Rudy Rucker - Inside Out

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2024-11-23
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INSIDE OUT
Rudy Rucker
[07 feb 2002—scanned, proofed and released for #bookz]
Rudy Rucker is a mathematician who writes books of popular science and science fiction. His
SF swings widely and freely into the surreal and metaphysical upon occasion. In this story, his
future is a fantasy land and his science is transformed by metaphor. In direct rebellion against the
tradition of fantasy world-building, Rucker doesn't just paint the world of the story with a broad
brush; he paints it with a broom. He simultaneously denies the necessity of rationalizing the world
of the story while invoking the standard scientific technique of oversimplifying for the sake of
mathematical argument (in this case involving topology—an interesting contrast to R. A Lafferty's
story (pp.375-88). Fast and loose, wild-and-crazy fantastic, that's Rudy Rucker.
You might think of Killeville as a town where every building is a Pizza Hut. Street after street of
Pizza Huts, each with the same ten toppings and the same mock mansard roof—the same shiny zero
repeated over and over like same tiles in a pavement, same pixels in a grid, same blank neurons in an
imbecile's brain.
The Killevillers—the men and women on either side of the Pizza Hut counters—see nothing odd
about the boredom, the dodecaduplication. They are ugly people, cheap and odd as K-Mart dolls. The
Killeville gene pool is a dreg from which all fine vapors evaporate, a dreg so small that some highly
recessive genes have found expression. Killeville is like New Zealand with its weirdly unique fauna.
Walking down a Killeville street, you might see the same hideous platypus face three times in ten
minutes.
Of course a platypus is beautiful ... to another platypus. The sound that drifts out of Killeville's
country clubs and cocktail parties is smug and well-pleased. It's a sound like locusts, or like feasting
geese. "This is good food," they say, "Have you tried the spinach?" The words don't actually matter; the
nasal buzzing honk of the vowels conveys it all: We're the same. We're the same.
Unless you were born there, Killeville is a horrible place to live. Especially in August. In August the
sky is a featureless gray pizza. The unpaved parts of the outdoors are choked with thorns and poison ivy.
Inside the houses, mold grows on every surface, and fleas seethe in the wall-to-wall carpeting. In the wet
grayness, time seems to have stopped. How to kill it?
One can watch TV, go to a restaurant, see a movie, or drink in a bar—though none of these
pastimes is fun in Killeville. The TV channels are crowded with evangelists so stupid that it isn't even
funny. All the restaurants are, of course, Pizza Huts. And if all the restaurants are Pizza Huts, then all the
movie theaters are showing Rambo and the Care Bears movie. MADD is very active in Killeville, and
drinking in bars is risky. Sober, vigilant law-enforcement officers patrol the streets at every hour.
For all this, stodgy, nasty Killeville is as interesting a place as can be found in our universe. For
whatever reason, it's a place where strange things keep happening ... very strange things. Look at what
happened to Rex and Candy Redman in August, 198-.
Rex and Candy Redman: married twelve years, with two children aged eight and eleven. Rex was
dark and skinny; Candy was a plump, fairskinned redhead with blue eyes. She taught English at Killeville
Middle School. Rex had lost his job at GE back in April. Rex had been a CB radio specialist at the
Killeville GE plant—the job was the reason the Redmans had moved to Killeville in the first place. When
Rex got laid off, he went a little crazy. Instead of selling the house and moving—which is what he should
have done—he got a second mortgage on their house and started a business of his own: Redman
Novelties & Magic, Wholesale & Retail. So far it hadn't clicked. Far from it. The Redmans were broke
and stuck in wretched Killeville. They avoided each other in the daytime, and in the evenings they read
magazines.
Rex ran his business out of a run-down building downtown, a building abandoned by its former
tenants, a sheet music sales corporation called, of all things, Bongo Fury. Bongo Fury had gotten some
federal money to renovate the building next door, and were letting Rex's building moulder as some kind
of tax dodge. Rex had the whole second floor for fifty dollars a month. There was a girl artist who rented
a room downstairs; she called it her studio. Her name was Marjorie. She thought Rex was cute. Candy
didn't like the situation.
"How was Marjorie today?" Candy asked, suddenly looking up from her copy of People. It was a
glum Wednesday night.
"Look, Candy, she's just a person. I do not have the slightest sexual interest in Marjorie. Even if I
did, do you think I'd be stupid enough to start something with her? She'd be upstairs bothering me all the
time. You'd find out right away ... life would be even more of a nightmare."
"It just seems funny," said Candy, a hard glint in her eye. "It seems funny, that admiring young girl
alone with you in an abandoned building all day. It stinks! Put yourself in my shoes! How would you like
it?"
Rex went out to the kitchen for a glass of water. "Candy," he said, coming back into the living room.
"Just because you're bored is no reason to start getting mean. Why can't you be a little more rational?"
"Yeah?" said Candy. She threw her magazine to the floor. "Yeah? Well I've got a question for you.
Why don't you get a JOB?"
"I'm trying, hon, you know that." Rex ran his fingers through his thinning hair. "And you know I just
sent the catalogs out. The orders'll be pouring in soon."
"BULL!" Candy was escalating fast. "GET A JOB!"
"Ah, go to hell, ya goddamn naggin ... " Rex moved rapidly out of the room as he said this.
"THAT'S RIGHT, GET OUT OF HERE!"
He grabbed his Kools pack and stepped out on the front stoop. A little breeze tonight; it was better
than it had been. Good night to take a walk, have a cigarette, bring home a Dr. Pepper, and fool around
in his little basement workshop. He had a new effect he was working on. Candy would be asleep on the
couch before long; it was her new dodge to avoid going to bed with him.
Walking towards the 7-Eleven, Rex thought about his new trick. It was a box called Reverse that
was supposed to turn things into their opposites. A left glove into a right glove, a saltshaker into a pepper
grinder, a deck of cards into a Bible, a Barbie doll into a Ken doll. Reverse could even move a coffee
cup's handle to its inside. Of course all the Reverse action could be done by sleight of hand—the idea
was to sell the trapdoored Reverse box with before-and-after props. But now, walking along, Rex
remembered his math and tried to work out what it would be like if Reverso were for real. What if it
were possible, for instance, to turn things inside out by inverting in a sphere, turning each radius vector
around on itself, sending a tennis ball's fuzz to its inside, for instance. Given the right dimensional flow, it
could be done ...
As Rex calmed himself with thoughts of math, his senses opened and took in the night. The trees
looked nice, nice and black against the citylit gray sky. The leaves whispered on a rising note. Storm
coming; there was heat lightning in the distance and thundermutter. Buddaboombabububu. The wind
picked up all of a sudden; fat rain started spitting; and then KCRAAACK! there was a blast to Rex's
right like a bomb going off! Somehow he'd felt it coming, and he jerked just the right way at just the right
time. Things crashed all around him—what seemed like a whole tree. Sudden deaf silence and the
crackling of flames.
Lightning had struck a big elm tree across the street from him; struck it and split it right down the
middle. Half the tree had fallen down all around Rex, with heavy limbs just missing him on either side.
Shaky and elated, Rex picked his way over the wood to look at the exposed flaming heart of the
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分类:外语学习
价格:5.9玖币
属性:13 页
大小:37.85KB
格式:PDF
时间:2024-11-23
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