Connie Willis - Spice Pogrom

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SPICE POGROM

Connie Willis

"You've got to talk to him," Chris said. "I've told him there isn't enough

space, but he keeps bringing things home anyway."

"Things?" Stewart said absently. He had his head half-turned as if he

were listening to someone out of the holographic image.

"Things. A six-foot high Buddha, two dozen baseball caps, and a Persian

rug!" Chris shouted at him. "Things I didn't even know they had on Sony.

Today he brought home a piano! How did they even get a piano up here

with the weight restrictions?"

"What?" Stewart said. The person who had been talking to him moved

into the holo-image, focusing as he entered, put a piece of paper in front

of Stewart, and then stood there, obviously waiting for some kind of

response. "Listen, Chris, darling, can I put you on hold? Or would you

rather call me back?"

It had taken her almost an hour to get him in the first place. "I'll hold,"

she said, and watched the screen grimly as it went back to a

two-dimensional wall image on the phone's screen and froze with Stewart

still smiling placatingly at her. Chris sighed and leaned back against the

piano. There was hardly room to stand in the narrow hall, but she knew

that if she wasn't right in view when Stewart came back on the line, he'd

use it as an excuse to hang up. He'd been avoiding her for the last two

days.

Stewart's image jerked into a nonsmiling one and grew to a full

holo-image again. With the piano in here, there wasn't really enough room

for the phone. Stewart's desk blurred and dissolved on the keyboard, but

Chris wanted Stewart to see how crowded the piano made the hall. "Chris,

I really don't have time to worry about a few souvenirs," he said. "We've

got real communications difficulties over here with the aliens. The

Japanese translation team's been negotiating with them for a space

program for over a week, but the Eahrohhs apparently don't understand

what it is we want."

"I'm having communications difficulties over here, too," Chris said. "I

tell Mr. Ohghhi..." She stopped and looked at the alien's name she had

written on her hand so she could pronounce it. "Mr.

Ohghhifoehnnahigrheeh that there isn't room in my apartment and that

he's got to stop buying things, and he seems to understand what I'm

saying, but he goes right on buying. I've only got a two-room apartment,

Stewart."

"You could move your couch out of the living room," he said.

"Then where would I sleep? On top of the piano? You said you'd try to

find him someplace else to stay."

"I'm giving the matter top priority, darling, but you don't know how

impossible it is to find any kind of space at all, let alone space with the

kinds of specifications Mr. Ohghhifoehnnahigrheeh requires." A blond

young woman moved into the image and put a computer printout down in

front of Stewart. Chris braced herself against being put on hold again.

"We were already full over here at NASA, and today Houston sent a dozen

linguistic specialists up on the shuttle, and I don't know where we're going

to put them." He shook his head. "With all these reporters and tourists

coming up, there isn't a spare room on Sony."

"Can't you send some of these people back down to earth?" Chris said.

"I've got two little girls living on my stairs who're here because they think

Spielberg's bound to make a movie about the aliens so they came up here

to try to get a part in it, which is ridiculous. I'm not even sure Spielberg's

still alive, but if he is, he's got to be at least eighty. Isn't there some way to

send people like that home?"

"You know Sony's got an automatic thirty-day travel permission wait.

It's been in effect since Sony was first built so that immigrants couldn't

change their minds before they got over shuttle-lag. NASA's trying to get

the Japanese to limit the earth-to-Sony traffic, but so far they've refused

because they like all the business it's bringing up."

"Can't NASA put on its own limits? They own the shuttle."

"We don't want to jeopardize relations with the Japanese. We've got too

many of our own people who need to come up to see the aliens."

"And they're all using my bathroom," Chris said. "How long will it take

you to find another apartment for him?"

"Chris, darling, I don't think you understand the overcrowding problem

we've got over here. . . Hold on a second, will you?" he said, and flattened

and froze.

"We've got an overcrowding problem over here, too, Stewart," Chris

said. Someone rang the bell. "Come in," Chris shouted, and then was sorry.

Molly came in. "My mother thaid to tell you to get off the phone," she

said, lisping the word "said."

"I'm really six," Molly had told her without a trace of a lisp the day she

and her mother moved onto the landing outside Chris's apartment, "but

six is box-office poison, because your teeth are going to fall out pretty

soon, so my screen age is four and a half." She was certainly dressed to

look four and a half today, in a short yellow smock with ducks

embroidered on it and a giant yellow bow in her shingled brown bob.

