Modesitt, L.E. - Spellsong 1 - The Soprano Sorceress
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2024-12-05
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THE
SOPRANOSORCERESS
L.E.Modesitt,]r.
Forandtomysopranosorceress,
whomadethispossible.
Anymistakesaremine,
themusichers.
I
LIEDTRAUM
*******
1
WestoftheSandPass,Defalk
Adozenmusicianssitonstoolsundertheoblongwhitesilkawningheldin
placebyfoursturdypoles,eachpoleanchoredbyheavycordstoapairof
stakes.Thesilkfluttersslightlyinthealmoststillairthatcarriesthescentof
dustandhorses.
Thebrown‐and‐redmountainsthatloomintheeastabovethepassentrance
waverinthesummerheat,andsweatdripsdownthefacesofthemusicians.
Allwearfadedbluecottontunicsandtrousers,withbootsofamatchingblue
leather.Occasionally,oneblotsaforeheadorcheek,butnotoneofthe
musiciansspeaks.Darksweatstainsmarkthetunicsoftheheaviermen.The
threehornplayersexchangeglances,notquitethoseofworry,thenlook
towardthetwomenstandinginthemiddaysunbeyondthesilkawning.
Thebiggerman,wearingleathersandahand‐and‐a‐halfbladeinascabbard
wornacrosshisshoulders,putsahandonthesaddleofhiswarhorse.Agood
fiftypacestotheeastwaitasquadofmountedtrooperswearingthepurpleof
Defalk.Theirblacksabresaresheathedinscabbardsattheirwaists.Halfcarry
blackhornbowsandquivers,andhalfbearlongspear‐lanceswithidentical,
leaf‐shapedsteelblades.
ʺYouʹresurethesewallswillstandagainsteventheDarkMonks?ʺdrawlsthe
bulky,broad‐facedman.Hishoodedeyesgivehisfaceasleepy‐lookingcast.
ʺWhatIraisewillbestandingwhenyouandIarelonggone,LordBarjim,ʺ
affirmstheresonantbaritonevoiceoftheslenderandbaldingmaninblue
silks.
ʺThatʹllbealongtime,Brill,ʺlaughstheLordofDefalk.ʺYoulookthesameas
whenIwasJimbobʹsage.ʺ
ʺTheyʹllstandthatlongorlonger.ʺ
ʺAye,andtheyshouldforallthesilverIʹmpaying.ʺ
ʺItʹsfarlessthanbringinginmasonsfromNordwei.ʺ
ʺNotthatmuch.Notinthesetimes.ʺBarjimpauses,asifwaitingfora
response,thenfinallycontinues.ʹʹToobadyoucouldnʹtbringusrain.Need
thatworsethanthefort,exceptweneedboth,withthedarkonesonthe
move.ʺHelooksdownattheshorterlord.ʺIstilldonʹtseewhyyoucanʹt
bringrain.Itʹsnotasthoughyouʹveavoideddark‐song.Webothknowthat.ʺ
ʺThatʹstoodark,andIʹveexplainedwhybefore,ʺBrillanswerspatiently.
ʺYouhaveananswerforeverything,ʺpointsoutBarjim.ʺThatʹswhyyouʹrea
sorcerer.ʺ
ʺNo,ʺrespondsBrill.ʺThatʹswhyIʹvesurvivedasasorcerer.ʺ
ʺColdironismoresure.ʺ
ʺThatistrue,lord,ʺsaysBrill,histonelight,notquitemocking.ʺUnlessyou
considertheDarkMonks.ʺ
ʺSomeday.ʺBarjimshakeshishead.ʺIʹllleaveyoutoyourtask,master
sorcerer.Iʹllbebacktoinspectyourworklater,and,ofcourse,payyou.ʺ
ʺOfcourse,lord.ʺBrillbowsdeeply.
LordBarjimsnortsandturns,swingingupontohismount.As.herides
towardhistroopers,theystraightenintheiridenticalpurpledleathersaddles.
Oncethetrooperspasstheoutcroppingofdarkstoneonthesouthsideofthe
valley,theyturnduewest,backtowardMencha,awayfromtheSandPass
thatleadstoEbra.Whenthesoundofhoofsonthepavedhighwayechoes
backuphill,LordBrillletsasmilecrosshislips.Heglancestowardthe
representativepilesofstoneandbrick,thedrypowderedmortar,andthe
tubsofwater,thenstepsunderthesilksunshadeandwipeshisforehead.
