Bradley, Marion Zimmer - Avalon 1 - The Mists of Avalon

VIP免费
2024-12-06 0 0 1.5MB 609 页 5.9玖币
侵权投诉
Also by Marion Zimmer Bradley
Published by Ballantine Books:
THE CATCH TRAP
THE HOUSE BETWEEN THE WORLDS
The Mists of Avalon
Marion Zimmer Bradley
DEL REY
A Del Rey Book Ballantine Books • new york
A Del Rey Book
Published by Ballantine Books
Copyright (c) 1982 by Marion Zimmer Bradley
All rights reserved under International and Pan-American Copyright
Conventions. Published in the United States by Ballantine Books, a division of
Random House, Inc., New \fork, and simultaneously in Canada by Random House of
Canada Limited, Toronto.
Library of Congress Catalog Card Number: 83-91171
ISBN 0-345-35049-9
Originally published in hardcover by Alfred A. Knopf, Inc.
Cover art by Braldt Braids
Manufactured in the United States of America
First Ballantine Books Trade Edition: May 1984
30292827
"... Morgan le Fay was not married, but put to school in a nunnery, where she
became a great mistress of magic."
-Malory, Morte d'Arthur
acknowledgments
ANY BOOK of this complexity drives its author to sources far too many to be
listed in entirety. I should probably cite, first, my late grandfather, John
Roscoe Conklin, who first gave me a battered old copy of the Sidney Lanier
edition of the Tales of King Arthur, which I read so often that I virtually
memorized the whole thing before I was ten years old. My imagination was also
stirred by varied sources such as the illustrated weekly Tales of Prince
Valiant; and in my fifteenth year I played hooky from school far oftener than
anyone realized to hide in the library of the Department of Education in
Albany, New York, reading my way through a ten-volume edition of James
Frazer's The Golden Bough and a fifteen-volume set of books on comparative
religions, including an enormous volume on the Druids and Celtic religions.
In direct research for the present volume, I should give thanks to Geoffrey
Ashe, whose works suggested several directions for further research, and to
Jamie George of the Gothic Image bookstore in Glastonbury, who, in addition to
showing me the geography of Somerset and the sites of Camelot and Guinevere's
kingdom (for the purposes of this book, I accept the current theory that
Camelot was the Cadbury Castle site in Somerset), guided me through the
Glastonbury pilgrimage. He also drew my attention to the persistent traditions
surrounding Chalice Well in Glastonbury, and the long-standing belief that
Joseph of Arimathea had planted the Holy Thorn on Wearyall Hill; I also saw
there many materials exploring the Celtic tradition that Jesus Christ had been
educated in the wisdom religion at the temple that once stood on Glastonbury
Tor.
For material on pre-Augustinian Christianity, I have used, by permission, a
privately circulated manuscript entitled "The Pre-Constantine Mass: A
Conjecture," by Father Randall Garrett; I have also drawn upon materials from
the Syro-Chaldean liturgies, including the Holy Orbana of St. Sera-pion, as
well as liturgical materials from local groups of St. Thomas Christians and
Pre-Nicene Catholic groups. The excerpts from Scripture, especially the
Pentecost story and the Magnificat, were translated for me from the Greek
Testaments by Walter Breen; I should also cite Christine Hartley's The Western
Mystery Tradition and Dion Fortune's Avalon of the Heart.
Any attempt at recapturing the pre-Christian religion of the British Isles has
been made conjectural by the determined efforts of their successors to
extinguish all such traces; scholars differ so much that I make no apology for
selecting, among varying sources, those that best fit the needs of fiction. I
have read, though not slavishly followed, the works of Margaret Murray and
several books on Gardnerian Wicca. For the feel of the ceremonies, I would
like to express my grateful thanks to local neopagan groups; to Alison Harlow
and the Covenant of the Goddess, to Otter and Morning-Glory Zell, to Isaac
Bonewits and the New Reformed Druids, to Robin Goodfel-low and Gaia Wildwoode,
to Philip Wayne and Crystal Well, to Starhawk, whose book The Spiral Dance
proved invaluable to me in helping deduce much about the training of a
priestess; and, for much personal and emotional support (including comforting
and backrubs) during the actual writing of this book, to Diana Paxson, Tracy
Blackstone, Elisabeth Waters, and Ano-dea Judith, of the Darkmoon Circle.
