Arkady & Boris Strugatsky - Prisoners of Power

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Arcady and Boris Strugatsky. Prisoners of Power

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Arcady and Boris Strugatsky. Prisoners of Power

New York; Collier Macmillan Publishing, London

Origin: "Obitaemyj ostrov"

OCR: Vladislav Zarya

INTRODUCTION

Early in these pages, when young Maxim dips his hand into a river on

the alien planet on which he has just been marooned, and withdraws it

hastily because the water is radioactive, the knowledgeable science fiction

reader is likely to say, "Come on, now, fellows -- how could he know? Or, if

it were so devastatingly, dangerously radioactive that he could determine it

without instruments, how could he notnot know before he stuck iris silly

hand in it?" But one forgives, proceeds in a smug and self-satisfied way,

because Maxim's adventures are adventurous indeed, his encounters

believable, suspenseful, unexpected, and quite beyond anticipation, the

Strugatskys being the plot-masters that they are.

Then, some hundred-or-so pages in, the reader realizes that Maxim,

being what he is, could most certainly perform that small feat at the river,

and would; further, the reader realizes that this discovery was made some

time back, indirectly, in the gradual unfolding of Maxim's character.

This knack -- the conscious commission of apparent illogic, quietly

rectified in later narration -- is typical Strugatsky. It is the gleeful and

deliberate provocation of criticism, in the sure knowledge that the

criticism is made on the basis of insufficient data, and that the critic

will be shown to be, in the true sense of the word, prejudiced --

pre-judging. After this has happened to the reader a number of times (and it

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Arcady and Boris Strugatsky. Prisoners of Power

does) the reader has no recourse but to trust the authors -- and no author

could ask for more than that. Few, however, can command your trust so

deftly.

There is a great deal more in the Strugatsky bag of tricks. They will,

for example, build up a vertiginous altitude of suspense (as in the scene

where Maxim is sent to execute prisoners, one of them a woman) ending with a

shocking twist -- and then proceed with something else, happening to someone

else days later, joyfully refusing for the longest time to tell you just

what has happened to Maxim. And when they do, what has happened to him is

all over, part of his past, and we find him engaged in something quite new.

Yet the tapestry is ultimately done and hung, the authors having completed

certain panels while you weren't looking.

Then there's the matter of the shifting point-of-view. Any good

creative writing professor (though there are those who maintain there is no

such thing) will tell you that only one character permits the reader inside

his head, so that you know what he is thinking and feeling. All the other

characters act outact out what they are thinking and feeling. "Joe felt a

surge of anger and thought what a great joy it would be to smash that

smiling face," while "Sam turned white with rage and menacingly raised his

embroidery-hoop." Well, apparently the Strugatskys don't give a damn what

Teacher said. We repeatedly get inside the heads of many different people,

not all of protagonist stature; but, as in the authors' use of their other

tricks, we never enter through clumsiness, never by accident, never without

a solid reason.

So much for technique; any Strugatsky opus (I think particularly of

Hard to Be a GodHard to Be a God and Roadside PicnicRoadside Picnic) shows

them to be potent and resourceful tellers of tales. But fiction is composed

not only of manner, but of matter, and it is this that is most compelling,

most provocative about their work.

First of all, there is the matter of character development. Here the

Strugatskys obey one of the prime rules of lasting and important fiction:

the central character is changedchanged by the events of the narrative.

There are no exceptions to this in great literature; your protagonist grows,

gains, loses, perhaps dies, but he is not the same at the end as he was in

the beginning, and never can be again. Qt is this which dooms series

television to the minor niches of literature, no matter how beautifully

written; the central character must be the same next week as he is tonight,

no matter how drastic the action.) Maxim is without doubt a species of

superman, and in lesser hands he would sweep aside all obstacles and emerge

predictably triumphant. And Maxim, indeed, does perform many a superhuman

feat. Along with these, however, he commits some horrible blunders, and more

than a few laughable ones. His na(vet( is established early, as is his

humanity. He loses the former the hard way, wherever his innocence is shown

to be, in the matrix of action, just ignorance. The latter, his humanity, he

never loses at all, whether it is shown as falling face-first into a mud

puddle or grieving at the inexcusable death of a friend. His whole being,

however, is work-hardened as the story progresses; placing himself so often

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Arcady and Boris Strugatsky. Prisoners of Power

between the hammer and the anvil of events toughens and sharpens him, yet

never even threatens that deep compassion which makes of him such an

engaging person. There are many facets to his personality, but cynicism is

not one of them. Not even when he confronts the bureaucrats.

