Lumley, Brian - E-Branch 2 - Invaders

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Invaders
By Brian Lumley
E-Branch 1
Also by Brian Lumley
THE CALLER OF THE BLACK
BENEATH THE MOORS
THE HORROR AT OAKDEENE
THE BURROWERS BENEATH
THE TRANSITION OF TITUS CROW
THE CLOCK OF DREAMS
SPAWN OF THE WINDS
IN THE MOONS OF BOREA
ELYSIA
KHAI OF ANCIENT KHEM
THE HOUSE OF CTHULHU AND OTHERS
GHOUL WARNING AND OTHER OMENS
(poefry) RETURN OF THE DEEP ONES
HERO OF DREAMS THE COMPLEAT CROW
PSYCHOMECH PSYCHOSPHERE
PSYCHAMOK!
DEMOGORGON
THE HOUSE OF DOORS
THE HOUSE OF DOORS: SECOND VISIT
NECROSCOPE
NECROSCOPE II: WAMPHRI!
NECROSCOPE III: THE SOURCE
NECROSCOPEIV: DEADSPEAK
NECROSCOPE V: DEADSPAWN
NECROSCOPE: THE LOST YEARS - VOLUME I
NECROSCOPE: THE LOST YEARS - VOLUME II
VAMPIRE WORLD I: BLOOD BROTHERS
VAMPIRE WORLD II: THE LAST AERIE
VAMPIRE WORLD III: BLOOD WARS
FRUITING BODIES AND OTHER FUNGI
DAGON'S BELL AND OTHER DISCORDS
THE SECOND WISH AND OTHER EXHALATIONS
A COVEN OF VAMPIRES
Prologue
In Xanadu, Jethro Manchester had built a pleasure dome, in fact the Pleasure Dome Casino. But that
was some time ago, and since then Manchester's fortunes had changed. Now both the casino and the
mountain resort of Xanadu belonged to another, to Aristotle Milan, and the new resident-owner's
needs required that he make certain alterations.
The casino was a great dome of glass and chrome. It was a three-storey affair - or four-storey, if
one included a smaller dome, which sat like a bubble or a raised blister on top of the main
structure - that lorded its location at Xanadu's hub, on a false plateau in a high, dog-leg fold
of the Australian Macpherson Range of mountains.
Now it was night, but still the work on Mr Milan's alterations continued. He wanted the work
completed to his specifications before he reopened Xanadu to the public in just a few days' time.
And in his private accommodation in the high bubble dome, Milan himself supervised the last of the
work; or if not supervised, at least he was there to see it finished to his satisfaction. But
Milan's presence - or more specifically the annoyance that accompanied it - wasn't to Derek
Hinch's liking.
Hinch was a painter and decorator, but at times like this he tended to think of himself more as a
steeplejack. Inside the bubble it wasn't so bad ... there wasn't very far to fall if he made the
VTTT
classic mistake of stepping back a few paces to admire his work! But outside, some fifty or sixty
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feet off the ground: that had been nerve-racking, and thank God he was done with it now.
But black? Painting perfectly good windows black, both inside and out? It didn't make a lot of
sense to Derek Hinch. And as for Mr Milan: he didn't make much sense either! The guy must be some
kind of eccentric, a nut case, albeit a very rich, powerful one. The way he prowled through the
glitzy false opulence of this place, apparently lost in some indefinable distance, in space and
time; though mainly (Hinch suspected) lost in a world of his own, the extravagance of his
thoughts.
And his music ... his bloody terrible, interminable music! There was a gleaming antique jukebox at
one end of a small, gently curving, mahogany-topped bar on the perimeter of the bubble, and when
Milan was taking it easy he would sit there in an armchair with a drink, just listening to the
music ... the same damn tunes or songs, or just, well, music, over and over again. And it was
driving Hinch nuts, too!
Not that Hinch didn't care for the stuff; he liked - or he used to like, and he would have
continued to like - all of this stuff just fine ... if he hadn't been obliged to listen to each
piece at least thirty or forty times in the space of just seven nights. So thank God he was almost
finished here!
But nights! Why in hell couldn't this work be done in daylight hours? And why in hell couldn't
Milan sleep nights - like any other mad millionaire? And why in double-damned Ml did he have to
play his bloody music like this!?
What was it that was playing now? Damn, the tunes had kind of run together in Hindi's head; he had
heard them so often, he knew what was coming next! Mr rich-foreign-handsome-bloody-bastard Milan
kept playing them in sequence, in some kind of order of preference. But it was the order of
disorder, totally out of order, to Hinch's way of thinking.
Oh, yes - now he remembered - Zorba's Dance, that was it! All bouzoukis, fast drumbeats, and
Anthony bloody Quinn dancing
on a beach! A Greek thing that was almost as much an antique as the machine that played it. One of
those tunes that never dies, one which as far as Hinch was concerned could die any time it fucking
well liked! And of course as the tune ended, Hinch knew the next item in the circular, never-
ending repertoire. And here it came yet again:
'Sunshine, you may find my window but you won't find me ...' Some kind of blues with a Country and
Western flavour, and lyrics too deep for Hinch to understand ... pleasing to listen to, even
soothing, in a way... if you hadn't heard it half a dozen times already this very night! Some old
black guy, singing his heart out about misery. But to Hinch's mind the only misery lay in having
to listen to it over and over again.