Afterhetakesalongsipfromthegobletontheportabletable,hisbrown‐
fleckedgreeneyesdroptothetwo‐partdrawingofthewalledfortification
fastenedwithleatherthongstothedraftingboard.Theright‐handsideofthe
drawingillustratesthefoundationoutline,theleft‐handsideafrontalviewas
ifseenfromatalloak,thoughBrillstandsinthemiddleofadepression
betweenthehills,emptyexceptforthesorcererandhisplayers,andtheheaps
ofstoneonthesouthside.Besidethedrawingarethespells,withtheproper
accentsmarked.ThesoftnessinBrillʹseyesvanishesashefacesthemusicians.
ʺTheground‐sortingtune,ʺheorders.ʺRunthroughitonce.ʺHeliftshisright
handandbeganthecount,markingthetimedeftly.ʺOne,two…ʺWithhis
nod,themusiciansbeginthesonoroustones,thebrasshornslowandurgent,
thewoodwindspantherlike,thestringswhisperinglikeshiftingsands.
ʺNo!Jaegal,youmustemphasizethedownbeatsmore,especiallythefirst.ʺ
Brillʹshandsstoptheplayers,andhiseyesflash.
Notoneofthemusicianslooksup,althoughoneofthehornplayersscowls,
hisfaceavertedfromBrill.Inthelastpartofthestringsection,ablack‐haired
youthtakesacleangrayclothandblotshisforeheadquicklybeforereplacing
theclothandrepositioninghisbow.
ʺAgain!ʺBrilldemands.
Asthemusiciansplay,thegroundbeyondthebricksandmortarandwater
appearstoshiver.
Thesorcerernods.ʺGood.Takeamoment.Somewater.Wipeyour
foreheads.ʺWithoutlookingatthesevenmenandthreewomen,heturnsthe
draftingboardsothathecandirectthemusicians,seethedrawingandthe
spell,andthegroundwherethefortistorise.
Brillwaits.Thesilkawningaboveripplesinthehintofabreeze,andtheonly
soundsaresoftandmutedasthemusiciansdrinkandblotforeheads,necks,
andfingers.
ʺPlaces,ʺthesorcererfinallyannounces.
Thetenplayersreseatthemselvesontheirstoolsandtakeuptheir
instruments.Thelasttoliftaninstrumentistheblack‐hairedyoungmanin
thebackwiththeviola.
ʺNow…one…two…ʺ
Brillʹsresonantbaritonewrapsaroundthenotesthemusiciansplay.
ʺ…cleavetheground,even,straight,andtrue,
Morecleanlythanthediggersdo.
Scourthestonesbothsmoothandflat…ʺ
Thesorcerersings;themusiciansplay;andasilverhazesettlesontothe
hilltopwherethesoilshifts,andthegroundparts.Theairstillscompletely,
andtheawninghangslimplyintheheat,andeventhescentsofparched
grass,dust,andhorsesseemtovanish.
Attheendofthesongspell,Brillʹshandslashesforsilence,andthesonghaze
vanishes.Thesilkawningflutters.
ʺYouhaveafewmoments,ʺthesorcerersays.Hetakesthespotlesswhite
clothfromhispocketandwipes,thenblots,hissteamingforehead,before
liftinghisiron‐tippedstaffandwalkingoutintothefullsunandtowardthe
setsoftrenchesthathadappearedonthehilltopafterthesong‐hazelifted.
Thesorcererwalksthetrenches,andthestafftapsthelinesofexposedstone,
stoneremeltedintothefoundationpattern.
Undertheawning,theplayersstretchandstand,exceptforthewoodwind
playerwhosebraidedwhite‐and‐redhairbetrayheragefarmorethanher
creamyskin.Hercoldeyesfollowthesorcereruntilhebeginshisreturn,
whenshelooksdownandtakesaquicksipfromherwaterbottle,then
moistensherlipsandherreed.
ʺThefoundationissolid.ʺBrillblotshisforeheadalasttimebeforefoldingthe
clothandslippingitbackintohispocket.ʺPlaces.ʺ
Withasoftshufflingthemusicianssquarethemselvesontheirstoolsandlift
theirinstrumentsinresponsetothesorcererʹshands.Theirnotesfollowhis
tempo,andhisvoice.