And here we come to the most delightful, the most penetrating aspect of

the Strugatsky corpus. The brothers have obviously declared war on the

bureaucrats -- on their self-perpetuation, their greed, their pomposity,

their prostration before the great god Protocol, their dedication to

climbing the official ladder, and their willingness, in that climb, to forgo

decency, honor, personal loyalty, honesty, even logic and consistency when

expedient. Faced with a bureaucrat, civilian or military, the Strugatskys

resist the temptation to explicate evil, to pile horror upon horror,

vileness upon vileness, in an effort to turn our faces and our stomachs; for

in that Grand GuignolGrand Guignol approach there is a quantum of awe. The

brothers resort rather to ridicule. By deft touches of slight exaggeration,

by swift indications of bad digestion, bad manners, and bad (or atrophied)

consciences, they succeed in making the bureaucrats ridicule themselves.

But it doesn't stop there; for when the self-serving, self-seeking

officials become responsible for the cruel enslavement of the entire

populace, and instigate a war in which real people by the thousands die

terrible and agonizing deaths, the clown has set fire to the circus tent,

and nothing he and his kind are or do from then on can be the least bit

funny. There is a battle scene in this book which brings this out

unforgettably; I find myself enriched and grateful for it, and for another

beautiful Strugatsky novel.

Theodore Sturgeon

San Diego, California, 1977

PART ONE: ROBINSON CRUSOE

Maxim opened the hatch, leaned out, and cautiously scanned the sky.

Low-lying and solid-looking, it lacked that airy transparency suggestive of

infinite space and a multitude of inhabited worlds; it was a real biblical

firmament, smooth and dense. Undoubtedly this firmament rested on the

powerful shoulders of a local Atlas. It glowed with a steady

phosphorescence. Maxim looked for the hole that his ship had pierced, but it

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was gone; only two large dark blots floated at the zenith like dead bodies

in water. Flinging the hatch wide open, he jumped into the tall dry grass.

The dense hot air smelled of dust, rusted iron, trampled vegetation,

life. And of death, long past and incomprehensible. The grass was

waist-high. Nearby, dense bushes loomed darkly, and dreary gnarled trees

occasionally broke the landscape. It was almost as bright as a clear moonlit

night on Earth, but without Earth's moon shadows and hazy nocturnal

blueness. Everything was gray, dusty, and flat. The ship rested on the

bottom of an enormous hollow with sloping sides. The surrounding terrain

rose sharply toward a washed-out horizon; the landscape seemed strange

because nearby a broad, serene river flowed westward and apparently upward

along one slope.

Maxim walked in a circle around the ship, running his palm along its

cold damp side. Traces of the impact were where he had expected to find

them. There was a deep ugly dent under the sensory ring, sustained when the

ship was jolted suddenly and pitched to one side; the cyberpilot had felt

insulted and sulked, and Maxim had had to grab the controls quickly. The

jagged hole next to the right porthole was made ten seconds later when the

ship pitched forward. Maxim looked at the zenith again. The dark blots were

scarcely visible now. A meteorite attack in the stratosphere? Probability --

zero point zero zero. But in space anything theoretically possible would

happen sooner or later.

Maxim returned to the cabin and switched on the automatic repair

controls and activated the field laboratory. Then he headed toward the

river. An adventure of sorts, but still routine. Monotonously routine. The

unexpected to be expected in the Independent Reconnaissance Unit. Landing

accidents, meteorite and radiation attacks -- adventures of the body, merely

physical stuff.

The tall brittle grass rustled and crackled beneath his feet and

prickly seeds stuck to his shorts. A swarm of midges buzzed in front of his

face, but then, as if on signal, retreated.

The IRU didn't attract solid establishment types. They were wrapped up

in their own serious affairs and knew that the exploration of alien worlds

was just a monotonous and exhausting game. Yes, monotonously exhausting and

exhaustingly monotonous.

