Carl Sagan - Cosmos

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Spacecraft missions to nearby Planets
The Library of ancient Alexandria
The human brain
Egyptian Hieroglyphics
The origin of life
The death of the Sun
The evolution of galaxies
The origins of matter, suns and worlds
COSMOS
The story of fifteen billion years of cosmic evolution transforming matter and life into
consciousness, of how science and civilization grew up together, and of the forces and
individuals who helped shape modern science. A story told with Carl Sagan’s remarkable ability
to make scientific ideas both comprehensible and exciting, based on his acclaimed television
series.
For Ann Druyan
In the vastness of space and the immensity of time,
it is my joy to share
a planet and an epoch with Annie
Carl Sagan was the Director of the Laboratory for Planetary studies and David Duncan Professor
of Astronomy and Space Sciences at Cornell University. He played a leading role in the Mariner,
Viking and Voyager expeditions to the planets, for which he received the NASA medals for
Exceptional Scientific Achievement and for Distinguished Public Service, and the international
astronautics prize, the Prix Galabert.
He served as Chairman of the Division for Planetary Sciences of the American Astronomical
Society, as Chairman of the Astronomy Section of the American Association for the
Advancement of Science, and as President of the Planetology Section of the American
Geophysical Union. For twelve years, he was Editor-in-Chief of Icarus, the leading professional
journal devoted to planetary research. In addition to four hundred published scientific and
popular articles, Dr Sagan was the author, co-author or editor of more than a dozen books,
including Intelligent Life in the Universe, The Cosmic Connection, The Dragons of Eden,
Murmurs of Earth, Broca’s Brain and the bestselling science fiction novel, Contact.
He was a recipient of the Joseph Priestly Award ‘for distinguished contributions to the welfare of
mankind’, and the Pulitzer Prize for literature.
Carl Sagan died in December 1996.
CARL SAGAN
Cosmos
CONTENTS
Introduction
1 The Shores of the Cosmic Ocean
2 One Voice in the Cosmic Fugue
3 The Harmony of Worlds
4 Heaven and Hell
5 Blues for a Red Planet
6 Travelers’ Tales
7 The Backbone of Night
8 Travels in Space and Time
9 The Lives of the Stars
10 The Edge of Forever
11 The Persistence of Memory
12 Encyclopaedia Galactica
13 Who Speaks for Earth?
Appendix 1: Reductio ad Absurdum and the Square Root of Two
Appendix 2: The Five Pythagorean Solids
INTRODUCTION
The time will come when diligent research over long periods will bring to light things which now
lie hidden. A single lifetime, even though entirely devoted to the sky, would not be enough for
the investigation of so vast a subject . . . And so this knowledge will be unfolded only through
long successive ages. There will come a time when our descendants will be amazed that we did
not know things that are so plain to them . . . Many discoveries are reserved for ages still to come,
when memory of us will have been effaced. Our universe is a sorry little affair unless it has in it
something for every age to investigate . . . Nature does not reveal her mysteries once and for all.
- Seneca, Natural Questions,
Book 7, first century
In ancient times, in everyday speech and custom, the most mundane happenings were connected
with the grandest cosmic events. A charming example is an incantation against the worm which
the Assyrians of 1000 B.C. imagined to cause toothaches. It begins with the origin of the universe
and ends with a cure for toothache:
After Anu had created the heaven,
And the heaven had created the earth,
And the earth had created the rivers,
And the rivers had created the canals,
And the canals had created the morass,
And the morass had created the worm,
The worm went before Shamash, weeping,
His tears flowing before Ea:
‘What wilt thou give me for my food,
What wilt thou give me for my drink?’
‘I will give thee the dried fig
And the apricot.’
‘What are these to me? The dried fig
And the apricot!
Lift me up, and among the teeth
And the gums let me dwell! . .
Because thou hast said this, O worm,
May Ea smite thee with the might of
His hand!
(Incantation against toothache.)
Its treatment: Second-grade beer . . . and oil thou shalt mix together;
The incantation thou shalt recite three times thereon and shalt put the medicine upon the
tooth.