'So, you don't care for my music, Mr Hinch?' The voice was deep yet oiled; it seemed to rumble, or
purr, yet was in no way cat-like. On the other hand, Milan's movements were cat-like as he came
from the bar with a drink in his long-fingered hand, to gaze out on the night through an open
window.
But if it wasn't painted black, (Hinch thought), there'd \>e no need to open the fucking thing!
Not that there's anything to see out there. While out loud he said, 'Er, did I say something about
your music? I have a habit of talking to myself while I'm working. It doesn't mean anything.' Oh
yes it fucking does! It means that I'm pissed to death with you, and your bloody music, and with
bloody Kanadu, and all of this bloody black paint!
He looked down on Milan from a height of some twelve feet, from a wheeled scaffolding tower where
he had just put the finishing touches to the last pane of a high window. And that was it: the
entire interior surface, every square foot of hundreds of square feet of glass, varnished for
adhesion, painted black, and finally layered with polyurethane lacquer for durability. A double-
dyed bastard of a job!
'Perhaps I don't pay you enough?' said Milan, as Hinch put down his roller, wiped his hands, came
clambering down from on high.
'The money's fine,' the bad-tempered Hinch said. He stood
six feet tall, but still had to lift his head a fraction to look up at his employer. 'And I'd like
it now, for I'm all done.'
'Then if the payment is fine,' said Milan, 'it can only be that I was right and it's the music. Or
perhaps it's me? Do you find my presence unsettling?'
While he was speaking, Hinch had checked him out - again. For Aristotle Milan was the kind of man
you looked at twice. At a guess he'd be maybe forty, forty-five years old. Difficult to be more
specific than that, because his looks were sort of timeless. He was probably sixty but topped-up
with expensive monkey hormones or some such. Something was running through his veins, keeping him
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young, for sure. Spoiled, rich bastard!
But foreign? Even without the name to give him away, there could be no mistaking that: Italian
with a touch of Greek - but in any case a mongrel, in Hinch's eyes. Milan's hair was black as
night; worn long, it swept back from a high, broad forehead, and its shining ringlets curled on
his shoulders. And handsome: he had the kind of Mediterranean looks that seemed to appeal to a lot
of women. Hinch would guess that his bedroom crawled with all kinds of young, good-looking, dirty
women.
His ears were fleshy - what could be seen of them - but he wore his sideboards thick and lacquered
back to cover the upper extremities. Something odd about his nose, too: a flatfish look to it, as
if Nature had pushed it back a little too far, and his nostrils were too large and flaring. And
then those arcing eyebrows over deep-sunken, jet-black eyes ... those eyes that were Milan's most
startling feature. Jet-black, and yet Hinch couldn't be certain. Catch them at the right angle,
they'd sometimes gleam a golden, feral yellow. And despite the nose, still those eyes loaned Milan
the looks of a bird of prey.
But handsome? Maybe Hinch was all wrong about that. It was simply the attraction of Milan's odd -
his strange or foreign, his almost alien - features, that was all. And as for Mediterranean: well,
that didn't seem quite right either, not with the cold pallor of his flesh, and the blood red of
his lips. He was something of
a weird one, this Milan, for sure. Something of an enigma. An unknown or unspecified quantity.
'Payment when the job is done,' Milan spoke again, the rumble lower than ever. 'Which it isn't,
not quite, not yet.'
'What?' Hinch stared hard at him, tried to look hard, too - difficult with a man as sure of
himself as Milan. Or as sure of his filthy money! But Hinch reckoned that for all his lousy
millions, still Milan would be a cinch in a fight. Hinch was a powerful, brutal fighter, the
victor of a dozen rough-house brawls. And Milan - he had the hands of a pianist, fingers like a
girl! Hw^/Hinch would bet his life that Milan had never felt a bunch of knuckles bouncing off that
ugly nose of his. And the thought never occurred to him that he had already bet his life.
Cocking his head a little on one side, Milan looked at him curiously, sighed and said, 'First it's
my music, and then it's because you've had to work late into the night, and now ... now it's
personal, to the point that you insult me and even measure your physical strength against mine,
like an opponent... as if you could ever be an opponent. Or is it all just jealousy?'
And suddenly it sank into Hinch's less than enormous brain that while he'd thought all of these
things, he hadn't actually voiced any of them - not even about the music! Was he that easy to
read?
But he was tired of all this, and so, changing the subject he said, 'What's that about the job not
being finished? I mean, you wouldn't be trying to avoid paying me - would you?' And the threat in
his words, the way he growled them, was obvious.