Finally I must express loving gratitude to my husband, Walter Breen, who said,
at a crucial moment in my career, that it was time to stop playing it safe by
writing potboilers, and provided financial support so that I could do so: also
to Don Wollheim, who always believed in me, and his wife, Elsie. Above all,
and always, to Lester and Judy-Lynn del Rey, who helped me to outgrow
categories in writing, always a scary business, my grateful love and thanks.
And last but not least to my elder son, David, for his careful preparation of
the final manuscript.
prologue
MORGAINE SPEAKS ...
In my time I have been called many things: sister, lover, priestess, wise-
woman, queen. Now in truth I have come to be wise-woman, and a time may come
when these things may need to be known. But in sober truth, I think it is the
Christians who will tell the last tale. For ever the world of Fairy drifts
further from the world in which the Christ holds sway. I have no quarrel with
the Christ, only with his priests, who call the Great Goddess a demon and deny
that she ever held power in this world. At best, they say that her power was
of Satan. Or else they clothe her in the blue robe of the Lady of Nazareth-who
indeed had power in her way, too-and say that she was ever virgin. But what
can a virgin know of the sorrows and travail of mankind?
And now, when the world has changed, and Arthur-my brother, my lover, king who
was and king who shall be-lies dead (the common folk say sleeping) in the Holy
Isle of Avalon, the tale should be told as it was before the priests of the
White Christ came to cover it all with their saints and legends.
For, as I say, the world itself has changed. There was a time when a
traveller, if he had the will and knew only a few of the secrets, could send
his barge out into the Summer Sea and arrive not at Glastonbury of the monks,
but at the Holy Isle of Avalon for at that time the gates between the worlds
drifted within the mists, and were open, one to another, as the traveller
thought and willed. For this is the great secret, which was known to all
educated men in our day: that by what men think, we create the world around
us, daily new.
And now the priests, thinking that this infringes upon the power of their God,
who created the world once and for all to be unchanging, have closed those
doors (which were never doors, except in the minds of men), and the pathway
leads only to the priests' Isle, which they have safeguarded with the sound of
their church bells, driving away all thoughts of another world lying in the
darkness. Indeed, they say that world, if it indeed exists, is the property of
Satan, and the doorway to Hell, if not Hell itself.
I do not know what their God may or may not have created. In spite of the
tales that are told, I never knew much about their priests and never wore the
black of one of their slave-nuns. If those at Arthur's court at Camelot chose
to think me so when I came there (since I always wore the dark robes of the
Great Mother in her guise as wise-woman), I did not undeceive them. And
indeed, toward the end of Arthur's reign it would have been dangerous to do
so, and I bowed my head to expediency as my great mistress would never have
done: Viviane, Lady of the Lake, once Arthur's greatest friend, save for
myself, and then his darkest enemy -again, save for myself.
But the strife is over; I could greet Arthur at last, when he lay dying, not
as my enemy and the enemy of my Goddess, but only as my brother, and as a
dying man in need of the Mother's aid, where all men come at last. Even the
priests know this, with their ever-virgin Mary in her blue robe; for she too
becomes the World Mother in the hour of death.
And so Arthur lay at last with his head in my lap, seeing in me neither sister
nor lover nor foe, but only wise-woman, priestess, Lady of the Lake; and so
rested upon the breast of the Great Mother from whom he came to birth and to
whom at last, as all men, he must go. And perhaps, as I guided the barge which
bore him away, not this time to the Isle of the Priests, but to the true Holy
Isle in the dark world behind our own, that Island of Avalon where, now, few
but I could go, he repented the enmity that had come between us.
AS I TELL THIS TALE I will speak at times of things which befell when I was
too young to understand them, or of things which befell when I was not by; and
my hearer will draw away, perhaps, and say: This is her magic. But I have
always held the gift of the Sight, and of looking within the minds of men and
women; and in all this time I have been close to all of them. And so, at
times, all that they thought was known to me in one way or another. And so I
will tell this tale.
For one day the priests too will tell it, as it was known to them. Perhaps
between the two, some glimmering of the truth may be seen.
