Samuel R. Delany - The Towers of Toron

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Yes, Antoine, I was writing another novel.
Author's Note
Revising one's old fiction because of one's new ideas suggests a confusion of art and journalism—at any
rate, a mistaken notion of the way art gains either effect or worth. Revising old fiction to clarify ideas
now past creative ferment is a tricky business at best. Writers better than I have tried both and botched
them.
Written between the end of 1961 and the beginning of 1964, each of the Towers' three books went into
production practically as it was finished; by the time I was nearing the end of book two, book one was in
type. But I had already made notes on changes I would have liked in volume one, particularly in the
prologue, several of the vignettes in chapter one, and the expository material of chapter six. And, in
chapter eight, I had invented a rather clumsy language for one of my subcultures which, by now, I
realized, admitted no development. Because, however, no changes could be made, some preposterous
robots were hauled on stage at the end of book two to explain (by exploding) some of the looser ends
from book one. And a few incomprehensible grunts were strewn though book three in deference to that
obstreperous tongue.
In 1966, for the British edition, I incorporated my notes, removed the robots, and from the rest excised
some clumsy sentences of exposition, now superfluous, and the language.
That, essentially, is the version here.
I do whittle when I re-read, lopping an adjective here, pruning a prepositional phrase there, adjusting a
bit of syntax elsewhere. Poets from Keats to Au-den, in this way, have practically wrecked some.of
their best poems. But the Towers is prose. And I would hazard that, save the changes mentioned, chapter
by chapter, paragraph by paragraph, sentence by sentence through ninety-eight percent of the work, the
substance is one with the original edition. And I suspect, with all its flaws and excesses, it is time to stop
whittling.
—SAMUEL R. DELANY s<m />««•/«•«, 1970
CHAPTER ONE
ENGRAVED on a four by five card in graceful letters that leaned like dancers:
To Her Grace the Duchess of Petra
You are invited to attend a ball at dawn
Given by His Royal Highness
King Uske to honour the patriotic efforts of
Tildon Aquariums "We have an Enemy beyond the Barrier"
Two things caught the eye about this invitation: first, "Tildon Aquariums" had been printed slightly
lopsided in a type face a fraction different from the rest. Second, there was a ten-inch coii of wire taped
to the lower righthand corner.
She tore loose the message coil, threaded it into the machine. On the screen dots of colour became the
face of a blond young man with unhealthy features. "Well, there you are, dear cousin," it spoke
THE TOWERS OF TORON
THE TOWERS OF TORON
with languid insolence. "You see, I'm attaching this personal entreaty with your invitation. Do come
away from your little island to my big one. You were always my favourite, cousin, and life has been
passionately dull since you went into—what else can I call it—seclusion. Please, dearest Petra, come to
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my party and help us celebrate our coming victory. So much has happened— So much has happened—
So much has happened—"
The Duchess made a disgusted sound, banged the shut-off button, and the face disintegrated. "A nick in
the message wire," she said and looked up. "Is Tildon a subsidiary of your father's company, Jon?" "It's
one of the few left that isn't." "I wonder how much Tildon gave him. My poor cousin really thinks he
can seduce the money he needs to keep up the war by the promise of official parties given at the palace."
"Royal patronage still holds its magic, Petra. Your family has wielded power in Toromon for centuries,
but my great-great grandfathers—and Tildon's— were farmers ploughing by hand on the mainland, or
pulling their fish in over the edge of their rowboat. When the council decided that these parties should be
given, it knew what it was doing."
She ran her fingers across the mother-of-pearl inlay on the desk. "We're such a disparate land. There are
still people living like cavemen on the mainland; yet we have planes, scientists like your sister." She
shook her head. "Don't people like your father, Tildon, and the others, realize they have the real power
now? I have enough to live sumptuously here on this island, but I couldn't make more than a token gift
to the war effort compared with what these industrial families can—assuming I wouU want to
support the war in the first place."
Jon smiled. "Still, they want the Dukes and Barons to nod on them when they give. Not to mention the
King."
The Duchess looked at the invitation again. Suddenly her face twisted. "He prints these by the thousands
and just fills in the name of the next moneybag to be honoured, right on the dotted line. I'm afraid the
thing that still upsets me more than anything else is the vulgarity."
"But your family is the standard of good taste, Petra. That's what the rest of us have been taught all our
lives." There was slight mockery in his voice.