'Not at all,' Milan told him. 'Payment is most certainly, very definitely due. And you shall have
it. But out there - on the outside of the dome, just a little to the left of this open window here
- there's a spot you missed. And I suffer from this affliction: I can't deal with too much
sunlight. My eyes and my skin are vulnerable. And so, you see, while sunshine may find my window,
it must never find me. The work must be finished, to my satisfaction. That was our contract, Mr
Hinch.'
God damn this weird bastard! Hinch thought, as he paced to the window, leaned out (but carefully,)
and looked to the left. But: 'God?' said Milan, from close behind. 'Your god, Mr Hinch? Well, if
there is such a Being - and if his sphere of influence is as extensive as you suppose - I think
you may safely assume that he "damned" me a very long time ago.'
'Eh?' said Hinch, looking back into the dome, surprised by and wondering at the sudden change in
Milan's tone of voice. Milan moved or flowed closer; his slim fingers were strong where they came
down on Hindi's hand, trapping it on the window sill. And leaning closer still, with his face just
inches away, he smiled and hissed, 'You don't much care for heights, do you, Mr Hinch? In fact you
care for them even less than you care for me, or for my music.'
'What the bloody ... ?' Hinch looked into eyes that were no longer black or feral but uniformly
red, flaring like lamps.'
'Bloody?' the other repeated him, his voice a phlegmy gurgle now, full of lust, and his breath a
hot, coppery stench in Hindi's face. 'Ah, yesssss! But not your blood, not this time, Mr Hinch.
Your blood is unworthy. You are unworthy!'
'Jesus Christ!' Hinch gasped, choked, tried to draw away -and failed.
'Call on who or whatever you like.' Milan continued to pin him to the window ledge, and moved his
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free hand to the back of Hinch's thick neck. 'No one and nothing can help you now.'
'You're a fucking madman!' Hinch jerked and wriggled, but he couldn't pull free. The other's
strength was unbelievable.
'And you ... you are nothing!' Milan told him, continuing to smile, or at least doing something
with his face.
Hinch saw it, but didn't believe it: the way Milan's lips curled back and away from his elongating
jaws, the teeth curving up through his splitting gums, his ridged, convoluted nose flattening
back, while his nostrils gaped and sniffed. And the red blood dripping from the corner of his
mouth.
Then Milan freed Hinch's hand in order to clench his fist and
hit him in his ribs - such a blow that Hinch, burly as he was, was lifted from his feet. At the
same time, Milan hoisted him by the scruff of the neck and tilted him forward; concerted movements
designed to topple him into space.
And as the shrieking Hinch flipped out into the night, so the Thing that looked like a man
released him.
Hinch fell, but only for a moment. Then his shriek became a gasp as he came down on his belly and
cracked ribs across the safety rail of a painter's platform slung between twin gantries. From
above, seven or eight feet to the open window, Hinch heard Milan's cursing. And struggling to his
feet inside the platform he looked up - to see that hideous, livid face looking down on him!
Then, moving like liquid lightning, Milan was up onto the window ledge, and light as a feather
came leaping to the bouncing, rocking platform. His intentions were unmistakable, and as he landed
Hinch went to kick him in the groin. Milan caught his foot, twisted it until the ankle broke, then
reached out with a long arm to grab the other's throat. And without pause, lifting Hinch bodily
into the air, he thrust him out beyond the rim of the safety rail - and let him fall.
As Hinch fell - grasping at thin air and failing to catch it - he was aware that Milan was
speaking to him one last time. But whether it was a physical voice he heard, a chuckling whisper
in his head, or simply something imagined, he couldn't have said. And he certainly didn't have
time to worry about it.
Paid in fully the crazed voice whispered. For your insults if not for your work. So be it!
And below, crashing down head first, Hinch was dead before the pain had time to register. Like an
egg dropped on the floor, the contents of his skull splattered at first. But the grey was soon
drowned in a thick, night-dark pool that formed around his shattered head.
While up above, that terrible face continued to smile down on him... for a little while, until
Aristotle Milan's features melted
7
PART ONE
back into a more acceptable form, and he gave a careless shrug, and grunted again, 'So be it!'
Then he returned to listening to his music, and no other's thoughts to disturb him now, in the
solitude of a strange place in a strange land ...
An 'unfortunate accident,' was how local newspapers would later report the matter. They also
reported Milan's generous offer to pay all of the funeral expenses, and his very generous donation
to Derek Hindi's widow ...
The How Of It
CHAPTER ONE See The Creechur
It was hot as hell, and flies the size of Jake Cutter's little fingernails had been committing
suicide on the vehicle's windscreen for more than a hundred and fifty miles now, ever since they'd
left Wiluna and 'civilization' behind.
'Phew!' Jake said, sluicing sweat from his brow and out of the open window of their specially
adapted Land Rover. The top was back and the windows wound down, yet the hot wind of passage that
pushed their wide-brimmed Aussie hats back from their foreheads, tightened their chinstraps around
their throats and ruffled their shirts still made it feel like they were driving headlong into a
bonfire. And the 'road' ahead - which in fact was scarcely better than a track - wavered like a
smoke-ghost in the heat haze of what appeared to be an empty, ever-expanding distance.
