
It's important to me to feel self-sufficient. Not dependent on anyone. I have bad luck with women, but I'd
be the first to admit it's mostly my fault. Despite my life I'm still a Romantic, with all the problems that
brings. My closest female friend is a bounty hunter, who operates exclusively in the Nightside. She tried
to kill me once. I don't bear a grudge. It was just business.
I drink too much, and mostly I don't care. I value its numbing qualities. There's a lot I prefer not to
remember.
And now, thanks to Joanna Barrett and her errant daughter, I was heading back into Hell. Back into a
place where people have been trying to kill me for as long as I remember, for reasons I've never
understood. Back into the only place where I ever feel really alive. I'm more than just another private
detective, in the Nightside. It was one of the reasons why I left. I didn't like what I was becoming.
But as I headed down into the Underground system below London's streets, with Joanna Barrett in tow,
damn if it didn't feel like coming home.
It didn't matter which station or line I chose. All routes lead to the Nightside. And the whole point of
the Underground is that every rail station looks the same. The same tiled walls, the same ugly machines,
the overly bright lights and the oversized movie and advertising posters. The dusty vending machines, that
only tourists are dumb enough to actually expect to get something out of. The homeless, sitting or lying in
their nests of filthy blankets, begging for spare change, or just glad to be away from the elements for a
while. And, of course, the endless tramp of hurrying feet. Of shoppers, commuters, tourists, businessmen,
and media types, always in a hurry to be somewhere else. London hasn't quite reached saturation point
yet, like Tokyo, where they have to employ people to forcibly squeeze the last few travellers into a
carriage, so the doors will close; but we're getting there.
Joanna stuck close to me as I led the way through the tunnels. It was clear she didn't care for her
surroundings, or the crowds. No doubt she was used to better things, like stretch limousines with a
uniformed chauffeur and chilled champagne always at the ready. I tried not to smile as I led her through
the crush of the crowds. Turned out she didn't carry change on her, so I ended up having to pay for
tickets for both of us. I even had to show her how to work the machines with her ticket.
The escalators were all working for once, and we made our way deeper into the system. I took turnings
at random, trusting to my old instincts to guide me,
until finally I spotted the sign I was looking for. It was written in a language only those in the know would
even recognise, let alone understand. Enochian, in case you're interested. An artificial language, created
long ago for mortals to talk with angels, though I only ever met one person who knew how to pronounce
it correctly. I grabbed Joanna by the arm and hustled her into the side tunnel underneath the sign. She
jerked her arm free angrily, but allowed me to urge her through the door marked Maintenance. Her
protests stopped abruptly as she found herself in what appeared to be a closet, half-full of scarecrows in
British Rail uniforms. Don't ask. I pulled the door shut behind us, and there was a blessed moment of
peace as the door separated us from the roar of the crowds. There was a phone on the wall. I picked it
up. There was no dialling tone. I spoke a single word into the receiver.
"Nightside."
I put the phone back and looked expectantly at the wall. Joanna looked at me, mystified. And then the
dull grey wall split in two, from top to bottom, both sides grinding apart in a steady shuddering
movement, to form a long narrow tunnel. The bare walls of the tunnel were bloodred, like an opened