Stephen King - Dead Zone

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Stephen King: The Dead Zone

ELECTRONIC VERSION 1.1 (Mar 27 00). If you find and correct errors in the text, please

update the version number by 0.1 and redistribute.

PROLOGUE

By the time he graduated from college, John Smith had forgotten all about the bad fall he took on the ice

that January day in 1953. In fact, he would have been hard put to remember it by the time he graduated

from grammar school. And his mother and father never knew about it at all.

They were skating on a cleared patch of Runaround Pond in Durham. The bigger boys were playing

hockey with old taped sticks and using a couple of potato baskets for goals. The little kids were just

farting around the way little kids have done since time immemorial - their ankles bowing comically in

and out, their breath puffing in the frosty twenty-degree air. At one corner of the cleared ice two rubber

tires burned sootily, and a few parents sat nearby, watching their children. The age of the snowmobile

was still distant and winter fun still consisted of exercising your body rather than a gasoline engine.

Johnny had walked down from his house, just over the Pownal line, with his skates hung over his

shoulder. At six, he was a pretty fair skater. Not good enough to join in the big kids' hockey games yet,

but able to skate rings around most of the other first graders, who were always pinwheeling their arms

for balance or sprawling on their butts.

Now he skated slowly around the outer edge of the clear patch, wishing he could go backward like

Timmy Benedix, listening to the ice thud and crackle mysteriously under the snow cover farther out,

also listening to the shouts of the hockey players, the rumble of a pulp truck crossing the bridge on its

way to U.S. Gypsum in Lisbon Falls, the murmur of conversation from the adults. He was very glad to

be alive on that cold, fair winter day. Nothing was wrong with him, nothing troubled his mind, he

wanted nothing ... except to be able to skate backward, like Timmy Benedix.

He skated past the fire and saw that two or three of the grown-ups were passing around a bottle of booze.

'Gimme some of that!' he shouted to Chuck Spier. who was bundled up in a big lumberjack shirt and

green flannel snowpants.

Chuck grinned at him. 'Get outta here, kid. I hear your mother callin you.'

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Stephen King: The Dead Zone

Grinning, six-year old Johnny Smith skated on. And on the road side of the skating area, he saw Timmy

Benedix himself coming down the slope, with his father behind him.

'Timmy!' he shouted. 'Watch this!'

He turned around and began to skate clumsily backward. Without realising it, he was skating into the

area of the hockey game.

'Hey kid!' someone shouted. 'Get out the way!' Johnny didn't hear. He was doing it I He was skating

backward! He had caught the rhythm - all at once. It was in a kind of sway of the legs...

He looked down, fascinated, to see what his legs were doing.

The big kids' hockey puck, old and scarred and gouged around the edges, buzzed past him, unseen. One

of the big kids, not a very good skater, was chasing it with what was almost a blind, headlong plunge.

Chuck Spier saw it coming. He rose to his feet and shouted, 'Johnny! Watch out!'

John raised his head - and the next moment the dumsy skater, all one hundred and sixty pounds of him,

crashed into little John Smith at full speed.

Johnny went flying, arms out. A bare moment later his head connected with the ice and he blacked out.

Blacked out ... black i.e... blacked out -.. black ice black. Black.

They told him he had blacked out. All he was really sure of was that strange repeating thought and

suddenly

looking up at a circle of faces - scared hockey players, worried adults, curious little kids. Timmy

Benedix smirking. Chuck Spier was holding him-

Black ice. Black.

'What?' Chuck asked. 'Johnny... you okay? You took a hell of a knock.'

'Black,' Johnny said gutturally. 'Black ice. Don't jump it no more, Chuck.'

Chuck looked around, a little scared, then back at Johnny. He touched the large knot that was rising on

the boy's forehead.

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Stephen King: The Dead Zone

'I'm sorry,' the clumsey hockey player said. 'I never even saw him. Little kids are supposed to stay away

from the hockey. It's the rules.' He looked around uncertainly for support.

'Johnny?' Chuck said. He didn't like the look of Johnny's eyes. They were dark and faraway, distant and

cold. 'Are you okay?'

'Don't jump it no more,' Johnny said, unaware of what he was saying, thinking only of ice - black ice.

'The explosion. The acid.'

'Think we ought to take him to the doctor?' Chuck asked Bill Gendron. 'He don't know what he's sayin?

'Give him a minute,' Bill advised.

They gave him a minute, and Johnny's head did clear. 'I'm okay,' he muttered. 'Lemme up.' Timmy

Benedix was still smirking, damn him, Johnny decided he would show Timmy a thing or two. He would

be skating rings around Timmy by the end of the week ... backward and forward.