Of course, if you are twenty years old, can't do anything well, haven't

the vaguest notion of what you really want to do, haven't yet learned the

value of time, that most precious of all things, haven't any special talents

and don't foresee acquiring any -- if at age twenty you still haven't

outgrown the lad stage where your hands and feet are more important than

your head; if you are still naive enough to imagine yourself making fabulous

discoveries in unexplored space... if, if, if... You pick up the catalog,

open it to any page, take a random stab to choose your unexplored world, and

take off into the wild blue yonder. Discover a planet, name it after

yourself, determine its physical characteristics, do battle with any

monsters you might encounter, and establish contact with intelligent beings,

if there are any. If not, become a Robinson Crusoe.

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What for? Well, you'd be thanked and told you've made an enormous

contribution, and some prominent expert would summon you for lengthy

discussions. The school kids, especially the little ones, would gaze at you

in awe. But your old teacher would ask only: "Are you still with the IRU?"

Then he'd change the subject and look distressed and guilty because he felt

responsible for your inability to outgrow the IRU. And your father would

say: "H'mm" and hesitatingly offer you a position as a lab assistant. And

your mother would say: "Maxie, when you were little you drew rather well."

And Pete would say: "How long can this go on? Haven't you disgraced yourself

long enough?" And everybody would be right except you. So what do you do?

You return to IRU headquarters, pick up the catalog, open it at random and

stab blindly.

Before descending the high, steep bank to the river, Maxim looked

around. Gnarled trees were silhouetted against the sky, and a small circle

of light came from the open hatch. Everything appeared normal. "Well, OK,"

he mumbled to himself. "Take it as it comes. It would be great if I could

find a civilizations powerful, ancient, wise culture. And human." He went

down to the river.

The river was very broad and sluggish; it appeared to flow downhill

from the east and uphill to the west. The refraction here was incredible.

The opposite bank was sloped and choked with bulrushes; a half-mile upstream

some sort of columns and twisted beams -- buckled trusswork overgrown with

vines -- protruded from the water. "Civilization," thought Maxim, not

particularly enthusiastic. He sensed the presence of a great deal of iron.

And something else, too, something unpleasant and stifling. Scooping up a

handful of water, he realized quickly that it was dangerously radioactive.

The river was carrying radioactive substances from the east. This certainly

wasn't the kind of civilization he had in mind. Rather than establishing

contact, it would be wiser to take samples and perform the usual analyses,

orbit the planet's equator several times, and head for home. Once on Earth

he would turn the material over to the experts on the Galactic Security

Council and quickly put the entire episode out of his mind.

He shook his fingers squeamishly, dried them in the sand, and squatted

on his haunches. He tried to picture the inhabitants of this planet, hardly

a happy place. Somewhere beyond the forest lay a city of dirty factories;

decrepit reactors emptying radioactive wastes into the river; ugly houses

beneath metal roofs, with endless walls and few windows; and buildings

separated by litter-strewn alleys. And the people? Probably dressed heavily,

encased in thick, coarse material, with high white uncomfortable collars

cutting into their necks.

Suddenly he noticed footprints in the sand. They had been made by bare

feet. Someone had scrambled down the bank to the river, someone, he

imagined, with large feet, heavy, pigeon-toed, and clumsy. Undoubtedly

humanoid, but with six toes on each foot. He had scrambled down the bank,

hobbled along the sand, plunged into the radioactive waters, and swum to the

opposite shore, into the bulrushes.

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Like a bolt of lightning, a brilliant blue flash lit up everything

around him. Above the riverbank there was a thunderous crash followed by

sizzling and crackling. Maxim jumped up. Dry earth rained down and something

sped through the sky with a menacing whine and dropped into the river,

raising a spray mixed with white steam. He realized what had happened, but

not why, and he was not surprised to see a swirling column of scorching

smoke rising like a giant corkscrew into the phosphorescent firmament from

the spot where his ship had been standing. The ship had exploded: its

ceramic shell glowed violet, flames danced through the grass around it,

bushes flared up, and the gnarled trees were enveloped in smoky fire.

Intense heat struck him, and Maxim shielded his face with his palm as he

backed away.

"Oh, God, no! No! Why?" He tried to reconstruct what had happened.

"Some big ape came along, got inside, lifted up the deck, found the

batteries, picked up one of the strange-looking boulders, and bambam! What a

boulder -- three tons! And with one swing. A powerful animal, all right. It

wounded my ship with its pebbles twice in the stratosphere and finished it

off down here. Incredible! Bet it never happened before. Now what? I'll be

missed soon, of course, but nobody will think that the ship could vanish and

its pilot survive. Damn it!"

