"Well, I tell you, friend," said Bentley, "I don't own the place. I'm just holding down the homestead
for an absent owner. Will you ask those people not to go tramping over flower beds? Joe's missus
will be awful sore if she comes home and finds those flowers messed up. She sets store by them."
All the time that they'd been talking, people had been coming through the door and now they were
all over the place and spilling over into the yards next door and the neighbors were coming out to
see what was going on.
The girl smiled brightly at Bentley. "I think you can be easy about the flowers," she said. "These
are good people, well-intentioned folks, and on their best behavior."
"They count upon your sufferance," said the man. "They are refugees."
Bentley took a good look at them. They didn't look like refugees. In his time, in many different
parts of the world, he had photographed a lot of refugees. Refugees were grubby people and they
usually packed a lot of plunder, but these people were neat and clean and they carried very little, a
small piece of luggage, perhaps, or a sort of attachÈ case, like the one the, man who was speaking
with him had tucked underneath one arm.
"They don't look like refugees to me," he said. "Where are they refugeeing from?"
"From the future," said the man. "We beg utmost indulgence of you. What we are doing, I assure
you, is a matter of life and death."
That shook Bentley up. He went to take a drink of beer and then decided not to and, reaching down,
set the beer can on the lawn. He rose slowly from his chair.
"I tell you, mister," he said, "if this is some sort of publicity stunt I won't lift a camera. I wouldn't
take no shot of no publicity stunt, no matter what it was."
"Publicity stunt?" asked the man, and there could be no doubt that he was plainly puzzled. "I am
sorry, sir. What you say eludes me."
Bentley took a close look at the door. People still were coming out of it, still four and five abreast,
and there seemed no end to them. The door still hung there, as he first had seen it, a slightly ragged
blob of darkness that quivered at the edges, blotting out a small section of the lawn, but behind and
beyond it he could see the trees and shrubs and the play set in the back yard of the house next door.
If it was a publicity stunt, he decided, it was a top-notch job. A lot of PR jerks must have beat their
brains out to dream up one like this. How had they rigged that ragged hole and where did all the
people come from?
"We come," said the man, "from five hundred years into the future. We are fleeing from the end of
the human race. We ask your help and understanding."
Bentley stared at him. "Mister," he asked, "you wouldn't kid me, would you? If I fell for this, I
would lose my job."
"We expected, naturally," said the man, "to encounter disbelief. I realize there is no way we can
prove our origin. We ask you, please, to accept us as what we say we are."
"I tell you what," said Bentley. "I will go with the gag. I will take some shots, but if I find it's
publicity..."
"You are speaking, I presume, of taking photographs.'-'
"Of course I am," said Bentley. "The camera is my business."
"We didn't come to have photographs taken of us. If you have some compunctions about this
matter, please feel free to follow them. We will not mind at all."
"So you don't want your pictures taken," Bentley said fiercely. "You're like a lot of other people.
You get into a jam and then you scream because someone snaps a picture of you."
"We have no objections," said the man. "Take as many pictures as you wish."
"You don't mind?" Bentley asked, somewhat confused.