Mercedes Lackey & Josepha Shennan - Castle of Deception

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CASTLE OF DECEPTION
This is a work of ficdon. All the characters and events
portrayed in this book are fictional, and any resemblance to
real people or incidents is purely coincidental.
Copyright® 1992,byMercedes Lackey and JosephaShennan
All rights reserved, including the right to reproduce this book
or portions thereof in any form.
A Baen Books Original
Tfc'&CTri'iTa&charactiers and descriptions are the sote property of
Electronic Arts and are used by permission. The Board's Tide is a
registered trademarkofElecc-onicArts.
Baen Publishing Enterprises
EO. Box 1403
Riverdale,NY 10471
ISBN: 0-671-72125-9
Cover art by Larry Elmore
First Printing, July 1992
Printed in the United States of America
Distributed by Simon & Schuster
1230 Avenue of the Amcricas
New York, NY 10020
Chapter I
'Roong./
The lute string snapped, whipping across Kevin's
hand. He yelped, just barely managing not to drop the
lute. Instead, he placed the instrument gendy down on
his cot, then brought his stinging hand to his mouth.
Blast it all, that had Aurt! Of course it had. He knew bet-
ter by now than to try tightening a string too far. After
all, he'd been a bardling, an apprentice Bard, for what
seemed like all his nearly sixteen years.
The welt finally stopped smarting. Kevin got to his
feet with an impatient sigh. He didn't really mind prac-
ticing; it was something every musician had to do every
day, even his Master. He didn't even mind being stuck
in his cramped little room. Or at least he wouldn't mind
practicing and being cooped up in this stupid room in
this stupid inn if only he knew this was all leading
somewhere!
If something doesn't happen soon, something exciting...
Picking his way across the piles of clothes and music
scrolls uttering the floor, the bardling stared out the
one window, down to the Blue Swan's cobblestone
courtyard. A merchant was climbing onto his fine bay
horse, his travelling robes rich purple in the
springtime sunlight. With him rode his bodyguard,
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two men and a woman in plain leather armor, straight-
backed and alert as falcons, hands never straying too
far from the swords at their sides. Kevin sighed in envy.
They were probably nothing more heroic than com-
mon mercenaries, and the journey they were taking
2 Mercedes Lackey^'Josephs Sherman
was probably nothing more exciting than a ride to the
next town, but at least they were going- somewhere,
they were doing something! While he —
"Blast iti" the bardling swore under his breath.
He couldn't stand being stuck here a moment
longer. Clattering down the inn's wooden staircase,
Kevin hurried across the common room — empty at
this early hour — and headed out into the courtyard.
But then he stopped short on the cobblestones. What
was he hoping to see? The merchant and his party
were already out of sight, riding down the old North
Road that ran just outside the inn's gateway, and there
probably weren't going to be any more travellers today.
Discouraged, the bardling turned and went back
through the inn to the back entrance, stepping out into
town.
Ha. Some town.
Bracklin was litde more than a collection of a dozen
small, thatched-roof houses clustered behind the inn.
A neat, pretty, orderly place, one where nothing dif-
ferent had ever happened and nothing ever would.
And people here actually like it that -way!
Kevin leaned back against the inn's half-timbered
side, the wall chilly on his back, the sun warm on his
face. There had never been a day he could remember
when he hadn't dreamed of being a Bard, of singing
wonderful songs and travelling to wonderful places,
maybe even working the rare, powerful Bardic Magic,
healing people with his music or even banishing
demons. How could those dreams have turned into
something so unbearably dull7
"Morning, Kevin," a woman's cheerful voice called
from across the unpaved strcet-
The bardling started. "Uh, good morning, Ada."
"That's just like you bard-folk, always off in a world
all your own."
Ada was a round, chubby, middle-aged hen of a
CASTLE OF DECEPTION 3
woman. Right now her brown hair was tucked up out of
her way in an unddy bun, and the sleeves other plain
white blouse were pushed back above the elbows as she
filled a washtub full of soapy water. "Come for Master
Aidan's clothes, have you? Told you they couldn't be
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ready till this afternoon. Had to spend all day yesterday
washing the travel dust off the robes of His Nibs." Ada's
jerk of the head took in the departed merchant and his
party. "Eh, won't bad-mouth die fellow; paid me down to
the last coin, with extra added." Her bright black eyes
studied Kevin. "What's with you, lad?"