Our ancestors were eager to understand the world but had not quite stumbled upon the
method. They imagined a small, quaint, tidy universe in which the dominant forces were gods
like Anu, Ea, and Shamash. In that universe humans played an important if not a central role. We
were intimately bound up with the rest of nature. The treatment of toothache with second-rate
beer was tied to the deepest cosmological mysteries.
Today we have discovered a powerful and elegant way to understand the universe, a
method called science; it has revealed to us a universe so ancient and so vast that human affairs
seem at first sight to be of little consequence. We have grown distant from the Cosmos. It has
seemed remote and irrelevant to everyday concerns. But science has found not only that the
universe has a reeling and ecstatic grandeur, not only that it is accessible to human understanding,
but also that we are, in a very real and profound sense, a part of that Cosmos, born from it, our
fate deeply connected with it. The most basic human events and the most trivial trace back to the
universe and its origins. This book is devoted to the exploration of that cosmic perspective.
In the summer and fall of 1976, as a member of the Viking Lander Imaging Flight Team, I
was engaged, with a hundred of my scientific colleagues, in the exploration of the planet Mars.
For the first time in human history we had landed two space vehicles on the surface of another
world. The results, described more fully in Chapter 5, were spectacular, the historical significance
of the mission utterly apparent. And yet the general public was learning almost nothing of these
great happenings. The press was largely inattentive; television ignored the mission almost
altogether. When it became clear that a definitive answer on whether there is life on Mars would
not be forthcoming, interest dwindled still further. There was little tolerance for ambiguity. When
we found the sky of Mars to be a kind of pinkish-yellow rather than the blue which had
erroneously first been reported, the announcement was greeted by a chorus of good-natured boos
from the assembled reporters - they wanted Mars to be, even in this respect, like the Earth. They
believed that their audiences would be progressively disinterested as Mars was revealed to be less
and less like the Earth. And yet the Martian landscapes are staggering, the vistas breathtaking. I
was positive from my own experience that an enormous global interest exists in the exploration
of the planets and in many kindred scientific topics - the origin of life, the Earth, and the Cosmos,
the search for extraterrestrial intelligence, our connection with the universe. And I was certain
that this interest could be excited through that most powerful communications medium,
television.
My feelings were shared by B. Gentry Lee, the Viking Data Analysis and Mission
Planning Director, a man of extraordinary organizational abilities. We decided, gamely, to do
something about the problem ourselves. Lee proposed that we form a production company
devoted to the communication of science in an engaging and accessible way. In the following
months we were approached on a number of projects. But by far the most interesting was an
inquiry tendered by KCET, the Public Broadcasting Service’s outlet in Los Angeles. Eventually,
we jointly agreed to produce a thirteen-part television series oriented toward astronomy but with
a very broad human perspective. It was to be aimed at popular audiences, to be visually and
musically stunning, and to engage the heart as well as the mind. We talked with underwriters,
hired an executive producer, and found ourselves embarked on a three-year project called
Cosmos. At this writing it has an estimated worldwide audience of 140 million people, or 3
percent of the human population of the planet Earth. It is dedicated to the proposition that the
public is far more intelligent than it has generally been given credit for; that the deepest scientific
questions on the nature and origin of the world excite the interests and passions of enormous
numbers of people. The present epoch is a major crossroads for our civilization and perhaps for
our species. Whatever road we take, our fate is indissolubly bound up with science. It is essential
as a matter of simple survival for us to understand science. In addition, science is a delight;
evolution has arranged that we take pleasure in understanding - those who understand are more
likely to survive. The Cosmos television series and this book represent a hopeful experiment in
communicating some of the ideas, methods and joys of science.
The book and the television series evolved together. In some sense each is based on the
other. But books and television series have somewhat different audiences and admit differing
approaches. One of the great virtues of a book is that it is possible for the reader to return
repeatedly to obscure or difficult passages; this is only beginning to become possible, with the
development of videotape and video-disc technology, for television. There is much more freedom
for the author in choosing the range and depth of topics for a chapter in a book than for the
procrustean fifty-eight minutes, thirty seconds of a noncommercial television program. This book
goes more deeply into many topics than does the television series. There are topics discussed in
the book which are not treated in the television series and vice versa. Explicit representations of
the Cosmic Calendar, featured in the television series, do not appear here - in part because the
Cosmic Calendar is discussed in my book The Dragons of Eden; likewise, I do not here discuss
the life of Robert Goddard in much detail, because there is a chapter in Broca’s Brain devoted to
him. But each episode of the television series follows fairly closely the corresponding chapter of
this book; and I like to think that the pleasure of each will be enhanced by reference to the other.
