax because I wasn't strong
enough to finish him with my bare hands. Neither remorse nor guilt
pursued me, for Uncle Denton had been one of them.
The police, however, did pursue me, and I couldn't be sure that even
three thousand miles of flight had won me any safety. I no longer used
my real name, Carl Stanfeuss. At first I had called myself Dan Jones,
then Joe Dann, then Harry Murphy. Now I was Slim MacKenzie, and I
figured I would stay Slim for a while; I liked the sound of it. Slim
MacKenzie. It was the kind of name a guy might have if he were John
Wayne's best buddy in one of the Duke's Westerns. I had let my hair
grow longer, though it was still brown.
There was not much else I could do to alter my appearance, other than
stay free long enough for time to make a different man of me.
What I hoped to get from the carnival was sanctuary, anonymity, a place
to sleep, three square meals a day, and pocket money, all of which I
intended to earn. In spite of being a murderer, I was the least
dangerous desperado ever to ride out of the West.
Nevertheless, I felt like a thief that first night, and I expected
someone to raise an alarm, to come running at me through the maze of
rides, hamburger stands, and cotton candy kiosks. A couple of security
guards must have been cruising the fairgrounds, but when I made my
entrance they were nowhere in sight. Listening for the sound of their
car, I continued my nocturnal tour of the famous midway of the Sombra
Brothers Carnival, the second largest road show in the country.
At last I stopped by the giant Ferris wheel, to which darkness brought
a chilling transformation: In the glow of the moon, at this dead hour,
it did not resemble a machine, especially not a machine designed for
amusement, but gave the impression of being the skeleton of a huge
prehistoric beast. The girders and beams and cross-supports might not
have been wood and metal but bony accretions of calcium and other
minerals, the last remains of a decomposed leviathan washed up on the
lonely beach of an ancient sea.
Standing in the complex pattern of moon-shadows cast by that imagined
paleolithic fossil, I peered up at the black two-seat baskets all
hanging motionless, and I knew this wheel would play a role in a
pivotal event in my life. I did not know how or why or when, but I
knew without doubt that something momentous and terrible would happen
here. I knew.
Reliable premonitions are part of my gift. Not the most important
part. Not the most useful, startling, or frightening part, either. I
possess other special talents that I use but do not understand. They
are talents that have shaped my life but which I cannot control or
employ at will. I have Twilight Eyes.
Looking up at the Ferris wheel, I did not actually see details of the
dreadful event that lay in the future, but I was drenched in a wave of
morbid sensations, flooding impressions of terror, pain, and death. I