She accepted it. "Yes," and put down the card. "We have been taught the same thing. But there must be
some standards—even during a war."
"Why? They're learning, Petra; my father and the others, they're beginning to learn just how much power
they do have. After all, the war is being fought for them. As long as their products are used in the war, as
long as those malcontent with life and Toromon can be funnelled into the war, everyone will stay happy
and in his place. If the war stops, then the royal family—you topple."
Petra spoke back shortly. "As long as they are blind enough to seek royalty's favour, they are not fit to
guide something as complex as Toromon. That's why I spirited off Prince Let to the mainland, so there
would be someone with a sense of the scope of this country who would be safe to govern after these
intrigues, working around us now, come full circle."
Jon's face lost some of its cynicism. "With the set up of the council and the government, Petra, the King
can still hide much of his power. While it is hidden, no one can judge what it is. Is he a madman?
THE TOWERS OF TORON
THE TOWERS OF TORON
Or is he very, very clever?"
"He is my cousin. You were his schoolmate. What do you think?"
"There are great secrets involved in this war. But great secrets have kept the royal family in power since
it established itself and set itself at the head of this chaotic fragment of the world."
The Duchess touched her fingers together, nodding. "My great-great-how-many-greats grandfathers with
their ships looted the coasts, Jon Koshar, pillaged their neighbours on these islands, using the
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fragmentary remains of the technology that survived the Great Fire. The radiation on the mainland
stopped their expansion inland and the hot currents out from shore did the same. But when they were
stopped, they decided that organized government could accomplish more efficiently what piracy had
accomplished up till then. There's great variation over the land of Toromon, but it's bounded. They
learned not to exhaust what lay within those boundaries, and became a line of Kings and Queens. Now
the power is about to shift; but these others must learn the same thing."
"However your ancesters learned it, Petra, today people like Tildon and my father will pay exhorbi-
tantly for your approval. Perhaps because they suspect what you know." Now Jon picked up the card.
"Or perhaps because they are vain and ignorant. My father," he repeated, turning the card over. "His
greatest disgrace was that I should offend the King and go to the penal mines for it. His greatest triumph
was that the King himself should honour my sister when she came from the university with his royal
presence at her ball. As long as these are the limits of his happiness, the King can get money for his war,
and fill in the names on the dotted line."
"I wish I could allow myself such intellectual clumsiness." She lowered her chin to her finger tips.
Jon looked surprised.
"You call your hysterical murder merely an offence."
Jon clamped his jaw.
'* And you have not spoken to your father since the 'offence' to find out exactly what he feels."
Jon's jaw undamped and words started in his throat.
"And it is too easy for you to call your father, who was astute enough to build a fortune through brilliant,
if unscrupulous, economic exploitation, a puppet of these petty vanities.No, attacking the problem this
way leaves too many questions—"
"Petra!"
The Duchess looked up, surprised. She brushed her hand across the sunrise copper hair pulled back by a
burnished cluster of gold sea-serpents, "I'm sorry, Jon," and her hand went out and took his. "We have
all been here together too long. But when I see how my family, how my people can fool themselves, it
hurts. There is a sense of decency that's like a barometer to a man's or a country's health. I don't know.
Perhaps I'm too much in love with some idea of the aristocracy: I was born into it. I turned away from it
when I was young. Now I find myself back in it again. I think we shall accept that invitation, Jon
Koshar."
"I see," Jon said. "With Arkor as well?" "Yes. The three of us will be needed again." She hesitated. "You
were contacted by ... them also, weren't you? The Lord of the Flames,.."
Jon pushed his black hair back from his forehead.
"Yes." They turned at a sound behind them. Doors shaped
THE TOWERS OF TORON
THE TOWERS OF TORON
like double mollusk shells fanned apart. In the doorway stood the giant seven feet and a handful of
inches tall. On the left side of his face three scars jagged down his cheek and neck, darker parallel welts
in dark skin. "When will we leave?" Arkor asked. The triplex of scars was the brand with which the
frequent telepaths among the tall, mainland forest people were marked.
"Tonight," Petra said.
"You're going to take Tel and Alter," said Arkor. It was a statement, not a question.
Jon frowned. "Are you, Petra?"
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"We're all going to pay my cousin the King a visit," she told them. "We've received warning. The Lord
of the Flames is loose somewhere on earth once more."
