file:///G|/Program%20Files/eMule/Incoming/Murray%20Leinster%20-%20First%20Contact.txt
First Contact
TOMMY DORT WENT into the captain’s room with his last pair of stereophotos and said:
“I’m through, sir. These are the last two pictures I can take.”
He handed over the photographs and looked with professional interest at the visiplates
which showed all space outside the ship. Subdued, deep-red lighting indicated the controls and
such instruments as the quartermaster on duty needed for navigation of the spaceship Lianvabon.
There was a deeply cushioned control chair. There was the little gadget of oddly angled
mirrors—remote descendant of the back-view mirrors of twentieth-century motorists—which allowed a
view of all the visiplates without turning the head. And there were the huge plates which were so
much more satisfactory for a direct view of space.
The Lianvabon was a long way from home. The plates, which showed every star of visual
magnitude and could be stepped up to any desired magnification, portrayed stars of every
imaginable degree of brilliance, in the startlingly different colors they show outside of
atmosphere. But every one was unfamiliar. Only two constellations could be recognized as seen from
Earth, and they were shrunken and distorted. The Milky Way seemed vaguely out of place. But even
such oddities were minor compared to a sight in the forward plates.
There was a vast, vast mistiness ahead. A luminous mist. It seemed motionless. It took a
long time for any appreciable nearing to appear in the vision plates, though the spaceship’s
velocity indicator showed an incredible speed. The mist was the Crab Nebula, six light-years long,
three and a half light-years thick, with outward-reaching members that in the telescopes of Earth
gave it some resemblance to the creature for which it was named. It was a cloud of gas, infinitely
tenuous, reaching half again as far as from Sol to its nearest neighbor-sun. Deep within it burned
two stars; a double star; one component the familiar yellow of the sun of Earth, the other an
unholy white.
Tommy Dort said meditatively:
“We’re heading into a deep, sir?”
The skipper studied the last two plates of Tommy’s taking, and put them aside. He went
back to his uneasy contemplation of the vision plates ahead. The Lianvabon was decelerating at
full force. She was a bare half light-year from the nebula. Tommy’s work was guiding the ship’s
course, now, but the work was done. During all the stay of the exploring ship in the nebula, Tommy
Dort would loaf. But he’d more than paid his way so far.
He had just completed a quite unique first—a complete photographic record of the movement
of a nebula during a period of four thousand years, taken by one individual with the same
apparatus and with cdntrol exposures to detect and record any systematic errors. It was an
achievement in itself worth the journey from Earth. But in addition, he had also recorded four
thousand years of the history of a double star, and four thousand years of the history of a star
in the act of degenerating into a white dwarf.
It was not that Tommy Dort was four thousand years old. He was, actually, in his twenties.
But the Crab Nebula is four thousand light-years from Earth, and the last two pictures had been
taken by light which would not reach Earth until the sixth millennium A.D. On the way here—at
speeds incredible multiples of the speed of light—Tommy Dort had recorded each aspect of the
nebula by the light which had left it from forty centuries since to a bare six months ago.
The Lianvabon bored on through space. Slowly, slowly, slowly, the incredible luminosity
crept across the vision plates. It blotted out half the universe from view. Before was glowing
mist, and behind was a star-studded emptiness. The mist shut off three-fourths of all the stars.
Some few of the brightest shone dimly through it near its edge, but only a few. Then there was
only an irregularly shaped patch of darkness astern against which stars shone unwinking. The
Lianvabon dived into the nebula, and it seemed as if it bored into a tunnel of darkness with walls
of shining fog.
Which was exactly what the spaceship was doing. The most distant photographs of all had
disclosed structural features in the nebula. It was not amorphous. It had form. As the Lianvabon
drew nearer, indications of structure grew more distinct, and Tommy Dort had argued for a curved
approach for photographic reasons. So the spaceship had come up to the nebula on a vast
logarithmic curve, and Tommy had been able to take successive photographs from slightly different
angles and get stereopairs which showed the nebula in three dimensions; which disclosed billowings
and hollows and an actually complicated shape. In places, the nebula displayed convolutions like
those of a human brain. It was into one of those hollows that the spaceship now plunged. They had
been called “deeps” by analogy with crevasses in the ocean floor. And they promised to be useful.
The skipper relaxed. One of a skipper’s functions, nowadays, is to think of things to
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