For this is the thing the priests do not know, with their One God and One
Truth: that there is no such thing as a true tale. Truth has many faces and
the truth is like to the old road to Avalon; it depends on your own will, and
your own thoughts, whither the road will take you, and whether, at the end,
you arrive in the Holy Isle of Eternity or among the priests with their bells
and their death and their Satan and Hell and damnation ... but perhaps I am
unjust even to them. Even the Lady of the Lake, who hated a priest's robe as
she would have hated a poisonous viper, and with good cause too, chid me once
for speaking evil of their God.
"For all the Gods are one God," she said to me then, as she had said many
times before, and as I have said to my own novices many times, and as every
priestess who comes after me will say again, "and all the Goddesses are one
Goddess, and there is only one Initiator. And to every man his own truth, and
the God within."
And so, perhaps, the truth winds somewhere between the road to Glastonbury,
Isle of the Priests, and the road to Avalon, lost forever in the mists of the
Summer Sea.
But this is my truth; I who am Morgaine tell you these things, Morgaine who
was in later days called Morgan le Fay.
Book One
Mistress of Magic
1
Even in high summer, Tintagel was a haunted place; Igraine, Lady of Duke
Gorlois, looked out over the sea from the headland. As she stared into the
fogs and mists, she wondered how she would ever know when the night and day
were of equal length, so that she could keep the Feast of the New Year. This
year the spring storms had been unusually violent; night and day the crash of
the sea had resounded over the castle until no man or woman within could
sleep, and even the hounds whimpered mournfully. Tintagel ... there were
still those who believed the castle had been raised, on the crags at the far
end of the long causeway into the sea, by the magic of the ancient folk of Ys.
Duke Gorlois laughed at this and said that if he had any of their magic, he
would have used it to keep the sea from encroaching, year by year, upon the
shoreline. In the four years since she had come here as Gorlois's bride,
Igraine had seen land, good land, crumble into the Cornish sea. Long arms of
black rock, sharp and craggy, extended into the ocean from the coast. When the
sun shone, it could be fair and brilliant, the sky and water as brilliant as
the jewels Gorlois had heaped on her on the day when she told him she bore his
first child. But Igraine had never liked wearing them. The jewel which hung
now at her throat had been given her in Avalon: a moonstone which sometimes
reflected the blue brilliance of sky and sea; but in the fog, today, even the
jewel looked shadowed.
In the fog, sounds carried a long way. It seemed to Igraine, as she stood
looking from the causeway back toward the mainland, that she could hear
footfalls of horses and mules, and the sound of voices-human voices, here in
isolated Tintagel, where nothing lived but goats and sheep, and the herdsmen
and their dogs, and the ladies of the castle with a few serving women and a
few old men to guard them.
Slowly, Igraine turned and went back toward the castle. As always, standing in
its shadow, she felt dwarfed by the loom of these ancient stones at the end of
the long causeway which stretched into the sea. The herdsmen believed that the
castle had been built by the Ancient Ones from the lost lands of Lyonnesse and
Ys; on a clear day, so the fishermen said, their old castles could be seen far
out under the water. But to Igraine they looked like towers of rock, ancient
mountains and hills drowned by the ever encroaching sea that nibbled away,
even now, at the very crags below the castle. Here at the end of the world,
where the sea ate endlessly at the land, it was 'easy to believe in drowned
lands to the west; there were tales of a great fire mountain which had
exploded, far to the south, and engulfed a great land there. Igraine never
knew whether she believed those tales or not. Yes; surely she could hear
voices in the fog. It could not be savage raiders from over the sea, or from
the wild shores of Erin. The time was long past when she needed to startle at
a strange sound or a shadow. It was not her husband, the Duke; he was far away
to the North, fighting Saxons at the side of Ambrosius Aurelianus, High King
of Britain; he would have sent word if he intended to return.
And she need not fear. If the riders were hostile, the guards and soldiers in
the fort at the landward end of the causeway, stationed there by Duke Gorlois
to guard his wife and child, would have stopped them. It would take an army to
cut through them. And who would send an army against Tintagel?
