Jones, Diana Wynne - Howl's Moving Castle.txt
utter horror, though she could not see why.
"No mistake, Miss Hatter," said the Witch. "Come, Gaston." She turned and swept to the shop door.
While the man was humbly opening it for her, she turned back to Sophie. "By the way, you won't be
able to tell anyone you're under a spell," she said. The shop door tolled like a funeral bell as she left.
Sophie put her hands to her face, wondering what the man had stared at. She felt soft, leathery wrinkles.
She looked at her hands. They were wrinkled too, and skinny, with large veins in the back and knuckles
like knobs. She pulled her gray skirt against her legs and looked down at skinny, decrepit ankles and
feet which had made her shoes all knobbly. They were the legs of someone about ninety and they
seemed to be real.
Sophie got herself to the mirror, and found she had to hobble. The face in the mirror was quite calm,
because it was what she expected to see. It was the face of a gaunt old woman, withered and brownish,
surrounded by wispy white hair. Her own eyes, yellow and watery, stared out at her, looking rather
tragic.
"Don't worry, old thing," Sophie said to the face. "You look quite healthy. Besides, this is much more
like you really are."
She thought about her situation, quite calmly. Everything seemed to have gone calm and remote. She
was not even particularly angry with the Witch of the Waste.
"Well, of course I shall have to do for her when I get the chance," she told herself, "but meanwhile, if
Lettie and Martha can stand being one another, I can stand being like this. But I can't stay here. Fanny
would have a fit. Let's see. This gray dress is quite suitable, but I shall need my shawl and some food."
She hobbled over to the shop door and carefully put up the CLOSED notice. Her joints creaked as she
moved. She had to walk bowed and slow. But she was relieved to discover that she was quite a hale old
woman. She did not feel weak or ill, just stiff. She hobbled to collect her shawl, and wrapped it over her
head and shoulders, as old women did. Then she shuffled through into the house, where she collected
her purse with a few coins in it and a parcel or bread and cheese. She let herself out of the house,
carefully hiding the key in the usual place, and hobbled away down the street, surprised at how calm
she still felt.
She did wonder if she should say goodbye to Martha. But she did not like the idea of Martha not
knowing her. It was best just to go. Sophie decided she would write to both her sisters when she got
wherever she was going, and shuffled on, though the field where the Fair had been, over the bridge, and
on into the country lanes beyond. It was a warm spring day. Sophie discovered that being a crone did
not stop her from enjoying the sight and smell of may in the hedgerows, though her sight was a little
blurred. Her back began to ache. She hobbled sturdily enough, but she needed a stick. She searched the
hedges as she went for a loose stake of some kind.
Evidently, her eyes were not as good as they had been. She thought she saw a stick, a mile or so on, but
when she hauled on it, it proved to be the bottom end of an old scarecrow someone had thrown into the
hedge. Sophie heaved the thing upright. It had a withered turnip for a face. Sophie found she had some
fellow feeling for it. Instead of pulling it to pieces and taking the stick, she stuck it between two
branches of the hedge, so that it stood looming rakishly above the may, with the tattered sleeves on its
stick arms fluttering over the hedge.
"There," she said, and her crackled old voice surprised her into giving a cracked old cackle
of laughter. "Neither of us are up to much, are we, my friend? Maybe you'll get back to your field if I
leave you where people can see you." She set off up the lane again, but a thought struck her and she
turned back. "Now if I wasn't doomed to failure because of my position in the family," she told the
scarecrow, "you could come to life and offer me help in making my fortune. But I wish you luck
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