Joanna Russ - Picnic on Paradise

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Picnic on Paradise
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Picnic on Paradise
Joanna Russ
Hurled through time to a strange future world where unseen forces clashed in an
inexplicable war, Trans-Temporal Agent Alyx was given the job of guiding eight very
important tourists to a station of safety. Alyx seemed exactly right for the job: she
was tough, resourceful, and experienced in the hard hand-to-hand fighting of
Earth's barbaric past.
But when she found what traps and dangers she faced in this gleaming tomorrow,
even Alyx began to fear…
"The depth, humanity and craft of this novel are as rich as the situation is stark." —
Samuel R. Delany
"The yarn is a cluster of alien worlds evolving against the background of
Paradise: the harshly physical one of Alyx, the overly simplified deterministic one
of Machine, the wishful-thinking, artificial one of Gunnar. The most fascinating
thing is watching the picnickers choose what parts of the world around them they
want to believe; some learning to accept more of it as it's hammered home to
them, some learning to duck the more intolerable realities more efficiently than
before; the whole thing presented so convincingly that I really thought Miss Russ
was going to kill off her heroine. In fact, I'm still not quite sure she didn't...." —Hal
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Picnic on Paradise
Clement
JOANNA RUSS was born in 1937. She writes: "I spent my childhood half in the
Bronx Zoo and half in the Botanical Gardens. I remember being enchanted with
dinosaurs, mammoths, the Planetarium, all sorts of wild empty lots around my
house (the Bronx was wilder then). I was one of the top ten Westinghouse Science
Talent Search Winners in my last year in high school—a project on fungi. Most
people's prejudice against fungi is unwarranted. I decided at the STS convention
that I would rather go on with poetry. People told me: why don't you become a
science fiction writer? I just laughed.
"In 1957 I got out of Cornell with a B.A. in English. I spent three years at Yale
Drama School (pre-Brustein) learning how to write plays. I have continued to do so,
off and on, and a couple of these have been performed, one at Yale last year. I'm
now teaching writing at Cornell, which is very like the Bronx Botanical Gardens,
only larger and less tidy."
Joanna Russ's short stories have appeared in the major science fiction magazines,
as well as in literary magazines. PICNIC ON PARADISE is her first novel.
Copyright ©, 1968, by Joanna Russ
An Ace Book. All Rights Reserved.
Printed in U.S.A.
SHE WAS A SOFT-SPOKEN, DARK-HAIRED, SMALL-boned woman, not even
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Picnic on Paradise
coming up to their shoulders, like a kind of dwarf or miniature—but that was
normal enough for a Mediterranean Greek of nearly four millennia ago, before
super-diets and hybridization from seventy colonized planets had turned all
humanity (so she had been told) into Scandinavian giants. The young lieutenant,
who was two meters and a third tall, or three heads more than herself, very
handsome and ebony-skinned, said "I'm sorry, ma'am, but I cannot believe you're
the proper Trans-Temporal Agent; I think—" and he finished his thought on the
floor, his head under one of his ankles and this slight young woman (or was she
young? Trans-Temp did such strange things sometimes!) somehow holding him
down in a position he could not get out of without hurting himself to excruciation.
She let him go. She sat down on the balloon-inflated thing they provided for sitting
on in these strange times, looking curiously at the super-men and super-women,
and said, "I am the Agent. My name is Alyx," and smiled. She was in a rather good
humor. It still amused her to watch this whole place, the transparent columns the
women wore instead of clothing, the parts of the walls that pulsated in and out and
changed color, the strange floor that waved like grass, the three-dimensional
vortices that kept springing to life on what would have been the ceiling if it had only
stayed in one place (but it never did) and the general air of unhappy, dogged,
insistent, sad restlessness. "A little bit of home," the lieutenant had called it. He had
seemed to find particular cause for nostalgia in a lime-green coil that sprang out of
the floor whenever anybody dropped anything, to eat it up, but it was "not in proper
order" and sometimes you had to fight it for something you wanted to keep. The
people moved her a little closer to laughter. One of them leaned toward her now.
