Michael Coney - Celestial Steam Locomotive

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Contents:

Prologue:A Place Called Earth

I. The Creation of the Triad

Manuel

The Quicklies

The Storm

The Storm-Girl

Shantun the Accursed

The Coming of the Mole

The Dying Goddess

The Girl Who Was Herself

The Oracle in the Fountain

When Eulalie Came Down

When the Dream Girl Bigwished

Reincorporation

The Martyrdom of Raccoona Three

Manuel Talks with God

Legend of the Axolotl

By the Axolotl Pool

Triad!

II. In the Land of Lost Dreams

The Astral Builders

The First Quest of the Triad

At the Delta

The Aqualily Grotto

Eloise and the Mole

The Celestial Steam Locomotive

The Captain Was a Specialist

The Little Passenger

Dreams Alone Are Not Enough

Silver's Nemesis

The Wheeled Dog

The Basilisk

Legend of the Wolf-Cat

The May Bees

The Five Fears

The Hosts

The Blind Man

Cold Fire

The Math Creature

The Bearback Riders

The Return of Manuel

Re-education of the Mole

The Death of Eloise

Elizabeth's Retrenchment

Delta's End

Eloise's Legacy

For Sally Coney with love

They ride the sky-train SHENSHI from Azul to Santa Beth. The driver's name is Silver and the

fireman's name is Death.

—The Song of Earth

Prologue:

A Place Called Earth

They call me Alan-Blue-Cloud.

That is what they call me when they gather to hear my stories, when the Dedos (Daughters of Starquin),

the Dream-Essences and the ex-Keepers come together in form or in spirit on the barren hillside that I

inhabit. Sometimes manlike creatures come, too, and sit beside the stream that skirts the hill, clasping

their arms about their knees and gazing up toward me. I don't know what they think of while they listen.

They sit and they watch, sometimes as many as fifty of them, chunky and hairy, while the aesthetic forms

of the higher beings flit among them or hover over them, or justare.

I tell them tales of Old Earth.

Time has lost its meaning now. Nothing much has happened on Earth since the Departure, and many of

the higher beings have forgotten what happened before that. Me? I can't forget. I remember everything

except how I came into being and how I came to live on this hillside among the rocks and loose scree.

Everything else I remember, and many things that happened before I existed—these memories I have

gleaned from legends and stories and books and computers of man. I am memory.

Memory is unnecessary on Earth. Outthere , in the Greataway and on the other worlds, things are

happening all the time. So memory is important, out there. Occasionally They come too, and ask me

things.

It is difficult to distinguish fact from legend, and after much consideration I have decided it doesn't matter.

I have spoken with men, with Dream People and Dedos, with Specialists and Cuidadors and

psycaptains, and I have found no consensus on what isfact; it depends on the viewpoint. Interestingly

enough,legend —which is by definition distorted—gives a far more acceptable view of events. Everyone

agrees on legend, but nobody agrees on fact. So I simply repeat what I hear, with no embellishments, but

with due warnings.

The story I am about to tell is substantially true.

It concerns three people of differing backgrounds who came together and tried hard to accomplish

something that was important to them—and although they didn't know it at the time, it was important to a

Supreme Being too. They succeeded in what they attempted, which gives the story a ring of triumph and

glory. The three people became, in fact, legendary figures...

My story takes place during the year 143,624 Cyclic, and it is about three humans of varying species

who became known as the Triad. There are other stories, too. These stories relate to events that took

place at different times during Earth's history, but they are all essential to the central theme of the Triad,

and of Humanity.

Humanity ... I see thirty-two humans listening to me now, and it is satisfying to see children among them.

Other living things are in the valley, sensed in the infrared or in a nearby happentrack or visible as light

sources or as dancing souls. An Almighty Being is also with us this evening, passing through our speck in

the Greataway, pausing, maybe out of gratitude for a favor of long ago. He listens.

You are listening, too.

Here Begins that Part of

The Song of Earth Known to Men as

The Creation of the Triad

where three humans come together

after their several adventures,

having been chosen by Starquin the Five-in-One

for the purpose

of fulfilling his mighty Intent

Manuel

Manuel sniffed the air.

