
box of cigars open on her silver tray. Her legs were bare, her breasts laced into a tan waistcoat that
otherwise gaped down the front. A badge shaped like a feather announced her as Michelle.
"Sir . . ." The waitress waited for the well-dressed foreigner to select a Monte Cristo and take the
matches she offered. Something Kashif Pasha did without appearing to notice the bitten nails of his own
hands, which spoke of long nights and too little sleep.
Embossed on the matchbox was a tomahawk. The casino's designer had no idea if Mohawk Indians
actually fought with hand axes or, indeed, if any Native Americans had ever used such weapons, but
tomahawk sounded like Mohawk and 30 West 54th Street was Mohawk land.
Before it became such, the land on which Casino 30/54 sat belonged to Clack Associates, owners of a
small hotel much loved by rich European tourists. Augustus Clack III sold the hotel for an undisclosed
sum to the billionaire financier, Benjamin Agadir, who promptly swapped it with the Mohawks for seven
glass necklaces and a blanket. Since federal regulations specifically allowed casinos to be opened on
reservations or any Indian land held in trust, this neatly circumvented the state law that banned the
establishment of casinos in New York City.
"Faites vos jeux,"announced the croupier, as if inviting a whole table of high rollers to place their bets
rather than just the one.
Kashif Pasha ignored the man.
Striking a match, the eldest son and current heir to the Emir of Tunis lifted the match to the tip of his cigar
and sucked. His mother disapproved of smoking, gambling, whores and alcohol but since cigars were not
expressly mentioned in the Holy Quran, she sometimes kept her peace. Besides, Kashif Pasha was in
New York City and she was not.
Quite what Lady Maryam would have made of the striking murals in the gentlemen's lavatory it was best
not to imagine. Kashif Pasha's favourite by far featured Pocahontas undergoing what Americans called
double entry. For what were undoubtedly good cultural reasons, her lovers both sported tails, the back
legs of goats, and small horns.
At home there were no paintings in Lady Maryam's wing of the Bardo and no statues. Even his
great-grandfather's famous Neue Sachlichkeit collection of oils had been banished, saved only by the
Emir's flat refusal to have them destroyed.
Representative art was abhorrent to his mother for usurping the rights of God. But then this was a woman
who found even calligraphy suspect. Which, undoubtedly went some way to explaining why she'd burned
the present his father sent her at Kashif's birth. (An Osmanli miniature from the sixteenth century showing
the Prophet's wet nurse Hamina breast-feeding.) And this, in turn, maybe helped explain why Emir
Moncef had refused to see his wife since.
Kashif Pasha smiled darkly, his favourite expression, and pushed five ivory chips onto the number
thirteen.
" Rien ne va plus,"announced the croupier, as if he hadn't been waiting. No more bets were to be made.
There was a ritual to go through, even though the room was almost empty and the roulette table reserved
for Kashif Pasha. The wheel spun one way and the ivory ball was sent tumbling another and when a
number other than thirteen came up, Kashif Pasha just shrugged, carelessly he hoped.
Over the course of the next hour the rampart of counters in front of him became a single turret, then little
more than ruined foundations and finally almost disappeared, leaving Kashif Pasha with only six ivory