AHungerLikeFire-novel

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A new guy comes in and tries to mooch me off of Rick.
This new guy is huge—six-four at least, muscle-bound and
flat-topped, with gross arm veins that only a steroid dealer
could love.
He’s awful. He has on a purplish shirt that aches to be
retro but is really just retardo. Fat gold links. Weight-lifted
man-boobs that are probably bigger than mine. He’s Omega
Travolta, some inbred result of a million years of anony-
mous disco hookups.
Not only that, he speaks the line out of a hundred B-
movies, mid-season TV pilots and Charles Atlas print ads.
“Hey baby, why don’t you dance with a real man?”
I give him one out. “I’m here with Rick,” I say, pointing.
“You’re here with Prick?” he asks. “Sweetie, I got all the
prick you need right here.And lord help me, he grabs my
hand and puts it on his crotch.
Okay Omega. You had your chance.
You are inadequate, I tell him, and I dont bother to yell it.
I’m speaking directly to a specific part of Omega’s mind,
the part of every mind that craves discipline and punishment
and longs to willfully obey a strong leader. I seize that part,
the sniveling worm of the soul, through Omega’s eyes and
twist it beneath me. I can do this very, very well.
“Your penis is too small. Every woman you meet can tell.
Lots of men can too.He can’t ignore this. He can’t doubt
it. This is his new truth.
His eyes are locked on mine and although he shouldn’t be
able to hear me over the thumping club beat, I know that ev-
ery word is getting hammered straight into his brain. “You
do not have what it takes to make a woman happy. You make
women laugh. Women laugh at you all the time.
More than his hand goes limp, and I can see tears starting
to drip out of his eyes. Good.
“Go home and think about this,” I tell him, and he turns
to the door, moving like a man in a very sad dream.
This is, I think, my favorite part about being a vampire.
©2004 White Wolf, Inc. All rights reserved.
Cover art by Jason AlexanderCover art by Jason Alexander
Cover art by Jason AlexanderCover art by Jason Alexander
Cover art by Jason Alexander. Book design and art direc-
tion by Pauline Benney. Copy edited by Ana Balka.
No part of this book may be reproduced or transmitted in
any form or by any means, electronic or mechanical—includ-
ing photocopy, recording, Internet posting and electronic
bulletin board—or any other information storage and retrieval
system, except for the purpose of reviews, without permis-
sion from the publisher.
White Wolf is committed to reducing waste in publishing.
For this reason, we do not permit our covers to be “stripped
for returns, but instead, require that the whole book be re-
turned, allowing us to resell it.
All persons, places and organizations in this book—except
those clearly in the public domain—are fictitious, and any
resemblance that may seem to exist to actual persons, places,
or organizations living, dead, or defunct is purely coinci-
dental. The mention of or reference to any companies or
products in these pages is not a challenge to the trademarks
or copyrights concerned.
White Wolf, Vampire and World of Darkness are registered
trademarks of White Wolf Publishing, Inc. Vampire the Re-
quiem and A Hunger Like Fire are trademarks of White Wolf
Publishing, Inc. All rights reserved.
ISBN 1-58846-862-3
First Edition: December 2004
Printed in Canada
White Wolf Publishing
1554 Litton Drive
Stone Mountain, GA 30083
www.white-wolf.com/fiction
It is curious, if not unfitting, that the most common
name for unlife among vampires is a musical reference,
the Requiem. The word itself means a mass or musical
composition for the dead. In some cases, a requiem is a
dirge. In other cases it is a chant intended for the dead’s
repose. In still others, it is a gesture of respect.
No surprise, then, that the word has taken on its own
meaning among the vampires who call themselves
Kindred. The word has connotations of its own, suggest-
ing that the Kindred must have adopted it in a more
enlightened or sophisticated time. Tonight, however, all
but the most cloistered Kindred know that the word bears
its own specialized meaning. The Requiem is the
Kindred’s unlife, the grand, doomed waltz through which
every one of their kind dances every night, urged on by
metaphorical strains of music that represent the hidden
powers that guide, manipulate and inspire them.
Every night stands out as singularly as each separate note
in a composer’s opus. When we hear the composition,
though, we do not examine each and every note. Rather we
experience it in sum. This is the key to avoiding the
malaise of eternity. Let each night, each note, stand out in
the greater body of the Requiem your life has become.
—Charlotte Gaudibert,
Aequitas Fatalis
This book is lovingly dedicated to my child
Daniel, born May 27, 2004. Son, I apologize in
advance for any neglectful or shaky parenting.
6 a hunger like fire
greg stolze
Part One:
Summertime
For strangers to the truth, bewilderment is to be
expected. For those who know the truth, the natural
reaction is suspicion.
—Solomon Birch
7a hunger like fire