"Pardon me," said this one effusively—it was one of the ladies—"but is that face
yours? I've heard Trans-Temp does all sorts of cosmetic work and I thought they
might—"
"Why yes," said Alyx, hoping against hope to be impolite. "Are those breasts yours?
I can't help noticing—"
"Not at all!" cried the lady happily. "Aren't they wonderful? They're Adrian's. I mean
they're by Adrian."
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Picnic on Paradise
"I think that's enough," said the lieutenant.
"Only we rather wondered" said the lady, elevating her indigo brows at what she
seemed to have taken as an insult, "why you keep yourself so covered up. Is it a
tribal rite? Are you deformed? Why don't you get cosmetic treatment; you could
have asked for it, you know, I mean I think you could—" but here everybody went
pale and turned aside, just as if she had finally managed to do something offensive
and All I did, she thought, was take off my shift.
One of the nuns fell to praying.
"All right, Agent," said the lieutenant, his voice a bare whisper, "we believe you.
Please put on your clothes.
"Please, Agent," he said again, as if his voice were failing him, but she did not move,
only sat naked and cross-legged with the old scars on her ribs and belly showing in a
perfectly natural and expectable way, sat and looked at them one by one: the two
nuns, the lady, the young girl with her mouth hanging open and the iridescent beads
wound through three feet of hair; the bald-headed boy with some contraption
strapped down over his ears, eyes and nose, the artist and the middle-aged political
man, whose right cheek had begun to jump. The artist was leaning forward with his
hand cupped under one eye in the old-fashioned and nearly unbelievable pose of
someone who has just misplaced a contact lens. He blinked and looked up at her
through a flood of mechanical tears.
"The lieutenant," he said, coughing a little, "is thinking of anaesthetics and the lady
of surgery—I really think you had better put your clothes back on, by the way—and
as to what the others think I'm not so sure. I myself have only had my usual trouble
with these damned things and I don't really mind—"
"Please, Agent," said the young officer. "But I don't think," said the artist, massaging
one eye, "that you quite understand the effect you're creating."
"None of you has anything on," said Alyx. "You have on your history," said the
artist, "and we're not used to that, believe me. Not to history. Not to old she-wolves
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Picnic on Paradise
with livid marks running up their ribs and arms, and not to the idea of fights in
which people are neither painlessly killed nor painlessly fixed up but linger on and
die—slowly—or heal—slowly.
"Well!" he added, in a very curious tone of voice, "after all, we may all look like that
before this is over."
"Buddha, no!" gasped a nun.
Alyx put her clothes on, tying the black belt around the black dress. "You may not
look as bad," she said a bit sourly. "But you will certainly smell worse.
"And I," she added conversationally, "don't like pieces of plastic in people's teeth. I
think it disgusting."
"Refined sugar," said the officer. "One of our minor vices," and then, with an
amazed expression, he burst into tears.
"Well, well," muttered the young girl, "we'd better get on with it."
"Yes," said the middle-aged man, laughing nervously, 'People for Every Need,' you
know," and before he could be thoroughly rebuked for quoting the blazon of the
Trans-Temporal Military Authority (Alyx heard the older woman begin lecturing
him on the nastiness of calling anyone even by insinuation a thing, an agency, a
means or an instrument, anything but a People, or as she said "a People People") he
began to lead the file toward the door, with the girl coming next, a green tube in the
middle of her mouth, the two nuns clinging together in shock, the bald-headed boy
swaying a little as he walked, as if to unheard music, the lieutenant and the artist—
who lingered.
"Where'd they pick you up?" he said, blinking again and fingering one eye.
"Off Tyre," said Alyx. "Where'd they pick you up?"
"We," said the artist, "are rich tourists. Can you believe it? Or refugees, rather.
Caught up in a local war. A war on the surface of a planet, mind you; I don't believe
I've heard of that in my lifetime."
"I have," said Alyx, "quite a few times," and with the lightest of light pushes she
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Picnic on Paradise
guided him toward the thing that passed for a decent door, the kind of thing she had
run through, roaring with laughter, time after time at her first day at Trans-Temp,
just for the pleasure of seeing it open up like a giant mouth and then pucker shut in
an enormous expression of disgust.
"Babies!" she said.