There was a time-Igraine remembered without bitterness, moving slowly into the
castle yard-when she would have known who rode toward her castle. The thought
held little sadness, now. Since Morgaine's birth she no longer even wept for
her home. And Gorlois was kind to her. He had soothed her through her early
fear and hatred, had given her jewels and beautiful things, trophies of war,
had surrounded her with ladies to wait upon her, and treated her always as his
equal, except in councils of war. She could have asked no more, unless she had
married a man of the Tribes. And in this she had been given no choice. A
daughter of the Holy Isle must do as was best for her people, whether it meant
going to death in sacrifice, or laying down her maidenhood in the Sacred
Marriage, or marrying where it was thought meet to cement alliances; this
Igraine had done, marrying a Romanized Duke of Cornwall, a citizen who lived,
even though Rome was gone from all of Britain, in Roman fashion.
She shrugged the cloak from her shoulders; inside the court it was warmer, out
of the biting wind. And there, as the fog swirled and cleared, for a moment a
figure stood before her, materialized out of the fog and mist: her half-
sister, Viviane, the Lady of the Lake, the Lady of the Holy Isle.
"Sister!" The words wavered, and Igraine knew she had not cried them aloud,
but only whispered, her hands flying to her breast. "Do I truly see you here?"
The face was reproachful, and the words seemed to blow away in the sound of
the wind beyond the walls.
Have you given up the Sight, Igraine? Of your free will?
Stung by the injustice of that, Igraine retorted, "It was you who decreed that
I must marry Gorlois ... " but the form of her sister had wavered into
shadows, was not there, had never been there. Igraine blinked; the brief
apparition was gone. She pulled the cloak around her body, for she was cold,
ice cold; she knew the vision had drawn its force from the warmth and life of
her own body. She thought, I didn't know I could still see in that way, I was
sure I could not ... and then she shivered, knowing that Father Columba
would consider this the work of the Devil, and she should confess it to him.
True, here at the end of the world the priests were lax, but an unconfessed
vision would surely be treated as a thing unholy.
She frowned; why should she treat a visit from her own sister as the work of
the Devil? Father Columba could say what he wished; perhaps his God was wiser
than he was. Which, Igraine thought, suppressing a giggle, would not be very
difficult. Perhaps Father Columba had become a priest of Christ because no
college of Druids would have had a man so stupid among their ranks. The Christ
God seemed not to care whether a priest was stupid or not, so long as he could
mumble their mass, and read and write a little. She, Igraine herself, had more
clerkly skills than Father Columba, and spoke better Latin when she wished.
Igraine did not think of herself as well educated; she had not had the
hardihood to study the deeper wisdom of the Old Religion, or to go into the
Mysteries any further than was absolutely necessary for a daughter of the Holy
Isle. Nevertheless, although she was ignorant in any Temple of the Mysteries,
she could pass among the Romanized barbarians as a well-educated lady.
In the small room off the court where there was sun on fine days, her younger
sister, Morgause, thirteen years old and budding, wearing a loose house robe
of undyed wool and her old frowsy cloak about her shoulders, was spinning
listlessly with a drop spindle, taking up her uneven yarn on a wobbly reel. On
the floor by the fire, Morgaine was rolling an old spindle around for a ball,
watching the erratic patterns the uneven cylinder made, knocking it this way
and that with chubby fingers.
"Haven't I done enough spinning?" Morgause complained. "My fingers ache! Why
must I spin, spin, spin all the time, as if I were a waiting-woman?"
"Every lady must learn to spin," rebuked Igraine as she knew she ought to do,
"and your thread is a disgrace, now thick, now thin.... Your fingers will lose
their weariness as you accustom them to the work. Aching fingers are a sign
that you have been lazy, since they are not hardened to their task." She took
the reel and spindle from Morgause and twirled it with careless ease; the
uneven yarn, under her experienced fingers, smoothed out into a thread of
perfectly even thickness. "Look, one could weave this yarn without snagging
the shuttle ... " and suddenly she tired of behaving as she ought. "But you
may put the spindle away now; guests will be here before midafternoon."
Morgause stared at her. "I heard nothing," she said, "nor any rider with a
message!"
"That does not surprise me," Igraine said, "for there was no rider. It was a
Sending. Viviane is upon her way here, and the Merlin is with her." She had
not known that last until she said it. "So you may take Morgaine to her nurse,
and go and put on your holiday robe, the one dyed with saffron."
Morgause put away the spindle with alacrity, but paused to stare at Igraine.