Behind the vehicle, a mile-long plume of dust and blue-grey exhaust fumes drifted low over the
scrub and the wilderness.
'That's your fifth "phew",' Liz Merrick told him. 'Feeling talkative today?'
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'So what am I supposed to say?' He didn't even glance at her, though most men wouldn't have been
able to resist it. 'Oh dear, isn't it hot? Christ, it must be ninety! "Phew" is about all I'm up
to, because if I do more than open my mouth a crack - ugh!' And he spat out yet another wet fly.
IT
Liz squirmed and grimaced. 'What the hell do they live on, I wonder? Way out here, I mean?' She
swatted and missed as something small, black and nasty went zipping by.
'Things die out here/ Jake answered grimly. 'Maybe that's what they live on.' And just when she
thought that was it, that he was all done for now: 'Anyway, the sun's going down over the hills
there. Another half-hour or so, it'll be cooler. It won't get cold - not in this freaky weather -
but at least you'll be able to breathe without frying your lungs.' Then he was done.
She turned her head to look at him more fully: his angular face in profile, his hard hands on the
wheel, his lean outline. But if Jake noticed her frowning, curiously intent glance, well, it
scarcely registered. That was how he was: hands off. And she thought: We make a damned odd couple!
She was right, they did. Jake hard yet supple, like whip-cord, and Liz soft and curvy. Him with
his dark background and current ... condition, and Liz with her-
-Which was when they hit a pothole, which simultaneously brought Liz's mind back to earth while
lifting her backside eight inches off her seat. 'Jake, take it easy!' she gasped.
He nodded, in no way apologetically, almost absent-mindedly. He had turned his head to look at her
- no, Liz corrected herself - to look beyond her, westward where the rounded domes of gaunt,
yellow- and red-ochre hills marched parallel with the road. They were pitted, those hills,
pockmarked even from here. The same could be said of the desert all around, including the so-
called road. 'These old mine workings,' Jake growled. 'Gold mines. That was subsidence back there,
where the road is sinking into some old mine. I didn't see it because of this bloody heat haze.'
'Gold?' Squirming down into her seat, Liz tried to get comfortable again. Hah! she thought. As if
I'd been comfortable in the first place!
'They found a few nuggets here/ he told her. 'There was a bit of a gold rush that didn't pan out.
There may be gold here - there
probably is - but first you have to survive to bring it up out of the ground. It just wasn't worth
it ...'
'Because even without this awful El Nino weather, this was one hell of an inhospitable place to
survive in/ she nodded.
'Right/ Finally Jake glanced at her - at her this time. And while he was still looking she grinned
nervously and said:
'What a place to spend your honeymoon! I should never have let you talk me into it/ A witticism,
of course.
'Huh!' was his reply. Shielding his eyes, he switched his attention back to the rounded hills with
the sun's rim sitting on them like a golden, pus-filled blister on the slumping hip of some
gigantic, reclining, decomposing woman.
'Fuel gauge is low/ Liz tapped on the gauge with a fingernail. 'Are we sure there's a gas station
out here?' In fact she knew there was; it was right there on the map. It was just the awful heat,
the condition of the road, evening setting in, and a perfectly normal case of nerves. Liz's tended
to fray a little from time to time. As for Jake's ... well, she wasn't entirely sure about his,
didn't even know if he had any.
'Gas station?' He glanced at her again. 'Sure there is. To service the local "community". Heck,
around these parts there's point nine persons per hundred square miles!' While Jake's sarcasm
dripped, it wasn't directed entirely at Liz but rather at their situation. Moreover, she thought
she detected an unfamiliar edge to his voice. So perhaps he did have nerves after all. But still
his completely humourless attitude irritated her.
'That many people? Really?' For a moment she'd felt goaded into playing this insufferable man at
his own game ... but only for a moment. Then, shrugging, she let it go. 'So what's it doing here?
The gas station, I mean/
'It's a relic of the gold rush/ he answered. 'The Australian Government keeps such places going
with subsidies, or they simply couldn't exist. They're watering holes in the middle of nowhere,
way stations for the occasional wanderer. Don't expect too much, though. Maybe a bottle of warm
beer - make sure you
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t-BKAJN^rt. IJNVAJJtKS
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knock the cap off yourself... yes, I know you know that - no food, and if you need the loo you'd
better do it before we get there.' Good advice, around these parts.
The road vanished about a mile ahead: an optical illusion, just like the heat haze. As the hills
got higher, so the road began to climb, making everything seem on a level, horizontal. Only the
throb of the motor told the truth: that the Land Rover was in fact labouring, however slightly.
And in another minute they crested the rise.
Then Jake brought the vehicle to a halt and they both went off into the scrub fifty yards in
different directions. He got back first, was leaning on his open door, peering through binoculars
and checking the way ahead when Liz returned.