-Nothing."
"Oh, don't give me 'nothing.' What is it?"
Kevin sighed. "Ada, you remember when I first came
here."
The woman smiled warmly. "Don't I, though. You
were such a little boy, almost too small for the lute on
your back, clinging to your music teacher's hand and
all wide-eyed with wonder."
"Mistress Malen was very kind."
"Well, of course she was! Imagine after all the years
of having to teach merchants' kids without a drop of
talent to them coming across someone like you with the
true gift for music! No, no, don't start blushing like
that You know it's true."
Ada plopped a shirt into her washtub and started
scrubbing. "Look you, lad, before she left. Mistress
Malen told me all about you: how you were pluck-
ing at the strings of your family's old lute the minute
you were old enough to hold it, making up your
own litde tunes till they didn't have a choice but to
hire her."
Kevin had to smile. Mistress Malen had been a
wonderful first teacher, endlessly patient with her eager
pupil. She had also been honest enough to admit his
talent was more than she could shape. A litde shiver of
wonder raced through the bardling as he remembered
4 Mercedes Lackey 6f'Josephs Sherman
how she'd shaken her head and told him, "You have the
makings ofa Bard, boy, a true Bard."
Ada's chuckle dragged him back to the present. **So
there you were, poor chick, standing in the courtyard
of the Blue Swan, fall of wonder, yes, but maybe just a
touch scared, too. And no surprise, being apprenticed
to Master Aidan like that, a Bard—an^ a hero as well!"
Kevin glanced up at his Master's room. "You
remember how it was, don't you? When my Master
helped King Amber keep his throne, I mean.**
"Bless you, child, how old do you think I am? That
was a good thirty years ago! I was a chick myself back
then, much younger than you." She paused thought-
fully. "But I do remember all the celebrating. My, yes!
Everyone couldn't stop chattering about how it had
been a Bard, your Bard, who'd used his magical songs
o> stop that witch ofa would-be usurper."
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"Princess Cariotta."
"Oh. she might have been a princess, the nasty tittle
creature, but she was a sorceress, all right, dark-
hearted as they come! She turned our good king into
stone — stone, can you imagine that! And if it hadn't
been for Master Aidan, stone. King Amber would have
remained. Bah! Good riddance to her, I say — and all
praise to Master Aidan for stopping her."
Kevin sighed. "That must have been a wonderful
time.... **
"Wonderful! Those were the most dangerous days
nobody ever wanted! And 1 don't blame your Master
for coming here after it was all over. If anyone ever
earned some peace and quiet, it was he!"
That wasn't what Kevin wanted to hear. At first every
day with his Master had seemed wild with excitement
After all, with a hero Bard to teach him, why shouldn't
he, too, do great deeds someday! But it hadn't taken
long to learn that his Master had, somewhere over the
years, forgotten all about heroism.
CASTLE OF DECEPTION
"Ada, you've lived here in Bracklin all your life,
haven't you?"
"You know it. Never left this town. Never saw any
need toF
"But don't you ever want to meet new people?"
"I do! Enough travellers come into the inn for that.**
"That's not what I mean. Don't you ever get bored?
Want to see new places, do new things?"
Ada looked at him as though he'd gone mad. "Why
should I want something as foolish as that? I have a
nice house, good, steady work. Love you, lad, I think
the spring's gotten into you." She shooed him away
with soapy hands. "Now, get along with you, Kevin. I
have work to do."
The bardling wandered on down Bracklin's one street
to the end. It didn't take long. He stood looking out over
the fields beyond die edge of town, each neatly plowed
strip of land exactly like the next, and shuddered.
Making his way back towards the Blue Swan, Kevin
politely returned the greetings of baker and seamstress
and butcher. All of them, he realized, were quite
peacefully going about their various tasks just as they did
every day. And not a one of them seemed to mind! Sud-
denly frustrated to the point of screaming, Kevin hurried
back into the inn and his room. At least he could learn a
new song!
There wasn't a sound out of his Master's room. Of
course not The old Bard probably had his nose buried
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in old manuscripts, just as he had whenever he wasn't
playing himself, or giving the bardling a music lesson
—just as he had for almost all the time Kevin had
studied with him.