For clarity, I have in a number of cases introduced an idea more than once - the first time
lightly, and with deeper passes on subsequent appearances. This occurs, for example, in the
introduction to cosmic objects in Chapter 1, which are examined in greater detail later on; or in
the discussion of mutations, enzymes and nucleic acids in Chapter 2. In a few cases, concepts are
presented out of historical order. For example, the ideas of the ancient Greek scientists are
presented in Chapter 7, well after the discussion of Johannes Kepler in Chapter 3. But I believe
an appreciation of the Greeks can best be provided after we see what they barely missed
achieving.
Because science is inseparable from the rest of the human endeavor, it cannot be
discussed without making contact, sometimes glancing, sometimes head-on, with a number of
social, political, religious and philosophical issues. Even in the filming of a television series on
science, the worldwide devotion to military activities becomes intrusive. Simulating the
exploration of Mars in the Mohave Desert with a full-scale version of the Viking Lander, we
were repeatedly interrupted by the United States Air Force, performing bombing runs in a nearby
test range. In Alexandria, Egypt, from nine to eleven A.M. every morning, our hotel was the
subject of practice strafing runs by the Egyptian Air Force. In Samos, Greece, permission to film
anywhere was withheld until the very last moment because of NATO maneuvers and what was
clearly the construction of a warren of underground and hillside emplacements for artillery and
tanks. In Czechoslovakia the use of walkie-talkies for organizing the filming logistics on a rural
road attracted the attention of a Czech Air Force fighter, which circled overhead until reassured
in Czech that no threat to national security was being perpetrated. In Greece, Egypt and
Czechoslovakia our film crews were accompanied everywhere by agents of the state security
apparatus. Preliminary inquiries about filming in Kaluga, U.S.S.R., for a proposed discussion of
the life of the Russian pioneer of astronautics Konstantin Tsiolkovsky were discouraged -
because, as we later discovered, trials of dissidents were to be conducted there. Our camera crews
met innumerable kindnesses in every country we visited; but the global military presence, the fear
in the hearts of the nations, was everywhere. The experience confirmed my resolve to treat, when
relevant, social questions both in the series and in the book.
The essence of science is that it is self-correcting. New experimental results and novel
ideas are continually resolving old mysteries. For example, in Chapter 9 we discuss the fact that
the Sun seems to be generating too few of the elusive particles called neutrinos. Some proposed
explanations are listed. In Chapter 10 we wonder whether there is enough matter in the universe
eventually to stop the recession of distant galaxies, and whether the universe is infinitely old and
therefore uncreated. Some light on both these questions may since have been cast in experiments
by Frederick Reines, of the University of California, who believes he has discovered (a) that
neutrinos exist in three different states, only one of which could be detected by neutrino
telescopes studying the Sun; and (b) that neutrinos - unlike light - have mass, so that the gravity
of all the neutrinos in space may help to close the Cosmos and prevent it from expanding forever.
Future experiments will show whether these ideas are correct. But they illustrate the continuing
and vigorous reassessment of received wisdom which is fundamental to the scientific enterprise.