'See anything?' she asked, secretly admiring Jake where he stood unselfconsciously posed, with one
booted foot on the door sill, his jeans outlining a small backside and narrow hips. But the rest
of him wasn't small. He was tall, maybe six-two, leggy and with long arms to match. His hair was a
deep brown like his eyes, and his face was lean, hollow-cheeked. He looked as if a good meal
wouldn't hurt... but, on the other hand, extra weight would certainly slow him down. His lips were
thin, even cruel. And when he smiled you could never be sure there was any humour in it. Jake's
hair was long as a lion's; he kept it swept back, braided into a pigtail. His jaw was angular,
thinly scarred on the left side, and his nose had been broken high on the bridge so that it hung
like a sheer cliff (like a native American Indian's nose, Liz thought) instead of projecting. But
despite his leanness, Jake's shoulders were broad, and the sun-bronzed flesh of his upper arms was
corded with muscle. His thighs, too, she imagined ...
'The gas station,' he answered. 'Sign at the roadside says "Old Mine Gas". There's a track off to
the right from the road to the pumps ... or rather the pump. What a dump.' Another sign this side
of the shack says ... what?' He frowned.
'Well, what?' Liz asked.
'Says "See the Creature!'" Jake told her. 'But it's spelled C-r-e-e-c-h-u-r. Huh! Creechur ...' He
shook his head.
'Not much schooling around here,' she said. Then, putting a hand to the left side of her face to
shut out the last spears of sunlight from the west, 'That's some kind of eyesight you've got. Even
with binoculars the letters on those signs have to be tiny.'
'First requirement of a sniper,' he grunted. 'That his eyesight is one hundred per cent.'
'But you're not a sniper, or indeed any kind of killer, any longer,' she told him - then caught
her breath as she realized how wrong she might be. Except it was different now, surely.
Jake passed the binoculars, looked at her but made no comment. Peering through the glasses, she
focused them to her own vision, picked up the gas station's single forlorn pump and the shack
standing - or leaning - behind it, apparently built right into the rocky base of a knoll, which
itself bulged at the foot of a massive outcrop or butte. The road wound around the ridgy, shelved
base of the outcrop and disappeared north.
And while she looked at the place, Jake looked at her. That was okay because she didn't know he
was looking.
She was a girl - no, a woman - and a sight for sore eyes. But Jake Cutter couldn't look at her
that way. There had \>em a woman, and after her there couldn't be anything else. Not ever. But if
there could have been ... maybe it would have been someone like Liz Merrick. She was maybe five-
seven, willow-waisted, and fully curved where it would matter to someone who mattered. And to whom
she mattered. Well, and she did, but not like that. Her hair, black as night, cut in a boyish bob,
wasn't Natasha's hair, and her long legs weren't Natasha's legs. But Liz's smile ... he had to
admit there was something in her smile. Something like a ray of bright light, but one that Jake
wished he'd never known - because he knew now how quickly a light can be switched off. Like
Natasha's light ...
'Not very appetizing,' Liz commented, breathing with difficulty through her mouth.
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'Eh?' He came back to earth.
'The dump, as you called it.'
'The name says it all.' Jake was equally adenoidal. 'Probably the entrance to an old mine. Hence
"Old Mine Gas".'
A great talent for the obvious, she wanted to tell him but didn't. Sarcasm again, covering for
something else.
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'So what do you think?' she finally said, as they got back into the 'Rover.
'Good time not to think/ he answered, and Liz could only agree. At least he'd remembered what
little he'd been told. So they tried not to think, and continued not thinking as he started up the
vehicle and let her coast the downhill quarter-mile to the Old Mine Gas station ...
Lights of a sort came on as they turned off the road to climb a hard-packed ramp to the elevated
shelf that fronted the shack. The illuminated sign flickered and buzzed, finally lit up in a
desultory, half-hearted neon glare; grimy windows in the shack itself burned a dusty, uncertain
electrical yellow. In an ancient river valley like this, dry since prehistory, it got dark very
quickly, even suddenly, when the sun went down.
It also got cooler; not cold by any means - not in this freakish El Nino weather - but cooler.
After they pulled up at the lone pump, Jake helped Liz shrug herself into a thin safari jacket,
took his own from the back of the 'Rover and put it on. In the west, one shallow trough in the
crest of the domed hills still held a golden glow. But the light was rapidly fading, and the
amethyst draining from the sky, squeezed out by the descending sepia of space. To the east, the
first stars were already winking into being over blackly silhouetted mountains.
Maybe twenty-five paces to the right of the main shack a lesser structure burrowed into the side
of the steep knoll. The 'See the Creechur' sign pointed in that direction. Liz wondered out loud,
'What sort of creature, do you reckon?'