"We drove him across the universe three years ago," Jon said.
"We may have to do it again."
Across the evening salmon-coloured clouds strung out like floating hair. Red light caught on the
polished brass that ran around the yacht deck. Water flopped at the side of the boat. "Everyone's
aboard," Jon told the Duchess.
"Then we can start." She turned and issued an order. Engines rang out like plucked cords on a musical
instrument. The ship mounted, then plunged forward towards the night. As blackness washed the sky
and stars stuck diamond-tipped pins into evening, Jon and Petra lingered at the rail. "Somewhere out
there is the war. In which direction?" she asked.
"Who knows?" Jon motioned towards the horizon. "Somewhere beyond the radiation barrier, somewhere
out in the mist of our planet*"
One of the motormen cried out from the yacht bridge. "Toron ahead!"
"We're nearly there," said Petra. They looked over the prow of the ship, across the water.
Imagine a black gloved hand, ringed with myriad diamonds, amethysts by the score, turquoises, rubies.
Now imagine this glittering hand rising slowly above the midnight horizon, each jewel with its internal
flame. Thus the island of Toron thrust over the edge of the sea.
The windows of the Grand Ballroom in the royal palace of Toron rose coffin-shaped two stories towards
the ceiling. As the panes lightened, the musicians blew windy music from their tuned sea-shells, and
above the marine chords, the weaving voice of a theremin dipped and climbed. Emerald and coral gauze
swirled from the women's arms, purple and crimson on the jackets of the men.
Through the wide windows, against the ending night, the dark band of the transit-ribbon leapt away from
the laboratory tower of the palace and disappeared among the other towers of the City till at last it soared
over the sea, over the mainland beach, over the forest of lush titan-palms and descendants of the oak
trees of an earth five hundred years in the past, across the penal mines where men and women prisoners
toiled the metal tetron from shafts sunk in the twisted rock, across groved plains where only in the past
three years had vegetation dared creep, and at last into the mainland city of Telphar. Telphar!—in the
past three years it had been converted into the strongest military establishment earth had ever seen, or so
her generals boasted.
"A ball in the morning!" the young girl in the ruby
8 THE TOWERS OF TORON
silk exclaimed. The shoulder of her dress was fastened with a copper lobster whose beaten tail curved to
cover her right breast. "Don't you think this is a wonderful idea, to have a ball at dawn?"
The elderly woman beside her pulled her thin lips tighter. "How ridiculous," she said softly. "I remember
when balls were affairs of taste and breeding." A caterer passed them offering hors d'oeuvres. "Just
look," the woman continued. On her head she wore a silver wig coiled through with rope pearls. 4 'Just
look at that!" Strips of fillet were wound about the toasted circlets. "That fish came from the aquariums!
Fish from the aquariums served at an affair of state! Why I remember when no one would think of
serving anything but imported goods from the mainland. Aquarium grown fish! Why, the idea. What has
the world come to?"
"I never could tell the difference between one and the other anyway," the girl in the ruby dress replied,
munching into a pate of fish-roe and chopped seal-lion.
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The woman with the silver wig humphed.
Jon Koshar moved away and wandered through the hall, over the polished white stone that shimmered
with the reflections of fabulous gowns. Isolated on one side of the room and swathed in fur were two
representatives of the forest guards, the lonely giants of Toromon's great forest on the mainland. A few
feet away stood three squat ambassadors from the neo-neanderthal tribes. They wore bronze wrist bands
and leather skirts. Across the floor people clustered around the honoured representatives of Titdon's
aquarium. Yes, three years ago it would have been different. But now—
Someone screamed. %
THE TOWERS OF TORON 9
Jon whirled round as the scream again crossed the ballroom. Heads turned, people crowded forward oh
one another, then pushed back. Jon was shoved sideways and someone put an elbow in his chest. More
people screamed, backing away from what staggered over the ballroom floor.
Something inside that had always made him go against crowds took him forward, and suddenly he was
at the edge of the clearing. An elderly man in a bright red suit was lurching across the floor, his hands
against his eyes. Behind him a scarlet cape billowed, sagged about his ankles, then billowed once more
as he fell forward.
Sticky crimson bubbled between his fingers and dribbled down the backs of his hands staining his
scarlet cuffs darker. He cried out again, and suddenly the scream turned into liquid gurgling.