/ know he's hunting/or something important. But he won't
tell me what it is! And while he hunts through all those dusty
books, I'm stuck here in Bracklin with him. Fm not a child
anymore! I can't be content Hke this!
The bardling snatched up his lute and struck a few
6 Mercedes Lackey ^Josephs Sherman
savage chords. But he couldn't play anything with that
broken string.
"Blast it all to Darkness!"
Kevin rummaged through the mess on floor and
table till he found a replacement string. This was
ridiculous? All Master Aidan had to do was say the
word, and King Amber would gladly name him the
royal bard. They could be living in the royal palace
right now.
And wouldn't that be grand? Kevin pictured his
Master in elegant Bardic robes, people bowing respect-
fully as he passed. He would be a major power in court-
And his brave young apprentice would be a figure of
importance too....
"Right," Kevin muttered. "And pigs could fly."
His Master had tremendous musical talent, no
doubt about that; every dme the old Bard took his own
well-worn mandolin and showed the boy how a song
should be played, a litde shiver of wonder ran through
Kevin, and with it a prayer: Ah, please, please, let me some-
day play Uke that, wrth such grace, such—such glory! Of late
he had begun to hope that his prayers, if not answered,
had at least begun to be heard. But even Ada insisted
Master Aidan was also an adept at Bardic Magic....
Idon't understand it! IfIhad such a gift, fdbeusmgit, not
—not fading it away m the middle of nowhere!
Oh yes, "if," Kevin thought darkly. It wasn't as
though every Bard had the innate gift for Bardic
Magic, after all. Master Aidan seemed to believe he pos-
sessed it, had assured Kevin over and over that in some
bardhngs the gift blossomed fairly late. But surely if he
was going to show any sign of magic, it would have sur-
faced by now. After all, he was nearly a man! Yet so far
he hadn't felt the slightest angle of Power no matter
how hard he'd tried. To him, the potentially magical
songs his Master had taught him remained just that:
songs.
CASTLE OF DECEPTION 7
The bardling gave the lute an impatient strum, then
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winced. Sour! Lute strings went out of pitch all too easily.
As he retimed them, Kevin admitted to himself that
yes, he did take a great deal of joy in creating music,
and in creating it well. But aside from that music, what
did he have? Of course it was true that a musician
seldom had time for much else; if he was to succeed at
all, a musician must give himself totally to his craft.
Kevin could accept that But did the rest of life have to
be so — drab? What did he do from day to day, really,
but run his Master's errands like a litde boy, keep all
those old manuscripts dusted, see the same dull town
and the same dull people?
/ might as well be apprenticed too — a baker!
"Kevin," a weary voice called from across the hall, and
thebardlingstraightened, listening. "Come here, please."
"Yes, Master."
Now what? Maybe he was supposed to order their
supper from the innkeeper? Or go find out from Ada
exactly when their wash would be done?
But when the bardling saw the old Bard's pale face,
his impatience slipped away, replaced by a pang of
worry. He had never known the Master as anything
but a white-bearded old man, but surely he'd never
seen him look quite this tired. Quite this... fragile.
It's because he never goes out, Kevin tried to persuade
himself. Never even gets any sunlight, cooped up in here •unth
his books. "Master? Is — is something wrong?"
"No, Kevin. Not exactly."
But a hint of fire flickered in the man's weary blue eyes,
and Kevin tensed, all at once so wild with hope he nearly
cheered. "You've found what you were looking for!"
"Alas, no."
"Then ... what is it? Are we going somewhere?" Oh
Rtease, ohplease, say yes!
"We? No. boy. You."
Kevin felt his heart thunder in his chest. Yes! At last
8 Mercedes Lackey ^Josepha Sherman
something new was going to happen! "You w-won't
regret this!" he stammered. "Just tell me what the quest
is, and I—"
The old Bard chuckled faintly. "I'm afraid it isn't a
quest, my fine young hero. More of an errand. A
longer one than usual, and further away than most,
but an errand never the less."
"Oh." Kevin struggled to keep the disappointment
from his face. I should have known better. Just another stupid
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errand.
"What I want you to do," the Bard continued, "is go
to the casde of Count Volmar — "
"And deliver a message from the King?" At least that
would be something halfway dramatic!
"And copy a manuscript for me," his Master cor-
rected, looking down his long nose at the bardling.