He turned from the fire and walked away rapidly along the river. The

entire area glowed red. His shadow on the grass, shortening and lengthening,

rushed ahead of him. Sparse and musty woods began on his right, and the

grass became soft and moist. It occurred to him that the fire could overtake

him and he would be forced to make his escape by swimming -- a most

unpleasant prospect. But as the red glow grew dim and died out, he realized

that the ship's fire-fighting system, unlike himself, had understood the

problem and done its job well. He vividly pictured its sooty tanks

protruding absurdly from the hot fragments, emitting dense pyrophage clouds.

They must be very pleased with their performance.

"Easy now," he thought. "Don't panic. Take your time. You've plenty of

it. They can look for me forever. There's no ship, and it will be impossible

to find me. Until they are absolutely convinced of my death, mother won't be

told anything. And I'll figure something out."

He passed a small cool bog, forced his way through some bushes, and

emerged on a cracked concrete road leading into the woods. Stepping along

the concrete slabs, he walked to the edge of the river. There he saw rusty

girders overgrown with vegetation, the remains of some huge latticed

construction lying half-submerged in the water. On the other side the road

continued, barely visible beneath the luminous sky. Apparently, long ago a

bridge had spanned the river, but it probably had interfered with someone's

plans and had been knocked over into the water, creating an ugly mess. Maxim

sat down and contemplated his predicament.

"OK, you have a road. That's the main thing. It's a lousy road, very

old, but it's still a road. And, on all inhabited planets, roads lead to

their builders. What do I need now? Not food. I wouldn't mind a snack, but I

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had better keep my appetite in check. I can manage without water for another

day. There's enough air, although I'd be happier with a little less carbon

dioxide and radioactivity. So far. I'm in fair shape. What I do need is a

small primitive coil transmitter with a spiral pitch." In his mind's eye he

saw clearly the circuit for a positron sender. If only he had the parts, he

could put one together at once, blindfolded. He assembled it mentally

several times.

"Robinson Crusoe. That's me, all right." He was somewhat taken by the

idea. "Maxim Crusoe. I don't have a damned thing except a pair of shorts

without pockets and my sneakers. On the other hand, my island is inhabited.

And if it's inhabited, there's always hope of locating a primitive coil

transmitter." He tried hard to visualize a coil transmitter but had no luck

this time. Instead he kept seeing his mother and the expression on her face

when she was told her son had disappeared without a trace. His father would

nib his cheeks and look around absentmindedly. "Cut it out," he said to

himself. "Stop thinking about them. Anything, but not about them. Otherwise

you're sunk. Cut it out and get hold of yourself." He rose and started along

the road.

The forest, timid and sparse at first, gradually became bolder and

edged up closer to the road. Several impudent young trees had burst through

the concrete and were growing right through the highway. Obviously the road

was at least twenty or thirty years old. Along its sides the woods were

taller, denser, and wilder; here and there branches interlaced overhead. It

grew dark and loud guttural cries came from the depths of the forest.

Something moved, rustled, thudded. Then, about twenty paces in front of

him, a dark squat shape darted across the road. Mosquitoes whined. It

suddenly dawned on Maxim that this region was too desolate and wild for

human habitation and that it would take several days to reach an inhabited

area. Again his hunger surfaced, but Maxim sensed that flesh on the hoof was

plentiful here. He wouldn't starve to death. Although the meat wouldn't be

particularly appetizing, the hunt itself would be interesting. Deer? Maybe,

maybe not. But the local game was undoubtedly edible. Stop moving, and the

midges would begin to feed on you savagely. And as everyone knows, what's

edible on an alien planet doesn't die of hunger. It wouldn't be so awful to

get lost here and spend a year or so roaming the forest. He would find

himself a buddy -- some kind of wolf or bear. They'd go hunting together. He

supposed he'd eventually tire of it. Besides, the prospect of tramping

through this forest wasn't particularly appealing, with all that iron junk

around and the polluted air. Anyway, the main thing was to put together a

coil transmitter.

He stopped and listened carefully. From somewhere in the depths of the

forest came a monotonous, muffled rumbling. Maxim realized that he had been

hearing it for some time before it broke through to his consciousness. It

was not an animal or waterfall, but a mechanical device, some sort of

barbarous machine. It wheezed, made grinding noises, and gave off a rusty

odor. And it was drawing closer.