The man went down on one knee. When he came up, there was a smear over the stone and the knee of
the trouser leg had deepened to maroon.
Another figure had detached himself from the crowd, slim, blond, dressed in white. Jon recognized the
King.
The scarlet figure splattered to the floor at His Majesty's feet and rolled over, his grasping hands falling
from his face.
Now more people cried out and even Jon gasped in a breath and bit down on it like metal.
Blood puddled from both cluffs and trouser legs. Red jelly slipped away from what had been a face.
Suddenly the barrel chest collapsed and the red cloth that had covered flesh now sagged down till it
draped no more than the spikes of meatless ribs. One hand raised two inches from where it lay on the
bloody cape, then fell back, tarsals and metatarsals separat-
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THE TOWERS OF TORON
ing, a scattering of tiny bones, as the radial tendon dissolved. At the same time, the skull rolled away
from the neck: cheek bone, nasal cartilege, and chin chuckled over the floor.
Through the crowd across from him Jon saw the red-headed figure of the Duchess moving towards the
arched ballroom entrance. Immediately Jon turned, made his way to the edge of the room, and in three
minutes had skirted the floor to the entrance where the Duchess was waiting. She seized his shoulder.
"Jon," she whispered, "do you know who that was? Do you know?"
"I know how it was done,'1 he volunteered. "But not who."
"That was Prime Minister Chargill, the headof the Council." She took a breath. "All right. Now you tell
me how."
"When I was in prison at the mines," Jon said, "a not too close friend of mine was an expert toxologist,
and sometimes he used to shoot off his mouth. That was terenide. It's an enzyme action cellular tran-
quilizer."
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* 'You mean the body cells get so tranquil they can't even hold on to one another?"
"That's about it," Jon said. "The results are what you saw happen to Chargill."
The music, which had stopped, suddenly resumed, and above the twining melodies a casual voice
sounded over a loud-speaker system: "Ladies and gentlemen, I am so sorry that this unpleasantry has
interrupted my morning party, so terribly sorry. I must request you all, however, to repair to your homes.
Our orchestra will now play for us the Victory Anthem of Toromon." The melody on the theremin halted
abruptly, then plunged into the-^oar-
THE TOWERS OF TORON
11
ing theme of the Victory Anthem.
"Come up to my suite immediately," whispered the Duchess to Jon. "There's something I wanted you to
see before this. Now it's imperative."
Across the room, the first light strained the panes in the immense coffin-shaped windows. Like violet
blades, light slanted through the room, over the heads of the scurrying guests avoiding the scarlet horror
drying on the dancing floor.
Jon and Petra hurried through the arched doorway.
The Duchess Petra had secured a family suite among the personal chambers of the palace. A few
minutes after they left the ballroom, she ushered Jon through the triple door into the softly lit, purple
carpeted room. "Jon," she said as they stepped inside, * 'this Rolth Catham. Rolth Catham, this Jon
Koshar, whom I told you about."
Jon had stopped at the door, his hand half extended, looking at the ... the man in the chair. He wanted to
close his eyes and rub them, but what he saw was not going to go away. Half of Catham's face was
transparent. Part of his skull had been replaced with a plastic case. Through it Jon could see blood
boiling along the net of artificial capillaries; metal teeth studded a plastic jaw bone, and above that an
eyeball hovered before the ghostly grey convolutions of brain, half hidden by a web of vessels.
Jon's mind thawed from the first surprise, and he said out loud, "Catham. Catham of Catham's Revised
History of Toromon." He jumped at the first familiar thought in his mind, turning it into a pleasantry to
battle the surprise. "We used your book in school."
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The three-quarters of Catham's mouth that was flesh smiled. "And your name is Koshar? Is there any
connection between you and Koshar Aquariums or Koshar Hydroponics? Or for that matter with Dr.
Koshar who discovered the inverse subtrigono-metric functions and applied them to the random system
of spacial co-ordinates—which is more or less the technological reason behind the present conflict in
which Toromon has got itself engaged?"
"Koshar Aquariums and Hydroponics are my father. Dr. Koshar is my sister."
Catham's mobile eyebrow raised.
"I told both of you before that I would have surprises for you," the Duchess said. "Professor Catham,
we're going to exchange stories this evening. Just a moment. Arkor!" the Duchess called.
