Leo Frankowski - The Fata Morgana

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The Fata Morgana
Leo A. Frankowski
This is a work of fiction. All the characters and events portrayed in this
book are fictional, and any resemblance to real people or incidents is
purely coincidental.
Copyright © 1999 by
All rights reserved, including the right to reproduce this book or portions
thereof in any form.
A Baen Book
Baen Publishing Enterprises
P.O. Box 1403
Riverdale, NY 10471
ISBN: 0-671-57876-6
Cover art by Gary Ruddell
First paperback printing, July 2000
Library of Congress Catalog Number 99-27089
Distributed by Simon & Schuster
1230 Avenue of the Americas
New York, NY 10020
Production by Windhaven Press, Auburn, NH
Printed in the United States of America
DEDICATION
This book is dedicated to my father,
Leo Stanley Frankowski
1921-1965
ACKNOWLEDGMENTS
A lot of good people helped me out by proofreading this
book, and by giving me many valuable suggestions. Special
thanks go to L. Warren Douglas, Alan G. Greenberg,
Gilbert Parker, Tom and Jane Devlin, and Mike Hubble,
who has a habit of quoting my books back at me, chapter
and verse.
PUMMEL IN THE TUNNEL
I first noticed that something was definitely wrong when
somebody hit me in the back of the head with a club.
I went flying down on my knees and elbows, slapped the
ground, yelled, and came up on the bounce, smashing
someone's testicles in the process.
A whole platoon of thugs was pouring out of a small doorway
in the side of the tunnel. I caught a wall with one hand while
swinging with the other, and then there were other things to do.
It seemed like I was surrounded by dozens of the bastards!
In the movies, the hero can take on vast numbers of bad guys
because the stunt men have the courtesy to come at him one at a
time. That way, he only has to fight one opponent at a time, ten
times in a row. If your enemies have any brains and
coordination at all, they will mob you, all of them at once, and
then you will go down, no matter how good you are. At best,
you might take out one or two before you are deleted.
My opponents seemed to have neither brains nor
coordination, but they did have enthusiasm, and there were an
awful lot of them. Also, even waiting in line takes a certain
amount of coordination, and for these idiots, fighting seemed
to be a series of random events. Once, apparently by accident,
four of them came at me at once, and I had to drop and roll.
Fortunately, they weren't bright enough to know what to do to
me once I was down. I was up again in a hurry, and dancing
around.
I swear that there were at least fifteen of them on me alone.
Against odds like that, you fight to win, without thinking about
the damage, jail time, or lawsuits you might be generating. I've
always been partial to knees. Knees are low and easy to get to
without the flashy, dangerous, high kicks that some of the other
good targets require. Also, knees break easily, they put your
opponent down fast, and barring modern surgery, they generally
don't heal properly for years, if they heal at all.
I guess I broke a lot of knees that night.
BAEN BOOKS by LEO A. FRANKOWSKI
A Boy and His Tank
The Fata Morgana
ONE
The boat was dismasted, and in parting company the mast had
knocked a hole in the bottom of the ferrocrete hull.
We were sinking in a Force Ten gale, with gusts of up to
seventy, but it was debatable whether she would sink to the
bottom of the East Pacific Basin, or wreck herself on the rocky
shores of an island that couldn't possibly be where it obviously
was.
We had already done everything we could think of, which
wasn't nearly enough. We had stuffed a mattress into the hole,
and wedged and blocked it in as best we could with the sea
water slapping to and fro on the lower deck. Tons of stuff were
awash down there. Plugging the hole seemed to help only a
little. The water in the hold wasn't getting any deeper, but it
wasn't getting noticeably shallower, either.
The engines had flooded out early on, taking the big pumps
west with them, and the electric pumps were losing ground as
the batteries slowly died. Adam was valiantly working the
manual bailer, but he was only postponing the inevitable.
The automatic distress beacon was ready to be switched on
and the life raft was inflated, loaded and in the water. Back in
the cockpit, all I could do was wait and see if our navigation was
really five hundred miles off, and I was staring at one of the
Line Islands, or if the solid looking thing in front of me was
really a mirage, the Fata Morgana, as Adam had twice called it.
A sad ending for a pair of good engineers, I suppose, but
perhaps a better way to go than some of the alternatives. I've
read that drowning beats the hell out of, say, death by fire, but I
don't know where the writer got his information.
TWO
I guess it all really started because of a problem that exists in
the Special Machinery business.
Special Machines are designed and built one at a time, in