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Hunching over and edging closer to the shoulder, Maxim ran noiselessly

toward the machine and then stopped just before reaching an intersection.

The road here was muddy, with deep ugly ruts and slabs of concrete jutting

up. It smelled foul and was very radioactive. Maxim squatted and looked to

his left, toward the approaching rumbling and grinding.

A minute later it appeared. A hot stinking mammoth of riveted metal,

rumbling along the road with enormous mud-clogged caterpillar treads. It

plodded along, humpbacked and shabby, clanging through the iron litter in

the forest. It was stuffed with a mixture of raw plutonium and lanthanides.

Driverless and helpless, yet menacing, it swung over the intersection and

plodded on, dangling a tail of scorching heat. It disappeared into the

forest, growling, tossing and turning, roaring, its fury gradually

subsiding.

Maxim caught his breath and brushed away the midges. He was stunned: in

his whole life he had never seen anything so absurd and pitiful. "Well," he

thought, "I won't find any positron senders around here." He watched the

monster until it disappeared and he suddenly noticed that the crossroad was

just a narrow corridor through the forest. Maybe he ought to overtake it.

Stop it and turn off its reactor. He listened carefully. Crackling and

crashing filled the forest. The monster was moving deeper into the forest

like a hippo into a bog. Then the rumble of the engine drew closer again.

Clanging and roaring, it plodded once more over the intersection and

returned to the area it had just left. "Boy, oh boy," thought Maxim. "I'd

better keep clear. Vicious beasts and uncivilized robots are not for me." He

paused, broke from the bushes, and, with one bound, leaped over the polluted

intersection.

After walking very rapidly for some time, inhaling deeply to clear his

lungs of the iron mammoth's exhaust fumes, he slowed down. He thought about

what he had encountered in his first two hours on his inhabited island and

tried to construct a logical picture from his bizarre experiences. It was

too difficult; the pieces were incredible, unreal. The forest itself was

straight out of a fairy tale: almost human voices of fantastic creatures

echoed through it. As in a fairy tale, an old deserted road led to an

enchanted castle, and invisible, evil sorcerers placed obstacles in the way

of those who chanced to pass by. From afar, they had showered his ship with

meteorites and, failing to turn him back, had then burned his ship, caught

him in a trap, and dispatched an iron dragon after him. The dragon was old

and stupid, but they had surely realized their mistake and were preparing

something more up-to-date.

"Listen here," said Maxim to them, "I've no intention of breaking the

spell over your castles and waking your sleeping beauties. All I want is to

meet one of you, one of your more intelligent people, who can help me with a

positron sender."

But the wicked sorcerers persisted. First they dropped a gigantic

rotted tree across the road, destroyed its concrete surface, dug a large

hole in the ground, and filled it with putrid radioactive liquid. When that

failed to stop him, when the midges tired of biting and retreated in

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disappointment, toward morning they released a cold, malevolent fog. Maxim

jogged to warm himself. The fog was sticky and oily, and smelted of decay.

Soon the smell of smoke was added, and Maxim tried to locate the fire.

Dawn was breaking when Maxim spotted it at the side of the road, near a

low moss-covered stone structure with a caved-in roof and dark empty

windows. Although there was no one in sight, he sensed that people had been

there recently and might return soon. He turned off the road, leaped over a

drainage ditch, and sinking ankle-deep in rotting leaves, approached the

fire. The fire welcomed him with its primitive warmth. Everything was very

simple here. Without the formality of greetings, one could squat, warm one's

hands by the fire, and wait in silence until the host, just as silently,

served hot food and drink. True, the host wasn't around, but a blackened

kettle with a strong-smelling broth hung above the fire.

Maxim sat down by the fire and warmed himself, then rose reluctantly

and entered the house. House? Only a stone shell remained of the original

structure. The morning sky shone through the broken beams overhead, the

rotten floorboards were treacherous, and clusters of crimson mushrooms grew

in the corners -- poisonous when raw, but edible if roasted sufficiently.

But Maxim suddenly lost his appetite. In the semidarkness by the wall,

mingled with faded rags, there was a skeleton! Revolted, he turned,

descended the broken steps, and cupping his palms around his mouth, shouted

at the top of his lungs: "Hey, six-toes!"

