Chris Dolley - Resonance

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Resonance
Table of Contents
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Thirteen
Fourteen
Fifteen
Sixteen
Seventeen
Eighteen
Nineteen
Twenty
Twenty-One
Twenty-Two
Twenty-Three
Twenty-Four
Twenty-Five
Twenty-Six
Twenty-Seven
Twenty-Eight
Twenty-Nine
Thirty
Thirty-One
Thirty-Two
Thirty-Three
Thirty-Four
Thirty-Five
Thirty-Six
Thirty-Seven
Thirty-Eight
Thirty-Nine
Forty
Forty-One
Forty-Two
Forty-Three
Forty-Four
Forty-Five
Forty-Six
Forty-Seven
Forty-Eight
Forty-Nine
Fifty
Fifty-One
Fifty-Two
Fifty-Three
Fifty-Four
Fifty-Five
Fifty-Six
Fifty-Seven
RESONANCE
Chris Dolley
This is a work of fiction. All the characters and events portrayed in this book are fictional, and any
resemblance to real people or incidents is purely coincidental.
Copyright ©2005by Chris Dolley
All rights reserved, including the right to reproduce this book or portions thereof in any form.
A Baen Books Original
Baen Publishing Enterprises
P.O. Box 1403
Riverdale, NY 10471
www.baen.com
ISBN-10: 1-4165-0912-7
ISBN-13: 978-1-4165-0912-9
First printing, November 2005
Cover Art by Allan Pollack
Library of Congress Cataloging-in-Publication Data
Distributed by Simon & Schuster
1230 Avenue of the Americas
New York, NY 10020
Typeset by Windhaven Press, Auburn, NH
Printed in the United States of America
Acknowledgements
I'd like to thank Kat Mancos, Elizabeth Mcglothin, N.R.
Simpson, Shawn Thompson and Derrick Barnsdale for their
helpful advice and comments.
One
Graham Smith locked the Post Room door, turning the key clockwise as far as it would go. He paused,
counting his breaths—one, two—then turned the key counterclockwise. Another pause, more breaths, it
had to be four this time, four was good, all even numbers were but four especially so. He repeated the
procedure, action for action, breath for breath. Lock, unlock; breathe and count. Twice with the right
hand and twice with the left. Only then could he leave work, satisfied that the door was indeed locked
and all was well with the world.
Not that it would be for long. You can't create a world in seven days without cutting corners.
"Are you going to the Princess Louise tonight?"
A woman's voice. Anne from Small Businesses? He didn't turn to find out, he knew the question wasn't
for him. People didn't talk to Graham Smith unless they had to. Or they were new. Before someone took
them aside for a friendly chat, thinking themselves out of earshot, thinking that just because someone was
quiet they must be deaf as well. But he'd heard them, heard the whispered warnings by the coffee
machine.Don't bother with Graham, he'll never answer. I've worked here fifteen years and never
got a word out of him. Don't get me wrong, he's not dangerous or anything. Just weird. Weird but
harmless.
The woman brushed past, not giving Graham a second look as he turned and dropped the Post Room
key into his jacket pocket. He'd been right. It had been Anne, now deep in conversation with the new girl
from personnel, planning their night out, eyes flashing, words dancing between them. Conversation came
so easily to some people. A tap they could turn on and off without ever worrying what would come
spewing out.
Something Graham Smith had never mastered. He'd barely spoken since his ninth birthday and that was
twenty-four years ago.
He followed them into the lobby, watched as they waved to Andy at the door, barely breaking sentence
as they wished him a good night and pushed through onto the pavement outside.
Graham carefully placed the Post Room key on the reception desk with his right hand—Mondays were
always right-handed days—and smiled towards the guard's left shoulder. Eye contact was unlucky
whatever the day.
He stepped outside, blinking into the early summer evening. London on a sunny day in June—bright
summer clothes, red buses and black taxis. Noise and bustle all around.
He turned right, striding out along the pavement, matching his step to the paving stones, assiduously
avoiding the cracks.
