
"Deal," she said.
She borrowed several of the books, then, a day or two before she left for her trip, she made his
handprints. "For practice," she said. "Maybe I'll become a palmist."
He groaned. "What have I done?"
She got the wrong kind of ink, and for the rest of the summer he had black palms, with the ink fading
away slowly. First the mounts emerged, like rounded hills rising from black water -- the mount of
Apollo, mount of Jupiter, of Venus, Saturn -- leaving dark valleys until they faded also and only the lines
remained deeply etched in black. It seemed appropriate to have his life- and heart-lines etched in black.
Eddie Norwich, the publisher of Oracle Publications, was a diminutive man in his mid-fifties, five feet
two, a hundred ten pounds after a big meal, with a surprisingly deep voice that made him impressive
over the telephone. Apparently he bought his clothes in the boys' department of a discount store: chinos,
T-shirt with a motorcycle logo on the pocket, high-top court shoes. A green and brown plaid sport coat
hung over the back of his chair, a blue necktie dripped from the side pocket of the coat onto the floor.
There were two other people in the offices, Becky Russo, thirty-something, a dimpled bottle-blond, who
at five feet nine or ten towered over her employer; she was the production department. Clyde
Dinwiddie, who appeared to be a hundred years old, bald, stooped, with protruding eyes and no
eyebrows, was the bookkeeping department.
Drake would get to know them all well, but that day he was overwhelmed by books in every stage from
inspiration to publication: Manuscripts, bound galleys, page proofs, copyedited manuscripts, unopened
boxes and bulging envelopes, completed books with dust jackets.... Every flat surface was piled high in
Eddie's inner office and the outer office that Becky and Clyde shared; there were heaps and stacks on
the floor, and against one wall the boxes of manuscripts reached the ceiling.
"We got behind," Eddie said, scowling at the chaos about them. "Every nut out there thinks he's got a
piece of the truth and wants to tell the world about it. But we do forty-eight books a year. Period. So
ninety-nine percent of what comes through the door gets sent back -- if they provided return postage. If
not, in the trash with it. But someone's got to check them out. Who knows when the next Castaneda will
turn up? Becky will walk you through some of those manuscripts."
Becky frowned. "You know I got those galleys, and a new manuscript from Madame Frieda.... "
"Just the rudiments," Eddie said. "He's a smart kid. He'll catch on fast. I gotta call what's-his-name
back...." He withdrew to his inner office and closed the door.
The first lesson Drake learned was that whatever Eddie didn't want to do, or didn't have time to do, he
delegated to Becky, and before very long, to Drake.
Then he began to learn how to read the slushpile, the over-the-transom, unagented manuscripts, unasked
for, unloved and unwanted. Written in crayon on brown paper bags -- out. Dim pencil on lined paper --
out. Dictated by Jesus -- out. Verse -- out. Yeti -- out....
While Carolyn was learning how to shop in Paris, how to order dinner in the finest restaurants, what to
look for in the museums, he was learning about the new interpretation of the pyramids, the secret