The eastern sky was dark, blending with the grayness of the sea. Manuel—a Wild Human who was

superstitious, like all of his kind—wondered if God had thrown up a veil there, to hide some terrible

mischief he was perpetrating out in the South Atlantic.

Maybe he would ask God about that, later.

The strengthening wind brought the tang of ozone. Manuel sniffed again and felt momentarily

light-headed. There was a storm coming and tomorrow there would be driftwood on the beach, and

perhaps pieces of fascinating wreckage. The oxygen-rich air lifted the boy's spirits. He gave a shout of

joy and ran across the sand, paralleling the waves, kicking them as they swirled around his ankles and

were spent and easily defeated.

Giving the ocean one last kick, laughing, he turned and ran toward the shack that sat huddled under the

low cliff. He opened the door and entered—and stopped dead.

Somebody was there. He smelled a presence, and as his eyes became accustomed to the gloom, he

could see a figure sitting in his only chair. He froze, fearing that it was the strange old woman who had

been seen around these parts lately.

But the voice was low and soft, with a Pu'este intonation.

“Hello, Manuel.”

He exhaled, his gaze straying to the place where his Simulator was hidden, but the carefully placed heap

of brush was undisturbed.

“Hello, Ellie,” he said casually, wondering.

Ellie was safe as a tame guanaco. She was the niece of old Jinny in the village of Pu'este—and, some

said, a daughter of one of old chief Chine's more human moments. The chair in which she sat had been

fashioned by Manuel from a driftwood tree stump, and her form was soft and sweet against the wizened

timber. So far as Manuel could tell in the half-light, she wore very little.

“Manuel... ?”

“Yes? What do you want, Ellie?”

She hesitated. Manuel was strange, that much was acknowledged in the village. But for two weeks, now,

his body had tormented her with unconscious challenges and she'd felt herself wriggling, her breath

coming faster when he was near. That morning he'd passed her on the road, and she thought she'd seen

something in his eyes when his gaze met hers for an instant. So here she was. But he was known to be

strange.

“I was waiting for you,” she said.

Manuel likewise was on his guard. He had his desires too, and a while ago they'd centered on another

village girl, a darkly pretty thing called Rhea, after a ridiculous local bird. Recently Rhea had asked,

“Why do you keep looking at me like that, Manuel? You want sex—Right, let's get going. I don't have all

day.” And afterward, when he'd clung to her in affection and gratitude, she'd said, “Get away. You're

making me sweaty. Don't you have anything to do... ?”

Innocently, Manuel said to Ellie, “What were you waiting for?”

She didn't answer. Instead she asked, “Why do you live here all alone?”

“It's peaceful. I like the sound of the sea.”

“You like the sound of the sea.” She repeated it carefully, as though it were a foreign language.

“You haven't told me why you're here, Ellie.”

“I was curious. You're a strange one, Manuel, you know that? What do you do in church? I saw you

coming back. You spoke to Dad Ose up there, but you did something else. You went inside by yourself.

You've got a girl in there?”

“I spoke to God. Why did you come here?”

“I saw the clouds and I said to myself, ‘I'll see Manuel.'”

“Don't lie to me, Ellie.”

“I wanted sex,” she muttered. She'd never been ashamed of it before, but now, with this odd youth

standing above her, it seemed an inadequate reason for having come. Her body began to cool down.

Fleetingly she wished she were back in the village helping fat Chine fight off the encroaching guanacos.

“Is that all?” Manuel seemed disappointed.

“Well ... It's good enough, isn't it? You do find it good, don't you, Manuel?” She was out of the chair,

reaching for him.

“I can't describe how I find it.” Millennia ago Wild Humans might have had a word for it, but not now. “I

just feel that sex isn't good enough by itself. Just touching for a few seconds and then walking away, like

animals do. It's not enough.”

“I'll stay the night if you want me to, Manuel.”

“That's not what I mean.” His gaze moved toward the hidden Simulator again and he found himself

thinking of his latest composition. He called itThe Storm. It was the best mind-painting he'd ever done,

but he still wasn't satisfied with it. “There's something inside my mind that I want to use ... that I want to

give, Ellie. I don't know if I can give it to you. I don't think you'd understand what it was, if you had it.”