On a project of this magnitude it is impossible to thank everyone who has made a
contribution. However, I would like to acknowledge, especially, B. Gentry Lee; the Cosmos
production staff, including the senior producers Geoffrey Haines-Stiles and David Kennard and
the executive producer Adrian Malone; the artists Jon Lomberg (who played a critical role in the
original design and organization of the Cosmos visuals), John Allison, Adolf Schaller, Rick
Sternbach, Don Davies, Brown, and Anne Norcia; consultants Donald Goldsmith, Owen
Gingerich, Paul Fox, and Diane Ackerman; Cameron Beck; the KCET management, particularly
Greg Andorfer, who first carried KCET’s proposal to us, Chuck Allen, William Lamb, and James
Loper; and the underwriters and co-producers of the Cosmos television series, including the
Atlantic Richfield Company, the Corporation for Public Broadcasting, the Arthur Vining Davis
Foundations, the Alfred P. Sloan Foundation, the British Broadcasting Corporation, and Polytel
International. Others who helped in clarifying matters of fact or approach are listed at the back of
the book. The final responsibility for the content of the book is, however, of course mine. I thank
the staff at Random House, particularly my editor, Anne Freedgood, and the book designer,
Robert Aulicino, for their capable work and their patience when the deadlines for the television
series and the book seemed to be in conflict. I owe a special debt of gratitude to Shirley Arden,
my Executive Assistant, for typing the early drafts of this book and ushering the later drafts
through all stages of production with her usual cheerful competence. This is only one of many
ways in which the Cosmos project is deeply indebted to her. I am more grateful than I can say to
the administration of Cornell University for granting me a two-year leave of absence to pursue
this project, to my colleagues and students there, and to my colleagues at NASA, JPL and on the
Voyager Imaging Team.
My greatest debt for the writing of Cosmos is owed to Ann Druyan and Steven Soter, my
co-writers in the television series. They made fundamental and frequent contributions to the basic
ideas and their connections, to the overall intellectual structure of the episodes, and to the felicity
of style. I am deeply grateful for their vigorous critical readings of early versions of this book,
their constructive and creative suggestions for revision through many drafts, and their major
contributions to the television script which in many ways influenced the content of this book. The
delight I found in our many discussions is one of my chief rewards from the Cosmos project.
Ithaca and Los Angeles
May 1980
CHAPTER I
The Shores of the Cosmic Ocean
The first men to be created and formed were called the Sorcerer of Fatal Laughter, the
Sorcerer of Night, Unkempt, and the Black Sorcerer . . . They were endowed with
intelligence, they succeeded in knowing all that there is in the world. When they looked,
instantly they saw all that is around them, and they contemplated in turn the arc of heaven
and the round face of the earth . . . [Then the Creator said]: ‘They know all . . . what shall
we do with them now? Let their sight reach only to that which is near; let them see only a
little of the face of the earth! . . . Are they not by nature simple creatures of our making?
Must they also be gods?’
- The Popol Vuh of the Quiché Maya
Have you comprehended the expanse of the earth? Where is the way to the dwelling of
light, And where is the place of darkness . . . ?
- The Book of Job
It is not from space that I must seek my dignity, but from the government of my thought. I
shall have no more if I possess worlds. By space the universe encompasses and swallows
me up like an atom; by thought I comprehend the world.
- Blaise Pascal, Pensées
The known is finite, the unknown infinite; intellectually we stand on an islet in the midst
of an illimitable ocean of inexplicability. Our business in every generation is to reclaim a
little more land.
- T. H. Huxley, 1887
The Cosmos is all that is or ever was or ever will be. Our feeblest contemplations of the Cosmos
stir us - there is a tingling in the spine, a catch in the voice, a faint sensation, as if a distant
memory, of falling from a height. We know we are approaching the greatest of mysteries.
The size and age of the Cosmos are beyond ordinary human understanding. Lost
somewhere between immensity and eternity is our tiny planetary home. In a cosmic perspective,
most human concerns seem insignificant, even petty. And yet our species is young and curious
and brave and shows much promise. In the last few millennia we have made the most astonishing
and unexpected discoveries about the Cosmos and our place within it, explorations that are
exhilarating to consider. They remind us that humans have evolved to wonder, that understanding
is a joy, that knowledge is prerequisite to survival. I believe our future depends on how well we
know this Cosmos in which we float like a mote of dust in the morning sky.
Those explorations required skepticism and imagination both. Imagination will often
carry us to worlds that never were. But without it, we go nowhere. Skepticism enables us to
distinguish fancy from fact, to test our speculations. The Cosmos is rich beyond measure - in
elegant facts, in exquisite interrelationships, in the subtle machinery of awe.