"My saffron gown? For my sister?"
Igraine corrected her, sharply. "Not for our sister, Morgause, but for the
Lady of the Holy Isle, and for the Messenger of the Gods."
Morgause looked down at the patterned floor. She was a tall, sturdy girl, just
beginning to lengthen and ripen into womanhood; her thick hair was reddish
like Igraine's own, and there were splotches of freckles on her skin, no
matter how carefully she soaked it in buttermilk and begged the herbwife for
washes and simples for it. Already at thirteen she was as tall as Igraine, and
someday would be taller. She picked up Morgaine with an ill grace and carried
her away. Igraine called after her, "Tell Nurse to put a holiday gown on the
child, and then you may bring her down; Viviane has not seen her."
Morgause said something ill-tempered to the effect that she didn't see why a
great priestess would want to see a brat, but she said it under her breath so
that Igraine had an excuse to ignore it.
Up the narrow stairs, her own chamber was cold; no fires were lighted there
except in the dead of winter. While Gorlois was away, she shared the bed with
her waiting-woman Gwennis, and his prolonged absence gave her an excuse to
have Morgaine in her bed at night. Sometimes Morgause slept there too, sharing
the fur coverlets against the bitter cold. The big marriage bed, canopied,
curtained against draughts, was more than big enough for three women and a
child.
Gwen, who was old, was drowsing in a corner, and Igraine forbore to wake her,
stripping off her workaday dress of undyed wool and hurrying on her fine gown,
laced at the neck with a silk ribbon Gorlois had brought her as a fairing from
Londinium. She put on her fingers some little silver rings she had had since
she was a little girl ... they would go only on her two smallest fingers,
now ... and hung a necklace of amber which Gorlois had given her about her
neck. The gown was dyed rust color, and had an overtunic of green. She found
her carven horn comb, and began to pull it through her hair, sitting on a
bench and working her comb patiently through the tangles. From another room
she heard a loud yelling and decided that Morgaine was having her hair combed
by her nurse and didn't like it. The yelling stopped suddenly, and she
supposed that Morgaine had been slapped into silence; or perhaps, as sometimes
happened when Morgause was in a good temper, Morgause had taken over the
combing herself, with her clever, patient fingers. This was how Igraine knew
that her young sister could spin well enough when she chose, her hands were so
clever at everything else-at combing, at carding, at making Yule pies.
Igraine braided her hair, clasped it on top of her head with a gold clasp, and
put her good gold brooch into the fold of her cloak. She looked at herself in
the old bronze mirror her sister Viviane had given her at her wedding,
brought, they said, all the way from Rome. She knew, lacing her gown, that her
breasts were once again as they had been before: Morgaine had been weaned a
year now, and they were only a little softer and heavier. She knew she had her
old slimness back, for she had been married in this gown, and now the laces
were not strained even a little.
Gorlois, when he returned, would expect to take her to his bed again. Last
time he had seen her, Morgaine had still been at the breast, and he had
yielded to her plea that she might continue to suckle the child through the
summer season when so many little children died. She knew he was discontented
because the baby had not been the son he craved-these Romans counted their
lineage through the male line, rather than sensibly through the mother; it was
silly, for how could any man ever know precisely who had fathered any woman's
child? Of course, these Romans made a great matter of worrying over who lay
with their women, and locked them up and spied on them. Not that Igraine
needed watching; one man was bad enough, who would want others who might be
worse?
But even though he was eager for a son, Gorlois had been indulgent, letting
her have Morgaine in her bed and continue to suckle her, even keeping away
from her and lying nights with her dressing-woman Ettarr so that she would not
get with child again and lose her milk. He too knew how many children died if
they were weaned before they could chew meat and hard bread. Children fed on
gruel were sickly, and often there was no goat's milk in the summer, even if
they would drink it. Children fed on cow's or mare's milk often got the vomit
and died, or suffered with the flux in their bowels and died. So he had left
Morgaine at her breast, thus postponing the son he wanted for at least another
year and a half. For that at least she would always be grateful to him, and
not murmur, however quickly he got her with child now.