But now there was a figure standing in the shadow of the
16
shack's suddenly open screen door. And it was that figure that answered her. 'Well, it's a
bloody/wnnjy one, I guarantee that much, miss!' And then a chuckle as the owner of the deep,
gravelly voice stepped out into full view. 'It's a bit late in the day, though, so if ver want ter
see 'im, best take a torch with yer. Bloomin' bulb's blown again ... or maybe 'e did it 'imself.
Don't much care for the light, that creechur feller. Now then, what can I do fer you folks? Gas,
is it?'
Jake nodded and tilted his hat back. 'Gas. Fill her up.'
'Ah!' The other's gasp seemed genuine enough. 'Eh? What's this, then? Brits, are yer? A pair of
whingein' pommies way out 'ere? Now I asks yer, what next!?' He grinned, shook his head. 'Just
kiddin'. Don't yer be takin' no note o' me, folks.'
To all appearances he was just a friendly old lad and entirely unaccustomed to company. His rheumy
little pinprick eyes, long since abandoned to the wrinkles of a weathered face, gazed at his
customers over a bristly beard like that of some garrulous stagecoach driver in an ancient
Western. As he took the cap off the Land Rover's tank, his wobbly spindle legs seemed about ready
to collapse under him. And as if to make doubly sure he'd said nothing out of turn: 'Er, no
offence meant,' he continued to mumble his apologies.
'No offence taken,' Liz gave a little laugh. And Jake had to admire her: her steady, give-away-
nothing voice. She quickly went on, 'Can we get a drink or something, while you're filling her up?
It's been a long and thirsty road, and a way to go yet. Maybe a beer? You do have beer, right?'
'Did yer ever meet up with an Australian' (but in fact he said Orstrylian) 'who didn't have a beer
close ter hand?' The old man grinned again, started the pump and handed the nozzle to Jake, then
hobbled back and 'elp open the inner door to the shack for Liz. 'Just you help yerself, miss.
They're all lined up on the shelves back o' the bar there. Not a lot ter choose from, though -
Fosters every one! It's my favourite. And since I'm the one who drinks most of it, it's my choice
too.'
17
'Well, good/ said Liz. 'It's my favourite, too.' Jake watched them go inside, frowned at the
nozzle in his hand. Just like that, he'd accepted the bloody thing. Damn!
After that ... but it seemed it was going to take forever to satisfy the 'Rover's greedy guzzling.
So Jake quit when the tank was only three-quarters full, slammed the nozzle into the pump's
housing, tried not to look too concerned as he followed Liz and the old boy into the shack. But
he'd hated to lose contact with her, lose sight of her like that, even for a few seconds. And
she'd looked back at him just before she passed from view, her green eyes a fraction too narrow,
too anxious.
Inside, however, it wasn't as bad as he'd thought it would be. Or as it might have been.
It was the grime, the blown dust of the desert, clinging to the outside of the windows, that had
shut the light in and made the place seem so dim from outside. But within - this might be typical
of any outback filling station a million miles from nowhere. That was Jake's first impression. The
bar was a plank on two barrels, with a bead curtain hanging from the plank to the floor in front,
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and smaller barrels for seats. Liz was perched on one of them, and the old man had passed her a
beer that she held unopened in her hand.
She must have asked him if he was all alone out here, and he was in the process of answering:
'Alone? Me? Naw, not much. And anyway I enjoys bein' on me ownsome. Oh, I got a couple o' boys to
'elp out. They ain't 'ere right now, is all. It ain't so bad, actu'ly. 'Ad a truck through just a
day or so ago.'
'A truck?' Liz said, all innocence and light. 'Out here?' And the old man nodded. 'Gawd knows
where they'd be goin'! But for that matter, where be you goin', eh? What're yer doin' out 'ere
anyway?'
Having taken in much of the single room at a glance, Jake strode to the bar and asked for a beer.
Without waiting for an answer from Liz, the old man reached for a bottle and turned to Jake. 'Well
now, you was a mite quick!' he said. 'Yer just topped 'er up, am I right? I mean, yer'd never fill
a big tank as quick as that/
'Right/ said Jake, accepting the beer. He gave the bottle a quick shake, forced the top off with a
practised thumb. Then, changing the subject as the warm beer foamed, 'No cans?' he inquired. He
passed the bottle to Liz, took hers and repeated his trick, with the same result. The beer wasn't
flat; these bottles were old stock, but they hadn't been opened previously.
And meanwhile: 'Cans? I don't hold with 'em/ the oldster told him. 'All this newfangled shite! But
yer can trust a bottle/ And turning to Liz again, 'You were sayin'?'
'No/ she answered, 'you were saying. You asked what we're doing out here/
'Well then?' he pressed.
She smiled. 'Can you keep a secret?'
He shrugged his hunched shoulders, sat down on a barrel on his side of the plank and chuckled.
'And who do yer reckon I'd be tellin'?'
Liz nodded. 'We were visiting kin in Wiluna, decided to get married sort of quick. So here we are,
run off where no one can find us/
'Eh? Honeymooners, yer say? Run off on yer ownsome and left no forwardin' address? All out o'
touch, secret an' private in the Gibson Desert? Huh! Hell o' a place fer a honeymoon .. /
'I told him the very same thing/ Liz nodded her agreement, shaking an I-told-you-so finger at
Jake.