"You're to copy it — copy it exactly, understand — and
bring the copy back to me."
Kevin barely silenced a groan. "Is it very long?"
"I believe so."
And it was probably unbearably dull, too. "But,
Master," Kevin asked desperately, "why don't you just
ask them to send the manuscript to you?"
"No! It's too valuable to be moved."
Naturally. "If you want it copied exactly," the
bardling said as casually as he could, "why not hire a
trained scribe — "
"No!" For a startling moment, the Bard's face was so
fierce Kevin could almost believe the heroic tales- But
then the fierceness faded, leaving only a weary old man
behind. "I have given you your orders. The
manuscript you are to copy is known as The Stvdy of
Ancient Song. It is approximately three hands high and
one and a half hands wide, and is bound in plain, dark
brown leather that, I imagine, must be fairly well worn
by now. The title may or may not be embossed on the
spine, but it should be printed clearly enough on the
CASTLE OF DECEPTION 9
cover." He paused- "In brief: the manuscript cannot be
moved from the count's library. And only you are to
copy it. Each day's work must be hidden. It must not be
shown to anyone. Is that understood?"
Kevin frowned. Had the old Bard's mind turned?
Or, more likely, was he simply trying to enliven a dull
job for his apprentice with a touch of the dramatic?
The bardling bowed in resignation. "Yes, Master," he
muttered.
"Good. Now, here's a letter of introduction to the
count from me. He should recognize my seaL Be sure
you keep it safe in your belt pouch; nobles are suspi-
cious sorts, and unless they know you're really from
me, you'll never get past the casde gates."
Kevin obediently stuffed the parchment into his
pouch. Ah well, he'd try to make the most of this. At
least it meant getting out of this dull old inn for a few
days. Yes, and he would be staying in a castle. Hey now,
maybe even rubbing elbows with the nobility!
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The bardling fought down a sudden grin, imagining
himself at court, impressing somebody important,
maybe even the count himself, with his talent. Who
knew? If he was really lucky, he might get a chance to
really prove himself. He might even end up being
named a true Bard!
Oh, right If he didn't wind up spending all his time
stuck in the count's library.
"Kevin? Kevin! Listen to me, boy," his Master fussed.
**You must hurry. I have a way to get you to the count
safely—friends are coming through—but time is short
Can't have a lad your age travelling all by himself."
The bardling straightened, insulted. "Your pardon,
Master, but I'm not a baby. I'll be all right, don't worry.**
"It's notyou I'm worried about, boy. It's what you
might meet along the way. You're a bardling, not a
trained warrior."
"I can handle a sword!"
10 Mercedes Lackey S^Josepha Sherman
"But you won't," the Bard ordered bluntly. "A
musician doesn't dare risk injuring his hands."
"Well, yes, of course, but— "
"I repeat, you are not a trained warrior. If someone
attacked you, you wouldn't stand a chance of defend-
ing yourself."
"I'm nearly sixteen!" Kevin began body. "I can take
care of myself!"
But the Bard was no longer listening to him. Head
cocked, the old man murmured, "Well now, do you
hear that?"
"Singing?" the bardling said in surprise. Who in that
quiet town would suddenly be frivolous enough to
burst into song? And raucous song at that!
"I wonder," the Bard murmured to himself. "Can it
be... so soon?"
He moved slowly to the window. Kevin followed,
looking over the man's shoulder at a laughing group of
folks on horseback clattering into the courtyard, sur-
rounding two gaudy red and blue wagons. The riders'
cloaks and tunics fluttered in the wind, their many
colors so bright he could have sworn they were cut
from scraps of rainbows. The man who seemed to be
the leader, driving the first wagon, wore a robe that edit-'
tiered like the sun itself.
"It^sjust a troop of minstrels," Kevin began, but his
Master was already calling out the window: "Berak!"
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The leader glanced up, his sharp-featured, green-
eyed face suddenly alert. "So it was your Summons, old
man!" he yelled back. "You're still alive and kicking, I
see!"
Kevin gasped, but his Master only laughed. "And
you're still the same disrespectful soul as ever! Come
up here, if you would."
Berak brought his whole troop with him, twenty
men and women and their offspring, all with sharp,
suntanned faces and bright, wild eyes. Chattering and
CATTLE OF DECEPTION 11
laughing, they filled the small room almost to overflow,
their gaudy clothing making it look even shabbier than
it was.
