
There is an error in the original magazine version--and I have decided to let it stand in this present
volume. Just to show you how difficult these matters are, let me describe the mistake. The astronomy
texts I had available did not clearly identify which of the Magellanic Clouds contain S-Doradus. This
particular point did not cross my mind during the correspondence. Suddenly, it was too late. I had to
guess. Now, in those days I gave a lot of attention to the sounds of words. It was my belief that certain
letters all by themselves conveyed a feeling. And so, when I wanted this feeling, or that, I would look for
words with those sounds in them, and substitute them for words that might, otherwise, appear to be more
suitable.
My critics presently took me apart on my use of the English language, particularly ridiculing such
passages. So I abandoned the technique. However, before I was demol-ished, I decided that the word
Lesser had a better feeling for my purposes than Greater. So, on this basis, I placed the great and
glorious S-Doradus in the Lesser Magellanic Cloud.
A few years later, while I was looking up something else in another text, there was the truth. Meaning,
it was in the Greater Magellanic Cloud.
Those things happen to SF authors, alas.
Another example: I read an entire text book on the production and manufacture of steel and its
by-products. I used the terminology in a little short story, titled, “Jugger-naut”. To my dismay, a reader
wrote in with a puzzled appraisal, stating that I seemed to know something about the subject; but that, as
a steel man himself, he had to report that he had never heard any of the terms.
It developed that I had read a book about British steel production.
A third story needing comment is “The Ghost”. It appeared originally in Unknown Worlds, a fantasy
magazine. Well, it’s science fiction. The idea in it derives from the time theories of a British philosopher,
named Dunne. He called his time concept serial time.
When I was age eighteen--and a would-be writer--I loved the lush style of A. Merritt, the cosmic
stories of E. E. Smith, and the western yarns of Max Brand. By the time I got around to eighteen a
second time (age thirty-six, for you people who can’t add) I was myself a science fiction writer, and had
in fact written most of the stories which were subsequently regarded as my “Best”. I spent my third
eighteen years making a study of human behavior. During this time, I wrote a non-fiction book, The
Hypnotism Hand-book for a psychologist. In 1962, The Violent Man, my Red China novel (not
science fiction) was published by Parrar, Straus and Giroux. Another study begun in the fifties recently
culminated in a second non-fiction title, The Money Personality. A third study--on women--will have an
SF novel based on it (The Secret Galactics) to be published by Prentice-Hall, Inc. in March 1974.
In 1964 I again started to write science fiction. The first of my new stories was “The Expendables”.
I am bemused by the possibility that what I wrote with a hammer and a chisel (so to speak) in my
younger days, adhering rigidly to an 800-word-scene-method writing, is actually better than what I can
now do when I am so much more knowledgeable. For example, today I feel that I understand human
behavior, money, women, men (though not children), exercise, dreams, and writing technique as never
before. Then, I just let character happen according to the needs of the story. Now, I know at all times
what I’m doing, and why. It feels better. And I really think it’s going to turn out better.
Here, without further preliminary discussion, is my list of my favorites: shorter stories: (early) “The
Monater”, “War of Nerves”, (later) “The Ultra Man”; novelettes: (early) “Vault of the Beast”, “The
Storm”, “Hand of the Gods”, (later) “Silkies in Space”, “The Proxy Intelligence”; novels: (early) The
World of Null-A, (later) The Silkie, The Battle of Forever.
Those are my very top choices. Following close behind these are: “Dear Pen Pal”, “The Cataaaaa”,
and “Juggernaut” (short); “Expendables”, “The Ghost”, “The Weapon Shop”, “Secret Unattainable”, and
“The Green Forest” (novelettes); and the novels, The Weapon Shops of Isher, The Wizard of Linn and
Future Glitter.
I want to make a brief comment about a couple of those choices. “Proxy Intelligence” is a sequel to an
early novella, “Asylum”, which at one time I considered one of my best stories. I still do; but I prefer
“Proxy”. (At some future time there will be another sequel, titled “I.Q. 10,000”--at the moment I don’t
quite feel up to doing that.)