"My mother thayth to tell you we're eckthpecting a call from my agent,"

she said, with her dimpled hands on her hips.

"Your mother does not have phone privileges in this apartment. Your

agent can call you on the pay phone in the hall."

"It'th a holo-call," Molly said, and strolled over to the piano. "He thaid

he'd call at thickthteen-thirty. Did you know thum new people moved in

on the thtairs today?"

"A slut and an old guy," Bets said, coming into the hall. She was

wearing a pink dress with a sash, pink ribbon bows, and black

patent-leather shoes. "My mother says to ask you how we're supposed to

get the lead in Spielberg's movie if we can't talk to our agent."

"How could new people move in?" Chris said. Molly's mother had sublet

half of the landing to Bets (who was also six according to Molly, even

though she swore she was five) and her mother last week, and Chris had

thought at the time that the only good thing about it was that nobody else

could move in because Mr. Nagisha's cousins were renting the hall outside

Chris's apartment, and Mr. Nagisha himself was living in the downstairs

hall.

"Mr. Nagithha rented them the thtairth," Molly said, plunking the

piano keys, "for twenty thouthand yen apiethe."

"The slut says she's in show business," Bets said archly, patting her

golden curls, "but I think she's a hooker."

"The old guy came up to thee the alienth," Molly said, banging out

"Chopsticks." "He thayth he'th alwayth wanted to meet one. My mother

thayth he'th thenile."

"Chris," Stewart said, his face expanding out from the screen. Molly

stopped banging on the piano. Bets tossed her yellow curls. They both

turned and flashed Stewart a dimpled smile.

"They were just leaving," Chris said hastily, and pushed them out of the

hall.

"What adorable little girls!" Stewart said. "Do they live in your

apartment building?"

"They live on the stairs, Stewart. At last count, so do four other people,

not counting Mr. Nagisha's cousins, who are living in the hall outside my

apartment. They use my bathroom and make earthside calls on my phone,

and I don't have room for them or for Mr. Ogyfen . . . whatever his name

is."

"Ohghhifoehnnahigrheeh," Stewart said disapprovingly. "You're going

to have to learn how to pronounce his name properly. You don't want to

make him angry. I've told you before how important it is we don't do

anything that might offend the Eahrohhs."

"He can't stay here, Stewart."

He looked aghast. Chris thought about putting him on hold that way. It

was better than his frozen smile. "You can't mean that, Chris. The

negotiations are at an incredibly delicate stage. We can't risk having

anything upset them. It's a matter of national security. Besides, NASA

intends to make generous compensation to people whose apartments have

been requisitioned."

"You work for NASA. Why can't he stay with you?"

"Chris, darling, we've been through all this before. You know Mother's

xenophobic. Just the thought of the Eahrrohhs being on Sony has given

her terrible migraines. And you know Mr. Oghhifoehnnahigrheeh has to

have ceilings at least twelve feet high for his vertical claustrophobia, and

you were the only other person I knew who had ceilings that high. The

Japanese didn't design Sony for Americans. It's hard enough to find

buildings with even normal American ceilings, let alone twelve-foot ones.

And with the Eahrohhs' privacy fetish, we can't ask them to double up

with people."

"I know, Stewart," Chris said, "but ..."

"The only twelve-foot ceilings on Sony are in the apartment buildings

Misawa designed. Like your building."

And your mother's, Chris thought.

"It'll only be for a few more days. We're currently negotiating with the

Japanese to transfer the Eahrohhs down to Houston. When that happens,

you'll have your apartment all to yourself again." He pressed some buttons

on his desk. "Darling, I've got a call coming in. Can't we ..."

The door to her apartment slid open, and someone said, "Hey, this is

great!"

She looked back at Stewart. He had flattened out again, this time with a

decidedly impatient look on his face.

"My room in here," Ohghhifoehnnahigrheeh said, and squeezed past

Chris carrying two shopping bags, a bouquet of cherry blossoms, and what

looked like a tent. The pockets of his long orange coat looked lumpy, too,

but Chris hadn't figured out yet which of the bulges and lumps were part

of Mr. Ohghhifoennahigrheeh's peculiar shape and which weren't.

