Isaac Asimov - Mythical Beasties

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NAL BOOKS ARE AVAILABLE AT QUANTITY DISCOUNTS WHEN USED
TO PROMOTE PRODUCTS OR SERVICES FOR INFORMATION PLEASE
WRITE TO PREMIUM MARKETING DIVISION. NEW AMERICAN LIBRARY.
1633 BROADWAY. NEW YORK, NEW YORK 10019.
Copyrigta® 1986 by Nightfall, Inc-.MaitinH-Greenberg, and CbffllesG.Waugh
All rights reserved
Cover an by Kinuko Craft
ACKNOWLEDGMENTS
•'Centaur Fielder for the Yankees." by Edward D. Hoch. Copyright © 1986 by
Edward 0. Hoch; an original story published with the permission of the author.
"The Ice Dragon," by George R.R-Martin. Copyright® 1980 by George R. R.
Martin. From DRAGONS OF LIGHT. Reprinted by pennission of the author.
••The Gorgon," by Tanith Lee. Copyright © 1983 by Tanith Lee. Reprinted by
permission of the author.
"The Kragen," by Jack Vance. Copyright © 1964 by Ziff-Davis Publishing
Company- Reprinted by pennission of Kifby McCauley, Ltd.
"Letters from Laura," by Mildred Clingennan. Copyright © 1954; renewed ©
1982 by Mildred Clingennaa. Reprinted by permission of the author.
"The Triumph of Pegasus," by F. A. Javor. Copyright © 1964 by Mercury Press,
Inc. From THE MAGAZINE OF FANTASY AND SCIENCE FICTION.
Reprinted by permission of the Scott Meredith Literary Agency, Inc., 845
Third Avenue. New York, NY 10022.
"Caution! Inflammable!" by Thomas N. Scoitia. Copyright © 1954; © 1975 by
E-S.T. International, Ltd. First published as "The End of the Line."
"The Pyramid Project," by Robert F. Young. Copyright © 1961 by Ziff-Davis
Publishing Company. Reprinted by pennission of the Scott Meredith Literary
Agency. Inc., 845 Third Avenue. New York. NY 10022.
"The Silken Swift." by Theodore Sturgeon. Copyright © 1953; renewed ©
1979 by Theodore Sturgeon. Reprinted by pennission of Kirby McCauiey, Ltd.
"Mood Weiriigo." by Thomas A. Easion. Copyright © 1980 by Davis
Publications, Inc. Reprinted by pennission of die author.
SIGNET TRADEMARK REO U S PAT. Off AND FOUREIGN COUNTRIES
REGISTERED TRADEMARK—MARCA KfiOlSTRADA
ffiCHO EN CHICAGO. U.S.A.
SIGNET, SIGNET CLASSIC. MENTOR, PLUME, MERIDIAN AND NAL BOOKS
are published by New American Library.
1633 Broadway, New York. New York 10019
Fmt Priming, May, 1986
123456789
PRINTED IN THE UNITED STATES OF AMERICA
CONTENTS
1 Centaur
Centaur Fielder for the Yankees—by Edward D. Hoch
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2 Dragon
The Ice Dragon—by George R. R. Martin
3 Firedrake
Prince Prigio—by Andrew Lang
4 Gorgon
The Gorgon—Ay Tanith Lee
5 Griffin
The Griffin and the Minor Canon—by Frank R. Stockton.
6 Kragen
The Kragen—by Jack Vance
7 Mermaid
The Little Mermaid—by Haw Christian Andersen
8 Minotaur
Letters from Laura—by Mildred Clingerman
9 Pegasus
The Triumph of Pegasus—by F. A. Javor
10 Phoenix
Caution! Inflammable!—by Thomas N. Scortia
11 Sphinx
The Pyramid Project—by Robert F. Young
12 Unicorn
The Silken-Swift—by Theodore Sturgeon
13 Wendigo
Mood Wendigo—by Thomas A. Easton
CENTAUR
The horse was tamed about 2000 B.C. by the nomads of
the Central Asian steppes, and when it drew a light chariot
bearing a driver and an armed warrior, it proved a fear-
some weapon. The horsemen conquered the entire civilized
world from India to Egypt, and held their rule until the
dominated people learned the use of the horse themselves.
