Katharine Kerr - Enchanted Forests

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Copyright © 1995 by Katharine Ken- & Martin H. Greenberg
All Rights Reserved.
Cover art by Jean-Francois Podevin.
DAW Book Collectors No. 1009.
All characters and events in this book are fictitious.
Any resemblance to persons living or dead is strictly coincidental.
If you purchase this book without a cover you should be aware that this book
may have been stolen property and reported as "unsold and destroyed" to the
publisher. In such case neither the author nor the publisher has received any
payment for this "stripped book."
First Printing, December 1995
123456789
WDAW TRADEMARK REGISTERED
U.S. PAT. OFF. AND FOREIGN COUNTRIES
—MARCA REGISTRADA
HECHO EN U.S.A.
PRINTED IN THE U.S.A.
ACKNOWLEDGMENTS
Introduction © 1995 by Katharine Kerr.
The Forest's Not/or Burning © 1995 by Katherine Lawrence.
"I'll Give You Three Wishes...." © 1995 by Kevin Andrew Mur-
phy.
The Triple Death © 1995 by Ken St Andre.
Out of the Woods © 1995 by Lawrence Watt Evans.
Viridescence © 1995 by Connie Hirsch.
Fiat Siiva © 1995 by Jack Oakley.
Weeds © 1995 by Julia and Brook West.
Benbow © 1995 by Nancy Etchemendy-
The Prism of Memory © 1995 by Jo Clayton.
The Force that through the Green Fuse © 1995 by Mark
Kreighbaum.
My Soul into the Boughs © 1995 by Teresa Edgerton.
These Shoes Strangers Have Died of© 1995 by Bruce Holland Rog-
ers.
The Clearing © 1995 by Lois Tilton.
How the Ant Made a Bargain © 1995 by Karawynn Long.
In Fear of Little Nell © 1995 by Gregory Feeley.
Wood Song © 1995 by Kate Daniel.
Virginia Woods © 1995 by Janni Lee Simner.
Ties of Love © 1995 by Lawrence Schimel.
The Heart of the Forest © 1995 by Dave Smeds.
Holy Ground © 1995 by Thomas S. Roche.
Ghostwood © 1995 by Michelle Sagara.
The Monsters of Mill Creek Park © 1995 by Susan Shwartz.
The Memory of Peace © 1995 by Kate EIliott.
Everything Has a Place © 1995 by Barbara A. Denz.
Trees Perpetual of Sleep © 1995 by Nina Kiriki Hoffman.
Both this book and I owe a thousand thanks to Jo
Clayton. Last year, when I was drowning in personal
disasters, Jo stepped in and lent a hand with finishing
up the anthology. Without all her help, this project
never would have been finished on time- Thanks, Jo, I
appreciate it more than words can say.
CONTENTS
Introduction by Katherine Kerr 9
WOODWORK
Humor and ingenuity are part of the job requirements
The Forest's Not for Burning by Katherine Lawrence 13
•TU Give You Three Wishes, ..."by Kevin
Andrew Murphy 21
The Triple Death by Ken St. Andre 38
Out of the Woods by Lawrence Watt Evans 49
SPEAKING WOODS
The view from the branches
Viridescence by Connie Hirsch 65
Fiat Silva by Jack Odkley 72
Weeds by Julia and Brook West 84
Benbow by Nancy Etchemendy 100
INHERITANCES
Different dances to a single tune
The Prism of Memory by Jo Clayton 115
The Force that through the Green Fuse by Mark
Kreighbawn 125
My Soul into the Boughs by Teresa Edgerton 135
CONTENTS
THE SCARS OF WAR
Echoes in flesh and wood
These Shoes Strangers Have Died of by Bruce
Holland Rogers
The Gearing by Lois Tilton
VICTORIAN VARIATIONS
New shoots from an old trunk
How the Ant Made a Bargain by Karawynn Long
In Fear of Little Nell by Gregory Feeley
THE NEW WORLD THAT NEVER WAS
Branchings from history
Wood Song by Kate Daniel
Virginia Woods by Janni Lee Simner
IMPOSSIBLE LOVES
Joy comes in many shapes
Ties of Love by Lawrence Schimel
The Heart of the Forest by Dave Smeds
Holy Ground by Thomas S. Roche
Ghostwood by Michelle Sagara
SANCTUARY
There is danger in the Forest but also peace
The Monsters of Mill Creek Park by Susan Shwartz
The Memory of Peace by Kate Elliott
Everything Has a Place by Barbara A. Denz
Trees Perpetual of Sleep by Nina Kiriki Hoffman
151
166
185
193
215
225
239
242
256
265
289
312
338
351
INTRODUCTION
by Katharine Kerr
The forest was our first alien world. Our species evolved
weak except for our shaped stones, defenseless except for our
foul smell. We needed an open view, where we could see the
leopard stalking the grass, the hyena pack spreading out to
surround. As we moved out of the Rift to migrate through and