He looked a little like a sack of potatoes with short, wide legs and arms.

His legs and arms were lumpy, too, and so was his head, except for the

top, which was round and bald and surrounded by a fringe of fine

pinkish-orange hair that extended down the sides of his face in wispy

sideburns. "Except for he's an alien, he'd never make it in the movies,"

Bets had said the first time she'd seen him.

"Mr. Ohghhifoeh ..." She stopped and looked down at her hand to get

the name right. "Mr. Ohghhifoehnnahigrheeh, I have to talk to you. You've

got to stop buying things. There simply isn't any more room for ..."

Ohghhifoehnnahigrheeh smiled at her, his wide mouth curving upward

toward the two pinkish-orange lumps that were his cheeks. He put down

the two shopping bags and the thing that looked like a tent and handed

Chris the bouquet of cherry blossoms. "Hana," he said. "Buy you."

Chris had no idea what hana meant. "Thank you for the cherry

blossoms, but ..."

He shook his head vigorously, the wisps of cotton-candy hair flying out

in all directions. "Hutchins buy hana."

"Hutchins?" Chris said, wishing she had the Japanese translation team

here.

"Pete Hutchins," a tall young man said. He was wearing jeans and a

satin bomber jacket and was trying to maneuver a duffel bag and a bicycle

into the narrow hall. He held out a hand for her to shake. "He means I

bought you the cherry blossoms. Hana means cherry blossoms in

Japanese. You must be Chris. Okee's told me all about you."

"I'm very busy right now," Stewart said from the phone. "Can't this wait

till tomorrow?"

"Hutchins stay here," Ohghhifoehnnahigrheeh said. He slid open his

door and ducked inside with the shopping bags and the tent before Chris

could even get a glimpse of what was inside.

"Just a minute, Stewart," Chris said, and pushed the hold button. "Mr.

Hutchins, what is it you want with Mr. Ohghhifoehnn . . ." She had to stop

and read from her hand. "Mr. Ohghhifoehnnahigrheeh?"

He twisted around to get a look at her hand. "Had to write it on there,

huh?" he said. "I can't pronounce it either, so I just call him Okeefenokee.

And you can call me Pete."

She closed her hand. "I don't know what Mr. ... he told you, but he

doesn't speak English very well, and ..."

"I really appreciate Okee doing this. I just came up on the shuttle today,

and I'm shot. So if you could just show me to my room ..."

"Excuse me. Is this where the John is?" a woman with an elaborate

topknot of brass-colored hair said. She was holding a skimpy hapi coat

closed with one hand and carrying a makeup case. "The little kids said it

was in here. I'm Charmaine. I just moved in. Top half of the stairs, but I

don't mind. The seventy percent gravity's great for me in my job. And I've

never seen so many cute guys in my life. Do you live here?" she said to

Hutchins.

"Yes," Hutchins said.

"No," Chris said. "There's been some misunderstanding."

"About the John?" Charmaine said nervously. "Mr. Nagisha told me I

had bathroom privileges."

"No, I mean, you can use the bathroom, Charmaine. There isn't

anybody in there." She turned back to Hutchins. "Mr. Hutchins, I don't

know what Mr. Ohghhifoehnn ..."—she resisted the temptation to look at

her hand—"... ackafee told you, but he sometimes has trouble

understanding...."

" 'Scuse me," Charmaine said, and slithered past Hutchins, making no

effort at all to stay away from him. "I gotto go do my makeup for my show.

I'm a specialty dancer down at Luigi's. You oughta come see me." She

waggled her fingers at him as she slid the bathroom door shut.

"Aren't you off the phone yet?" Molly said from the doorway. She had

her dimpled arms folded across her yellow-ducked middle and was

tapping a black-patented foot. "My mother thayth to tell you that my

agent hath very important newth. He'th thyure Thpielberg ith on Thony

and ..."

While she was talking, Bets was sidling past Molly and behind

Hutchins, holding something behind her pink-sashed back. Chris reached

around Hutchins and made a grab for it. She got hold of the curling iron

by the cord and took it away from Bets.

"Electrical appliances are not allowed in the bathroom," Chris said. She

wrapped the cord around the curling iron and put it on top of the piano. "I

told you last time I was going to take it away from you if it happened

again. You're supposed to use the outlets in Mr. Nagisha's apartment."