“Try me. I'm a very understanding person, Manuel. Joao, Pietro, the others, they all say how

understanding I am.” She was standing very close, so that her hard little nipples touched his chest with

their fire, and her lips turned up to his. “Sex is the most wonderful thing there is. It's the best thing we do,

better than eating roast peccary, and it makes you feel so good. What's the matter with you, Manuel? I'm

prettier than Rhea, surely. You didn't mind sex with her.” She pouted. “Aren't I good enough for you?”

“There has to be something more.”

“What more can there be?”

“You don't feel anything more?” He took her hands, and now he was the desperate one, trying to see

into her eyes in the dim, storm-laden light.

“I feel enough, Manuel. Don't worry.” She spoke softly, mimicking his way. If this was how the strange

boy wanted it, why not? There were worse ways.

“And what do you feel, Ellie?”

“I need a man, of course. Youknow .”

“Ellie ... Please go away. Go back to the village. There are plenty of men there.” Still holding her hands,

he led her outside, where the wetness swept in from the sea, a blend of rain and salt spray, and the

horizon was very black. And the air was like whiskey.

Ellie sniffed it and, suddenly exhilarated, tossed her head, so that her hair flew like blackbirds, and

laughed. “You're crazy!” she shouted into the wind. “A crazy boy!” Something flashed by; it might have

been a Quickly. “And I'm crazy too, coming here. Goodnight, Manuel! Sleep well, and dream of what

you might have had!” She made a playful snatch at him but he swung away, smiling too.

He watched her go and wondered at the thing she was lacking, and—of course—regretted not having

had her anyway. But he had more important things to do.

The Quicklies

Manuel had built the shack when he was fourteen years old. That was five years ago. Pu'este had

endured for untold centuries and the people lived in stone houses, rethatching the roofs every fifty years

or so. But Manuel's shack, like Manuel, was different, fashioned with painstaking care from driftwood

and whalebone, mud and dried kelp and vine, a cohesive mass of matted material hard against the low

cliff of brown sandstone at the north end of the bay.

Manuel was proud of it and didn't mind people visiting; naively, he thought they came to admire. He

became mildly annoyed when the Quicklies ran by, though—fighting and snarling and bumping into things

and frightening the vicunas. In the early days he'd made a few abortive attempts to befriend the Quicklies

and had even persuaded a gentler female to snatch food from his hand. But the thing that always puzzled

Wild Humans had soon happened, and the female Quickly had been moving much more slowly the

following morning—and then she had died, attacked by her own kind and mortally wounded.

Manuel piled more driftwood on his fire, then pacified his vicunas, which had become alarmed at the

sudden sparks and crackling and were stamping and tossing their heads. He looked eastward, where the

horizon was now massed with huge black clouds. He walked to the water's edge and turned. From here

he could see over the top of the low cliff to the distant hills. Tiny forms were moving. The guanacos were

still converging on the valley. Dust clouds rose as the wind brushed the village fields. Wise Ana—the

plump, cheerful woman who lived alone in a sandstone cave beside the road to the village—was

gathering in her wares, closing down her store for the night. Sapa cloth fluttered. Thoughtfully, Manuel

returned to the shack and brought out his meal, a reef fish wrapped in leaves and clay. He laid it in the

fire.

He was sucking his fingers clean when he heard the twittering clamor from farther up the beach. The

Quicklies were coming, probably hunting for food. He stepped into the hut and brought out the rest of his

catch, three parrot fish that he'd been saving for his evening meal. He laid them on the beach; then, on an

impulse, returned to the shack and brought out his most prized possession—the Simulator. He sat down

before it and turned it on.

Manuel often found himself doing things for which there could be no explanation under the code of human

behavior existing in the year 143,624 Cyclic. Wild Humans ran for shelter when they heard the Quicklies

coming. As they ran, they caught up sticks, rocks, anything they could lay their hands on to defend

themselves. The Quicklies were the ultimate in abominations and, so it was rumored, could strip a man to

the bone in fifteen seconds flat. The rumor lacked concrete evidence, since nobody had ever lived to tell

the tale, but it served to explain the curious disappearances that had bothered the fat chief Chine for

many years.