Berak held up a hand for silence, "What would you,
old Bard?" he asked, making the man a fantastic bow.
The Bard didn't seem at all disturbed by the curious
stares. "A favor, Berak, if you would. My apprentice here,
young Kevin, needs to travel to Count Volmar's castle— "
"A far way for such a child," a woman murmured,
and Kevin gave her an indignant glare.
"Exactly," his Master said. "I doubt you restless but-
terflies will be staying here longer than one night."
"NotinAis dull town!"
"Then since your route seems to be taking you along
the North Road anyhow, if you might happen to see
your way to the count's castle, and take Kevin with you
when you go... ?"
For a moment, the Bard's eyes met Berak's fierce
green gaze.
Almost, Kevin thought in sudden confusion, as though
they're exchanging secret information.
But in the next moment Berak laughed and bowed
another of his intricate bows, and Kevin told himself
not to be ridiculous. The man was nothing more than a
common minstrel.
"Of course, old man," Berak said. "Kevin, bardling,
we leave at sunrise tomorrow!"
Whether I like it or not. the boy thought drily.
That night, the troop of minstrels sang for their sup-
per, standing to one side of the open fireplace, the
gaudy colors of their dothing turned muted and glow-
ing by the flickering firelight. Kevin listened to their
music for a long time, trying to figure out exactly what
they were doing. No two singers seemed to be follow-
ing the same tune, and the two harpers, three fiddlers
and one flutist all seemed to be playing their own
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12 Mercedes Lackey ^Josepha Sfierman
melodies as well. And yet somehow all that wild sound
managed to blend into one whole, intricate song. He
couldn't say whether or not it was a beautiful song, he
couldn't even say whether or not he liked it, but the
bardling had to admit it certainly was interestingr
The innkeeper and his wife didn't seem to know
what to make of the music, either, nor did their guests.
When the troop had finished, there was a fair amount
of applause, and everyone agreed they had earned
their dinners, but Kevin suspected from their uncer-
tain glances that the rest of the audience was as
confused as he.
"How did you like it?" The old Bard had appeared
so suddenly at Kevin's shoulder that the bardling had
tobitebackayell-
Tm not sure... I mean, it was music, all right, not
just sound, but... well... it was wild. Like something
the forest would sing, if trees could only — I mean —
I'm sounding stupid, aren't I?"
His Master chuckled. "No. Not at all. You sound like
a youngster who's suddenly realized that the world's a
good deal wider, with a good deal more strangeness in
it, than he ever suspected." He patted Kevin's
shoulder. "Come along, bardling. The night's growing
late, and you must be up eariy in the morning."
Kevin stood in the courtyard of the inn, dad in good,
serviceable tunic, breeches and boots, the whole thing
covered by a woollen doak, its warmth welcome in the
chilly morning air. His lute was in its waterproof
travelling case, slung across his back, because no Bard,
not even a bardling, ever travelled without his instru-
ment.
All around the bardling, the minstrels were chatter-
ing and scuttling about, somehow never getting in each
other's way, reloading their wagons, scooping up gig-
gling children, tightening a saddle girth here,
CASTLE OF DECEPTION 13
readjusting a pack there. But Kevin didn't really notice
all the bustle. He was too busy staring at the animal
placidly looking back at him. His heart sank.
A mule! The Master hadn't even trusted him with a
horse. An adventurer needed a stallion, a destrier, a
war horse — not a stupid old long-eared mule!
"Eh, bardling!" Berak called from his wagon seat.
"Mount up, boy! We have a long way to travel."
"My name is Kevin, not 'bardling,' " Kevin mut-
tered, but Berak didn't seem to hear him-
"That's a wise old mule, bardling. He'll carry you
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摘要:

file:///G|/rah/Mercedes%20Lackey/Lackey,%20Mercedes%20+%20Josepha%20Sher\man%20-%20Castle%20of%20Deception%20-%20Bard's%20Tale.txtCASTLEOFDECEPTIONThisisaworkofficdon.Allthecharactersandeventsportrayedinthisbookarefictional,andanyresemblancetorealpeopleorincidentsispurelycoincidental.Copyright®1992,...

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