"We can't use the ones in Mr. Nagisha's apartment. He blew a fuse, and

our agent's calling us at eighteen o'clock!"

"Not on my phone he isn't," Chris said. "The phone! I forgot all about

Stewart." She punched the reinstate button, wondering if he'd already

hung up. Hutchins and the little girls backed up as the holo-image spread,

but they were still in the way. Hutchins seemed to be standing in the

middle of Stewart's desk. Molly and Bets's face were covered with blurry

brown. Chris hit the flat-image button, and Stewart retreated to the

screen. "I'm sorry, Stewart," she said.

He was writing busily. "Can this wait till tomorrow, Chris?" he said

without looking up. "We'll have lunch and you can tell me all about it. The

Garden of Meditation. In the ginza. Thirteen-thirty."

Hutchins was watching the screen. "All right, Stewart, but . . ." Chris

said.

"Till then just go along with whatever Ohghhifoehnnahigrheeh says. The

negotiations are at a very delicate stage. Anything could break them off.

Let him do anything he wants. I love you, darling. See you tomorrow," he

said, still without looking up, and blanked the screen before Chris had a

chance to say anything.

Hutchins was looking at her curiously. "Who is that guy?" he said.

"He's my fiancé," Chris said. Molly had climbed up on the piano bench

and was kneeling on the keyboard, trying to reach the curling iron. Chris

grabbed it away from her and put it behind her back.

"You better give my curling iron back!" Bets said. "I'm going to tell my

mother you stole it."

"Out," she said. She escorted both of them out of her apartment, slid

the door shut, and went into the living room. She lifted up the pile of

folded blankets on the end of the couch and stuck the curling iron under

it.

"You're really engaged to that guy on the phone?" Hutchins said,

leaning against the door, his hands in his jeans pockets.

"Yes," she said, straightening back up. "Why?"

"Because 'let him do anything he wants,' covers a lot of territory. What

if Okee decided he wanted to carry you off with him to Eahrohhsani, or

wherever it is they came from, and make you his bride?"

"Mr. Ohghhifoehnn ... he is a very nice man. Alien. Eahrohh. And he

would not ..."

"Earrose. They drop an e and add some h's to make it plural."

"Earrose. Mr. Hutchins, I don't care what Mr. ... he told you. You can't

stay here. There isn't any space. The landlord has people living on the

stairs."

"Hutchins stay here," Ohghhifoehnnahigrheeh said. He peeked around

Hutchins and then disappeared back into the hall.

Chris went after him.

"Tall," he said, smiling and nodding. "High ceilings. Stay here."

"But there isn't any space. Mr. Ohghhifoehnnah ... where will he sleep?"

"My room." He took hold of the handlebars of the bike and started

pulling it toward his door. Chris backed up against the piano to get out of

the way of the handlebars. "I keep in here. Lots of space."

" 'Scuse me," Charmaine said brightly. She had put on her makeup, but

not where Chris had expected it. She had the hapi coat draped over her

arm.

"Where exactly do you work?" Chris said.

"Luigi's Tempura Pizzeria and Sutorippu. That means strip show. I'm in

the Fan Tan Fannie number," she said. She turned around.

"I can see that," Chris said.

"Cute idea, huh?" she said. "I just love my fans."

"So do I," Hutchins said.

Charmaine started edging out of the hall, this time trying hard not to

touch Hutchins for fear of smearing her makeup. Ohghhifoehnnahigrheeh

went on tugging at the bicycle. Chris tried to turn around to get out from

the piano so Charmaine could get past and found herself nose to nose with

Hutchins. She backed into the piano. The keys made a crash of noise as

her open hands hit them. "Listen," Hutchins said, taking a step toward

her, and towering over her. He really was tall. "In all seriousness, there's

obviously been a mix-up. I met Okee on the bullet, and he said he'd sublet

half of his room to me, and I said okay. I'd just gotten in on the shuttle,

and I guess I wasn't thinking clearly. I felt like hell."

He rubbed his hand across his forehead. He did look tired. Chris

remembered what she had felt like when she came up on the shuttle.

Everyone had kept telling her how lucky she was not to be nauseated, but

she hadn't felt lucky. She'd felt bone-tired, so weary she had burst into

tears at the thought of getting through customs, even in the zero gravity of

Sony's axis.