Don't step on the cracks—everyone knew the sense of that. One of the first things you learned as a
child. But too many people forgot. Or didn't care. Graham Smith cared. He knew that paving stones set
the cadence of a street; that cracks regulated the stride length and set the resonance that kept everything
stable and harmonious. Step on the cracks and the street slipped out of kilter. Imperceptibly at first.
Minute changes around the edges, a new person living at number thirty-three, a strange car outside
number five. Step on the cracks too often and . . . well, anything could happen. He'd seen houses turned
into blocks of flats overnight. Parades of shops come and go. Terraces demolished, office blocks
erected. All overnight when no one was looking.
The world was a far more fragile place than people realized. And every now and then a thread would
work loose and something or someone would unravel.
A cloud of diesel smoke spilled out from a bus revving away from its stop. Graham stepped diagonally
to avoid it, stretching three pavers over. A few steps more and he had to change lanes again, the
pavement filling with commuters and tourists. He sidestepped, jumped and picked his way through the
crowd. One eye on his feet and one a few paving stones ahead, searching out the next obstacle.
Which was when he saw her.
She was walking in front of him—four paving stones ahead. Four paving stones exactly, her feet
studiously avoiding the cracks, just like Graham. Except that she didn't have to dart back and forth to
avoid the other pedestrians—they moved aside for her. He watched, fascinated, as a group of men split
apart to let her pass, turning as they did so, their eyes scanning every inch of her, their attention
wandering so much that Graham had to sidestep quickly to avoid a collision.
The young woman walked on, indifferent, not looking left nor right.
Graham was fascinated. She flowed along the road, catlike, not walking so much as dancing with the
street, her feet matching perfectly the rhythm of the pavement.
Who was she?
And why hadn't he seen her before? He walked this road every day, always at the same time. Was she a
tourist? He could see no telltale sign. No camera, no map, not even a bag. Her hands swung loose by her
side. Elegant hands, long and slim, like her. Everything about her resonated elegance . . . except . . .
except now that he looked closer he could see that her clothes were dirty—her short brown dress
looked like it had been slept in for weeks. Or was that the fashion these days? And her hair was badly
dyed, a metallic red streaked with black . . . or was that dirt?
He followed her, couldn't take his eyes off her, as she cut a swath through the packed pavement. He
watched her from her long, bare legs to her streaky, tousled top. She was like a sinuous metronome,
clicking out an unchanging beat, looking straight ahead and not deviating an inch.
Something else caught his eye. What was that above her right ankle? A bruise? No, a tattoo. Something
in blue. He quickened his pace, he had to know everything about this girl. He closed the distance
between them to three paving slabs, two. He could almost make it out. A bird? Yes, a bird. A tattoo of a
blue bird.
He was so engrossed he almost missed his tube station. The entrance loomed on his right like a deep,
dark tunnel. The girl walked on. Graham hovered by the entrance, hoping she'd stop or turn.
She didn't.
He had a choice. To take the tube like every other day . . . or follow the girl. Curiosity begged him to
follow, instinct said no—he had a routine, routines had to be followed, not girls.
He looked one way and then the other. He couldn't decide. He watched her bobbing head disappearing
into the crowd, he peered into the shadow of the foyer; the turnstiles, the ticket machines. He looked
back.
She'd gone.
* * *
Forty minutes later, Graham was counting the paces as he walked between the post box on the corner to
the near gatepost of his home at number thirty-three. A ritual he'd started four years ago when he'd first
moved to Oakhurst Drive. A ritual that demanded he arrive exactly on the sixty-sixth step. Sixty-sixth
step, left foot, no room for error or bad things were certain to follow.
Fifty-five, fifty-six, he passed next door's laburnum dead on schedule, his feet rising and falling on the
dusty grey tarmac. A light wind kept him company, swirling eddies of sweet wrappers around his feet.