"By the way," called back the artist, "I'm a flat-color man. What was your
profession?"
"Murderer," said Alyx, and she stepped through the door.
"Raydos is the flat-color man," said the lieutenant, his feet up on what looked
gratifyingly like a table. "Used to do wraparounds and walk-ins—very good walk-ins,
too, I have a little education in that line myself—but he's gone wild about something
called pigment on flats. Says the other stuff's too easy."
"Flats whats?" said Alyx.
"I don't know, any flat surface, I suppose," said the lieutenant. "And he's got those
machines in his eyes which keep coming out, but he won't get retinotherapy. Says he
likes having two kinds of vision. Most of us are born myopic nowadays, you know."
"I wasn't," said Alyx.
"Iris," the lieutenant went on, palming something and then holding it to his ear, "is
pretty typical, though: young, pretty stable, ditto the older woman—oh yes, her
name's Maudey—and Gavrily's a conamon, of course."
"Conamon?" said Alyx, with some difficulty.
"Influence," said the lieutenant, his face darkening a little. "Influence, you know. I
don't like the man. That's too personal an evaluation, of course, but damn it, I'm a
decent man. If I don't like him, I say I don't like him. He'd honor me for it."
"Wouldn't he kick your teeth in?" said Alyx.
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Picnic on Paradise
"How much did they teach you at Trans-Temp?" said the lieutenant, after a pause.
"Not much," said Alyx.
"Well, anyway," said the lieutenant, a little desperately, "you've got Gavrily and he's
a conamon, then Maudey—the one with the blue eyebrows, you know—"
"Dyed?" asked Alyx politely.
"Of course. Permanently. And the wienie—"
"Well, well!" said Alyx.
"You know," said the lieutenant, with sarcastic restraint, "you can't drink that stuff
like wine. It's distilled. Do you know what distilled means?"
"Yes," said Alyx. "I found out the hard way."
"All right," said the lieutenant, jumping to his feet, "all right! A wienie is a wienie.
He's the one with the bald head. He calls himself Machine because he's an idiotic
adolescent rebel and he wears that—that Trivia on his head to give himself twenty-
four hours a day of solid nirvana, station NOTHING, turns off all stimuli when you
want it to, operates psionically. We call it a Trivia because that's what it is and
because forty years ago it was a Tri-V and I despise bald young inexistential rebels
who refuse to relate!"
"Well, well," she said again.
"And the nuns," he said, "are nuns, whatever that means to you. It means nothing to
me; I am not a religious man. You have got to get them from here to there, 'across
the border' as they used to say, because they had money and they came to see
Paradise and Paradise turned into—" He stopped and turned to her.
"You know all this," he said accusingly.
She shook her head.
"Trans-Temp—"
"Told me nothing."
"Well," said the lieutenant, "perhaps it's best. Perhaps it's best. What we need is a
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Picnic on Paradise
person who knows nothing. Perhaps that's exactly what we need."
"Shall I go home?" said Alyx.
"Wait," he said harshly, "and don't joke with me. Paradise is the world you're on. It's
in the middle of a commercial war. I said commercial war; I'm military and I have
nothing to do here except get killed trying to make sure the civilians are out of the
way. That's what you're for. You get them" (he pressed something in the wall and it
turned into a map; she recognized it instantly, even though there were no sea-
monsters and no four winds puffing at the corners, which was rather a loss) "from
here to here," he said. "B is a neutral base. They can get you off-planet."
"Is that all?"
"No, that's not all. Listen to me. If you want to exterminate a world, you blanket it
with hell-bombs and for the next few weeks you've got a beautiful incandescent disk
in the sky, very ornamental and very dead, and that's that. And if you want to strip-
mine, you use something a little less deadly and four weeks later you go down in
heavy shielding and dig up any damn thing you like, and that's that. And if you want
to colonize, we have something that kills every form of animal and plant life on the
planet and then you go down and cart off the local flora and fauna if they're
poisonous or use them as mulch if they're usable. But you can't do any of that on
Paradise."
She took another drink. She was not drunk.
"There is," he said, "every reason not to exterminate Paradise. There is every reason
to keep her just as she is. The air and the gravity are near perfect, but you can't farm
Paradise."