ʺ…replicatethebricksandstones.
Placethemintheirproperzones…
ʺSettheblocks,andsetthemsquare
setthemtotheirpatternthere…ʺ
Thehilltopshimmers,asdothebricksandstones,andtheheapsofmortar,
andthetubsofwatertremble.Dullcrackingswhisperthroughthehazefrom
thesouthsideofthevalley.
Whenthesilverhazelifts,Brillturnstowardthestructurethatloomsthere—
newlybuilt.Stone‐basedbrickwallsrisetheheightoffourtallmenand
stretchacrossthefloorofthevalley,almostjoiningthetwohills.Thedark
stoneoutcroppingtothesouthwestoftheforthasalmostvanished,two‐
thirdsofitsbulkslicedaway.
ʺBeholdLordBarjimʹsnewstrongholdagainsttheDarkMonksofEbra.ʺLord
Brillfrowns,thenwhirlstowardtheplayers.‐ʺSomeonewashumming.ʺBrillʹs
eyesscanthemusicians.ʺSomeonewashumming.Andlook!Lookatthat
gatewall!ʺHishandjabswestward.
Theleft‐handsideofthearchedgateiscrooked,outoftrue.
Thesorcererreachesforhisgobletanddrainsit,settingitonthesmalltable
withathud.ʺGero!ʺ
Athinyouthrunsfromthewagonandthetetheredhorsestothewest.ʺYes,
LordBrill.ʺ
ʺMorewater.ʺBrillgraspsthestaffandcarriesitashewalksacrossthe
trampledsun‐parchedgrassesandontothepavedroadthatresumesadozen
yardsfromthemagicallybuiltfortʹsgate,beyondthebrickedanddrymoat.
Hekeepstappingtheiron‐tippedstaffashecontinuesthroughtheopenbrick
archway,acrossthebrick‐pavedcourtyardtothelowbrick‐walledbuilding
thatstandsrooflessintheafternoonsun.Thestaffrapsagainstwalls,against
stoneandpavingstone,againstmortarandbrickforalongtimebeforehe
slowlywalksbackunderthewhitesilkawningthatscarcelyfluttersinthe
stillair.
ʺThegate,thankthepowersofsong,istheonlyflaw.ʺHisnowdark‐circled
eyessweepthemusicians.ʺIshouldstarveyouall.ʺHiseyeslighten.ʺRefresh
yourselves,andthen,thenwewillʺusethesymmetryspelltorepairthegate.ʺ
Brilllimps,eversoslightly,tothedraftingboard,wherehestudiesthespell,
andbeginstomurmurtohimself.Afteratime,hetakesamarkstickfromthe
walletonhisbeltandbeginstowriteoutarevisedsimilarityspellbelowthe
others.
Underthebacksectionoftheawning,theblack‐hairedyoungmanglances
nervouslytowardthewhite‐hairedviol‐inoplayerinthefrontrow,butthe
oldermansipsfromhiswaterbottlewithoutacknowledgingthescrutiny.
Withalastslashacrosstheyellowpaperonthedraftingboard,thesorcerer
turnsandstraightens.ʺPlaces.ʺBrilltakesadeepbreath.ʺSimilarityone,
please.Nohumming.Fasttempo.ʺHishandsbeginmarkingthetime,andhis
sharpnodcuesthemusiciansasthemusicrises.
ʺ…settrueandstraight
bothsidesofthegate…ʺ
Thistime,thespellisshort,andthesonghazelingersonlyoverthegatefor
whatseemstobeinstants.
Thesorcererslashesthemusictoahalt,staggers,beforetakinganotherdeep
breath,thenagulpofwaterfromthegobletonthesmalltable.Onlythen
doesheturnandwalkbacktowardthegate.Adozenpacesaresufficientto
confirmhishandiwork.Thegateisstraight,withnosignofdeformity.
Withaquicknodtohimself,hestudiesthegateforatime.Hisstepsare
strongerasheheadsbackthroughthehot,stillafternoontotheshadeofthe
awning.
Themusicianswait,silently.
