Jean M. Auel - 4 - Plains of Passage

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BY THE AUTHOR OF
The Clan of the Cave Bear
The Valley of Horses
The Mammoth Hunters
JEAN M. AUEL
E A R T H ' S CHILDREN™
Crown Publishers, Inc. New York
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THIS BOOK IS PRINTED ON RECYCLED PAPER.
Copyright © 1990 by Jean M. Auel
All rights reserved. No part of this book may be reproduced
or transmitted in any form or by any means, electronic or
mechanical, including photocopying, recording, or by any
information storage and retrieval system, without permission
in writing from the publisher.
Published by Crown Publishers, Inc., 201 East 50th Street,
New York, New York 10022. Member of the Crown
Publishing Group.
Earth's Children is a trademark of Jean M. Auel.
CROWN is a trademark of Crown Publishers, Inc.
Manufactured in the United States of America
Library of Congress Cataloging-in-Publication Data
Auel, Jean M.
The plains of passage/Jean M. Auel.--1st ed.
p. cm.--(Earth's children)
I. Title. II. Series: Auel, Jean M. Earth's children.
PS3551.U36P57 1990
813'.54--dc20 90-38330
CIP
ISBN 0-517-58049-7
10 9 8 7 6 5 4 3 2 1
First Edition
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For LENORE,
the last to come home,
whose namesake appears in these pages,
and for MICHAEL,
who looks forward with her,
and for DUSTIN JOYCE and WENDY,
with love.
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TESg
ta^sa^e
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1
Ahe
The woman caught a glimpse of movement through the dusty
haze ahead and wondered if it was the wolf she had seen loping in front
of them earlier.
She glanced at her companion with a worried frown, then looked for
the wolf again, straining to see through the blowing dust.
"Jondalar! Look!" she said, pointing ahead.
Toward her left, the vague outlines of several conical tents could just
be seen through the dry, gritty wind.
The wolf was stalking some two-legged creatures that had begun to
materialize out of the dusty air, carrying spears aimed directly at them.
"I think we've reached the river, but I don't think we're the only
ones who wanted to camp there, Ayla," the man said, pulling on the
lead rein to halt his horse.
The woman signaled her horse to a stop by tightening a thigh mus
cle, exerting a subtle pressure that was so reflexive she didn't even
think of it as controlling the animal.
Ayla heard a menacing growl from deep in the wolf's throat and saw
that his posture had shifted from a defensive stance to an aggressive
one. He was ready to attack! She whistled, a sharp, distinctive sound
that resembled a bird call, though not from a bird anyone had ever
heard. The wolf gave up his stealthy pursuit and bounded toward the
woman astride the horse.
"Wolf, stay close!" she said, signaling with her hand at the same
time. The wolf trotted beside the dun yellow mare as the woman and
man on horseback slowly approached the people standing between
them and the tents.
A gusty, fitful wind, holding the fine loess soil in suspension, swirled
around them, obscuring their view of the spear holders. Ayla lifted her
leg over and slid down from the horse's back. She knelt beside the
wolf, put one arm over his back and the other across his chest, to calm
him and hold him back if necessary. She could feel the snarl rumbling
in his throat and the eager tautness of muscles ready to spring. She
looked up at Jondalar. A light film of powdery dirt coated the shoulders
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and long flaxen hair of the tall man and turned the coat of his dark
brown mount to the more common dun color of the sturdy breed. She
and Whinney looked the same. Though it was still early in the sum
mer, the strong winds off the massive glacier to the north were already
desiccating the steppes in a wide band south of the ice.
She felt the wolf tense and strain against her arm, then saw someone
new appear from behind the spear holders, dressed as Mamut might
have dressed for an important ceremony, in a mask with aurochs's
horns and in clothes painted and decorated with enigmatic symbols.
The mamut shook a staff at them vigorously and shouted, "Go away,
evil spirits! Leave this place!"
Ayla thought it was a woman's voice shouting through the mask, but
she wasn't sure; the words had been spoken in Mamutoi, though. The
mamut dashed toward them shaking the staff again, while Ayla held
back the wolf. Then the costumed figure began chanting and dancing,
shaking the staff and high-stepping toward them quickly, then back
again, as though trying to scare them off or drive them away, and
succeeding, at least, in frightening the horses.
She was surprised that Wolf was so ready to attack, wolves seldom
threatened people. But, remembering behavior she had observed, she
thought she understood. Ayla had often watched wolves when she was
teaching herself to hunt, and she knew they were affectionate and loyal
to their own pack. But they were quick to drive strangers away from
their territory, and they had been known to kill other wolves to protect
what they felt was theirs.
