
When they were fifteen years old, Giyan and Bartta found a lorg. It was hiding, as lorgs are wont to do,
beneath a large flat rock of a golden hue lying like a wart on the belly of a bone-dry gully. Konara
Mossa, their Ramahan guardian and teacher, had told them to keep a sharp eye out for lorgs, for lorgs
pre-ferred the thin, kuelLo-fir-scented air that drifted along the shoulders of the Djenn Marre. Beware
the lorg, she warned them with a frightening sweep of a gnarled forefinger, for lorgs are evil creatures,
ensnaring the souls of dying infants, hoarding them like grains of milled oat grass. Su-perstitious
nonsense, Giyan thought privately. The lorgs might be ugly to look at, but they seemed harmless enough;
in fact, they were ben-eficial inasmuch as they ate stydil larvae, and everyone knew how de-structive
those insects could be to the oat grass and glennan crops.
It was Lonon, the Fifth Season—that eerie time between High Sum-mer and Autumn when the
gimnopedes swarmed; when, on clear nights, all five moons, pale green as a dove's belly, could be seen
in the vast black bowl of the sky; when The Pearl had been misused; when the V'ornn had come to
Kundala.
Giyan and Bartta, both Ramahan novices, had had the enormous misfortune of being born twins, an evil
omen among the mountain Kundalan, a certain sign of bad luck that their mother tried to rectify by
winding their own umbilicals around their soft pink necks. Their father, entering the birthing chamber, had
cut the cords with his own hunting knife. While they squalled their first breath of new life, he had had to
slit the throat of the scheming midwife, who had whispered goading superstitions in their mother's ear,
egging her on to commit infanticide.
They had learned all this years later from their father, just before he left home for good. Their father and
mother never should have married, that was the truth of it. Their father was a no-nonsense trader who
saw the world in a straightforward manner, while their mother was entan-gled in the dark skein of magic,
superstition, anxiety. They had no basis to form a connection, let alone to fall in love or even to discover
a comfortable tolerance.
Cheated out of her attempt to mend her ill fortune, their mother brought the twins to the Abbey of
Floating White as soon as they were old enough. In a most unseemly manner, she begged Konara Mossa
to train the twins to be Ramahan, praying that their wholesale devotion to the Great Goddess would
spare them the usual fate of twins.
And so they were made fluent in the Old Tongue, they were taught from the scraps of Utmost Source,
The Five Sacred Books of Müna, mem-orized and set down over the decades by successive konara
after it was lost. They were taught the creation myths, the legends of The Pearl, the seventy-seven
festivals of Müna, the importance of Lonon, the Fifth Season, Müna's time, the season of change. They
learned the ways of phytochemistry, of healing with herbs and mushrooms, of divining por-tents, of
seeking with opals, and, most importantly, they were taught the Prophesy of the coming of the Dar
Sala-at, the Chosen One of Müna, who would find The Pearl and use it to free the Kundalan from their
bondage to the V'ornn.
It was curious how two sisters—twins at that—could absorb the same lessons and arrive at different
conclusions. One saw the vessel half-full, the other saw it half-empty. For Giyan, life at the abbey had
brought alive the rich history of her people, where sorcerous beings like Dragons and narbuck and
Rappa and perwillon mingled freely with the Kundalan, males and females sharing equally in every facet
of life, where those with the Gift were trained to use Osoru sorcery well and wisely, where each festival
was an excuse for music, dancing, singing, the fervent excitement of being alive. Now, it was said, only
the fearful perwillon remained, slumbering deep in their caves. For Bartta, the history lessons told another
story—of what had been taken from them by the V'ornn, of the diminishing of Ramahan power and
influence, of the rise of the new Goddess-less religion, Kara, of the violence of the male Ramahan and the