ʺCulain—youhummedagain!ʺ
ʺNo,ser.No!ʺproteststhewhite‐hairedmanwhoclutchestheviolino.ʺIdid
not.ʺ
ʺIwillnothavelying,andIwillnothavecarelessnessjeopardizemeorthose
aroundyou!Onceisanaccident.Twiceisarrogantdisregard.ʺ
Brillʹseyesturnhardasjadeashismouthopensinsong,asCulainbacks
away,outfromunderthelightlyflutteringsilkawningandintopitiless
afternoonsun.
ʺOnceamanisnotalwaysaman,
lowerthandust,softerthan…ʺ
AsthesonghazerollsacrossCulain,shroudinghim,tearswellupintheeyes
oftheblack‐hairedyoungman.Thewoodwindplayerʹseyesremaincold,and
dry.
2
Annalookedintothemirror,tryingtoignorethefinelinesrunningfromher
eyes.ʺYoulooklikearaccoon.ʺ
Sheusedthetissuetoblothereyes.Ifonly…ifonly…Withadeepbreath,she
triedtopushtheoffendingviolaoutofhermind.Shehadgiventhefinal
examinationforherlastcourse,IntroductiontoMusic,andthesheetswere
evengraded.TheScantronhelpedalot,evenifshehatedmultiple‐guesstests,
buttherewasnowayshewasabouttogradeeightyessaytestsforanintro
course.
Theviola…Donʹtthinkabouttheviola,shetoldherself.ButitwasIreniaʹs
viola—aninstrumenttiedirrevocablytoherdaughter.Shetookadeepbreath
andblottedhereyesagain.
WhyhadsheacceptedthedeanʹsinvitationtosingattheFoundersʹDinner
formajordonors?Becauseitwasextramoney—onlyfiftydollars,butthe
ATMhadsaidherbalancewasdowntotwohundred,anditwasalmosttwo
weeksuntilthefirst.
Hereyesflickedtotheviola.Funerals…whowouldhavethoughtasimple
funeralwouldhavebeensoexpensive?Outsideofthesmallpolicypaidfor
yearsagobyherfather,therehadnʹtbeenanyinsurance,andthatjusthadnʹt
beenenough.Avery—theself‐styledperfecthusbandandtenor—hadalways
paidforthingslikeinsurance,andwhilesheʹdtakenoutinsuranceonherself
forthechildren,shehadnʹtthoughtaboutinsuranceonthem,evenifsheʹd
beenabletoaffordit.
Aquickglanceattheclocktoldherthatshehadlessthanahalfhourtopull
herselftogether.Sheblewhernose,thenlookedattheemptyglassonthe
dresser.No…onedrinkwasallshecouldtake.
First…makeuptorepairtheravagesofgrief—andage.Thetwoseemedtogo
together.ThecrookedandcheapQueenAnnestoolthatSandyhadrepaired
withmetalstrapsbeforetheyʹdbrokenofftherelationshipcracked,asit
alwaysdid,whenshesatdown.EverythingSandydidhadbeenalittlerough,
butheʹdbeentherewhenAveryhadnʹt…forawhile.Wasthecrackingofthe
strapslouder?Didthatmeanshewasheavier?
Makeup—concentrateononethingatatime.Whenshefinished,Anna
studiedherface.Sheusedatouchmoremascara,thenstood.Whatwouldshe
wear?Assherummagedinthecloset,shebeganthevocalises.Onceithad
takenonlyafewminutestowarmup,butthesedaysittooklonger,alot
longer.
ʺHolly‐lolly‐polly‐pop…ʺ
Good,herthroatwasclear,hercordsresilient.
Thegreenformalgownwasclean,andshehadnʹtwornitwherethepresident
hadseenit.Afterhangingitfromthetopofthefoldingclosetdoor,she
rummagedthroughtheplasticbagssheʹdneverunpackedorputinthe
drawersuntilshefoundthenewlonglinebra—shehatedanykindofbra,but
shecouldnʹtwearthegownwithoutit.Thencametheslip—tight,almosttoo
tight.Shesuckedinherstomachasshezippedit,thentwisteditaround,
checkinginthefull‐lengthmirror.Ofcourse,itwasnʹtstraight,andwhenshe
triedtostraightenit,thebratwisted.
Finally,withbothbraandformalslipinplace,shetookadeepbreath.