To the tiny wolf pup she had found and brought back to the Ma
mutoi earthlodge, the Lion Camp was his pack; other people would be
like strange wolves to him. He had growled at unknown humans who
had come to visit when he was barely half-grown. Now, in unfamiliar
territory, perhaps the territory of another pack, it would be natural for
him to feel defensive when he first became aware of strangers, espe
cially hostile strangers with spears. Why had the people of this Camp
drawn spears?
Ayla thought there was something familiar about the chant; then she
realized what it was. The words were in the sacred archaic language
that was understood only by the mamuti. Ayla didn't understand all
of it, Mamut had just begun to teach her the language before she left,
but she did gather that the meaning of the loud chant was essentially
the same as the words that had been shouted earlier, though cast in
somewhat more cajoling terms. It was an exhortation to the strange
wolf and horse-people spirits to go away and leave them alone, to go
back to the spirit world where they belonged.
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Speaking in Zeiandonii so the people from the Camp wouldn't understand,
Ayla told Jondalar what the mamut was saying.
"They think we're spirits? Of course!" he said. "I should have
known. They're afraid of us. That's why they're threatening us with
spears. Ayla, we may have this problem every time we meet people
along the way. We are used to the animals now, but most people have
never thought of horses or wolves as anything but food or pelts," he
said.
"The Mamutoi at the Summer Meeting were upset in the beginning.
It took them a while to get used to the idea of having the horses and
Wolf around, but they got over it," Ayla said.
"When I opened my eyes that first time in the cave in your valley
and saw you helping Whinney give birth to Racer, I thought the lion
had killed me and I had awakened in the spirit world," Jondalar said.
"Maybe I should get down, too, and show them I am a man and not
attached to Racer like some kind of man-horse spirit."
Jondalar dismounted, but he held on to the rope attached to the
halter he had made. Racer was tossing his head and trying to back
away from the advancing mamut, who was still shaking the staff and
chanting loudly. Whinney was behind the kneeling woman, with her
head down, touching her. Ayla used neither ropes nor halters to guide
her horse. She directed the horse entirely with the pressures of her legs
and the movements of her body.
Catching a few sounds of the strange language the spirits spoke, and
seeing Jondalar dismount, the shaman chanted louder, pleading with
the spirits to go away, promising them ceremonies, trying to placate
them with offers of gifts.
"I think you should tell them who we are," Ayla said. "That mamut
is getting very upset."
Jondalar held the rope close to the stallion's head. Racer was alarmed
and trying to rear, and the mamut with her staff and shouting didn't
help. Even Whinney looked ready to Spock, and she was usually much
more even-tempered than her excitable offspring.
"We are not spirits," Jondalar called out when the mamut paused for
a breath. "I am a visitor, a traveler on a Journey, and she"--he pointed
toward Ayla--"is Mamutoi, of the Mammoth Hearth."
The people glanced at each other with questioning looks, and the
mamut stopped shouting and dancing, but still shook the staff now and
then while studying them. Maybe they were spirits who were playing
tricks, but at least they had been made to speak in a language everyone
could understand. Finally the mamut spoke.
"Why should we believe you? How do we know you are not trying
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to trick us? You say she is of the Mammoth Hearth, but where is her
mark? She has no tattoo on her face."
Ayla spoke up. "He didn't say I was a mamut. He said I was of the
Mammoth Hearth. The old Mamut of the Lion Camp was teaching me
before I left, but I am not fully trained."
The mamut conferred with a man and a woman, then turned back.
"This one," she said, nodding toward Jondalar, "he is as he says, a
visitor. Though he speaks well enough, it is with the tones of a foreign
tongue. You say you are Mamutoi, yet something about the way you
speak is not Mamutoi."
Jondalar caught his breath and waited. Ayla did have an unusual
quality to her speech. There were certain sounds she could not quite
make, and the way she said them was curiously unique. It was per
fectly clear what she meant, and not unpleasant—he rather liked it—
but it was noticeable. It wasn't quite like the accent of another lan
guage; it was more than that, and different. Yet it was just that: an
accent, but of a language most people had not heard and would not
even recognize as speech. Ayla spoke with the accent of the difficult,
guttural, vocally limited language of the people who had taken in the
young orphan girl and raised her.
"I was not born to the Mamutoi," Ayla said, still holding Wolf back,
though his growl had ceased. "I was adopted by the Mammoth Hearth,
by Mamut, himself."
There was a flurry of conversation among the people, and another
private consultation between the mamut and the woman and man.
"If you are not of the spirit world, how do you control that wolf and
make horses take you on their backs?" the mamut asked, deciding to
come right out with it.
"It's not hard to do if you find them when they are young," Ayla
said.
"You make it sound so simple. There must be more to it than that."
The woman couldn't fool a mamut, who was also of the Mammoth
Hearth.