Ettarr had gotten herself a belly from that visit, and gone about preening
herself; would she be the one to have a son by the Duke of Cornwall? Igraine
had ignored the girl; Gorlois had other bastard sons, one of whom was with him
now, in the camp of the war duke, Uther. But Etarr had fallen sick and
miscarried, and Igraine had enough intuition not to ask Gwen why she looked so
pleased at the event. Old Gwen knew too much of herbs for Igraine's perfect
peace of mind. Some day, she resolved, I will make her tell me exactly what
she put into Ettarr's beer.
She went down to the kitchen, her long skirts trailing on the stone steps.
Morgause was there, in her finest gown, and she had put Morgaine into a
holiday dress, dyed saffron, so that the child looked dark as a Pict. Igraine
picked her up, holding her with pleasure. Small, dark, delicately made, so
small-boned it was like handling a little soft bird. How had that child come
by her looks? She herself and Morgause were tall and red-haired, earth-colored
like all of the Tribeswomen, and Gorlois, though dark, was Roman, tall and
lean and aquiline; hardened from years of battle against the Saxons, too
filled with his Roman dignity to show much tenderness to a young wife, and
with nothing but indifference for the daughter who came in the place of the
son she should have borne him.
But, Igraine reminded herself, these Roman men considered it their divine
right to have power of life and death over their children. There were many,
Christians or no, who would have demanded that a daughter not be reared, so
that their wives might be free at once to give them a son. Gorlois had been
good to her, he had let her keep her daughter. Perhaps, though she did not
give him credit for much imagination, he knew how she, a woman of the Tribes,
felt about a daughter.
While she was giving orders for the entertainment of guests, for wine to be
brought up from the cellars and for the roasting of meat-not rabbit, but good
mutton from the last slaughtering-she heard the squawk and flutter of
frightened hens in the court and knew that the riders had come across the
causeway. The servants looked frightened, but most of them had become resigned
to the knowledge that the mistress had the Sight. She had pretended it, using
clever guesses and a few tricks; it was just as well that they should remain
in awe of her. Now she thought, Maybe Viviane is right, maybe I still have it.
Maybe I only believed it was gone-because in those months before Morgaine was
born, I felt so weak and powerless. Now I have come back to myself. My mother
was a great priestess till the day of her death, though she bore several
children.
But, her mind answered her, her mother had borne those children in freedom, as
a Tribeswoman should, to such fathers as she chose, not as a slave to some
Roman whose customs gave him power over women and children. Impatiently, she
dismissed such thoughts; did it matter whether she had the Sight or only
seemed to have it, if it kept her servants properly in order?
She went slowly out to the courtyard, which Gorlois still liked to call the
atrium, though it was nothing like the villa where he had lived until
Ambrosius made him Duke of Cornwall. She found the riders dismounting, and her
eyes went at once to the only woman among them, a woman smaller than herself
and no longer young, wearing a man's tunic and woolen breeches, and muffled in
cloaks and shawls. Across the courtyard their eyes met in welcome, but Igraine
went dutifully and bent before the tall, slender old man who was dismounting
from a raw-boned mule. He wore the blue robes of a bard, and a harp was slung
across his shoulder.
"I bid you welcome to Tintagel, Lord Messenger; you bestow a blessing upon our
roof and honor it with your presence."
"I thank you, Igraine," said the resonant voice, and Taliesin, Merlin of
Britain, Druid, Bard, clasped his hands before his face, then extended them to
Igraine in blessing.
Her duty done for the instant, Igraine flew to her half-sister and would have
bent for her blessing too; but Viviane bent and prevented her.
"No, no, child, this is a family visit, time enough later to do me honors if
you must ... ." She clasped Igraine close and kissed her on the mouth. "And
this is the babe? It is easy to see she has the blood of the Old People; she
looks like our mother, Igraine."
Viviane, Lady of the Lake and of the Holy Isle, was at this time in her
thirties; eldest daughter of the ancient priestess of the Lake, she had
succeeded to her mother's holy office. She picked up Morgaine in her arms,
dandling her with the experienced hands of a woman well accustomed to babies.
"She looks like you," Igraine said, surprised, and then realizing that she
should have realized this before. But it had been four years since she had
seen Viviane, and then at her wedding. So much had happened, she had changed
so much, since, a frightened girl of fifteen, she had been given into the
hands of a man more than twice her age. "But come into the hall, Lord Merlin,
sister. Come into the warm."