The surface of the Earth is the shore of the cosmic ocean. From it we have learned most of
what we know. Recently, we have waded a little out to sea, enough to dampen our toes or, at
most, wet our ankles. The water seems inviting. The ocean calls. Some part of our being knows
this is from where we came. We long to return. These aspirations are not, I think, irreverent,
although they may trouble whatever gods may be.
The dimensions of the Cosmos are so large that using familiar units of distance, such as
meters or miles, chosen for their utility on Earth, would make little sense. Instead, we measure
distance with the speed of light. In one second a beam of light travels 186,000 miles, nearly
300,000 kilometers or seven times around the Earth. In eight minutes it will travel from the Sun
to the Earth. We can say the Sun is eight light-minutes away. In a year, it crosses nearly ten
trillion kilometers, about six trillion miles, of intervening space. That unit of length, the distance
light goes in a year, is called a light-year. It measures not time but distances - enormous
distances.
The Earth is a place. It is by no means the only place. It is not even a typical place. No
planet or star or galaxy can be typical, because the Cosmos is mostly empty. The only typical
place is within the vast, cold, universal vacuum, the everlasting night of intergalactic space, a
place so strange and desolate that, by comparison, planets and stars and galaxies seem achingly
rare and lovely. If we were randomly inserted into the Cosmos, the chance that we would find
ourselves on or near a planet would be less than one in a billion trillion trillion* (1033, a one
followed by 33 zeroes). In everyday life such odds are called compelling. Worlds are precious.
* We use the American scientific convention for large numbers: one billion = 1,000,000,000 = 109; one
trillion = 1,000,000,000,000= 1012, etc. The exponent counts the number of zeroes after the one.
From an intergalactic vantage point we would see, strewn like sea froth on the waves of
space, innumerable faint, wispy tendrils of light. These are the galaxies. Some are solitary
wanderers; most inhabit communal clusters, huddling together, drifting endlessly in the great
cosmic dark. Before us is the Cosmos on the grandest scale we know. We are in the realm of the
nebulae, eight billion light-years from Earth, halfway to the edge of the known universe.
A galaxy is composed of gas and dust and stars billions upon billions of stars. Every star
may be a sun to someone. Within a galaxy are stars and worlds and, it may be, a proliferation of
living things and intelligent beings and spacefaring civilizations. But from afar, a galaxy reminds
me more of a collection of lovely found objects - seashells, perhaps, or corals, the productions of
Nature laboring for aeons in the cosmic ocean.
There are some hundred billion (1011) galaxies, each with, on the average, a hundred
billion stars. In all the galaxies, there are perhaps as many planets as stars, 1011 x 1011 = 1022, ten
billion trillion. In the face of such overpowering numbers, what is the likelihood that only one
ordinary star, the Sun, is accompanied by an inhabited planet? Why should we, tucked away in
some forgotten corner of the Cosmos, be so fortunate? To me, it seems far more likely that the
universe is brimming over with life. But we humans do not yet know. We are just beginning our
explorations. From eight billion light-years away we are hard pressed to find even the cluster in
which our Milky Way Galaxy is embedded, much less the Sun or the Earth. The only planet we
are sure is inhabited is a tiny speck of rock and metal, shining feebly by reflected sunlight, and at
this distance utterly lost.
But presently our journey takes us to what astronomers on Earth like to call the Local
Group of galaxies. Several million light-years across, it is composed of some twenty constituent
galaxies. It is a sparse and obscure and unpretentious cluster. One of these galaxies is M31, seen
from the Earth in the constellation Andromeda. Like other spiral galaxies, it is a huge pinwheel of
stars, gas and dust. M31 has two small satellites, dwarf elliptical galaxies bound to it by gravity,
by the identical law of physics that tends to keep me in my chair. The laws of nature are the same
throughout the Cosmos. We are now two million light-years from home.
摘要：

SpacecraftmissionstonearbyPlanetsTheLibraryofancientAlexandriaThehumanbrainEgyptianHieroglyphicsTheoriginoflifeThedeathoftheSunTheevolutionofgalaxiesTheoriginsofmatter,sunsandworldsCOSMOSThestoryoffifteenbillionyearsofcosmicevolutiontransformingmatterandlifeintoconsciousness,ofhowscienceandcivilizat...

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