By 800 B.C.. the Medes of western Asia had bred
horses large enough to carry men on their backs, and that
combination was even more fearsome. To farmers who
encountered horsemen for the first time this combination of
men and animals must have seemed monstrous.
The early Greeks were not horsepeople, for their moun-
tainous terrain and narrow valleys were not conducive to
either the breeding or the use of horses. In northern
Greece, however, there was the plain of Thessaly, and
there horses and horsemen made their appearance.
The fearful Greeks must have first seen them as horse-
human combinations, and so was born the myth of the
' 'centaur,'' finally portrayed in Greek art as a creature
with the head and torso of a human being replacing the
head and neck of a horse. For the most part, the Greeks
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pictured the centaurs as barbarians—crude, wild. lawless,
easily made drunk, and, in that state, prone to be lascivi-
ous. Perhaps' that is how they saw the real Thessalian
horsemen.
At least one centaur, however, named Chiron, was wise,
Edward D. Hoch
noble, and learned. He was the tutor of Hercules and
Achilles, among others.
The centaur of the story that follows falls between these
two extremes.
CENTAUR FIELDER FOR THE
YANKEES
Edward D. Hoch
Let me tell you. there was a time not so long ago when a
centaur would have been kept in a zoo or a circus. He
certainly wouldn't have been allowed to play major league
baseball. But times have changed, and we're more tolerant of
people who are different. I suppose that's why Mark Eques
ended up playing baseball for the New York Yankees.
But I'd better tell it from the beginning.
The idea of centaurs—creatures having the head, trunk and
arms of a man and the body and legs of a horse—had been
around since Ovid's Metamorphoses and Homer's lliad. It
was Lucretius who declared that the creature must be mythi-
cal because horses reach maturity before humans, and are
full-grown at three years of age. The horse would die fifty
years before the man. All mis is true enough, but when
Professor Hagger of Columbia University returned from me
Greek island of Antikythira with a young living centaur early
in the 22nd century, a great many preconceptions changed.
Like most everyone else in America, I'd equated centaurs
with unicorns and other mythical beasts. Seeing one live on
the evening news took some getting used to. Hagger chris-
tened the young creature Mark Eques, and set about educat-
ing him. It was quite a story for a month or two, during the
slow news days of summer, but by fall Professor Hagger and
his discovery had faded from view. Mark Eques was living
on a farm in upstate New York, staying pretty much out of
the public eye.
4 Edward D Hoch
A few years passed before we heard about him again, and
this time it was an announcement by Professor Hagger that
Mark was about to enter Columbia University, having passed
the traditional college entrance examinations. He was even
entitled to special consideration by the university, since the
government had ruled that Mark was a handicapped human
being and not any sort of monster.
Mark found college to be difficult, and by me end of his first
year it appeared he was ready to drop out. That was when
Roscoe Greene, a scout for the New York Yankees baseball
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team, contacted Mark, and when I had my first meeting with
the boy centaur.
I was a sportswriter on a Boston paper at the time, and I
became interested in Mark when he attempted to run in the
Boston marathon, They couldn't officially bar him from it,
but they did me next best thing. They set up a special
category for centaurs. Since he was the only known centaur
on earth, he had no one to compete against but himself. There
was no point in running at all, and on Patriots' Day he didn't
even bother to appear.
But baseball was a different story.
Mark Eques had been ruled a handicapped person, and
under federal regulations in those early years of the 22nd
century, handicapped persons were allowed to play profes-
sional sports, so long as their handicap did not prevent them
from performing their duties. I had to hand it to Roscoe
Greene for coming up with that one.