He arrived at the gate exactly on the sixty-sixth step, his left toe precisely in line with the inner edge of
the gatepost. He turned, swivelling on the ball of his left foot, unlatched the gate with his right hand and
walked through. Two steps and turn, breathe and reach, he took the gate in his left hand and swung it
gently back and forth—once, twice, three times—then let it close.
He listened for the latch to click shut then gave it a gentle tug to check with his right hand—it was a
Monday—then, satisfied, turned, relaxed and ambled—not even bothering to count the steps—to the
door of his prewar pebble-dashed semidetached house.
He was home.
Another day safely negotiated.
He took out his key and pushed it into the lock.
It wouldn't turn.
He tried again.
It still wouldn't turn.
He tried with his left hand, both hands. He took the key out, counted to four and tried again.
Nothing.
Was it stuck? Was it . . .
A sudden intake of breath. Not again. Not so soon. He'd been so careful this time!
A muffled sound came from inside the house. Footsteps on the stairs, someone coming down, someone
inside his house, the house he shared with no one, the house no one ever visited.
A shape appeared, distorted by the frosted glass door. A woman's voice on the other side, nervous,
uncertain.
"Is that you, Rob?"
Graham froze, his hand still clutching the key in the lock. It was happening again.
The shape filled the glass door, he could make out a hand moving towards the latch.
"Who's there?" The voice was louder this time, a hint of panic. Graham withdrew the key, trying to be
quiet, trying to keep calm while he backed away from the door. It began to open, he turned, ran, fumbled
with the gate, forced himself through.
A voice came from the doorstep. "Who are you? What do you want?"
He ran, flying along the pavement, his breaths coming short and fast, his lungs burning, his eyes watering
with the strain. And this time he didn't count or care where he stepped. It was too late for that.
Bad things had already happened.
Two
He turned right at the corner, dropping down to a fast walk, turning his head every few seconds to
check he wasn't being followed, praying that the woman had given up and gone back inside.
It seemed she had.
But what if she'd called the police?
He crossed over, waited for a gap in traffic then hurried across to take the next turning left. He had to
get out of the area, stick to the back roads and not look suspicious.
And he had to find his way home. Wherever that was.
His hand reached instinctively into his jacket pocket, searching for the piece of paper he knew it must
contain, his lifeline whenever the world and his memory became detached.
He took it out slowly and unfolded the note.
Graham Smith
Home Address: 47 Wealdstone Lane
Wealdstone Lane? He couldn't believe it! He'd left there six years ago! He remembered packing, he
remembered waiting all morning for the movers to turn up. He'd moved to the flat in Pierrepoint Street . .
. until that had unravelled four years ago and he'd found himself at Oakhurst Drive.
Had the last six years unwound?
He read the rest of the note.
Job: Office Messenger
Work Address: Post Room (Room 001),
12 Westminster Street
At least his job hadn't changed. He'd worked at the Department of Trade and Industry since he'd left
school at sixteen.
He stared at the note, rereading every line, hoping the words might magically alter in front of his eyes and
give him back the life he remembered.
They didn't.
A group of children pushed by, running out into the road to pass, laughing and shouting and seemingly
unaware of the fragility of the world they were growing up in. A lawnmower engine started up a few
doors down, a car cruised by. Normality all around, seeping in to cover the cracks.
Graham slipped the note back into his pocket and took a deep breath. Wealdstone Lane was about
three quarters of a mile back the way he'd come. Back through Oakhurst Drive if he wanted the shortest
route.
He didn't.
He took the circuitous route instead, settling back into his walking ritual, looking for landmarks when the
streets weren't paved, markers he could use to pace between, counting the strides and making sure he
always finished on an even step. Finding comfort in the simple ritual and the hope that, somehow, he was
helping the world bed down and the healing process begin.
It was nearly seven o'clock by the time he turned into Wealdstone Lane. The street looked much the
same as he remembered it. The house on the corner had a new drive. Number thirty-five had been
repainted. But beneath the trimmings the structure of the street remained unchanged. The same red-brick
semis, tightly packed. The same undulating pavement of cracked and badly laid paving stones.