ʺHolly‐lolly‐polly‐pop…ʺShecouldbreathe,anditwasnʹtasthoughsheʹdbe
doingMimiorButterfly.Itwasjustfivesongsfortheuniversityʹsbig
donors—theFoundersʹDinner.
Shetookdownthegownandslippeditoutoftheplastic,beforebeginning
thestruggle.Thesedays,everythingwasastruggle,especiallyzippinga
formalgownwithouthelp.HereyesstrayedtowardthepictureontheQueen
Annedresser—thefourofthem,oneofthefewwithjustthechildrenandher.
MostoftheoldfamilypictureshadAveryinthem.Heʹdbeeninsistingthathe
wasAntonioorTonythirtyyears,butAnnahadknownhimwhenheʹdbeen
AveryMarshall—longbeforeheʹdbecomeAntonioMarsali.Thegreat
AntonioMarsali,kingofthecomprimarios,whoʹdneverpaidacenttoward
anyofthechildrenʹseducation—exceptforIrenia.
Theyalllookedsoyoung—Irenia,Mario,andElizabetta,evenAnnaherself—
standinginfrontofthelilacsatthelakehouse.Now,itwasAveryʹsvacation
home.Howcouldshehavebeensostupid?
Shoes—thegreenoneswereinthecorner,shethought,andtheywere.Her
eyeswentbacktothepicture,totheblond‐hairedyoungman.Marioalways
jokedthathewasʺnorthernItalianʺoraʺWASPItalian,ʺprobablyjustto
irritatehisfather.MarsalihadbeenAveryʹsgreat‐grandmotherʹsmaiden
name,andshewastheonlyItalianinthefamily,butAvery—thegreat
Antonio—hadinsistedthatanItaliannamewasamustforanoperasinger,
especiallyahighbaritone.Thenheʹdbecomeatenor.
AfterMariohadlefttogobacktoHouston,thecondohadseemedsoempty,
buthecalled,likeadutifulson,everyfewdays.ʺʹAnnablewhernoseand
lookedawayfromthepicture.Thinkaboutsinging.Thinkaboutsinging.
Jewelry?Somethingornateenoughnottogetlost,butsimple.Thesilver
necklacedidnʹtlookright.
Thegold‐linknecklacelookedgood,butwherehadsheputtheearrings?
Theywerewheresheʹdleftthem,nexttothetelephone.
Shesquaredhershoulders.ʺIcandothis.ʺSheliftedtheliptickandtouched
upherupperlip.ʺIcandothis.ʺ
Especiallysincethepresidentwastheonlysupportershehadleftnowthat
Dieshrhadbecomechairofthemusicdepartment.
Shecouldsingforthemajor‐donordinner,andDieshrwouldsitbythe
presidentandsaysicky‐sweetthings—likeʺAnnaʹssogoodwithyoung
voices.ʺOrʺShedoesverywellwithoutadoctorate.ʺ
Asifsheʹdhadanychoice—
Shewenttothewindow.Cloudy,butitwasnʹtraining,notyet.Shepickedup
thegreenleatherpurseandhurrieddownstairs.Herraincoat,notexactly
fashion‐coordinatedwiththegown,wasfoldedacrossthebanister.
Afterslippingiton,sheglancedattheclock—five‐forty—checkedforher
keys,thenlockedthedoorandsteppedoutunderthetownhouseʹspseudo‐
Georgianportico.Thecrampedtownhousecondowasdefinitelynotwhatshe
wouldhaveideallychosen,butagingjuniormusicfacultymemberslived
wherethebargainswere,inthiscase,theColonialMansions.
Arollofthunderwasfollowedbyaspatteringofrainonthesidewalk,anda
gustofwindthatwhippedthelongskirtofthegreenformalaroundher
calves.
Herhandwenttoherhair.Theumbrellawasinthecar.
Thelineofrainstruckthefarsideoftheparkinglotandgustedacrosstoward
her.
ʺDamn!ʺShewasgoingtobelate—orwet…orboth,andshewasbeingpaid
tolookgoodaswellassing.ʺDamn!Iʹdjustliketorunaway…anywhere.
Anywhere,ʺsherepeatedgrimly.ʺAnywhere!ʺ
Asshereachedforherkeytoletherselfbackintothecondo,theworld
swirledaroundher.