An old girl friend in the Yankee front office tipped me off
to what was happening, and I drove all night to reach the
Dutchess County farm where Mark was living with Professor
Hagger after completing his first year at Columbia. It was
horse country, with the roads bordered on either side by neat
white fences that extended back over the rolling hills as far as
the eye could see.
As I pulled into the Hagger farm shortly after nine in the
morning I saw that Roscoe Greene had arrived first. He stood
at the fence speaking with Mark Eques. When he saw me he
cursed, not too softly. "What in hell are you doing here,
Danny? Go back to Boston where you belong!"
CENTAUR FIELDER FOR THE YANKEES 5
"Hello, Roscoe. Glad to see you too. Is it true the Yankees
are about to sign Mark here to a position in center field?' *
Mark Eques, his hairy chest bare to the morning sun,
grinned boyishly and pawed the grass with his front hoof.
"I'm gonna play in the big leagues," he announced proudly.
"What does Hagger say about all this?" I wanted to know.
"Why don't you ask him?" Greene answered smugly.
Professor Hagger must have observed my arrival, because
he came out of the farmhouse to join us. When Greene
introduced me. he said, "So the press is onto this already!
You don't waste any time."
"Danny's a go-getter." Green confirmed. "One of these
days he'll cover a story before it happens."
"Has he ever played ball?" 1 asked the professor. "Is he
any good at it?"
"His family apparently played a version of baseball,'*
Hagger responded. "He remembers it as a child."
"I'm good," Mark Eques answered for himself. "They
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wouldn't let me run in the marathon but they can't stop me
now."
"He has tremendous speed in the outfield," Professor
Hagger confirmed. "Virtually nothing gets by him. His base-
running is superb too. We're still working on his hitting."
"What do you think, Roscoe?" I asked Greene.
"I think he has unlimited potential. Young, clean-cut—
people will flock to the games just to see him play."
"The other managers will never allow it," I predicted.
"We've already got the courts behind us. Let the other
clubs go out and hire their own centaur."
Mine was the first exclusive interview with Mark Eques on
his signing with the Yankees, and for a week or two it wa§
quite a story. The other major league clubs grumbled, of
course, until New York agreed to share with them the addi-
tional revenues Mark's appearance was expected to generate.
So, after a month of hoopla and further training, the centaur
took the field for a July 4th doubleheader against the Boston
Red Sox. I was there, of course, covering Boston on the road
as I usually did, but so was just about every sportswriter in
6 Edward D. Hoch
the country, along with all the TV and satellite people. It's a
wonder there was any space left in the Yankees' new domed
stadium for just plain fans.
Mark Eques galloped onto the field wearing his Yankee
shirt and the crowd went wild. He removed his hat while the
National Anthem was played, and then continued on into
center field. The first inning was a disappointment for the
fans and television cameras, with not a single ball making it
out of the infield. But in the top of the second Mark showed
his stuff, charging across center field to nab a well-hit grounder
and peg it to first base for the out. The crowd went wild for
the second time.
He could hit too. He ended the day's doubleheader with
two doubles and a single, which wasn't bad. The Yankees
won the first game 5-3, and only dropped the nightcap 2-1 as
a result of a ninth-inning Boston homer. Even a centaur in the
outfield couldn't protect against home runs.
The following week's games showed that his biggest strengths
were in fielding and baserunning. Once he got the hang of it,
Mark proved a whiz at stolen bases. The sight of him gallop-
ing into second at a full charge was enough to intimidate most
any second baseman in the league. By the end of July, the
Yankees had climbed into a tie with Boston for first place in
the American League East.
That was when I was approached by Lippy Lewis.
Lippy was a gambler who specialized in sports betting of
any kind. He'd bet big money on Boston as an early-season
favorite to take both the pennant and the World Series, and he
wasn't about to lose it. "Tell me something, Danny," he said
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