In the silence following, Professor Catham caught Jon staring at his glittering visage. The three-quarter
smile came again. "I usually announce right off when I meet someone for the first time that I was in an
accident fifteen years ago, a freak explosion out at University Island. I'm one of General Medical's more
successful, if a trifle bizarre experiments."
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"I assumed it was something like that," Jon said. "I was just remembering once when I was in the prison
mines. There was an accident and a buddy of mine got one side of his face smashed in. Only General
Medical was far away, and the medical facilities out there were never particularly famous anyway. He
died."
"I see," said Professor Catham. "That must have been the mine disaster of '79. Did they do anything
about the safety conditions after that?"
"Not while I was there," Jon said. "I went into prison when I was eighteen and the tetron explosion
THE TOWERS OF TORON
13
was in my first year. Five years . . . later, when I got out, they hadn't even changed the faulty cutter
machinery."
Just then a door in the side of the room opened and Arkor came in.
At the sight of the triple scars that branded the giant's neck, the historian's eyebrow raised once more.
"Do you always keep a telepath in your service, Your Grace?"
"Arkor is not in my service," the Dutchess said. "Nor are we in his. Professor, this is very important. Not
twenty minutes ago Prime Minister Chargill was assassinated. I'd like you to go over what you told me
when I spoke to you earlier."
"Chargill... ?" began the historian. The eyebrow drew down where the other would have met it in a
frown. "Assassinated?" Then the half-face relaxed again. "Well, it's either the malis who are responsible,
or perhaps the council itself wanted him out of the way . . ."
"Please, Professor," said the Duchess. "Will you repeat what you told me before. Then we'll add what we
can."
"Oh, yes," Catham said. "Oh, yes. Well, I was telling Her Grace when she first called me at the
•University, or rather ferreted me out of ... Well, anyway." He looked from Jon to Arkor, to Petra, and
back. "Anyway," he went on. "Toromon is perhaps the strangest empire in the history of Earth. You
have lived in it all your lives so its unique properties do not strike you, but to one who has studied the
development of the world before the Great Fire, five hundred years ago, its uniqueness becomes
apparent. Toromon's empire consists of the island of Toron, the handful of islands scattered near
14
THE TOWERS OF TORON
it, and the fifteen hundred or so square miles of mainland opposite the islands, that of a strip of beach,
followed by meadow lands, followed by forests, followed by an uninhabitable rocky crescent that more
or less cuts off this fifteen hundred square miles from the rest of the mainland continent, which is still
hopelessly radioactive. After the Great Fire, this area I've outlined was completely isolated from the rest
of the world by radioactive land and radioactive currents in the sea. Until recently, we never thought that
there was anything left on earth to be cut off from. There were several good technical libraries that
survived, and some of our ancestors fortunately were literate, educated people, so we have a fairly good
picture of what the world was like before the Great Fire. And although there was economic and social
back-sliding at first, when a balance was finally achieved, technology began to progess once more and
within a comparatively short time, it had equalled that of before the Great Fire, and in many non-
destructive areas, surpassed it. Very early in our history, we discovered the metal tetron as a source of
power, the one major factor that our pre-Great Fire ancestors seemed entirely ignorant of, from the
records we have.
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"Now what is unique about Toron is this. No empire that we know of before the Great Fire ever survived
for over a hundred years in complete isolation from any disruptive force. Nor did any empire, country,
or even tribe that was in isolation ever develop once it had been isolated.
"Yet through the strange set of circumstances I have outlined—the surviving libraries, the intelligence of
our ancestors, the geographical diversity of our land allowing for interchange between rungl and
THE TOWERS OF TORON 15
urban cultural patterns—Toromon has existed for half a thousand years alone while still managing to
preserve a constantly developing technology. The details of this process are fascinating, and I have
devoted most of my life to their study, but that is not what I want to explore now.
"The effect of this situation, however, is like a thermite reaction going on inside a sealed bottle. It
doesn't matter how long it takes, eventually the bottle will explode. And the longer the bottle remains
sealed, the further the fragments will fly. And, that explosion has taken place." Catham leaned forward
in his chair now and brought his fingers meshing together like the tines of fork. "Sixty-five years ago
Toromon's scientists conducted the first experiments in matter transmission. The transit-ribbon was built
between Telphar, our one city on the mainland, and Toron, our island Capitol. Then Telphar was cut off
from us by an increase in the radiation barrier— almost as if the area of Toromon's empire were being
diminished to hasten the final explosion. Three years ago we learned that a group of forest people,
probably controlled by the enemy had managed to increase the radiation artificially, using some
equipment from Telphar itself." Catham turned to Jon now. "Three years ago, as well, your sister, Dr.
