
said, looking down at the sea almost a dozen feet below the level of the deck on which she stood to the
left of Cashel and Tenoctris. Foam boiled back as the Shepherd's bronze ram dipped and rose
minusculely at the thrust of the oars. The water was gray today; all Sharina could see in it was an
occasional bit of weed churned up as the quinquereme's huge weight slid past.
"We're moving," said Cashel simply. "I don't think I'll ever get used to that. I don't mind, but it's
not like being on solid ground."
Sharina laughed. "Cashel," she said, "so long as you're around, everything seems solid."
She hugged herself to him, a great, warm boulder. He didn't respond--they were in public, after
all--but he smiled as he continued to watch the approaching shore. The great stone moles which
extended Carcosa's fine natural harbor had survived the thousand years of neglect following the collapse
of the Old Kingdom. One of the lighthouses which originally framed the entrance remained also,
streaming a long red-on-white pennon to welcome the fleet, but the other had fallen into a pile of rubble.
The lighthouses had been built in the form of hollow statues: one of the Lady wearing the crescent
tiara of the moon, the other of the Shepherd holding the sun disk. Celondre had written a poem when the
lighthouses were dedicated, likening them to the children of King Carlon, the hope of the Kingdom's
future.
Sharina's arm was still around Cashel's waist. She felt it tighten involuntarily, drawing her to
Cashel's solidity in an inconstant world. She'd first read Celondre's verse as a child in Barca's Hamlet
where she and Garric were tutored by their father Reise. The twin statues, decorated with gold-washed
bronze, had seemed the most wondrous objects in the world, and the kingdom when Celondre lived and
wrote was the next thing to paradise. She'd never dreamed that some day she'd see the statues herself.
But these weren't the shining triumphs of a child's imagination. One had fallen and time had so
worn the other that Sharina couldn't be sure which deity it was meant to represent. The twin children
Celondre praised in the same lyric had both died within a year: the boy had drowned on a sea voyage,
while the girl was carried off by a fever. Carlon had died old and bitter, withdrawn from the world and
his duties to the kingdom; and a generation later, when the forces which turned the cosmos rose to their
thousand-year peak, the Golden Age had fallen in mud and slaughter.
And those forces were rising again....
"Is anything wrong, Sharina?" Cashel asked. He'd felt her tremble, so he shifted his quarterstaff to
his right hand in order to put his left around her. His strength was more reassuring than stone walls or a
sheet of iron.
"No, nothing that we can't take care of," she said, sorry to have caused the big man to worry. "I
was just thinking about a poem Celondre wrote a thousand years ago."
Cashel nodded. Sharina knew that he wouldn't understand what she meant, but now he knew
that it wasn't anything he needed to be concerned about. If it was about books, then there were plenty of
other people around to take care of it. "Well," he said, "that's all right, then."
In Barca's Hamlet, few people could read or write well. Reise came from Valles on Ornifal, the
royal capital, and had been unusually well-educated even there. He and the children he'd taught were
unique exceptions. Cashel and Ilna were almost completely illiterate--able to spell out their own names,
and that with difficulty. As best Sharina could judge, Cashel regarded books much as he did the depths
of the sea: they were vast, hidden reservoirs of the strange and wonderful.
Tenoctris glanced at Sharina, leaning over the bow railing to see past Cashel's bulk. The old