Freed of her enwrapping cloaks and shawls, Viviane, Lady of Avalon, was a
surprisingly little woman, no taller than a well-grown girl of eight or ten.
In her loose tunic with its wrapped belt, a knife sheathed at her waist, and
bulky woolen breeches, legs wrapped with thick leggings, she looked tiny, a
child put into adult clothes. Her face was small, swarthy and triangular, the
forehead low beneath hair dark as the shadows beneath the crags. Her eyes were
dark, too, and large in her small face; Igraine had never realized how small
she was.
A serving-woman brought the guest cup: hot wine, mixed with the last of the
spices Gorlois had had sent to her from the markets in Londinium. Viviane took
it between her hands, and Igraine blinked at her; with the gesture with which
she took the cup, she was suddenly tall and imposing; it might have been the
sacred chalice of the Holy Regalia. She set it between her hands and brought
it slowly to her lips, murmuring a blessing. She tasted it, turned, and laid
it in the hands of the Merlin. He took it with a grave bow and put it to his
lips. Igraine, who had barely entered the Mysteries, somehow felt that she too
was part of this beautiful ritual solemnity as in turn she took the cup from
her guests, tasted it, and spoke formal words of welcome.
Then she put the cup aside and her sense of the moment dropped away; Viviane
was only a small, tired-looking woman, the Merlin no more than a stooped old
man. Igraine led them both quickly to the fire.
"It is a long journey from the shores of the Summer Sea in these days," she
said, remembering when she had travelled it, a new-made bride, frightened and
silently hating, in the train of the strange husband who, as yet, was only a
voice and a terror in the night. "What brings you here in the spring storms,
my sister and my lady?"
And why could you not have come before, why did you leave me all alone, to
learn to be a wife, to bear a child alone and in fear and homesickness? And
since you could not have come before, why do you come at all, when it is too
late and I am at last resigned into submission?
"The distance is indeed long," Viviane said softly, and Igraine knew that the
priestess had heard, as she always heard, the unspoken words as well as what
Igraine had said. "And these are dangerous times, child. But you have grown
into womanhood in these years, even if they have been lonely, as lonely as the
years of isolation for the making of a bard-or," she added, with the flicker
of a reminiscent smile, "the making of a priestess. Had you chosen that path,
you would have found it equally lonely, my Igraine. Yes, of course," she said,
reaching down, her face softening, "you may come up on my lap, little one."
She picked up Morgaine, and Igraine watched with wonder; Morgaine was,
ordinarily, as shy as a wild rabbit. Half resentful, half falling again under
the old spell, she watched the child settle into Viviane's lap. Viviane looked
almost too small to hold her securely. A fairy woman, indeed; a woman of the
Old People. And indeed Morgaine would perhaps be very like her.
"And Morgause, how has she prospered since I sent her to you a year ago?"
Viviane said, looking up at Morgause in her saffron gown, where she hung back
resentfully in the shadows of the fire. "Come and kiss me, little sister. Ah,
you will be tall like Igraine," she said, raising her arms to embrace the
girl, who came, sullen as a half-trained puppy, from the shadows. "Yes, sit
there at my knee if you want to, child." Morgause sat on the floor, leaning
her head against Viviane's lap, and Igraine saw that the sulky eyes were
filled with tears.
She has us all in her hand. How can she have such power over us all? Or is it
that she is the only mother Morgause has ever known? She was a grown woman
when Morgause was born, she has always been mother, as well as sister, to both
of us. Their mother, who had been really too old for childbearing, had died
giving birth to Morgause. Viviane had borne a child of her own, earlier in the
year; her child had died, and Viviane had taken Morgause to nurse.
Morgaine had snuggled tightly into Viviane's lap; Morgause leaned her silky
red head on Viviane's knee. The priestess held the little one with one arm
while her free hand stroked the half-grown girl's long, silky hair.
"I would have come to you when Morgaine was born," Viviane said, "but I was
pregnant, too. I bore a son that year. I have put him out to nurse, and I
think his foster-mother may send him to the monks. She is a Christian."
"Don't you mind his being reared as a Christian?" Morgause asked. "Is he
pretty? What is his name?"
