
and - ooh, here comes another, even huger! Look, look, Moth!'
The queen nodded gravely at her daughter's delight in the placid little waves, and
raised her eyes to the distance. Slatey clouds piled up on the southern horizon, heralds
of the approaching monsoon season. The deep waters had a resonance for which
'blue' was no adequate description. The queen saw azure, aquamarine, turquoise, and
viridian there. On her finger she wore a ring sold her by a merchant in Oldorando
with a stone - unique and of unknown provenance - which matched the colours of the
morning's sea. She felt her life and the life of her child to be to existence as the stone
was to the ocean.
From that reservoir of life came the waves which delighted Tatro. For the child,
every wave was a separate event, experienced without relation to what had been and
what was to come. Each wave was the only wave. Tatro still lingered in the eternal
present of childhood.
For the queen, the waves represented a continuous operation, not merely of the
ocean but of the world process. That process included her husband's rejection of her,
and the armies on the march over the horizon, and the increasing heat, and the sail she
hoped every day to see on the horizon. From none of these things could she escape.
Past or future, they were contained in her dangerous present.
Calling good-bye to Tatro, she ran forward and dived into the water. She
separated herself from the little figure hesitant in the shallows, to espouse the ocean.
The ring flashed on her finger as her hands sliced the surface and she swam out.
The waters were elegant against her limbs, cooling them luxuriously. She felt the
energies of the ocean. A line of white breakers ahead marked the division between the
waters of the bay and the sea proper, where the great westbound current flowed,
dividing the continents of torrid Campannlat and chilly Hespagorat, and sweeping
round the world. MyrdemInggala never swam further than that line unless her
familiars were with her.
Her familiars were arriving now, lured by the strong taint of her femininity. They
swam near. She dived with them as they talked in their orchestral language to which
she was still a stranger. They warned her that something -an unpleasantness - was
about to happen. It would emerge from the sea, her domain.
The queen's exile had brought her to this forsaken spot in the extreme south of
Borlien, Gravabagalinien, Ancient Gravabagalinien, haunted by the ghosts of an army
which had perished here long ago. It was all her shrunken domain. Yet she had
discovered another domain, in the sea. Its discovery was accidental, and dated from
the day when she had entered the sea during the period of her menses. Her scent in the
water had brought the familiars to her. They had become her everyday companions,
solace for all that was lost and all that threatened her.
Fringed by the creatures, MyrdemInggala floated on her back, her tender parts
exposed to the heat of Batalix overhead. The water droned in her ears. Her breasts
were small and cinnamon tipped, her lips broad, her waist narrow. The sun sparkled
on her skin. Her human companions sported nearby. Some swam close to the Linien
Rock, others skipped along the beach; all unconsciously used the queen as reference
point. Their cries rang in competition with the clash of waves.
Away up the beach, beyond the seawrack, beyond the cliffs, stood the white and
gold palace of Gravabagalinien, the home to which the queen was now exiled,
awaiting her divorce - or her murder. To the swimmers, it looked like a painted toy.
The phagors stood immobile on the beach. Out to sea, a sail hung immobile. The
southern clouds appeared not to move. Everything waited.
But time moved. The dimday wore on - no person of standing would venture into
the open in these latitudes when both suns were in the sky. And, as dimday passed,