The change I mentioned occurs in the first line of the second stanza. I had it read, originally,
“Why, stars above, it’s Asimov,” but the aforementioned maiden saw at once it ought to be “mazel tov.”
This is a Hebrew phrase meaning “good fortune” and it is used by Jews as a joyful greeting on jubilant
occasions--as a meeting with me should surely be. .
Ten years have passed since I wrote the poem and, of course, the impression of incredible age
which I leave among those who know me only from my writings is now even stronger. When this poem
was written, I had published a mere 66 books, and now, ten years later, the score stands at 175, so that it’s
been a decade of constant mental conflagration.
Just the same, I’ve kept my old-time spark even yet. My step is still light and my eye is still bright.
What’s more, I’m as suave in my conversations with young women as I have ever been (which is very
suave indeed). That bit about my hair being “thick and dark” must be modified, however. There is no
danger of baldness but, oh me, I am turning gray. In recent years, I have grown a generous pair of fluffy
sideburns, and they are almost white.
And now that you know the worst about me, let’s go on to the stories themselves or, rather (for
you are not quite through with me), to my introductory comments to the first story.
The beginning of FEMININE INTUITION is tied up with Judy-Lynn Benjamin, whom I met at the World
Science Fiction Convention in New York City in 1967. Judy-Lynn has to be seen to be believed-an
incredibly intelligent, quick-witted, hard-driving woman who seems to be burning constantly with a bright
radioactive glow.
She was managing editor of Galaxy in those days.
On March 21, 1971, she married that lovable old curmudgeon Lester del Rey, and knocked off all
his rough edges in two seconds flat. At present, as Judy-Lynn del Rey, she is a senior editor at Ballantine
Books and is generally recognized (especially by me) as one of the top editors in the business. [You may
have noticed that this book is dedicated to her.]
Back in 1968, when Judy-Lynn was still at Galaxy, we were sitting in a bar in a New York hotel
and she introduced me, I remember, to something called a “grasshopper.” I told her I didn’t drink because I
had no capacity for alcohol, but she said I would like this one, and the trouble is I did.
It’s a green cocktail with creme de menthe, and cream, and who knows what else in it, and it is
delicious. I only had one on this occasion, so I merely graduated to a slightly higher than normal level of
the loud bonhomie that usually characterizes me and was still sober enough to talk business. [A year or so
later during the course of a science fiction convention, Judy-Lynn persuaded me to have two grasshoppers and I was
instantly reduced to a kind of wild drunken merriment, and since then no one lets me have grasshoppers any more. Just
as well!]
Judy-Lynn suggested I write a story about a female robot. Well, of course, my robots are sexually
neutral, but they all have masculine names and I treat them all as males. The turnabout suggestion was
good.
I said, “Gee, that’s an interesting idea,” and was awfully pleased, because Ed Ferman had asked
me for a story with which to celebrate the twentieth anniversary of Fantasy and Science Fiction and I had
agreed, but, at the moment, did not have an idea in my head.
On February 8, 1969, in line with the suggestion, I began FEMININE INTUITION. When it was
done, Ed took it and the story was indeed included in the October 1969 Fantasy and Science Fiction, the
twentieth-anniversary issue. It appeared as the lead novelette, too.
Between the time I sold it, however, and the time it appeared, Judy-Lynn said casually to me one
day, “Did you ever do anything about my idea that you write a story about a female robot?”
I said enthusiastically, “Yes, I did, Judy-Lynn, and Ed Ferman is going to publish it. Thanks for
the suggestion.”
Judy-Lynn’s eyes opened wide and she said in a very dangerous voice, “Stories based on my ideas
go to me, you dummy. You don’t sell them to the competition.”
She went on to expound on that theme for about half an hour and my attempts to explain that Ed
had asked me for a story before the time of the suggestion and that she had never quite made it clear that
she wanted the story for herself were brushed aside with scorn.
Anyway, Judy-Lynn, here’s the story again, and I’m freely admitting that the suggestion of a
female robot was yours. Does that make everything all right? (No, I didn’t think so.)