
into all corners of the rooms, highlighting countless sculp-tures, paintings, and cultural displays along the
walls. They could set it up so intricately, Kirk realized, only because the sun never moved. But that would
change once they spun the planet up to speed. It was already changing, in fact, as people removed the
valuable artifacts for storage while the rotation was under way. That was no doubt a good plan; there
would probably be earthquakes from the tidal stress and maybe from the engines themselves, and there
could be periods of intense heat and cold before the speed built up enough to even that out.
There was still plenty to gawk at. Even the floors?" were works of art. Multicolored mosaic tiles-all soft
hues, so they wouldn't jar the eye-depicted scenes from life on Rimillia. Forests of strangely twisted trees,
people farming beneath banks of mirrors that reflected the low-angled sunlight down on their crops,
buildings under construction, and so on. Kirk took them in quickly while he and Scotty and McCoy
followed Coordinator Joray from the anteroom where they had met into the actual meeting hall where
they would be filled in on the current situation.
Government officials as well as packing people moved back and forth through the great halls. Few of
them even paused to look at the star travelers in their midst. Most were dressed in much simpler attire
than Joray: loose blouses, simple pants, the occasional skirt. Most of the building's occupants were
female, Kirk noted. What few men he saw were as a rule hurrying faster than their female counterparts,
and carrying more paper. Minor functionaries, by the looks of things.
The side corridors were less crowded, but no less ornate. The place looked like a museum. Kirk
ex-pected buildings like this one to smell old and musty, but there was a different aroma to the air, a
chemical odor that caught in his throat and made him feel constantly short of breath. He wondered if it
was some kind of cleaning solvent the custodians had used in preparation for their guests, or if the smell
came from the general atmosphere. He hoped it was the former; it would take a while to get used to this
if the
smell was worldwide. He would have to find a good moment to ask McCoy for an analysis, but it
wouldn't do to simply ask "Bones, what's that smell?" in front of the world coordinator.
His and McCoy's and Scotty's footsteps, and those of the two security officers who followed behind
them, made no echoes even among all the stone. The floors felt as solid as the planet itself, and thick
tapestries on the walls absorbed what little sound their boots made. Joray made no noise as she walked,
either, save when she spoke to point out a particularly spectacular or historically significant work of art.
"This mural," she said, stopping in a circular chamber at least ten meters across, whose walls were
covered all the way around with scenes of a class-M planet in space, "depicts the destruction of our
home planet, Duma, over five hundred years ago."
Kirk and Scotty and McCoy peered at the mural, startled. "Destroyed?" Scotty asked. "How?"
Joray laughed, and waved her right hand toward the walls. "Let us see if our artists were worth their
commission. You tell me."
It seemed to Kirk like a waste of valuable time, but he reminded himself that he was the guest here, and
Joray obviously wanted to impress him with her palace. He and Scotty and McCoy stepped closer to the
walls, starting near the archway they had entered by. The security officers stayed put, back-to-back in
the center of the chamber.
The mural was done in colored glass, painstakingly fused to the wall in shards no larger than a fingernail,