
with the underworld, he learned when evil was brewing. Frequently, his thrusts from the dark came
before crooks had gained opportunity to begin their nefarious operations. There were times, however,
when strange events occurred without The Shadow's ken. On such occasions, The Shadow was forced
to follow the initial lead of the police.
Tonight, Joe Cardona had encountered a most amazing mystery. The acting inspector had notified
Commissioner Wainwright Barth. Only by minutes had The Shadow missed learning of the mystery.
Barth had left the Cobalt Club just before his arrival. But in the meantime, Clyde Burke, alert reporter of
the New York Classic, had discovered that Cardona had set out on an important case.
It was Clyde's business to keep in touch with detective headquarters. He was more conscientious in that
work than was any other police reporter in Manhattan. For Clyde served more than the New York
Classic. He was a secret agent of The Shadow. Immediately upon learning of Cardona's destination,
Clyde had communicated with Burbank, hidden contact man who also served The Shadow. Thus The
Shadow, too, was arriving at the focal point.
Two courses lay open. To follow one, The Shadow could have entered the Vanderpool Apartments in
his guise of Lamont Cranston. As a friend of the police commissioner, he could have listened in on
Cardona's findings. But The Shadow had rejected that system for this night. Having missed Barth at the
Cobalt Club, he did not care to stroll in on the police investigation. The guise of Cranston was one that he
did not care to overstrain.
The second course was to arrive as The Shadow. That was the choice that he had taken. Hence the
supposed Lamont Cranston had become a gentleman in black: The Shadow. His course was taking him
toward the scene of mystery. If difficulties proved too great, The Shadow could rely upon Clyde Burke's
report, for the newspaper man was on the job. But with The Shadow, difficulties seldom proved
insurmountable.
A BLACKENED shape reached the paved alleyway beside the Vanderpool Apartments. Footsteps
were clicking on cement. A policeman was pacing this area. The Shadow could trace the man's
movements in the dark. On the right was the looming bulk of the Vanderpool Apartments, with its
scattering of lighted windows. On the left was the brick wall of an old warehouse building. This was solid
in its blackness.
The pacing officer neared the spot where The Shadow stood. A flashlight swept its beam along the wall.
The rays passed by the tall form that stood motionless against the wall. The officer missed sight of the
cloaked figure of The Shadow. His footsteps sounded down the alleyway.
The Shadow moved. His hands pressed against the wall. A squidgy sound - too soft for the policeman to
hear - announced a vertical ascent. With suction cups attached to hands and feet, The Shadow was
making upward progress, avoiding the windows where lights were showing. His phantom figure neared
the third floor.
Here The Shadow paused. He had reached a small balcony - scarcely more than an ornamental railing -
that projected from an apartment window. He needed the suction cups no longer. Similar rails showed
dimly above. The Shadow's hands gained a hold above. One story - two - he settled upon the fifth-floor
balcony, just outside an opened window. He was outside the apartment of Seth Tanning.
Straight across the alleyway was the roof of the warehouse, marked by a whitened parapet of moulding
stone. Above that was the dull glow of the Manhattan sky. Crouched at the side of Tanning's window,
The Shadow carefully avoided the background of the skyline, for it would have revealed his blackened
shape. His keen ears caught the sound of voices, just within the window. Shifting slightly, The Shadow