Clea Koshar, discovered the inverse subtrigonometric functions and their application to the random
system of special co-ordinates. In six months the old transit-ribbon was turned into an antenna that could
beam matter wherever we wished, and Telphar, inhabitable again, became a military establishment to
send men by the thousand to any place on the globe." Catham raised one hand to his transparent cheek.
"And the war continues. Why a war? Why not peace? Toromon has
16
THE TOWERS OF TORON
been too long held in. That's all I know."
"I thought you would mention what I saw as the most obvious thing about all of this," the Duchess said.
"Dr. Catham, do you remember the incident that caused war to be declared three years ago?"
"Yes. The King's younger brother, Prince Let, was kidnapped. That must have been done by some early
group of malcontents. The malis go back quite a way, but they were never as strong as they are now. All
they actually accomplish is stirring up trouble. Some people think they are connected with the enemy.
And no one, so I hear, will even walk through the Devil's Pot after dark."
"It was never a particularly savoury area of the City," replied the Duchess. "But Professor Catham, now
I'm going to tell you my story. It's a lot briefer than yours, and more incredible. But it's true. Toro-mon
has had access to matter-transmission on a large scale for three years. There are at least two other races
in the universe that have had access to it for billions. They use it to travel among the stars. These races
aren't even composed of individuals, but are rather collective consciousnesses. Their method of
interstellar travel is more psychic than physical. One seems to be a sort of amoral experimentor. The
other, much older, race is benevolent and composed of three centres of consciousness, rather than one,
which seem to check and balance one another. We call it'the Triple Being.
"You spoke of Toromon's uniqueness, its combination of isolation and development. The experimentor,
whom we call the Lord of the Flames, was aware of Toromon uniqueness, and from the outside he began
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to meddle in order to keep it isolated as long as possible. You wonder where the rebels goj: the
THE TOWERS OF TORON
17
equipment and knowledge to close the radiation barrier? It was from the Lord of the Flames.
"Myself, Jon, and Arkor here were contacted by the Triple Being three years ago. With their help we
rooted out the agent of the Lord of the Flames, though too late to stop the major explosion. But he's back
again, Professor Catham. What the results of his presence will be this time we don't know. The
kidnapping of Prince Let was our doing. For the past three years he's been safely with the forest guards
on the mainland. We hope that eventually this hysterical war will end, and then Prince Let can come
back and perhaps straighten out whatever's left of Toromon, if there is anything. While he was in the
palace with his mother and brother, his very life and sanity were in danger. It was all we could do."
"I see," said Catham. "And you're going to prove aH this? Why tell me about it in the first place?"
"Because we need someone with a historical orientation to help us and advise. The Triple Being will
only help so much in order not to upset our culture by introducing extraneous upsetting elements. The
first advice we need is what to do with two youngsters who helped us in our first effort, a boy and a girl.
The boy, Tel, ran away from a small fishing village on the mainland to Toron when he got involved with
us. The girl is an acrobat. They were very helpful to us then, but we don't need them any more, and it
seems a shame to keep them away from society this long. But they have a tremendous amount of
information that might be dangerous, especially to themselves. And there's one more problem," She
turned to Arkor. "Bring the children in, will you?"
Arkor turned from the room. He came back followed by a boy of about seventeen with dark skin and
18
THE TOWERS OF TORQN
sea-green eyes. After the boy came a girl perhaps a year older and nearly an inch taller. Her skin was
tanned the same as the boy's, but her hair was the colour and texture of bleached silk. Both looked
surprised at the apparition that was Catham, but they were silent.
"The special problem is this," the Duchess told him, and reached for a button on the arm of her chair. At
her touch, the lights in the room dimmed to half their original brightness.
Rolth Catham started forward in his seat. He was sitting alone in the purple carpeted room—with five
empty, but animated suits of clothes, a woman's sitting in the Duchess's chair, two men's standing beside
it, and the scant garb of the two youngsters hovering by the door. But though the lights were dim, they
were still bright enough to see that the bodies inhabiting them had disappeared.