greg stolze
Chapter One:
Bruce
I open my eyes and I think,
What the hell?
I’m wrapped in plastic. Crinkly thick stuff, smells kind
of like paint.
Looking left and right, nothing hurts, so I try turning
my head. It’s all right. Stomach feels okay. So I must’ve
slept right through the hangover. Haven’t done that in a
while.
I move and my wrapping isn’t too tight—I can get it off
my face without a lot of trouble. It’s a drop cloth, and I get
my head and shoulders free.
I’m in a basement, I think. It’s dark, and it feels like
I’m in a small space. Everything’s dusty, and there’s a little
light coming in from under the door.
Man. I must have really tied one on last night. Nina’s
gonna be pissed.
What time is it? My watch has a light on it; I pinch the
little button and it’s
Saturday
! Saturday, and eight o’clock
at night! Damn, I must have slept through the whole day,
and I was going to fix that toilet handle in the half-bath.
Shit.
I stand up and find the light cord.
The room is small, maybe ten by ten, with a bare bulb
and wood shelves stacked with junk. There’s a humidifier,
some old tools, a dusty aquarium with magazines in it, a
red Coleman cooler with maybe a folded-up tent on top
of itjust crap. I bet I’m in somebody’s storage room,
like in the basement of an apartment building.
What the hell happened to me? How did I get here?
8 a hunger like fire
greg stolze
Okay, last thing I remember. It was Friday night. Check.
Got out of work and went to Pitchers & Pool with Tony
and Spence and that new guy from Lawn. Check. Had some
pitchers, played some pool. Okay, all normal.
How’d I get here from there?
I guess the first thing is to figure out where here is. And
get some food. Damn, I’m starving.
The door on the storage locker is busted, looks like
someone kicked it in. Did I do that? It’s not a big deal, a
cheap padlock and hasp, Aisle Eleven, probably fifteen
bucks. There’s a cruddy linoleum floor with corners turn-
ing up over dirty concrete, water damage on the cement
walls, I smell something musty… and fabric softener? I
hear clunking from down the hall, there’s more light that
way. Off I go.
The well-lit part is the laundry room. Yeah, I must be
in an apartment building. Someone’s got her clothes in
the dryer and I step out into the light. Young woman, small,
real dark hair, wearing a blue tank top. She’s sitting in
one of those plastic and metal stacking chairs. I come in
and she turns her head. She’s frowning a little, but just
for a second. When she sees me, she gives a little yelp.
“Hey, I…
Her eyes are kind of wide and she’s inching away. Okay,
whatever. I head for the door. Outside, I see streetlights.
I get out of the apartment building and look around.
It’s a hot, humid night. Anyone with any sense is inside
with a cold beer and the fan on, but there’s a few young
kids running around, a few
vatos
hanging out on porch
sofas or stoops, one young couple walking down the street
holding hands. I get out and in the good light I take a mo-
ment to look down at myself.
I’ve got dust and mess all over me. I’m filthy. My arms
look like they’re really encrusted with something. My
9a hunger like fire
greg stolze
jeans are the same ones I wore to work on Friday. Same
Home Depot polo shirt, only there’s some dried crud on
it and… the hell? Where’d that hole come from?
Clearly I got a lot to answer for. I wish I could remem-
ber what happened, but I’m drawing a blank. It’s been a
long time since
that
happened too. I usually don’t black
out from just beer. In fact, I dont think I’ve ever blacked
out from just beer. Did we start drinking hard stuff on
Friday? Why?
I was at Pitchers & Pool and I played eight ball with the
new guy… what was his name? I can’t even remember who
won. Did I start to go home? I think I did, but then it all
gets fuzzy.
Fire?
Yeah, fire… I remember a… an accident? Something.
And some guy, some short guy, just hideous, like some-
thing from a freak show…
I hear someone hiss.
It’s not a cat hiss, like when an ump makes a bad call.
It’s one of those sharp breath hisses, like when you come
around a corner and there’s a dead dog all spread out in
the street. I look up and the young lovers are looking at
me, and I’m the dead dog.
They edge around me. The chick looks kind of nervous.
The guy, just disgusted.
“What’re you lookin at?I ask, but I don’t really want
to know, I just want them to move along.
They move along.
Screw this. I’m starving. I think I know where I am, and
there’s a taco joint not far.
My name is Bruce Miner. Im thirty-eight years old. I
graduated from Morton East High School when I was
nineteen, married Nina that summer, had our only
daughter Brooke a couple years after. I worked at Merid-
ian Rail for a while, until the accident, and now I work at
Home Depot.
摘要:

A new guy comes in and tries to mooch me off of Rick.This new guy is huge—six-four at least, muscle-bound andflat-topped, with gross arm veins that only a steroid dealercould love.He’s awful. He has on a purplish shirt that aches to beretro but is really just retardo. Fat gold links. Weight-liftedma...

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