
On the day the world she knew was destroyed, Liz Tucker was content.
It started as a good day, a happy day. She’d returned home a week earlier from what she and other
locals referred to as The Big City—which meant any metropolitan area outside the Florida Keys. Miami,
Chicago, Los Angeles—all of them were alike, all crammed with people and homogenized high-tech
corporate office buildings, the unimaginative streets filled with ground-car traffic, the skies with skimmers.
It was Liz’s job—as she saw it, anyway—to make those cities a little less homogenized, to give the
buildings some character, some uniqueness, a design and style that broke with the ubiquitous sleek
high-rises that made every city look the same.Boxes, Liz called them. No matter how slender and sleek
they became, no matter how far they rose into the clouds or how brightly they gleamed—with their solar
silver surfaces, reflecting heat in summer, collecting it in winter—they were still boxes, and people should
not have to live or work or eat or love in boxes.
Businesses and personal clients soon learned to call on Elizabeth Tucker, AIA, only if they wanted
something new, something different. Not a high-rise surrounded by a green grass lawn and moving
sidewalks.
Which was one reason Liz was happy at the moment: she’d received news less than an hour before that
her design, one of several bids, had just been accepted by Wel-Tech, one of the hemisphere’s largest
health firms. It was a major assignment: a trinity of office buildings connected by a landscaped park. Liz
had convinced them to go with strictly indigenous plants and to add a small lake, which would attract
native waterfowl. She would be able, finally, to help Chicago look more likeChicago, instead of every
other city in the world. There would be ducks, swans, geese.
She was happy, too, simply to be home. Before work commenced on the project, she had a few days to
herself to relax.
Which meant that she was currently thirty feet below the Gulf of Mexico’s surface with her scuba gear.
Just the basics: no need for a wetsuit here. The turquoise water was tepid against her skin.Warm as
bathwater, amazed tourists always said.
There was no place in the world like the Keys; she was proud to be a local, a Conch. Fifty years ago, it
had become a total tourist trap: fast food joints, strip shopping malls, wall-to-wall cheesy hotels lining the
fragile, narrow coastline, hiding any view of the gulf. The place had been filled with people who wanted
nothing more than to play golf, rub coconut-scented oil on their bodies, sit in the sun, and get
unrelentingly drunk, people who had no appreciation for the special environment, for the unique wildlife,
both of which had been endangered by pollution and other acts of human idiocy.
All that had changed now. Liz’s house—a historic landmark, a 1950s bungalow a short walk from the
glittering shoreline—was one of several in a quiet neighborhood punctuated by native flora and fauna: fat,
squat royal palms, fan-shaped palmettos, flame-colored hibiscus and birds-of-paradise, graceful white
herons, and the occasional flamingo grazing for bugs on the front lawns.
She’d grown up in that house; her parents had left it to her when it became clear that her brother didn’t
want it. Trip had always wanted to explore space; Liz had always made fun of him for it.What, Earth
not good enough for you? He had taught her how to scuba dive, and when she’d been fascinated by
the beauty of it, the sense of weightlessness, the freedom and excitement of exploring a totally different
world, he’d said,Understand now? Space is like this ...free and open, and full of things no one’s
ever seen before.