"As a matter of fact, I still feel like hell," he said.

"It's shuttle-lag," Chris said. "Aspirin helps. And vitamin A." She didn't

say he should be glad he wasn't the kind to get nauseated. "And you should

get some sleep."

"Sleep," he said, leaning against the piano. "You wouldn't know of any

good hotels, would you?"

She shook her head. "There's only one hotel on Sony, and it's full of

Eahrohhs. So's everything else. There are over four hundred of them, you

know."

"Four hundred," he said, looking at Ohghhifoehnnahigrheeh, who had

gotten the handlebars and the front wheel turned around so the bike

wouldn't budge. Hutchins helped him straighten it out. "Where are they

putting them all?"

"All over. The officials, the headmen or chiefs or whatever you call them,

and all the translators are staying at NASA. They're negotiating a treaty.

They're going to give us a space program."

"Are they?" Hutchins said with an odd note in his voice. "What about

the rest of them?"

"They put them anyplace there was room. Vacant apartments, extra

rooms. It wasn't so bad when it was just the aliens, but now that all these

sightseers have come up . . ."

"They're living on the stairs," Hutchins said. "What about that? Do you

think your landlord would rent me a step or two?"

She bit her lip. "No. He lets as many extra people sleep on the stairs at

night as the fire regulations will permit—he sells them 'overnight

leases'—but he'd already sold out by nine this morning."

Mr. Ohghhifoehnnahigrheeh had gotten the handlebars of the bike

wedged in the screen of his bedroom door and was struggling with it.

"Want Hutchins stay," he said.

If she threw Hutchins out and then Mr. Ohghhi . . . he got angry or

refused to cooperate, Stewart would be furious. He had told her explicitly

to do whatever he wanted, and what he wanted was for Mr. Hutchins to

stay. While she was on the phone, she had decided to insist that Stewart

come home with her after lunch and talk to him about all these things he

was buying. She could ask Stewart what to do then, and he could find Mr.

Hutchins an apartment.

"All right," she said. Ohghhifoehnnahigrheeh got the handlebars

unstuck and disappeared into his room with the bicycle.

"All right, what?" Hutchins said.

"You can stay here tonight and look for a room tomorrow."

"I love you," he said.

"Mr. Nagisha said you're violating your lease by taking my curling iron

away from me," Bets said.

"It's in the living room. On the couch. But if I catch you with it in the

bathroom one more time, I'm flushing it down the o-benjo," Chris said.

Bets flounced off, stamping her feet so the ruffles on her petticoat showed.

"I'm only letting you stay because Mr. Ohghhi... he wants you to, and I

don't want to upset him. Negotiations are at a very delicate stage.

Tomorrow when I have lunch with my fiancé, I'll ask him about it, but I'm

sure he'll want you to find another place to stay."

"Do you have any vitamin A?" Hutchins said.

"In the bathroom." Chris pointed at the door. It was shut. "Bets, you

come out of there. You are not allowed to have electrical appliances in

there."

Bets slid the door open. "I was brushing my teeth," she said indignantly,

holding up a pink toothbrush shaped like a bunny.

"I'll bet." She got Hutchins aspirin and vitamin-A packets and herded

Bets out of her apartment. "I'll get you a bathroom schedule and the

apartment rules," she said.

Mr. Nagisha's cousins were squatting around a hibachi in the middle of

the landing, cooking something vile smelling. Chris stepped over them and

started down the steps. She wondered how Mr. Nagisha would take the

news that Mr. Ohghhi . .. her alien had sublet half of his room to Mr.

Hutchins. Probably not very well, unless he could think of a way to make

money off the deal. Mr. Nagisha had welcomed him with open arms since

NASA had agreed to pay the equivalent of a six months' lease.

Even at that, he had insisted on rent based on changing property values,

which were soaring with the sudden influx of people. He was going to

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SPICEPOGROMConnieWillis"You'vegottotalktohim,"Chrissaid."I'vetoldhimthereisn'tenoughspace,buthekeepsbringingthingshomeanyway.""Things?"Stewartsaidabsently.Hehadhisheadhalf-turnedasifhewerelisteningtosomeoneoutoftheholographicimage."Things.Asix-foothighBuddha,twodozenbaseballcaps,andaPersianrug!"Chri...

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