“Elacio's gone,” Chine had said one day. “The Quicklies got him. I saw his bones washing out on the

tide.”

Manuel, who happened to be near, broke into the chorus of superstitious groans from the villagers.

“Elacio fell into the Bowl,” he said, referring to a peculiar local landmark. “I saw him down there

yesterday. His neck was broken. The sirens had already started to eat him, but you could still tell who it

was.”

“Get back to the beach where you belong,” snapped Chine. “It would be better for us all if the Quicklies

took you, one day.”

“May God go with you, you young sinner,” said the priest, Dad Ose, unctuously.

Chine had shot the priest a look of piggy ferocity, suspecting him of enlisting divine protection for Manuel

in the youth's encounters with the rapacious Quicklies.

And this stormy evening Manuel was once again risking his life—or at least chancing the destruction of

the Simulator, the most wonderful object he'd ever possessed.

Misty clouds swirled before the machine, a three-dimensional image thrown by a battery of projectors on

the front of the cabinet. The clouds took on form, substance and pattern. This was Manuel's favorite

image:The Storm . He'd created it himself, out of his own mind, with the aid of a helmet that fed his

thoughts into the cabinet.

“Ya-heeeee!”

The yell meant the Quicklies had sighted Manuel. They'd been racing about the beach randomly, like

speeding electrons, so fast that the eye could hardly follow them, kicking up sand, splashing through the

shallows, actually running across the surface of the water like basilisks and vaulting the waves. They

yelled and leaped, and occasionally fell to fierce quarreling. As Manuel watched, one of them, a little

smaller than the rest, slowed down, aged and died. It fell to the sand, revealing itself as a

chimpanzee-sized humanoid with a large head, hairless, very thin.

“Ya-heeeee!”

The Quicklies arrived. Manuel felt the usual nervous tightening of the throat. He gulped and with his foot

pushed the parrot fish toward an area of blurred disturbance in the sand. Then he snatched his foot away.

You couldn't be too careful, and despite his skepticism about Chine's theories, he couldn't suppress the

vision of his foot becoming instantly skeletal, gleaming white.

In fact the fish became skeletal. He never saw the Quicklies eat them: One second the iridescent scales

were glowing in the moist air, the next second the bones lay dispersed in little heaps, the flesh absorbed

into the Quicklies’ phenomenal metabolism.

Then, as happened sometimes, some of the creatures began to stand comparatively still, watching him,

blinking with unbelievable rapidity, so that their big eyes appeared out of focus. The outline of their

bodies was blurred too, since it is not possible for Quicklies to stand completely motionless.

They babbled at him in the thin rattle of sound that he'd never been able to understand. It seemed to him

that they talked faster every time he met them, and he had a scary thought: Maybe they were in fact

speeding up toward the point where they simply became invisible and were able to do completely as they

pleased.

They were sitting down! This was something new. One by one each upright form disappeared, to be

instantly replaced by a sitting one. They sat in a circle, watching the Simulator with wide eyes. One

keeled over and died, its outline firming up. It was an old, old man, tiny and pathetic, not in the least

threatening. The body remained for a moment, then disappeared. Manuel refused to consider what had

happened to it. The other Quicklies continued to watch the Simulator.

The colors of Manuel's mind-painting played. They swirled in a curious helical pattern like smoke or

clouds. They were turquoise and gray, joyful and sad, and they were reflected at the lower part of the

painting in a way that suggested wet sand and sea and things found and lost. They were wonderful and

unique in each moment, and they represented the perfect amalgam of art and technology—the strange

mind of a young dreaming Wild Human named Manuel and the invention of some long-forgotten scientist

who had found how to give substance to those dreams.

And the Quicklies were crying.

They sat blinking and blurred, and it was odd to see the tears running down those joggling faces just like

normal tears, just as slow and trickling. The Quicklies sat there aging, using up the few precious hours of

their lives in contemplation of Manuel's masterpiece, while they cried at the beauty of it. And yet—so it

always is with art—they were not satisfied. One of them was trying to communicate with Manuel. She

raised her hand. She was a middle-aged female and she spoke with excruciating care—and each syllable

took her a subjective month to say. But her meaning reached the boy. For the first time ever, a Quickly

had spoken to him. She spoke, and she died, carried away in late middle age by some undiagnosed

disease that ran its course in two seconds.