'You come on over and sit down by the fire for a while,' Chuck said. 'You took a hell of a knock.'

Johnny let them help him over to the fire. The smell of melting rubber was strong and pungent - making

him feel a little sick to his stomach. He had a headache. He felt the lump over his left eye curiously. It

felt as though it stuck out a mile.

'Can you remember who you are and everything?' Bill asked.

'Sure. Sure I can. I'm okay.'

'Who's your dad and mom?'

'Herb and Vera Herb and Vera Smith.'

Bill and Chuck looked at each other and shrugged.

'I think he's okay,' Chuck said, and then; for the third time, 'but he sure took a hell of a knock, didn't he?

Wow.'

'Kids,' Bill said, looking fondly out at his eight year old twin girls, skating hand in hand, and then back

at Johnny. 'It probably would have killed a grown-up.

'Not a Polack,' Chuck replied, and they both burst out laughing. The bottle of Bushmill's began making

its rounds again.

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Stephen King: The Dead Zone

Ten minutes later Johnny was back out on the ice, his headache already fading, the knotted bruise

standing out on his forehead like a weird brand. By the time he went home for lunch, he had forgotten

all about the fall, and blacking out, in the joy of having discovered how to skate backward.

'God's mercy!' Vera Smith said when she saw him. 'How did you get that?'

'Fell down,' he said, and began to slurp up Campbell's tomato soup.

'Are you all right, John?' she asked, touching it gently. 'Sure, Mom.' He was, too except for the

occasional bad dreams that came over the course of the next month or so... the bad dreams and a

tendency to sometimes get very dozy at times of the day when he had never been dozy before. And that

stopped happening at about the same time the bad dreams stopped happening.

He was all right.

In mid-February, Chuck Spier got up one morning and found that the battery of his old '48 De Soto was

dead. He tried to jump it from his farm truck. As he attached the second damp to the De Soto's battery, it

exploded in his face, showering him with fragments and corrosive battery acid. He lost an eye. Vera said

it was God's own mercy he hadn't lost them both. Johnny thought it was a terrible tragedy and went with

his father to visit Chuck in the Lewiston General Hospital a week after the accident. The sight of Big

Chuck lying in that hospital bed, looking oddly wasted and small, had shaken Johnny badly - and that

night he had dreamed it was him lying there.

From time to time in the years afterward, Johnny had hunches - he would know what the next record on

the radio was going to be before the DJ played it, that sort of thing - but he never connected these with

his accident on the ice. By then he had forgotten it.

And the hunches were never that startling, or even very frequent. It was not until the night of the county

fair and the mask that anything very startling happened. Before the second accident.

Later, he thought of that often.

The thing with the Wheel of Fortune had happened before the second accident.

Like a warning from his own childhood

The travelling salesman crisscrossed Nebraska and Iowa tirelessly under the burning sun in that summer

of 1955. He sat behind the wheel of a '53 Mercury sedan that already had better than seventy thousand

miles on it. The Merc was developing a marked wheeze in the valves. He was a big man who still had

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Stephen King: The Dead Zone

the look of a cornfed mid-western boy on him; in that summer of 1955, only four months after his

Omaha house-painting business had gone broke, Greg Stilison was only twenty-two years old.

The trunk and the back seat of the Mercury were filled with cartons, and the cartons were filled with

books. Most of them were Bibles. They came in all shapes and sizes. There was your basic item, The

American Truth-Way Bible, illustrated with sixteen color plates, bound with airplane glue, for $i .69 and

sure to hold together for at least ten months; then for the poorer pocketbook there was The American

TruthWay New Testament for sixty-five cents, with no color plates but with the words of Our Lord

Jesus printed in red; and for the big spender there was The American TruthWay Deluxe Word of God

for $19.95, bound in imitation white leather, the owner's name to be stenciled in gold leaf on the front

cover, twenty-four color plates, and a section in the middle to note down births, marriages, and burials.

And the Deluxe Word of God might remain in one piece for as long as two years. There was also a

carton of paperbacks entitled America the Truth Way: The Communist-Jewish Conspiracy Against Our

United States.

Greg did better with this paperback, printed on cheap pulp stock, than with all the Bibles put together. It

told all about how the Rothschilds and the Roosevelts and the Greenblatts were taking over the U.S.

economy and the U.S. government. There were graphs showing how the Jews related directly to the

Communist-Marxist-Leninist-Trotskyite axis, and from there to the Antichrist Itself.