And Jake said, 'Anyway, we're headed north. We thought we'd take a look at the lakes, and-'
'Lakes?' the old fellow cut in, frowning. 'Yer visitin' the lakes?' Then, with a knowing nod of
his head, he muttered, 'Big disappointment, that/
'Oh?' Jake lifted an eyebrow.
But the oldster only laughed out loud and slapped his thigh. 'Lake Disappointment!' he guffawed.
'Way up north o' here. Damn me, they falls fer it every time!' He sobered up, said, 'Lakes, eh?
Somethin' ter see, is it? Huh! Plenty o' mud and salt, but that's about all/
18
IQ
'And wildlife!' Liz protested.
'Oh, aye, that too,' he said. 'Anyway, what would I know or care? I 'ave me own wildlife, after
all.'
'The creature?' Jake swigged on his beer.
"Im's the one,' the old boy nodded. 'Yer wanna see 'im?'
Jake had done with studying the oldster. But he would certainly like to take a closer look at this
shack - or what lay behind it or maybe beneath it. Liz could feel his curiosity, no matter how
hard he tried to keep it from the old boy. Moreover, she knew that between them they must check
this place out, and so decided to do her bit, create a diversion as best she could. And anyway
(she told herself), the old man didn't seem much of a threat.
I'd like to see him,' she said. 'I mean, what's the mystery? What kind of creature is it, anyway?
Or is it just a con - some mangy, diseased dingo crawled in out of the desert - to pull in a few
more travellers?' And to her partner, though she knew he wouldn't take her up on it: 'What about
you, Jake? You want to come and see this thing?'
Jake shook his head, took another pull at his bottle. 'Not me, Liz. I've a thirst to slake. But if
you want to have a look at some mangy dog, well, go right ahead.' Almost choking on the words, he
got them out somehow. Damn it to hell-the idea was supposed to be that they didn't get split up.'
He hoped she knew what she was doing. There again, she'd been in this game longer than he had. And
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that pissed Jake more than a little, too: the fact that Liz was in effect the boss here.
'Torch,' said the old boy, taking a heavy rubber-jacketed flashlight from the shelf and handing it
to Liz. 'Yer'11 need it. I keeps 'im in out o' the sun, which would surely fry 'is eyes. But it's
dark in the back o' the shack there. And this time o' evenin' even darker in 'is cage.' When she
looked uncertain, didn't move, he cocked his head on one side and said, 'Er, yer just follers the
signs, is all.'
Liz looked at him, hefted the torch, said, 'You want me to go alone?'
'Can't very well get lost!' he said. But then, grumblingly, he hobbled out from behind the
makeshift bar. 'It's these old pins o' mine,' he said. 'See, they don't much like ter go. But yer
right - can't let a little lady go wanderin' about in the dark on 'er own. So just you foller me,
miss. Just you foller old Bruce.' And then they were gone.
Jake took a small pager out of his pocket and switched it on. Now if Liz got in trouble she only
had to press the button on her own beeper and he would know it... and vice versa. For in this game
it was just as likely that he would be the one to make a wrong move.
Those were his thoughts as he stepped silently behind the bar, and passed through a second bead
curtain hanging from the timbered ceiling to the floor. And as easily and as quickly as that he
was into a horizontal mineshaft, and almost as quickly into something far less mundane ...
Liz had followed the old man (Bruce? Hell of a lot of Australians called Bruce, she thought. There
had to \>e at least as many as there were Johns in London) along the foot of the knoll to the
lesser shack that leaned into an almost sheer cliff face.
It was quite dark now, and the torch he'd given her wasn't nearly working on full charge. The
batteries must be just about dead. Of course, knowing the place as he did, that wouldn't much
concern the old boy, but it concerned Liz. And despite that she followed slowly and carefully in
old Bruce's footsteps - mainly to give Jake the time he needed to look the place over - still she
stumbled once or twice over large rocks or into this, that, or the other pothole. But, in truth,
much of her stumbling was a ploy, too, so that it was perhaps a good thing after all that the
torch was almost spent. She thought so at the outset, anyway.
Until eventually: 'Here we are,' the old man said, turning a key in a squealing lock and opening
an exterior screen door. Beyond that a second door stood ajar; and as old Bruce, if that really
was his name, reached out an incredibly long arm to one side of Liz
20
21
to push it fully open - at the same time managing to bundle her inside - so she recognized the
smell of a lair.
It was a primal thing, something that lies deep in the ancestral memories of every human being: to
be able to recognize the habitat of a dangerous animal or animals. The musty, feral smell of a
cavern where something dwells - or perhaps an attic where bats have hibernated for untold years -
or maybe the reptile house in a zoo.