"I was there when she brought the wolf pup to the lodge," Jondalar
tried to explain. "He was so young that he was still nursing, and I was
sure he would die. But she fed him cut-up meat and broth, waking up
in the middle of the night as you do with a baby. When he lived, and
started to grow, everyone was surprised, but that was only the begin
ning. Later, she taught him to do what she wished—not to pass water
or make messes inside the lodge, not to snap at the children even when
they hurt him. If I hadn't been there, I would not have believed a wolf
could be taught so much or would understand so much. It's true, you
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must do more than find them young. She cared for him like a child.
She is a mother to that animal, that's why he does what she wants."
"What about the horses?" the man who was standing beside the
shaman asked. He'd been eying the spirited stallion, and the tall man
who was controlling him.
"It is the same with the horses. You can teach them if you find them
young and take care of them. It takes time and patience, but they will
learn."
The people had lowered their spears and were listening with great
interest. Spirits weren't known to speak in ordinary language, although
all the talk of mothering animals was just the kind of strange talk that
spirits were known for--words that were not quite what they seemed.
Then the woman of the Camp spoke. "I don't know about being a
mother to animals, but I do know that the Mammoth Hearth doesn't
adopt strangers and make them Mamutoi. It's not an ordinary hearth.
It is dedicated to Those Who Serve the Mother. People choose the
Mammoth Hearth, or are chosen. I have kin in the Lion Camp. Mamut
is very old, perhaps the oldest man living. Why would he want to
adopt anyone? And I don't think Lutie would have allowed it. What
you say is very difficult to believe, and I don't know why we should."
Ay la sensed something ambiguous in the way the woman spoke,
or rather in the subtle mannerisms that accompanied her words: the
stiffness of .her back, the tension in the set of her shoulders, the
anxious frown. She seemed to be anticipating something unpleasant.
Then Ayla realized that it wasn't a slip of the tongue; the woman
had purposely put a lie in her statement, a subtle trick in her question.
But because of her unique background, the trick was blatantly
transparent.
The people who had raised Ayla, known as flatheads, but who called
themselves Clan, communicated with depth and precision, though not
primarily with words. Few people understood they had a language at
all. Their ability to articulate was limited and they were often reviled
as less than human, animals that could not talk. They used a language
of gestures and signs, but it was no less complex.
The relatively few words the Clan spoke--which Jondalar could
hardly reproduce, just as she was not quite able to pronounce certain
sounds in Zeiandonii or Mamutoi--were made with a peculiar kind of
vocalization, and they were usually used for emphasis, or for names of
people or things. Nuances and fine shades of meaning were indicated
by bearing, posture, and facial aspects, which added depth and variety
to the language, just as tones and inflections did in verbal language.
But with such an overt means of communication, it was almost impos-
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sible to express an untruth without signaling the fact; they could not
lie.
Ayla had learned to perceive and understand the subtle signals of
body movement and facial expression as she was learning to speak with
signs; it was necessary for complete comprehension. When she was
releaming to speak verbally from Jondalar, and becoming fluent in
Mamutoi, Ayla discovered that she was perceiving the inadvertent
signals that were contained in the slight movements of face and posture
even of people who spoke with words, though such gestures were not
intentionally meant to be a part of their language.
She discovered that she was understanding more than words, though
it caused her some confusion and distress at first, because the words
that were spoken did not always match the signals that were given, and
she did not know about lies. The closest she could come to untruth
was to refrain from speaking.
Eventually she learned that certain small lies were often meant as
courtesies. But it was when she gained an understanding of humor—
which usually depended on saying one thing but meaning another—
that she suddenly grasped the nature of spoken language, and the
people who used it. Then her ability to interpret unconscious signals
added an unexpected dimension to her developing language skills: an
almost uncanny perception of what people really meant. It gave her an
unusual advantage. Though she wasn't able to lie herself, except by
omission, she usually knew when someone else was not telling the
truth.
"There was no one named Lutie in the Lion Camp when I was
there." Ayla decided to be direct. "Tulie is the headwoman, and her
brother Talut is the headman."
The woman nodded imperceptibly as Ayla went on.
"I know that a person is usually dedicated to the Mammoth Hearth,
not adopted. Talut and Nezzie were the ones who asked me, Talut
even enlarged the earthlodge to make a special winter shelter for the
horses, but the old Mamut surprised everyone. During the ceremony,
he adopted me. He said that I belonged to the Mammoth Hearth, that
I was born to it."
"If you brought those horses with you to Lion Camp, I can under
stand why old Mamut might say that," the man said.
The woman looked at him with annoyance and said a few words
under her breath. Then the three people spoke together again. The
man had decided the strangers were probably people and not spirits
playing a trick—or if they were, not harmful ones—but he did not
believe they were exactly who they claimed to be. The tall man's
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摘要:

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