accordance with your customer's needs and specifications. If he
manufactures widgets, you might make him a machine that
assembles widgets, or maybe paints them, or wraps them in
plastic film for shipment.
Each special machine is specially designed, you could even
say invented, to do only one thing, but to do that one thing
extremely well. Such a machine can be very productive, but it is
generally of use to only one company. Thus, our industry is one
of the last bastions of craftsmanship in this increasingly
automated, mass production world.
To be sure, our machines are largely responsible for all that
bland mass production, since they can turn out identical
products at a fraction of the cost of any other method known,
but there is nonetheless a great deal of personal satisfaction in
designing something, building it, and then watching it work as
you had planned. It is a rare joy that the operators of our
machines can never have. When there is an operator, that is, and
the whole system is not completely automated.
* * *
I've always liked workshops and factories. Some people-my
ex-wife, for example-claim that the industrial environment is
alien, unnatural, and inhuman, but for me it is the most natural
thing in the world.
I am a man, and as such I am as much a part of nature as any
tree or beaver or bee. The machines that I build are as natural as
any beaver lodge or bee hive. If there is any fundamental
difference, it is that, being a man, I use the mind nature gave me
to direct my efforts, rather than depending on my instincts
alone. Even then, I don't think that I can claim that a beaver
never thought about her work, or that she never sat back to
admire a well built dam.
In Special Machines, our sort of craftsmanship entails a
whole set of problems of its own, problems that the rest of the
world rarely perceives.
You see, in order to get new business for your company, you
have to have competent people ready to start on your
customer's job. No purchasing agent in his right mind would
trust an important order to someone who had nothing but a
vacant shop.
And in order to get competent people, you have to have
interesting work for them to do. Even if you could afford to pay
them to sit and do nothing while you were waiting for the next
job to come in, the best workers would all quit within days,
leaving you with no one but the sort of people who would be
better off working for the government. When you start paying
people to not work, you are automatically selecting for
incompetence.
It's a shame, but the only sane course of action is when the
work is gone, you have to lay almost everybody off. It hurts, but
there's nothing else you can do.
It then becomes a matter of “If we had some eggs, we could
have some ham and eggs, if we had some ham.” I've seen a few
companies that never were able to get started up again. Oh, in an
ideal world, there would always be a fresh job to get into
whenever the last job was winding down, but if I ever began to
notice that happening to me on a regular basis, I'd start believing
in Santa Claus, or maybe even God.
So when a big (for us) Chrysler welding line was getting
ready to be shipped, and nothing new was in the offing, most of
my best engineers had their computers in word processing
mode. They were updating their resumes on company time, and
I knew that I was in trouble.
Oh, I had plenty of money. The previous three jobs had been
profitable, the company bank account was flush, and I hadn't
even been paid yet for the last one. The trouble was, looking for
work, I'd called on everybody I knew (and many that I didn't) and
I hadn't been able to find anything, anywhere, that was ready to
shake loose in less than two months.
By which time I would have to hire a whole new bunch of
strangers, assuming that I could find such people. Then I would
likely end up having to fire half of them for incompetence, after
gracing each such bumble fingered fool with a month's pay in
return for his efforts at screwing things up. And then I would
have to waste yet another month teaching those with some
small bit of ability the proper way to get things done. That is to
say, my way.
All with the net result of an ungodly amount of personal
aggravation, late deliveries, and cost overruns that, in this
industry, you generally have to eat on your own. It's not like
doing “cost plus” work for the government. Starting with a new
crew, my next job would run at a loss, not only to my bank
account, but also to my reputation, which-in the long run-is the
only really important thing that any company has ever got. Once
you have the right reputation, you can buy everything else you
need.
摘要:

TheFataMorganaLeoA.FrankowskiThisisaworkoffiction.Allthecharactersandeventsportrayedinthisbookarefictional,andanyresemblancetorealpeopleorincidentsispurelycoincidental.Copyright©1999byAllrightsreserved,includingtherighttoreproducethisbookorportionsthereofinanyform.ABaenBookBaenPublishingEnterprisesP...

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