But there are smells and smells, and this wasn't like anything Liz had ever come across before; or
perhaps it was simply the tainted, composite smell of all of them. Until suddenly she realized
that it wasn't just a smell - wasn't simply a smell - but her talent coming into play, and that
the stench wasn't in her nostrils alone but also in her mind.'
And then she had to wonder about its origin, the focus or point of emanation of this alien taint.
Was it the shack - or the steel-barred, wall-to-wall cell it contained - or perhaps the night-
black tunnel beyond the bars, with its as yet unseen, unknown 'creechur' ... or could it possibly
be old 'Brace' himself?
There came a sound from the darker depths of the horizontal mine shaft. And just as there are
smells and smells, so are there sounds and sounds. Liz gasped, aimed her torch-beam into the
darkness back there, and saw movement. A flowing, gathering, approaching darkness in the lesser
dark around; an inkblot of a figure, taking on shape as it came, bobbing, wafting on a draft of
poisonous air from wherever and whatever lay beyond. And it had luminous yellow eyes - slanted as
a beast's, and yet intelligent, not-quite-feral - that held her fixed like a rabbit in a
headlight's beam!
But only for a moment. Then-
'You.'' Liz transferred the torch to her left hand, dipped her right hand into a pocket and came
out with a modified Baby Browning, used her thumb to release the safety and aimed it at the old
man ... or at the empty space where he had been. While from outside in the night, she heard the
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grating of his booted feet,
his now obscene chuckle, and the squeal of a key turning in the exterior screen door's lock as he
shut her in.
Hell! But this could quite literally be hell! Along with her talent - held back far too long by
her desire not to alert anyone or anything to her real purpose here - Liz's worst fears were now
fully mobilized, realized. She knew what the creechur in the mineshaft was, knew what it could do.
But even now she wasn't entirely helpless.
Tucking the torch under her arm, she found her beeper and pressed its alarm button ... at the
precise moment that it commenced transmitting Jake's own cry for help!
The shock of hearing that rapid beep! beep! beeping from her pocket almost made Liz drop the
torch; she somehow managed to hold on to it, held her hands together, pointed the gun and the
torch both through the inch-thick bars of the cage. But as the weak beam swept the bars, it picked
out something that she hadn't previously noticed; there had been little enough time to notice
anything. The cage had a door fastened with a chain and stout padlock - but the padlock hung on
the inside, the other side, where it dangled from the hoop of its loose shackle!
She knew what she must do: reach through the bars, drive home the shackle to close the padlock. A
two-handed job. Again she put the torch under her arm, fumbled the gun back into her pocket. Then,
in the crawling, tingling, living semi-darkness, Liz thrust her trembling hands between the bars
... and all of the time she was aware of the thing advancing towards her, its slanted, sulphurous
eyes alive on her ... and the beeper issuing its urgent, staccato mayday like a small, terrified
animal... and on top of all this the sudden, nightmarish notion: But what if this thing has the
key to the padlock!?
At that moment it was Liz Merrick who felt like some small, terrified, trapped animal - but a
human animal. While the thing striding silently, ever closer to her along the shaft was anything
but human, though it might have been not so long ago.
It was almost upon her; she smelled the hot stench of its breath!
22
CHAPTER TWO
Dark Denizens
Liz had squeezed her eyes shut in a desperate effort to locate the padlock. Now she opened them
...
... And it was there, it was there! Its face, caught in the upward-slanting beam of yellow light
from the torch in her arm-pit, looked down on her! And:
'Ahhh!' It - or he, the 'creechur' - sighed. 'A girl. No, a woooman. And a fresh one. How very
good to meet you here.' How very ... provident. AM!' And as simply as that his cold, cold hands
took the padlock from hers, freed it from the chains, and let it fall with a clank to the dirt
floor ...
24
Meanwhile, Jake Cutter had proceeded maybe a hundred yards down the gradually sloping shaft, deep
into the earth. The shaft was quite obviously the entrance to an old mine; the walls and roof were
timbered, and there were sleepers and rusty, narrow-gauge rails in the fairly uneven floor. In
places there was some evidence of past cave-ins, where holes in the ceiling and boulders on the
floor told their own story. Since the surviving supports seemed stout enough, Jake wasn't worried
for his safety in that respect.
But in one other respect, he was. And he kept finding himself wishing that right now he wasn't
somewhere but rather someone else - despite that he would usually prefer not to be! All very
confusing and paradoxical, but it was something which had only ever' happened twice, and then in
the most extreme of circumstances. And for the time being Jake was only Jake Cutter.
Such were his thoughts when the narrow but adequate beam of his pencil-slim pocket torch picked
out the first of several side tunnels, shafts that radiated off from the main, the original
mineshaft.
Until now the floor had borne a thick coating of dust and sand, much of which had settled against
the walls. Towards the centre, however, and between the rails, most of this had been
scuffed away, presumably by the recent passage of several or many persons. But persons going
where? Of course, the old proprietor might be using this place as a warehouse or stock room;
indeed, back where the shaft opened into the shack that fronted the mine Jake had passed a jumble
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