She had said:It needs more love.

The Rainbow—Earth's great computer that sees everything and knows everything and still has not run

down—recorded that scene. And over the millennia to come, historians would puzzle over that moment

and speculate on the identity of that determined little Quickly who devoted her last years to one purpose,

to one sentence that was to plant a seed of knowledge in the mind of young Manuel, later to become

celebrated as the Artist in The Song of Earth.

Manuel regarded the mind-painting, and he thought about the wordlove and the emotion it might

describe. He'd put into that painting something that embarrassed him, something that had caused him to

keep the machine and its projections away from other people, to hide it from those prying fingers that

delved through his possessions whenever he was not at home.

He didn't know the thing was called “love.” But the word sounded right. And he was not alone.

Somewhere, other people knew of love. It just so happened that up to now he'd never met anyone else

who possessed it. Wild Humans have basic needs, such as staying alive and breeding, and love was a

luxury they had lost a long time ago. Nobody in the village possessed it.

He'd hidden his love because others might laugh at it—as Ellie had laughed at it—but he'd shown it

privately to the machine. And now the Quickly woman said he hadn't shown enough. What else did the

mind-painting need? Helplessly, he looked back at the Quicklies.

Two more lay dead, disappearing even as he watched. Others looked terribly old. He was wasting their

time. Hastily he switched off the machine, ignoring their twitters of despair, and carried it back to its

hiding place. When he returned, the Quicklies were gone. They must have been starving. Some distance

out to sea the water was in a turmoil. The Quicklies were probably fishing, knifing through the water with

a speed no fish could match.

For a while he sat and watched the storm clouds gathering, big merino clouds just as Insel had forecast

yesterday, sending a gusting wind as a storm messenger. Then he stood, glanced around and found

everything in order, murmured a word of encouragement to his vicunas and entered his shack.

The Storm

He sat in his chair, dismissed an intrusive image of Ellie's warm body, put on the helmet and relaxed,

watching the projection area. He began systematically to discipline his thoughts, concentrating on the

storm.

Manuel's images swirled. The walls of his shack trembled to the wind. Something pattered on the roof

and rolled off. The sounds did not distract him; they were essential to his mood. He thought loneliness, he

thought the wind, the broad beach, the creatures that burrowed into the wetness. The sea. He was

painting another storm—and this time he was trying to put morelove into it.

The images firmed but they were not right, not what he wanted. The shapes suggested women's’

bodies—breasts and buttocks. The gale took on an appearance of long tawny hair, swirling. He forced

his thoughts toward the elements themselves, rather than the images they dragged from his subconscious.

The breasts became sails, full and straining, the lithe limbs formed the geometry of a ship. He thought of

Man and the ocean, of death and power. The projection area showed shapes without form but with

infinite strength—almost terrifying. Manuel shivered and took the helmet off. He was beginning to get a

feedback effect from his own projected thoughts. And he hadn't got the love in there, even now.

* * * *

He remembered the day he'd been given the machine. A nothing day, when he'd tired of the beach, tired

even of the ocean, and walked into the hills until even the great Dome was a small bubble behind him and

his breath came quickly from oxygen starvation. A day of strange unrest when he wondered at

everything: the Dome, the sky, the village, the purpose. A day of changes.

As he lay on his back catching his breath and watching alpaca clouds, he heard a voice.

“Manuel.”

A tall woman stood there, dressed in a black cloak. Her face was pale and her eyes regarded him

dispassionately. Some versions of the legend relate that she then cried, in a ringing voice, “Arise, Manuel,

and fulfill your destiny!” And she may have, but the Rainbow says not. Reality is never quite so dramatic

as legend, although it can be interesting enough.

The woman stood, and Manuel lay looking at her—rather sulkily, resenting her air of authority. She

carried a smooth-sided box. Finally, Manuel climbed to his feet and leaned against a stunted tree.