From the chair the Duchess's voice, natural and unruffled, continued. "During the time we were first
involved in this affair, the Triple Being went as far as to make us immune to certain frequencies of
radiation by re-structuring our crystallization matrix. The side effect, however, was that the index of
refraction of our bodies' substance took a nose dive. Which means that when the light gets below a
certain intensity, we disappear . . ." The light went up, and the five people were back in the room. "So
you see the problem. That demonstration, incidentally, is our only real proof."
"I'm impressed," Catham said. "No, I don't believe you. But I will take it on as a theoretical problem,
which might be fun to work on. You want to know what to do with the youngsters? Spray them with
pigmented viva-foam, General Mwiical
THE TOWERS OF TORON 19
developed it for me—but I'm not vain enough to wear it. Turn them out on the world, and leave them to
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file:///D|/Documents%20and%20Settings/harry/Desktop/New%20Folder/Samuel%20R.%20Delany%20-%20The%20Towers%20of%20Toron.txt
their own devices. The remaining three of you concentrate on the Lord of the Flames." Catham rose.
"You can contact me back at the University. I must say it's all very interesting. But I seriously don't
believe it's anything more than a psychotic fantasy on your part." He smiled his three-quarter smile.
"And that's a shame, Your Grace, because you have a terribly vivid imagination. But I will advise you to
the best of my ability, however I can." He stopped. "Consider this before I go. You say you're
responsible for the kidnapping of Prince Let three years ago? The government finally decided it was
malis. Malis probably are responsible for Chargill's death—if he is dead. In your fantasy world, aren't
you perhaps responsible for that?" Catham went to the door, opened it, seemed surprised to find it not
locked, and went out.
Arkor, Jon, and the Duchess looked at one another.
"Well," said Arkor. "He is serious about advising us, but he doesn't believe it."
"That's better than nothing," Jon said.
"Arkor find out what in the world viva-foam is, and get hold of some as soon as possible," the Duchess
said.
CHAPTER TWO
FIFTEEN COPPER centi-units, on top of an empty cardboard crate, had been arranged into a square—
minus one corner.
A hairy fist whammed the surface, the coins leapt, and the three men who had been kneeling around the
box fell backwards spluttering. "What's the idea?" demanded one with curly brown hair.
"Hey! Hey, you look at me!" A grin slashed the wide face of the interrupter. Squat, barrel-broad, with no
neck and little chin, he had hair and eyebrows the colour of unravelled hemp. "Look at me!" he bellowed
again, threw back his head, and laughed.
"Aw, cut it out," whined the green-eyed, heavily freckled kid they called Shrimp. "Why don't you pick
on someone your own size?"
Lug's squat torso rolled back on his pelvis and his brachydactylic hands slapped at his low, heavy
stomach. "I pick on..." He turned to the third man. ". . . you!"
Waggon, the third around the crate, had the*same
THE TOWERS OF TORON
21
thick physique, only his hair was wiry and black and his forehead even lower.
"Aw, leave Waggon alone," Shrimp complained. "We're trying to teach him to play a game."
"He's my size," grunted Lug, giving Waggon a playful whack on the shoulder.
Waggon, who had been concentrating on the coins, looked up surprised, his wide eyes blinking. Very
little white showed around his pupils.
"Leave him alone, Lug," Shrimp said again.
A second time Lug belted Waggon's shoulder. Suddenly Waggon rolled to his feet, ropes of muscle
knotting along his shoulders and thighs. He leapt, and they tumbled to the floor. The other recruits
looked up from their bunks or where they sat reading military pamphlets. One seven foot forest guard
who had been leaning by the double-decker bed peeled himself from the olive drab wall, and walked
towards the two scuffling neanderthals. Suddenly he reached for them. There was a howl, another howl,
and then Waggon and Lug were dangling by their collars from the forest guard's fists. "Why don't you
apes learn to do a passable imitation of human beings?" the guard asked in a resonable voice.
Big-pupiiled eyes blinked, fists folded like cats' paws, and the big toes sticking through the open-toed
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file:///D|/Documents%20and%20Settings/harry/Desktop/New%20Folder/Samuel%\20R.%20Delany%20-%20The%20Towers%20of%20Toron.txtYes,Antoine,Iwaswritinganothernovel.Author'sNoteRevisingone'soldfictionbecauseofone'snewideassuggestsaconfusi\onofartandjournalism—atanyrate,amistakennotionofthewayartgainseither...

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