3
Mencha,Defalk
Theblack‐hairedyoungmanbouncesinthesaddlealasttimeashereinsup
thehorseinfrontofthethick‐walledcottage.Thedark‐oiledwoodenshutters
areclosedagainstthemiddayheat,andnoteventhechickensareoutinthe
hotstillair.Dustliesheavyontheplanksofthesmallporchshadedbythe
overhangingeaves,andtheoiledoakdoorisshutastightlyasthewindowsʹ
Afterwipingthemuddysweatcreatedbyroaddustoffhisforehead,he
strugglesdownfromthehorseandtiesthemareattheheavystonehitching
postattheendoftheporchunderthesingleoakintheyard.Thenheeases
theviolacasefromtheoversizedsaddlebag.
ʺWell,Daffyd,whereʹdyebegettingahorse?ʺaskstheslenderbrunettefrom
thehalf‐opendoor.Herhairispulledbackandboundhighenoughonthe
backofherheadtoliftitclearofherneck.Shewearsasleevelesshomespun
brownshirtthatreachesmid‐thighoverloosegraytrousersthatstopatmid‐
calf.Herfeetarebare.
ʺItwasDaʹs.ʺDaffydlookstothehalf‐opendoor.
ʺHegiveittoye?Afinegiftthatʹdbe.ʺ
ʺHebedead,Jenny.LordBrillkilledhim.ʺDaffydtakesthetwostepsontothe
porch,thenstopsseveralpacesshortofher,thecanvasandwoodencasein
hisrighthand.
Thebrunettestepsbacktowardthedoor.ʺWhatbeyeherefor?ʺ
ʺYouoweme,Jenny,ʺDaffydsays.ʺYoubeowingmemorethanyoucanever
pay.HowmanytimeshaveIplayedforyou,justthewayyouwanted,to
sendorsummonfolksallthewaytoNordweiorElioch?ʺ
ʺIʹvebeenmorethannicetoyou,Daffyd.ʺ
Daffydflushes,thenadds,ʺAye,andIʹvebeennicetoyou,notchargingyou
forthemusic.ʺ
ʺIfLordBrillbeafteryou…ʺ
ʺHeʹsnotafterme.ʺDaffydwaits.
ʺThenwhyareyouhere?ʺ
Theyoungmanwipeshisforehead.ʺYoucouldinvitemeinwhereitʹscooler.
Youʹvenocompany.ʺHiseyestraversethedustontheporchplanks,
unmarkedexceptbyhisboots..
Jennytightensherlipsandlookstowardtheemptylane,thenjerksherhead
towardthedoor.
ʺJenny,seeingasitʹsme,noonewouldbesayinganything.ʺ
ʺComein,then,seeingasthereʹsnostoppingyou.ʺShestandsbackfromthe
door.
Daffydcrossestheporchandstepsinside,closingtheheavydoorwithhisleft
hand.Themainroomisempty,butafaintscentofonionswaftsfromthe
kitchenareatotheleftrearofthecottage.Whilethecottageiscoolerthanthe
late‐morningheatoutside,Daffydwipeshisforeheadwiththebackofhisleft
hand,hisrightstillclutchingtheoldbrowncanvasviolacase.
ʺWell,finetalkingDaffyd,whatdoyouwant?ʺThebrunettelookstothe
closedheavydoor,andthenatthemirroronthecottagewall.ʺIcanʹtbring
yourdabackfromthedarkshadows.LordBrillhimselfcouldnʹtdothat.I
couldsendyoutoFarway.ThatʹsasfarasIcando.ʺ
ʺThatwonʹtbringbackDa.ʺ
ʺNothingwillbringbackyerda.NotevenMeringuaycoulddothat.Iʹmarote
travel‐sorceress—goodenoughtoholdahouse—butnotmore.Youtoldme
thatyourself.ʹMemberthat?ʺ
Daffydpullshislipstogether,thenspeaks.ʺHehummed—justafewnotes.
摘要:
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THESOPRANO SORCERESSL. E. Modesitt, ]r.For and to my soprano sorceress, who made this possible.Any mistakes are mine, the music hers.ILIEDTRAUM* * * * * * *1West of the Sand Pass, DefalkA dozen musicians sit on stools under the oblong white silk awning held in place by four sturdy poles, each pole a...
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分类:外语学习
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时间:2024-12-05


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