The days of McCarthyism were not long over in Washington; in the Midwest Joe McCarthy's star had

not yet set, and Margaret Chase Smith of Maine was known as 'that bitch' for her famous Declaration of

Conscience. In addition to the stuff about Communism, Greg Stillson's rural farm constituency seemed

to have a morbid interest in the idea that the Jews were running the world.

Now Greg turned into the dusty driveway of a farm-house some twenty miles west of Ames, Iowa. It

had a deserted, shut-up look to it - the shades down and the barn doors closed - but you could never tell

until you tried. That motto had served Greg Stillson well in the two years or so since he and his mother

had moved up to Omaha from Oklahoma. The house-painting business had been no great shakes, but he

had needed to get the taste of Jesus out of his mouth for a little while, you should pardon the small

blasphemy. But now he had come back home - not on the pulpit or revival side this time, though, and it

was something of a relief to be out of the miracle business at last.

He opened the car door and as he stepped out into the dust of the driveway a big mean farm dog

advanced out of the barn, its ears laid back. It volleyed barks. 'Hello, pooch,' Greg said in his low,

pleasant, but carrying voice - at twenty-two it was already the voice of a trained spellbinder.

The pooch didn't respond to the friendliness in his voice. It kept coming, big and mean, intent on an

early lunch of traveling salesman. Greg sat back down in the car, closed the door, and honked the horn

twice. Sweat rolled down his face and turned his white linen suit darker gray in circular patches under

his arms and in a branching tree-shape up his back. He honked again, but there was no response. The

clodhoppers had loaded themselves into their International Harvester or their Stud~ baker and gone into

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Stephen King: The Dead Zone

town.

Greg smiled.

Instead of shifting into reverse and backing out of the driveway, he reached behind him and produced a

Flit gun - only this one was loaded with ammonia instead of Flit.

Pulling back the plunger, Greg stepped out of the car again, smiling easily. The dog, which had settled

down on its haunches, immediately got up again and began to advance on him, growling.

Greg kept smiling. 'That's right, poochie,' he said in that pleasant, carrying voice. 'You just come on.

Come on and get it.' He hated these ugly farm dogs that ran their half-acre of dooryard like arrogant little

Caesars, they told you something about their masters as well.

'Fucking bunch of clodhoppers,' he said under his breath. He was still smiling. 'Come on, doggie.'

The dog came. It tensed its haunches down to spring at him. In the barn a cow mooed, and the wind

rustled tenderly through the corn. As it leaped, Greg's smile turned to a hard and bitter grimace. He

depressed the Flit plunger and sprayed a stinging cloud of ammonia drops lets directly into the dog's

eyes and nose.

Its angry barking turned immediately to short, agonized yips, and then, as the bite of ammonia really

settled in, to howls of pain. It turned tail at once, a watchdog no longer but only a vanquished cur.

Greg Stilison's face had darkened. His eyes had drawn down to ugly slits. He stepped forward rapidly

and ad-ministered a whistling kick to the dog's haunches with one of his Stride-King airtip shoes. The

dog gave a high, wailing sound, and, driven by its pain and fear, it sealed its own doom by turning

around to give battle to the author of its misery rather than running for the barn.

With a snarl, it struck out blindly, snagged the right cuff of Greg's white linen pants, and tore it.

'You sonofabitch!' he cried out in startled anger, and kicked the dog again, this time hard enough to send

it rolling in the dust. He advanced on the dog once more, kicked it again, still yelling. Now the dog; eyes

watering, nose in fiery agony, one rib broken and another badly sprung, realized its danger from this

madman, but it was too late.

Greg Stillson chased it across the dusty farmyard, panting and shouting, sweat rolling down his cheeks,

and kicked the dog until it was screaming and barely able to drag itself along through the dust. It was

bleeding in half a dozen places. It was dying.

'Shouldn't have bit me,' Greg whispered. 'You hear? You hear me? You shouldn't have bit me, you

dipshit dog. No one gets in my way. You hear? No one.' He delivered another kick with one blood-

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Stephen King: The Dead Zone

spattered airtip, but the dog could do no more than make a low choking sound. Not much satisfaction in

that. Greg's head ached. It was the sun. Chasing the dog around in the hot sun. Be lucky not to pass out.

He closed his eyes for a moment, breathing rapidly, the sweat rolling down his face like tears and

nestling in his crewcut like gems, the broken dog dying at his feet. Colored specks of light, pulsing in

rhythm with his heartbeat, floated across the darkness behind his lids.

His head ached.

Sometimes he wondered if he was going crazy. Like now. He had meant to give the dog a burst from the

ammonia Flit gun, drive it back into the barn so he could leave his business card in the crack of the

screen door.