“I must talk to you, Manuel. You are young and naturally rebellious, but I am hoping you will have the

sense to listen to what I say and not treat it as the ravings of an old woman. And I am old, older than you

could ever guess.” She watched him calmly and coldly, and there was something unearthly about her that

cowed Manuel and made him bite back the sharp reply that rose readily to his lips. It seemed the wind

had stopped blowing now and the horse clouds hung motionless, as though pinned to the backdrop of the

sky.

Manuel swallowed and said, “I'll listen.”

“You are going to be a famous man, Manuel. In the distant Ifalong minstrels will sing of your

exploits—and of your companions. You will have adventures such as men have never dreamed of.”

“The Ifalong?” The word was unfamiliar.

“You probably think of Time as a single thread extending into the future and never ending. That is the

general view in your village. But you must think of Time as a tree, Manuel. A tree that grows forever,

always creating new branches.”

“That would be a big tree,” said Manuel, thinking literally.

“Out in the Greataway there is a tree called the ‘beacon hydra.’ It extends a thousand kilometers into

space and is so huge that its very bulk will affect the orbit of its planet. I want you to think of Time as

bigger even than the beacon hydra. Each branch and each twig represents a possibility where your future

life might take one course or another, depending on what you do. Or what others do. The possibilities

are infinite, and each possibility is called a ‘happentrack.’

“The Ifalong is the total of all these happentracks in the future, when there are a billion different ways

things might have happened.”

“Oh.” He thought about that for a while and it seemed to make sense. “And how about the Greataway?

What's that?”

“The Greataway is just about everything, Manuel. In the old days, when your race used to travel in

three-dimensional ships, they called it ‘High Space.’ But Space is all bound up with Time too, and could

consist of an infinite number of happentracks. The ‘Greataway’ is the name for all of that.”

“Who are you?” asked Manuel. “How do you know all these things?”

“I am a Dedo,” said Shenshi, for it was she. Then she laid the box on the ground beside Manuel. “This is

for you.”

“What is it?”

“It's an old machine. They were popular many years ago. You are an unusual boy for your time, Manuel,

and I think you will find this machine interesting.”

“What does it do?”

“Nothing that does not come from yourself. It will help you develop your talents, ready for that day when

the Triad is formed and Starquin is released from the Ten Thousand Years’ Incarceration. Then your

purpose will be fulfilled, and mine, too.” Her voice was utterly without emotion, as flat as if produced by

a machine.

There was something about Manuel's purpose being fulfilled that struck a sinister note with the boy. He

gulped and looked into the hooded eyes of the woman, but could read nothing there.

He blinked, and she was gone.

He carried the Simulator home. He was an inquisitive boy, as well as an intelligent one, and he soon

found out how to put the helmet on his head and arrange his thoughts and produce his mind-paintings.

Others tried, people who spied on him and wondered at his machine. They sneaked into his shack and

donned the helmet, and some of them produced representational images: a particular hill, a jaguar, the

Dome.

Only Manuel could coaxfeeling out of the Simulator, however.

* * * *

The door burst open and the gale swirled around the room, bringing sand and weed, knocking things

over. A man stood there, peering into the gloom. “Manuel?”

“Yes?”

It was Hasqual. Although a villager, Hasqual was a wanderer at heart and only the thin air kept him in the

vicinity of Pu'este. On occasions when the winds shifted, he'd been gone for months, returning with tales

nobody believed, disturbing yarns that frightened the kids.

“This is going to be a bad storm, Manuel.”

“I know.” The youth's face was somber in the diffused light from the Simulator.

Hasqual watched the images abstractedly. “You'd better come up to the church for the night—most of

the village is there. Some of the roofs have gone already. A heavy sea could sweep right over this place

of yours, and the tide's coming in fast.”

“I'll stay here.”

“You're a damned fool, you know that?”

“It's not your problem.”

“Suit yourself.” Hasqual was gone and the shack was empty again. Manuel went to the window and

looked at the storm. Rain was drilling against the crystal. Some trick current of the wind made it stream

upward and sideways, rather than down. Now the clouds became patchy, the rain intermittent. The wind

was rising still, driving salt puddles across the beach, whining about the woodwork of the shack. Manuel

wanted to shout, to sing. It grew darker, and the storm became a secret monster, tromping around out

there, occasionally bellowing.

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