then beyond the water meadows and grasslands of the area
that's now the Sahara desert, forests began to loom dark at the
edge of our view, always alien, always dangerous, but always,
since humans are who we are, inviting us in with questions
about what we might find there.
The history of Europe is the history of the death of forests.
Hunters might stalk through them, shamans and priests might
retreat into them, shepherds and horse nomads might shun
them, but the fanners, Europe's real settlers, slashed and
burned their way through, even though it took them thousands
of years to kill all the wild places- In China, in India, the pri-
meval forest also fell before stone ax and fire. In America the
history reads the same, though the axes flashed with steel.
Our once vast forests of the Eastern states, at least, have
dwindled into parks among the plowed fields.
Yet somewhere deep in our collective psyche, the en-
chanted forest still stands, fearsome and inviting all at the
same time. In forests lurk monsters but treasures as well, evil
witches but wise hermits, tests to fail, tests to win, roads that
lead to places where magic lives and things are made new.
For this book, I asked twenty-five different authors to take a
fresh look at these forests of the mind. Although some themes
have emerged from the collection, I've been fascinated by the
wide variety of the stories I received. I hope you enjoy them
as much as I did.
WODWRK
Humor and ingenuity are part
of me job requirements
Tne Forest's Not ror Burninj
by Katnerme Lawrence
The 1994 Pima Canyon fire in Arizona's Catalina Moun-
tains inspired this story by /Catherine Lawrence. She
spends much of her time exploring the boundaries of the
Enchanted Forest as an animation scriptwriter for such se-
ries as CONAN THE ADVENTURER.
Have you any idea what it's like to live at the edge of the En-
chanted Forest, and be the Woodcutter's eldest daughter? You
know, the one out supporting the family after our parents died?
You guessed it. I was at the local market when the Duke ar-
rived and found my younger sister hauling water from the well.
I hear they have two children now.
My youngest sister was pulling up carrots when the Prince ar-
rived. I was out trying to find a new stand of trees to harvest. At
least I got an invitation to the ball they threw last month.
Oh, I've met my share of royalty, but they never quite did any-
thing for me. I mean, they were handsome, but obsessed, every
one of them. They had to have the most beautiful woman, the
most magical sword, the strongest spell, whatever. Not one of
them was seeking a competent partner with whom to share their
life.
So when those high-efficiency ceramic stoves came into use,
and the need for stacks and stacks of wood declined, I figured I
needed a new career. Woodcutting wasn't cutting it anymore, if
you'll pardon the pun.
In the Enchanted Forest and surrounding area, we have all the
witches, wizards, sorcerers, kings, princes, dragons, princesses in
14 Katherine Lawrence
peril and whatnot that anyone could want. More than enough, for
my tastes. So obviously those careers were out.
What we didn't have was a plain, old (both of which descrip-
tions were applied to me, then all of 25 years old) private inves-
tigator. So 1 did my research and found a school for that sort of
thing, not too far around The Corner in the Real World.
What do I mean by around The Corner? It's difficult to ex-
plain, but you know how sometimes you see something wonder-
ful out the corner of your eye? When you look full-on, it's gone,
but you know it was there? Well, many of those living on the
edge of the Enchanted Forest can walk around that comer and
end up in the Real World. I'm one of them.
摘要:

Copyright©1995byKatharineKen-&MartinH.GreenbergAllRightsReserved.CoverartbyJean-FrancoisPodevin.DAWBookCollectorsNo.1009. Allcharactersandeventsinthisbookarefictitious.Anyresemblancetopersonslivingordeadisstrictlycoincidental. Ifyoupurchasethisbookwithoutacoveryoushouldbeawarethatthisbookmayhavebeen...

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