And there was his home, number forty-seven, just coming into view. He'd been born in that house. He
knew every inch of it. Nothing had changed.
Except the wrought iron gate.
It was black. The old gate had been silver. He'd thought about painting it black but had never gotten
around to it.
He unlatched the gate and stepped through, keeping his feet cleanly positioned in the center of the patio
paving stones—one, two and turn, breathe and reach, switch hands and swing—once, twice, three times,
release and click. He smiled, he couldn't help it. The beauty of ritual and the unexpected joy of seeing an
old friend. The gate could have performed the ritual by itself, all those thousands of times it had swung
back and forth to his touch. Every caress, every motion, ingrained into its fabric.
He took a deep breath and felt for his key as he walked the few yards to his front door. Would the key
fit? He counted to four then slowly slipped the key into the lock.
The key turned, smooth and unchecked. He counted to two, relaxed his grip and let the pressure of the
lock slowly force the key back to its original position. Another count, another turn, left, right and push.
The door swung open.
Inside, it was like stepping back six years. The carpets, the stairs, the furniture—all exactly as he
remembered. Only his face in the hall mirror had aged, everything else looked straight out of a time
capsule.
He walked from room to room, picking up familiar objects, opening cupboard doors, fingering
ornaments. He recognized them all.
Even the ones that shouldn't be there. Like the sofa he'd sold when he moved to Pierrepoint Street. And
the electric kettle he'd bought only six months ago.
He walked upstairs, slowly taking in his surroundings. Everything familiar, everything clean and orderly.
He crossed the landing into his bedroom at the back. Again, everything was present and in its place. His
small pine bed, his blue quilt, his dressing table, lamp and clock.
And his notice board. Covered as usual in yellow Post-it notes. Everything he needed to know would be
recorded there. The name of his doctor, his dentist, any appointments he had or addresses he needed to
know. Everything he'd need for times like this, when the world slipped a thread and became detached
from his memory.
He read them one by one. All were written in his handwriting and yet he had no recollection of writing
any of them—even the one dated yesterday.
He crossed the room to his bookshelf and ran a hand along the spines, checking the titles. A few he
didn't recognize, a few that should have been there weren't. A story repeated with his clothes. The new
jacket he'd bought last week was missing and there was a pair of black jeans he'd never seen before.
Another thought hit him. How far had this thread unravelled?
He stepped uneasily onto the landing. His parents' bedroom door was closed. But then it always had
been. At least, since the last time, the time his mother had disappeared.
He stopped in front of the door, unsure, his hand hovering over the door handle. Should he knock? Call
out?
He knocked tentatively, the word "mum" lodged in his throat.
No answer.
He closed his fingers around the knob, twisting and ever so slowly easing the door open. The door
creaked. He peered in. Not sure what to expect. Would he see his mother, his father, an empty room?
He could barely breathe. His hand began to shake. He pushed the door wider. Their double bed came
into view; the pink bedspread, the fluffed pillows, the two bedside tables.
His hopes fell. Both tables were empty; no book, no glass of water, no open box of tissues. No sign of
occupation.
He forced himself further into the room and checked behind the door. His mother's dressing gown was
still there. He opened the wardrobe. It was full: dresses and suits, skirts and jackets. All their clothes
were there, wrapped in the smell of mothballs. He wondered if he should call out. Was there a chance
they'd hear? Was there a chance they were still alive? Somewhere?
Silence.
He didn't call and no one answered. The story of Graham Smith's life.
* * *
The next day he set off for work at his usual time, walking to the tube station at Harrow-on-the-Hill,
waiting on the platform for the Baker Street train. The train came and he jumped on, quickly moving
inside to take one of the few remaining seats. He liked to sit and gaze out the window on the opposite
side. To wile away his journey by looking out for landmarks. He'd tick them off as they flew by: that
school, the big fir tree, the funny-shaped tower. They gave meaning to his journey. He wasn't just
travelling from A to B; he was helping preserve the fabric of the world.