Come back some other time and make a sale. Now look. Look at this mess. Couldn't very well leave his

card now, could he?

He opened his eyes. The dog lay at his feet, panting rapidly, drizzling blood from its snout. As Greg

Stillson looked down, it licked his shoe humbly, as if to acknowledge that it had been bested, and then it

went back to the business of dying.

'Shouldn't have torn my pants,' he said to it. 'Pants cost me five bucks, you shitpoke dog.'

He had to get out of here. Wouldn't do him any good if Clem Kadiddlehopper and his wife and their six

kids came back from town now in their Studebaker and saw Fido dying out here with the bad old

salesman standing over him. He'd lose his job. The American TruthWay Company didn't hire salesmen

who killed dogs that be-longed to Christians.

Giggling nervously, Greg went back to the Mercury, got in, and backed rapidly out of the driveway. He

turned east on the dirt road that ran straight as a string through the corn, and was soon cruising along at

sixty-five leaving a dust plume two miles long behind him.

He most assuredly didn't want to lose the job. Not yet. He was making good money - in addition to the

wrinkles the American TruthWay Company knew about, Greg had added a few of his own that they

didn't know about. He was making it now. Besides, traveling around, he got to meet a lot of people... a

lot of girls. It was a good life, except -Except he wasn't content.

He drove on, his head throbbing. No, he just wasn't content. He felt that he was meant for bigger things

than driving around the Midwest and selling Bibles and doctoring the commission forms in order to

make an extra two bucks a day. He felt that he was meant for .. . for ....

For greatness.

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Stephen King: The Dead Zone

Yes, that was it, that was surely it. A few weeks ago he had taken some girl up in the hayloft, her folks

had been in Davenport selling a truckload of chickens, she had started off by asking if he would like a

glass of lemonade and one thing had just led to another and after he'd had her she said it was almost like

getting diddled by a preacher and he had slapped her, he didn't know why. He had slapped her and then

left.

Well, no.

Actually, he had slapped her three or four times. Until she had cried and screamed for someone to come

and help her and then he had stopped and somehow - he had had to use every ounce of the charm God

had given him - he had made it up with her. His head had been aching then, too, the pulsing specks of

brightness shooting and caroming across his field of vision, and he tried to tell himself it was the heat,

the explosive heat in the hayloft, but it wasn't just the heat that made his head ache. It was the same

thing he had felt in the dooryard when the dog tore his pants, something dark and crazy.

'I'm not crazy,' he said aloud in the car. He unrolled the window swiftly, letting in summer heat and the

smell of dust and corn and manure. He turned on the radio loud and caught a Patti Page song. His

headache went back a little bit.

It was all a matter of keeping yourself under control and - and keeping your record dean. If you did those

things, they couldn't touch you. And he was getting better at both of those things. He no longer had the

dreams about his father so often, the dreams where his father was standing above him with his hard hat

cocked back on his head, bellowing: 'You're no good, runt! You're no fucking good!'

He didn't have the dreams so much because they just weren't true. He wasn't a runt anymore. Okay, he

had been sick a lot as a kid, not much size, but he had gotten his growth, he was taking care. of his

mother -And his father was dead. His father couldn't see. He couldn't make his father eat his words

because he had died in an oil-derrick blowout and he was dead and once, just once, Greg would like to

dig him up and scream into his mouldering face You were wrong, dad, you were wrong about me! and

then give him a good kick the way -The way he had kicked the dog.

The headache was back, lowering.

'I'm not crazy,' he said again below the sound of the music. His mother had told him often he was meant

for something big, something great, and Greg believed it. It was just a matter of getting things - like

slapping the girl or kicking the dog - under control and keeping his record dean.

Whatever his greatness was, he would know it when it came to him. Of that he felt quite sure.

He thought of the dog again, and this time the thought brought a bare crescent of a smile, without humor

or compassion.

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Stephen King: The Dead Zone

His greatness was on the way. It might still be years ahead - he was young, sure, nothing wrong with

being young as long as you understood you couldn't have everything all at once. As long as you believed

it would come eventually. He did believe that.

And God and Sonny Jesus help anyone that got in his way.

Greg Stillson cocked a sunburned elbow out the window and began to whistle along with the radio. He

stepped on the go-pedal, walked that old Mercury up to seventy, and rolled down the straight Iowa farm

road to-ward whatever future there might be.

PART ONE

The Wheel of Fortune

CHAPTER ONE

The two things Sarah remembered about that night later were his run of luck at the Wheel of Fortune and

the mask. But as time passed, years of it, it was the mask she thought about - when she could bring

herself to think about that horrible night at all.