His shout was smothered almost instantly by the fog-bound trees. There

was no answer except for the angry chattering of birds overhead.

Maxim returned to the fire, tossed on some branches, and peered into

the kettle. The broth was boiling. He found a spoon of sorts, sniffed it,

dried it with grass and sniffed it again. Then he carefully skimmed off a

grayish scum and flicked it over the rim. He stirred the broth, scooped some

from the edge, blew on it, and pursing his lips, tasted it. Not bad.

Something like broth made from a takhorg liver. Only stronger. Setting the

spoon aside, he took down the kettle carefully with both hands and placed it

on the grass. Then he looked around again and called out: "Breakfast! Come

and get it!"

He still sensed that the owner of the dwelling was somewhere nearby,

but all he saw were motionless bushes, wet from the fog, and dark gnarled

tree trunks. There were no sounds except the crackling of the fire and the

restless cross-chatter of the birds.

"Well, OK," he said aloud. "Do as you please, but I'm breaking the

ice!"

He developed a taste for the broth very quickly. Before he knew it, a

third of the soup had vanished from the kettle. Regretfully, he moved away,

rested for a while, and dried the spoon. But he couldn't control himself: he

scooped up from the very bottom more of those delicious brown chunks of meat

that melted in his mouth. Then he moved away, dried the spoon again, and

placed it across the top of the kettle. Now the time had come to express his

appreciation to his invisible host.

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He jumped up, selected several thin branches, and entered the house.

Treading cautiously on the rotten floorboards and trying to avoid looking at

the remains in the shadows, he picked some mushrooms, selecting the firmest,

and threaded their crimson caps onto a branch. "You could use some salt and

a little pepper, but never mind. You'll do for an introduction. We'll hang

you over the fire, steam out every bit of your poison, and you'll be

delicious. You'll be my first contribution to the culture of this inhabited

island."

The house darkened almost imperceptibly and he felt someone's eyes on

him. Suppressing the desire to turn sharply, he counted to ten, rose slowly,

and with an anticipatory smile turned his head.

A long dark face with large doleful eyes and lips drooping at the

corners looked at him blankly through the window. They stared at each other

for several seconds, and it seemed to Maxim that the gloom emanating from

the face was flooding the house, sweeping over the forest, and engulfing the

entire world. Everything around him turned gray, gloomy, and mournful. Then

the house became still darker. Maxim turned toward the door.

A stocky man, topped by a shaggy mop of red hair and wearing an ugly

jump suit, straddled the threshold with his short sturdy legs and blocked

the entrance with his broad shoulders. Maxim was pierced by a pair of blue

eyes, very steady and hostile, yet almost cheerful -- perhaps in contrast to

the all-pervasive gloom spreading from the window. Obviously this was not

the first time this rough-looking native had encountered a visitor from

another world. But it was also obvious that he was used to dealing with

annoying visitors promptly and harshly, dispensing with such amenities as

communication and other unnecessary complications. An ominous-looking thick

metal pipe suspended from a leather belt around his neck was aimed directly

at Maxim's abdomen. It was clear that he hadn't the slightest notion of the

value of human life, of the Declaration of the Rights of Man, of humanism's

lofty ideals, even of humanism itself.

Having no choice in the matter, Maxim extended the branch of skewered

mushrooms, smiled more broadly, and spoke in carefully articulated words.

"Peace! Everything is OK. Everything is fine!" The gloomy face behind the

window responded to this greeting with a lengthy but unintelligible sentence

that succeeded in clearing the air. Judging from the sounds outside, dry

twigs were being tossed into the fire. Behind the unkempt red beard, the

blue-eyed figure produced clanging sounds that reminded Maxim of the iron

dragon at the crossing.

"Yes!" Maxim nodded vigorously. "Earth! Space!" He pointed the branch

toward the zenith and Redbeard obediently looked up at the broken ceiling.

"Maxim!" continued Maxim, poking himself in the chest. "Maxim! My name is

Maxim! Maxim!" "Mac Sim!" bellowed Redbeard. He had a strange intonation.

His eyes glued on Maxim, he shot a series of rumbling sounds over his

shoulder. "Mac Sim" was repeated several times. The doleful character

replied with some eerie, melancholy syllables. Redbeard's blue eyes and

yellow-toothed jaws opened wide and he began to guffaw. Evidently there was

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