Viviane laughed. "I called him Balan," she said, "and his foster-mother named
her son Balin. They are only ten days apart in age, so they will be reared as
twins, no doubt. And no, I do not mind that he is reared a Christian, his
father was so, and Priscilla is a good woman. You said the journey here was
long; believe me, child, it is longer now than it was when you were wedded to
Gorlois. Not longer, perhaps, from the Isle of the Priests, where their Holy
Thorn grows, but longer, far longer, from Avalon ..."
"And that is why we came here," said the Merlin suddenly, and his voice was
like the tolling of a great bell, so that Morgaine sat up suddenly and began
to whimper in fright.
"I do not understand," said Igraine, suddenly uneasy. "Surely the two lie
close together ... ."
"The two are one," said the Merlin, sitting very erect, "but the followers of
Christ have chosen to say, not that they shall have no other Gods before their
God, but that there is no other God save for their God; that he alone made the
world, that he rules it alone, that he alone made the stars and the whole of
creation."
Igraine quickly made the holy sign against blasphemy.
"But that cannot be," she insisted. "No single God can rule all things ...
and what of the Goddess? What of the Mother ... ?"
"They believe," said Viviane, in her smooth low voice, "that there is no
Goddess; for the principle of woman, so they say, is the principle of all
evil; through woman, so they say, Evil entered this world; there is some
fantastic Jewish tale about an apple and a snake."
"The Goddess will punish them," Igraine said, shaken. "And yet you married me
to one of them?"
"We did not know that their blasphemy was so all-encompassing,"
Merlin said, "for there have been followers of other Gods in our time. But
they respected the Gods of others."
"But what has this to do with the length of the road from Avalon?" asked
Igraine.
"We come, then, to the reason for our visit," said the Merlin, "for, as the
Druids know, it is the belief of mankind which shapes the world, and all of
reality. Long ago, when the followers of Christ first came to our isle, I knew
that this was a powerful pivot in time, a moment to change the world."
Morgause looked up at the old man, her eyes wide in awe.
"Are you so old, Venerable One?"
The Merlin smiled down at the girl and said, "Not in my own body. But I have
read much in the great hall which is not in this world, there the Record of
All Things is written. And also, I was living then. Those who are the Lords of
this world permitted me to come back, but in another body of flesh."
"These matters are too abstruse for the little one, Venerable Father," Viviane
said, gently rebuking him. "She is not a priestess. What the Merlin means,
little sister, is that he was living when the Christians first came here, and
that he chose, and was allowed, to reincarnate at once, to follow his work
through. These are Mysteries, which you need not try to understand. Father, go
on."
"I knew that this was one of those moments where the history of all mankind
would be changed," the Merlin said. "The Christians seek to blot out all
wisdom save their own; and in that strife they are banishing from this world
all forms of mystery save that which will fit into their religious faith. They
have pronounced it a heresy that men live more than one life -which every
peasant knows to be true-"
摘要:

AlsobyMarionZimmerBradleyPublishedbyBallantineBooks:THECATCHTRAPTHEHOUSEBETWEENTHEWORLDSTheMistsofAvalonMarionZimmerBradleyDELREYADelReyBookBallantineBooks•newyorkADelReyBookPublishedbyBallantineBooksCopyright(c)1982byMarionZimmerBradleyAllrightsreservedunderInternationalandPan-AmericanCopyrightConv...

展开>> 收起<<
Bradley, Marion Zimmer - Avalon 1 - The Mists of Avalon.pdf

共609页,预览10页

还剩页未读, 继续阅读

声明:本站为文档C2C交易模式,即用户上传的文档直接被用户下载,本站只是中间服务平台,本站所有文档下载所得的收益归上传人(含作者)所有。玖贝云文库仅提供信息存储空间,仅对用户上传内容的表现方式做保护处理,对上载内容本身不做任何修改或编辑。若文档所含内容侵犯了您的版权或隐私,请立即通知玖贝云文库,我们立即给予删除!
分类:外语学习 价格:5.9玖币 属性:609 页 大小:1.5MB 格式:PDF 时间:2024-12-06

开通VIP享超值会员特权

  • 多端同步记录
  • 高速下载文档
  • 免费文档工具
  • 分享文档赚钱
  • 每日登录抽奖
  • 优质衍生服务
/ 609
客服
关注