"Why not?" said Alyx.
"Why not?" said he. "Because it's all up and down and nothing, that's why. It's
glaciers and mountains and coral reefs; it's rainbows of inedible fish in continental
slopes; it's deserts, cacti, waterfalls going nowhere, rivers that end in lakes of mud
and skies—and sunsets—and that's all it is. That's all." He sat down.
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"Paradise," he said, "is impossible to colonize, but it's still too valuable to mess up.
It's too beautiful." He took a deep breath. "It happens," he said, "to be a tourist
resort."
Alyx began to giggle. She put her hand in front of her mouth but only giggled the
more; then she let go and hoorawed, snorting derisively, bellowing, weeping with
laughter.
"That," said the lieutenant stiffly, "is pretty ghastly." She said she was sorry.
"I don't know," he said, rising formally, "just what they are going to fight this war
with. Sound on the buildings, probably; they're not worth much; and for the people
every nasty form of explosive or neuronic hand-weapon that's ever been devised.
But no radiation. No viruses. No heat. Nothing to mess up the landscape or the
ecological balance. Only they've got a net stretched around the planet that monitors
everything up and down the electromagnetic spectrum. Automatically, each
millisecond. If you went out in those mountains, young woman, and merely
sharpened your knife on a rock, the sparks would bring a radio homer in on you in
fifteen seconds. No, less."
"Thank you for telling me," said she, elevating her eyebrows.
"No fires," he said, "no weapons, no transporation, no automatic heating, no food
processing, nothing airborne. They'll have some infra red from you but they'll
probably think you're local wildlife. But by the way, if you hear anything or see
anything overhead, we think the best thing for all of you would be to get down on all
fours and pretend to be yaks. I'm not fooling."
"Poseidon!" said she, under her breath.
"Oh, one other thing," he said. "We can't have induction currents, you know. Might
happen. You'll have to give up everything metal. The knife, please."
She handed it over, thinking If I don't get that back—
"Trans-Temp sent a synthetic substitute, of course," the lieutenant went on briskly.
"And crossbows—same stuff—and packs, and we'll give you all the irradiated food
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we can get you. And insulated suits."
"And ignorance," said she. His eyebrows went up.
"Sheer ignorance," she repeated. "The most valuable commodity of all. Me. No
familiarity with mechanical transportation or the whatchamacallits. Stupid. Can't
read. Used to walking. Never used a compass in my life. Right?"
"Your skill—" he began.
From each of her low sandals she drew out what had looked like part of the
ornamentation and flipped both knives expertly at the map on the wall—both
hands, simultaneously—striking precisely at point A and point B.
"You can have those, too," she said.
The lieutenant bowed. He pressed the wall again. The knives hung in a cloudy swirl,
then in nothing, clear as air, while outside appeared the frosty blue sky, the snowy
foothills drawing up to the long, easy swelling crests of Paradise's oldest mountain
chain—old and easy, not like some of the others, and most unluckily, only two
thousand meters high.
"By God!" said Alyx, fascinated, "I don't believe I've ever seen snow before."
There was a sound behind her, and she turned. The lieutenant had fainted.
They weren't right. She had palmed them a hundred times, flipped them, tested
their balance, and they weren't right. Her aim was off. They felt soapy. She
complained to the lieutenant, who said you couldn't expect exactly the same
densities in synthetics, and sat shivering in her insulated suit in the shed, nodding
now and again at the workers assembling their packs, while the lieutenant appeared
and disappeared into the walls, a little frantically. "Those are just androids," said
Iris good-humoredly. "Don't nod to them. Don't you think it's fun?"
"Go cut your hair," said Alyx.
Iris's eyes widened.
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摘要:

PicniconParadisev2.0PicniconParadiseJoannaRussHurledthroughtimetoastrangefutureworldwhereunseenforcesclashedinaninexplicablewar,Trans-TemporalAgentAlyxwasgiventhejobofguidingeightveryimportanttouriststoastationofsafety.Alyxseemedexactlyrightfor hejob:shewastough,resourceful,andexperiencedinthehar...

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