He lived in an apartment house in Cleaves Mills. Sarah got there at quarter to eight, parking around the

corner, and buzzing up to be let in. They were taking her car tonight because Johnny's was laid up at

Tibbets' Garage in Hampden with a frozen wheel bearing or something like that. Something expensive,

Johnny had told her over the phone, and then he had laughed a typical Johnny Smith laugh. Sarah would

have been in tears if it had been her car - her pocketbook.

Sarah went through the foyer to the stairs, past the bulletin board that hung there. It was dotted with file

cards advertising motorbikes, stereo components, typing services, and appeals from people who needed

rides to Kansas or California, people who were driving to Florida and needed riders to share the driving

and help pay for the gas. But tonight the board was dominated by a large placard showing a clenched fist

against an angry red back-ground suggesting fire. The one word on the poster was STRIKE ! It was late

October of 1970.

Johnny had the front apartment on the second floor -the penthouse, he called it - where you could stand

in your tux like Ramon Navarro, a big slug of Ripple wine in a balloon glass, and look down upon the

vast, beating heart of Cleaves Mills; its hurrying after-show crowds, its bustling taxis, its neon signs.

There are almost seven thousand stories in the naked city. This has been one of them.

Actually Cleaves Mills was mostly a main street with a stop and go light at the intersection (it turned

into a blinker after 6 P.M.), about two dozen stores, and a small moccasin factory. Like most of the

towns surrounding Orono, where the University of Maine was, its real industry was supplying the things

students consumed -beer, wine, gas, rock 'n' roll music, fast food, dope, gro~ ceries, housing, movies.

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Stephen King: The Dead Zone

The movie house was The Shade. It showed art films and '40'S nostalgia flicks when school was in. In

the summertime it reverted to Clint Eastwood spaghetti Westerns.

Johnny and Sarah were both out of school a year, and both were teaching at cleaves Mills High, one of

the few high schools in the area that had not consolidated into a three-or four-town district. University

faculty and ad-ministration as well as university students used Cleaves as their bedroom, and the town

had an enviable tax base. It also had a fine high school with a brand-new media wing. The townies might

bitch about the university crowd with their smart talk and their Commie marches to end the war and

their meddling in town politics, but they had never said no to the tax dollars that were paid annually on

the gracious faculty homes and the apartment buildings in the area some students called Fudgey Acres

and others called Sleaze Alley.

Sarah rapped on his door and Johnny's voice, oddly muffled, called, 'It's open, Sarah!'

Frowning a little, she pushed the door open. Johnny's apartment was in total darkness except for the

fitful yellow glow of the blinker half a block up the street. The furniture was so many humped black

shadows.

'Johnny...?'

Wondering if a fuse had blown or something, she took a tentative step forward - and then the face

appeared before her, floating in the darkness, a horrible face out of a nightmare. It glowed a spectral,

rotting green. One eye was wide open, seeming to stare at her in wounded fear. The other was squeezed

shut in a sinister leer. The left half of the face, the half with the open eye, appeared to be normal. But the

right half was the face of a monster, drawn and inhuman. the thick lips drawn back to reveal snaggle

teeth that were also glowing.

Sarah uttered a strangled little shriek and took a stumble-step backward. Then the lights came on and it

was just Johnny's apartment again instead of some black limbo, Nixon on the wall trying to sell used

cars, the braided rug Johnny's mother had made on the floor, the wine bottles made into candle bases.

The face stopped glowing and she saw it was a dime-store Halloween mask, nothing more. Johnny's blue

eye was twinkling out of the open eyehole at her.

He stripped it off and stood smiling amiably at her, dressed in faded jeans and a brown sweater.

'Happy Halloween, Sarah,' he said.

Her heart was still racing. He had really frightened her. 'Very funny,' she said, and turned to go. She

didn't like being scared like that.

He caught her in the doorway. 'Hey... I'm sorry. 'Well you ought to be.' She looked at him coldly - or

tried to. Her anger was already melting away. You just couldn't stay mad at Johnny, that was the thing.

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StephenKing:TheDeadZoneStephenKing:TheDeadZoneELECTRONICVERSION1.1(Mar2700).Ifyoufindandcorrecterrorsin hetext,pleaseupdatetheversionnumberby0.1andredistribute.PROLOGUE1.Bythetimehegraduatedfromcollege,JohnSmithhadforgottenallabou thebadfallhetookontheicethatJanuarydayin1953.Infact,hewouldhavebeen...

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Stephen King - Dead Zone

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