A fabric in need of constant reinforcement. The more something's observed the stronger it becomes. Its
edges become sharper, its colors brighter. But ignore something long enough and it always goes away.
That's the nature of the world. One day you ride by and it's gone.
The train pulled into and out of stations; people got up, sat down, walked by, hung from straps, the train
filling with every stop. A large man carrying a suitcase shuffled in front of Graham and grabbed a strap.
Graham shifted in his seat, looking for another unobstructed view of the window. A girl stared back at
him. He looked away, gazing hurriedly at someone's back while watching the girl out of the corner of his
eye. She was still looking at him, her eyes fixed. Had he left some remnant of breakfast on his face?
He moved his tongue in a wide sweep around his mouth, checking for crumbs. The girl did the same and
smiled.
Graham reddened and slid along his seat as far to the right as he could, away from her line of sight.
The train entered a tunnel; there was a sudden whoosh of noise and a momentary blackness followed by
the stutter of the carriage lights.
Graham leaned even further to the right, trying to catch his reflection in the blackness of the window
opposite. Was there something strange about him today? Had he cut himself shaving? He strained his
eyes, peering at the badly focused image. He ran a hand through his hair, over his face. He found nothing.
No breakfast, no blood, no enormous spot.
He looked down at his clothes. Had he misbuttoned his shirt? Was there a stain?
There was nothing, nothing that he could see.
He checked the other passengers, was anyone else looking at him? He slowly scanned the carriage,
watching people's faces in his peripheral vision, never looking at anyone directly, never giving anyone a
chance to take offense.
No one appeared to be watching him.
Except the man by the doorway! Hewas looking. Wasn't he?
The man looked away.
The train lurched and swung, tunnels came and went in quick succession.
Graham was confused. He was anonymous. People didn't look at him. Ever. Even if the man by the
door was a coincidence there was still the girl. She'd smiled at him. No one ever smiles on the tube.
He glanced back towards the girl, with her face hidden behind the ample body of the man with the
suitcase he could watch her in safety. She was wearing jeans, her legs crossed, her right foot bouncing up
and down with the motion of the train, her shoe loose and flapping, her . . .
No, it couldn't be!
She had a tattoo, just above the right ankle, just below the hem of her jeans. A tattoo of a blue bird.
Graham's mind raced. Was it the same girl? Her hair wasn't red, was it? It was more orange from the
brief glimpse he'd had. But that didn't mean anything these days. It might have been dyed. Or a wig.
And if itwas the same girl . . .
He was intrigued. And panicked at the same time. Intrigued by the possibility that here was someone
who saw the world as he did. Who appreciated the danger of stepping on cracks. And panicked by the
fear that she didn't; that it was all an act, a joke primed to explode in his face. He'd been the butt of too
many jokes to trust the first stranger that smiled at him on a train.
And even if it wasn't a joke what could he do about it? He wasn't like other people. Any attempt at
casual conversation would end in disaster. He'd learned that lesson a long time ago. The rest of the world
was on a different wavelength to him, anything he said would either be laughed at or cause offense.
The train began to brake hard. Graham looked up, was it Baker Street already? The train continued its
long deceleration, commuters grabbed hold of straps and hand rails, newspapers were folded, bags
picked up.
The train stopped. Graham stayed in his seat, watching for the girl as an endless stream of people filed
between them. He caught glimpses of her between the bodies. She smiled, he looked at his shoes. She
was attractive in a street urchin sort of way, her features angular, her hair bright orange and unbrushed.
摘要:

ResonanceTableofContentsOneTwoThreeFourFiveSixSevenEightNineTenElevenTwelveThirteenFourteenFifteenSixteenSeventeenEighteenNineteenTwentyTwenty-OneTwenty-TwoTwenty-ThreeTwenty-FourTwenty-FiveTwenty-SixTwenty-SevenTwenty-EightTwenty-NineThirtyThirty-OneThirty-TwoThirty-ThreeThirty-FourThirty-FiveThirt...

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